Following on an initial sale to Mubi for U.S., U.K, Italy, Turkey and India, Brussels-based sales agency Be For Films has clinched its first tranche of sales to international distributors on Berlinale Encounters title “Azor,” the first feature from Swiss talent to track Andreas Fontana.
In new sales, Pamela Leu at Be For Films, part of the pan-European Playtime Group, has closed Spain (Vitrine Filmes), Portugal (Legendmain Filmes), Greece (Cinobo), Cis (Capella Film), China (Huanxi Media Group), Brazil (Vitrine Filmes) and, just this week, Switzerland (Xenix Filmdistribution).
The news deals mean that “Azor” has sold more of less half of the 15 major territories in the world.
“Azor” is produced by Eugenia Mumenthaler and David Epiney from Alina Film and co-produced by France’s Local Films, Argentina’s Ruda Cine and Swiss public broadcaster Rts.
The deals also show “Azor” shaping up as one of the standout Swiss titles...
In new sales, Pamela Leu at Be For Films, part of the pan-European Playtime Group, has closed Spain (Vitrine Filmes), Portugal (Legendmain Filmes), Greece (Cinobo), Cis (Capella Film), China (Huanxi Media Group), Brazil (Vitrine Filmes) and, just this week, Switzerland (Xenix Filmdistribution).
The news deals mean that “Azor” has sold more of less half of the 15 major territories in the world.
“Azor” is produced by Eugenia Mumenthaler and David Epiney from Alina Film and co-produced by France’s Local Films, Argentina’s Ruda Cine and Swiss public broadcaster Rts.
The deals also show “Azor” shaping up as one of the standout Swiss titles...
- 3/31/2021
- by John Hopewell
- Variety Film + TV
Pilar Palomero’s coming-of-age story The Girls took home the top prizes, including best picture, at the 35th annual Goya Awards on Saturday. The annual Spain awards show, hosted by Antonio Banderas, also saw Palomero’s drama win the prizes for new director, original screenplay and cinematography.
The 35th Goya Awards adopted a hybrid format due to the ongoing coronavirus pandemic and featured talent present and receive awards virtually or on-site at an audience-less Teatro del Soho CaixaBank. Among the Hollywood names presenting the event’s various awards were Pedro Almódovar, Penélope Cruz, J.A. Bayona, Alejandro Amenábar and Paz Vega. The ceremony also featured pre-recorded messages from a number of Hollywood names including Robert DeNiro, Al Pacino, Benicio del Toro, Laura Dern and Charlize Theron.
1492: Conquest of Paradise and Broken Embraces actress Angelina Molina took home the ceremony’s Honorary Goya award.
See the full list of winners at...
The 35th Goya Awards adopted a hybrid format due to the ongoing coronavirus pandemic and featured talent present and receive awards virtually or on-site at an audience-less Teatro del Soho CaixaBank. Among the Hollywood names presenting the event’s various awards were Pedro Almódovar, Penélope Cruz, J.A. Bayona, Alejandro Amenábar and Paz Vega. The ceremony also featured pre-recorded messages from a number of Hollywood names including Robert DeNiro, Al Pacino, Benicio del Toro, Laura Dern and Charlize Theron.
1492: Conquest of Paradise and Broken Embraces actress Angelina Molina took home the ceremony’s Honorary Goya award.
See the full list of winners at...
- 3/7/2021
- by Alexandra Del Rosario
- Deadline Film + TV
Pilar Palomero’s “Schoolgirls” (“Las Niñas”), a coming-of-age story and generational portrait of Spanish women who would now be in their 40s, swept an extraordinary and admirable 35th edition of Spain’s Goya Awards on Saturday, scooping best picture, new director, original screenplay and cinematography.
Salvador Calvo won best director for the three-part, Africa-set drama “Adú,” a Netflix pick-up produced by Telecinco Cinema, Ikiru Films and La Terraza Films that proved one of Spain’s biggest box office hits of last year, earning €6.3 million ($7.6 million) at the Spanish box office, promoted to the hilt by Telecinco Cinema parent Mediaset España.
Marking a milestone in his transition from Spanish heartthrob to character actor, Mario Casas won best actor for “No Matarás.” Patricia López Arnaíz took best actress for her role in “Ane is Missing,” a confident mother-daughter relationship drama-thriller melding psychological observation and social critique, set against the background of high-speed train construction in a 2009 Bilbao.
Salvador Calvo won best director for the three-part, Africa-set drama “Adú,” a Netflix pick-up produced by Telecinco Cinema, Ikiru Films and La Terraza Films that proved one of Spain’s biggest box office hits of last year, earning €6.3 million ($7.6 million) at the Spanish box office, promoted to the hilt by Telecinco Cinema parent Mediaset España.
Marking a milestone in his transition from Spanish heartthrob to character actor, Mario Casas won best actor for “No Matarás.” Patricia López Arnaíz took best actress for her role in “Ane is Missing,” a confident mother-daughter relationship drama-thriller melding psychological observation and social critique, set against the background of high-speed train construction in a 2009 Bilbao.
- 3/6/2021
- by John Hopewell and Emilio Mayorga
- Variety Film + TV
Programmers from leading international film festivals gathered for an online roundtable on the opening day of the International Film Festival Rotterdam’s IFFR Pro Days industry section to discuss the challenges posed by the ongoing pandemic. While expressing their hope to soon be able to present films on the big screen, they nevertheless touted at least some advantages to online presentations.
The IFFR’s 50th edition is itself taking place in two parts, the current online section and a more festive event planned for June that is to include outdoor presentations and cinema screenings.
Moderated by Rotterdam programmer Michelle Carey, the roundtable included Mar del Plata’s Cecilia Barrionuevo, Singapore’s Kuo Ming Jung, Claire Diao of Directors’ Fortnight in Cannes, Toronto’s Liane Cunje and Sergio Fant of the Berlinale.
Berlin’s February slot made it one of the few festivals to actually take place entirely physically last year before the coronavirus hit Europe.
The IFFR’s 50th edition is itself taking place in two parts, the current online section and a more festive event planned for June that is to include outdoor presentations and cinema screenings.
Moderated by Rotterdam programmer Michelle Carey, the roundtable included Mar del Plata’s Cecilia Barrionuevo, Singapore’s Kuo Ming Jung, Claire Diao of Directors’ Fortnight in Cannes, Toronto’s Liane Cunje and Sergio Fant of the Berlinale.
Berlin’s February slot made it one of the few festivals to actually take place entirely physically last year before the coronavirus hit Europe.
- 2/2/2021
- by Ed Meza
- Variety Film + TV
Salvador Calvo’s “Adú” leads the way at Spain’s annual Goya Awards nominations with 14 nods, including for best film and best director.
“Las niñas” and “Akelarre” followed with nine nominations each, while “Rosa’s Wedding” has eight.
In the running for the best film Goya are “Adú,” a Netflix acquisition; “Ane” by David Perez Sanudo; “La boda de Rosa” by Iciar Bollain; “Las niñas” by Pilar Palomero; and “Sentimental” by Cesc Gay.
Competing for the best direction Goya will be Salvador Calvo for “Adú”; Juanma Bajo Ulloa for “Baby”; Iciar Bollain for “La boda de Rosa”; and Isabel Coixet for “Nieva en Benidorm.”
In the running for best European film are Jan Komasa’s “Corpus Christi”; Florian Zeller’s “The Father”; Viggo Mortensen’s “Falling”; and Roman Polanski’s “An Officer and a Spy.”
Mortensen was the big draw at the 2020 San Sebastian Film Festival where “Falling” played, and where he received the Donostia Award.
“Las niñas” and “Akelarre” followed with nine nominations each, while “Rosa’s Wedding” has eight.
In the running for the best film Goya are “Adú,” a Netflix acquisition; “Ane” by David Perez Sanudo; “La boda de Rosa” by Iciar Bollain; “Las niñas” by Pilar Palomero; and “Sentimental” by Cesc Gay.
Competing for the best direction Goya will be Salvador Calvo for “Adú”; Juanma Bajo Ulloa for “Baby”; Iciar Bollain for “La boda de Rosa”; and Isabel Coixet for “Nieva en Benidorm.”
In the running for best European film are Jan Komasa’s “Corpus Christi”; Florian Zeller’s “The Father”; Viggo Mortensen’s “Falling”; and Roman Polanski’s “An Officer and a Spy.”
Mortensen was the big draw at the 2020 San Sebastian Film Festival where “Falling” played, and where he received the Donostia Award.
- 1/18/2021
- by Naman Ramachandran
- Variety Film + TV
Whether a viewer in 1896 or 2020, cinema has always been a dynamic and variable experience. Cinema as an event—as a manifestation of a meeting point between the art of moving images and an audience, big or small—has never fit any one definition, and this last year, so severely disrupted by a global pandemic, has deeply underscored the versatility and resilience of our great love.Our viewing this year, like that of so many, has been strange: compromised, confrontational, escapist, euphoric, painful, revelatory—encompassing all of the reactions one can have to film. How we encountered our favorite movies and most meaningful cinematic experiences of the year was hardly new: A by-now-normal mix of festivals, theatres, various subscription and transactional streaming services, as well as private screener links and gems buried on over-stuffed hard drives. But for most of the year, the communal experience shrunk to living rooms and glowing screens.
- 12/23/2020
- MUBI
Spain’s Luis López Carrasco picked up the Best International Film prize for his documentary “The Year of the Discovery” (“El año del descubrimiento”) on Sunday at Argentina’s Mar del Plata, the only Latin American film fest granted a Category A status by producers assn. Fiapf, placing it in the same league as Cannes, Venice, San Sebastian and Locarno, among others.
Given the restraints imposed by the pandemic, the festival hosted an online edition and offered free access to all Argentine residents.
Carrasco’s sophomore feature follows his debut film “El Futuro,” which premiered at Locarno and collected numerous awards on the festival circuit. “The Year of the Discovery” portrays the flipside of 1992 Spain, which celebrated hosting the Olympics Games in Barcelona and the World Expo in Seville while in Murcia, south-east Spain, enraged workers from the naval, mining and chemical sectors where companies were shut down, battled alongside students against the police,...
Given the restraints imposed by the pandemic, the festival hosted an online edition and offered free access to all Argentine residents.
Carrasco’s sophomore feature follows his debut film “El Futuro,” which premiered at Locarno and collected numerous awards on the festival circuit. “The Year of the Discovery” portrays the flipside of 1992 Spain, which celebrated hosting the Olympics Games in Barcelona and the World Expo in Seville while in Murcia, south-east Spain, enraged workers from the naval, mining and chemical sectors where companies were shut down, battled alongside students against the police,...
- 11/30/2020
- by Anna Marie de la Fuente
- Variety Film + TV
In today’s Global Bulletin, Atresmedia commissions a Spanish version of “RuPaul’s Drag Race,” Steve McQueen’s “Lovers Rock” trailer drops, Lightbox will produced a three-part docu-series about Sophie Toscan du Plantier for Netflix, Hardcash announces a new coronavirus doc for ITV, and the Seville and Zagreb festivals announce their 2020 winners.
Format
¡Hola Hola Hola! Media company World of Wonder is teaming with Spanish broadcaster Atresmedia and production company Buendía Estudios on “Drag Race Spain,” a new Spanish version of “RuPaul’s Drag Race” for Atresmedia’s SVOD platform Atresplayer Premium. The Spanish update adds to the list of previous format deals in Thailand, Chile, Canada, Netherlands, and “RuPaul’s Drag Race U.K.,” recently renewed for a second and third season.
Passion Distribution brokered the deal with Atresmedia and will distribute internationally, including an exclusive deal with Wow Presents Plus in the U.S., U.K and internationally, which will...
Format
¡Hola Hola Hola! Media company World of Wonder is teaming with Spanish broadcaster Atresmedia and production company Buendía Estudios on “Drag Race Spain,” a new Spanish version of “RuPaul’s Drag Race” for Atresmedia’s SVOD platform Atresplayer Premium. The Spanish update adds to the list of previous format deals in Thailand, Chile, Canada, Netherlands, and “RuPaul’s Drag Race U.K.,” recently renewed for a second and third season.
Passion Distribution brokered the deal with Atresmedia and will distribute internationally, including an exclusive deal with Wow Presents Plus in the U.S., U.K and internationally, which will...
- 11/16/2020
- by Jamie Lang
- Variety Film + TV
With Catalonia’s theatres shuttered because of health-and-safety measures, the 27th Barcelona Independent Film Festival is gearing up to take place online, via various digital platforms. Today, The Year of the Discovery, which has only just won an award at the 17th Seville European Film Festival (see the news), will open the 27th L’Alternativa Barcelona Independent Film Festival – with an added master class set to be given by its director, Luis López Carrasco, to boot. Given that movie theatres in Catalonia have been closed for weeks, on this occasion, the gathering will unspool entirely via the digital platforms Filmin, YouTube and Vimeo. Epicentro (Austria/France) by Hubert Sauper, the winner of the Grand Jury Prize for Best Documentary at the most recent Sundance, will be the event’s closing title and will be shown on Sunday 29th. In its Official Section for International Features, audiences will be able to watch ten titles.
- 11/16/2020
- Cineuropa - The Best of European Cinema
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