Jocelin Donahue is a thoughtful actress. Thoughtful films would be her genre: The former Nyu Sociology-History undergrad has starred in period pieces like The Burrowers, a horror-western that was as much about settling the wilderness of the West as about what beasts lurk beneath that harsh terrain. She has been in abstracted short films like The Masquerade and Express 831. Sitting with me in a room at the Four Seasons, draped in the catalog-sharp attire that befits her past career as a model, Jocelin tells me she is drawn to acting because she is fascinated by the formation of identity.
We are here because of a film that radiates identity—Ti West’s The House of the Devil, which is storming the festival circuit from Sheffield, UK to Austin, Texas...
Fixated on the “Satanic Panic” of the early 80s, The House of the Devil devotedly follows the cinematic trends of that era.
We are here because of a film that radiates identity—Ti West’s The House of the Devil, which is storming the festival circuit from Sheffield, UK to Austin, Texas...
Fixated on the “Satanic Panic” of the early 80s, The House of the Devil devotedly follows the cinematic trends of that era.
- 10/18/2009
- by M C Funk
- Planet Fury
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