Directed by
Cameron Labine |
Writing Credits
Cameron Labine | ... | (written by) |
Cast (in credits order)
Produced by
Lynne Stopkewich | ... | producer |
Stephanie Symns | ... | producer |
Melanie Walden | ... | associate producer |
Music by
Tygh Runyan |
Cinematography by
James Liston | ... | director of photography |
Editing by
Julian Clarke |
Casting By
Susan Taylor Brouse | ... | (as Susan Brouse) |
Production Design by
Matthew Finlason |
Art Direction by
Madeleine Grant |
Set Decoration by
Henry Thomas Earle | ... | (as Henry Earle) |
Spencer West |
Costume Design by
Jenifer Darbellay | ||
Heidi Nutley |
Makeup Department
Cindy Barlow | ... | key makeup artist |
Alison Kennedy-Parker | ... | key hair stylist |
Nikita Pennock | ... | makeup assistant |
Production Management
Bonnie R. Benwick | ... | production manager (as Bonnie Benwick) |
Stephanie Symns | ... | post-production supervisor |
Second Unit Director or Assistant Director
Greg Fawcett | ... | first assistant director |
Dan Mansfield | ... | second assistant director (as Daniel Mansfield) |
Sophie Ann Rooney | ... | second assistant director: additional shooting |
Odessa Shuquaya | ... | trainee assistant director |
Patricia Dyer Walden | ... | first assistant director (as Patricia Walden) |
Art Department
Morgan Brown | ... | set dresser |
Taira Ebihara | ... | art department production assistant |
S.B. Edwards | ... | props master: pre-production (as Sara Beth Edwards) |
Tyler Evans | ... | on-set decorator |
Colin Fotherby | ... | carpenter |
M. Renée Fulsom | ... | art department production assistant (as M. Renee Fulsom) |
Linda Ganderton | ... | props master |
Nathan Gogol | ... | set dresser |
Katie Kreter | ... | paint assistant |
Graeme Morgan | ... | on-set props |
Sean Osborne | ... | art department coordinator: additional shooting / construction coordinator / paint coordinator |
Annie Ospina | ... | art department production assistant |
Steve Scott | ... | graphic designer |
Jen Smyth | ... | paint assistant (as Jennifer Smythe) |
Andrea Sutherland | ... | paint assistant |
James Wu | ... | set dresser |
Ester Bovard | ... | set dresser (uncredited) |
Sound Department
Stephane Bourgeault | ... | boom operator |
Matt Dawson | ... | adr mixer (as Mathew Dawson) |
Peter Eliuk | ... | mix technician |
Jeremy Duayne Elzinga | ... | technical support (as Jeremy Elzinga) |
Amy Giammarco | ... | post audio manager |
Dean Giammarco | ... | re-recording mixer |
Nick Kenworthy | ... | boom operator |
Jillian Levey | ... | boom operator: additional shooting |
Luke Mathers | ... | foley editor |
Roderick Matte | ... | production sound mixer |
Maureen Murphy | ... | foley artist |
Matt Price | ... | production sound mixer: additional shooting |
Bill Sheppard | ... | re-recording mixer |
Gordon Sproule | ... | foley mixer |
Elaine Stef | ... | assistant foley walker |
Kerry Uchida | ... | dialogue editor (as Huebert Finkelstein) / sound designer / sound effects editor |
Visual Effects by
Mike Bernard | ... | graphics designer |
Bienvenido Cruz | ... | graphics designer |
Krista Lomax | ... | graphics designer |
Joel Tong | ... | visual effects editor |
Krista Lomax | ... | digital effects artist (uncredited) |
Camera and Electrical Department
Sebastian Andexer | ... | camera trainee |
Satu Bell | ... | stills photographer |
Sven Boeker | ... | gallery photographer (as Sven Boekers) |
Adam Bunz | ... | lamp operator |
Cody Chaban | ... | grip |
Scooter Corkle | ... | rigging electric (as R. Scooter Corkle) |
Alex Zeek Cywink | ... | grip (as Alex [Zeek] Cywink) |
Mark Efford | ... | best boy grip |
Will Fitzpatrick | ... | grip |
Terry Garnett | ... | camera trainee |
Peter Hagge | ... | best boy electric / rigging gaffer |
Daniel Jensen | ... | lamp operator |
Desoray Kencayd | ... | grip |
Adrian Konstant | ... | first assistant camera |
Cherie Korol | ... | first assistant camera |
Martin Kostian | ... | lamp operator (as Martin Kostion) |
Trevor Leyenhorst | ... | lamp operator |
David Lourie | ... | first assistant camera |
Catherine Lutes | ... | gaffer |
Heidi Lutter | ... | photography assistant |
Nathan McTague | ... | first assistant camera (as Nathan Mctague) |
Phil Messenger | ... | grip |
Jeffrey Mueller | ... | key grip |
Colton Organ | ... | grip |
Leanne Pedersen | ... | stills photographer (as Leanne Pederson) |
Larry Portmann | ... | first assistant camera |
Dana Powers | ... | rigging electric (as Dana Wutzke) |
Ed Iverson | ... | electrician (uncredited) |
Casting Department
Lisa Ratke | ... | extras casting |
Graham Wickstrom | ... | casting assistant |
Costume and Wardrobe Department
Devora Brown | ... | costume assistant |
Neil McBride | ... | costume assistant (as Neil Mcbride) |
Nikita Pennock | ... | costume assistant |
Editorial Department
Michael Addison | ... | assistant editor (as Mike Addison) |
Aynsley Baldwin | ... | assistant editor |
Christopher Lasko | ... | assistant editor (as Chris Lasko) |
Seán Travers | ... | digital intermediate colorist |
Location Management
Michael Cates | ... | location manager (as Mike Cates) |
Linda Yip | ... | assistant location manager |
Music Department
Mike Gittens | ... | additional music recording engineer: The Hive |
Chris Kelly | ... | music controller: Lemur control surface / musician: percussion |
Tony Koelwyn | ... | musician: drums & percussion |
Tygh Runyan | ... | original music recordist / performer: original music |
Rich Walters | ... | music editor |
Script and Continuity Department
Luke Bradshaw | ... | script supervisor |
Additional Crew
Lindsay Allikas | ... | epk: Movieset.com |
Karen Andreassen | ... | production assistant |
Violet Barisoff | ... | craft service: additional shooting / first aid: additional shooting |
Bill Bonney | ... | technical consultant |
Luke T. Campbell | ... | i t specialist: Re-Wired Networks (as Luke Campbell) |
Doran Chandler | ... | production legal counsel: Roberts & Stahl |
Neal Cochrane | ... | double: Lewis |
Bienvenido Cruz | ... | titles |
Gary Fisher | ... | story editor |
Lorrin Gary | ... | accounting clerk (as Lauren Moffat) |
Blaine G. Houserman | ... | production accountant (as Blaine Houserman) |
Ed Iverson | ... | production assistant |
Meggan Kenefick | ... | key production assistant |
Anja Liimatainen | ... | production coordinator |
David Metz | ... | key production assistant |
Lindsay Moffat | ... | post-production accountant |
Graeme Morgan | ... | computer playback |
Jason Moskie | ... | on-set assistant location manager: additional shooting |
Shaun Moskie | ... | on-set location manager: additional shooting |
Kathryn Perkins | ... | unit publicity |
Terry Powers | ... | production assistant |
Lynne Stopkewich | ... | story consultant |
Ada Todd | ... | craft service / first aid |
Sean Wolput | ... | key production assistant: additional shooting |
Thanks
Eric Amadio | ... | special thanks |
Cam Andrews | ... | acknowledgment: selected artwork courtesy of / special thanks |
Karen Anshelm | ... | special thanks |
Daniel Baas | ... | special thanks (as Dan Baas) |
Will Bamberg | ... | special thanks |
Chris Bony | ... | acknowledgment: selected artwork courtesy of |
Ester Bovard | ... | special thanks |
David Bowes | ... | acknowledgment: Techno-Saint |
Chris Campbell | ... | acknowledgment: punch card photograph courtesy of |
Brody Charles | ... | special thanks |
Jessica Cheung | ... | special thanks |
Elmer Dela Cruz | ... | special thanks (as Elmar Dela Cruz) |
Suzan Derkson | ... | special thanks (as Suzan Derkson Mcleod) |
John Dippong | ... | special thanks: Telefilm Canada |
Tim Dutertre | ... | special thanks |
Declan Edwards-Clayton | ... | special thanks |
Julian Edwards-Clayton | ... | special thanks |
Dean English | ... | special thanks |
Brian Eno | ... | special thanks |
Tom Erbe | ... | special thanks |
Deanne Esdale | ... | special thanks |
Leah Finker | ... | special thanks |
Jessica Fraser | ... | special thanks (as Jess Fraser) |
Calli Gazetas | ... | acknowledgment: selected artwork courtesy of (as Calliope Gazetas) |
Michael Gazetas | ... | special thanks |
Nicholas Gladding | ... | special thanks |
Nathan Gogol | ... | special thanks |
Brad Gough | ... | special thanks |
Tiffany Grimes | ... | special thanks |
Kim Hsu Guise | ... | special thanks: Telefilm Canada (as Kim Guise) |
Geoff Gustafson | ... | acknowledgment: Cyber Angel |
Neil Haggquist | ... | special thanks |
Brian Hammond | ... | special thanks |
Erin Haskett | ... | special thanks |
Stephen Hegyes | ... | acknowledgment: Cyber Angel |
Clare Hodge | ... | special thanks |
Bill Hurst | ... | special thanks: Telefilm Canada |
Christopher Jacot | ... | special thanks (as Chris Jacot) |
Garin Josey | ... | extra special thanks: William F. White International Inc. (as Garin Josal) |
Sri Sai Kaleshwar | ... | special thanks |
Janet Kendrick | ... | special thanks |
Scott Kennedy | ... | extra special thanks: Film Finances Canada |
Kathrin Krückeberg | ... | special thanks (as Kathrin Krueckeberg) |
Doug Labine | ... | acknowledgment: Cyber Angel |
Karen Labine | ... | special thanks |
Kyle Labine | ... | special thanks |
Tyler Labine | ... | acknowledgment: Cyber Angel |
Allison Laing | ... | special thanks |
Tristan Laing | ... | special thanks |
Martin Larsen | ... | extra special thanks: Red Square Salon |
Arvi Liimatainen | ... | extra special thanks |
Sarah Lind | ... | special thanks |
Catherine Lough Haggquist | ... | special thanks |
Jennifer Mackay | ... | extra special thanks: The Block |
Elan Mastai | ... | special thanks |
Chris Maybury | ... | extra special thanks: Panavision |
Ben McEwing | ... | special thanks |
Jason Mcnamar | ... | special thanks |
Gregory Middleton | ... | acknowledgment: Cyber Angel (as Greg Middleton) |
Peter Munro | ... | special thanks |
Aubrey Nealon | ... | special thanks |
Ross Orr | ... | acknowledgment: 1956 barbeque photograph courtesy of |
Adam Osten | ... | extra special thanks: Panavision (as Adam Ostin) |
John Pantages | ... | special thanks |
Karol Pivon | ... | special thanks |
Karen Powell | ... | extra special thanks |
Shawn Rafuse | ... | special thanks |
Terry Riley | ... | special thanks |
Peter Roeck | ... | acknowledgment: Cyber Angel |
Sophie Ann Rooney | ... | special thanks |
Jose Ruiz | ... | special thanks |
Miguel Ruiz | ... | special thanks (as Miguel) |
Carrie Ruscheinsky | ... | special thanks |
Noah Sawchuk | ... | special thanks |
Peter Schmidt | ... | special thanks |
Clinton Shorter | ... | special thanks |
Nakiah Shuquaya | ... | special thanks |
Matt Sinclair | ... | special thanks (as Matt Sinclair-Foreman) |
Brendan Smith | ... | special thanks |
Dylan Akio Smith | ... | special thanks |
Scott Smith | ... | extra special thanks |
Sarah Steinberg | ... | acknowledgment: selected artwork courtesy of |
Jim Sternberg | ... | extra special thanks: Film Finances Canada |
Colin Stewart | ... | special thanks |
Lynne Stopkewich | ... | acknowledgment: Techno-Saint (as Lynne Stopkewich Inc) |
Walter Stopkewich | ... | acknowledgment: Techno-Saint |
Andrea Sutherland | ... | special thanks |
Thierry Tanguy | ... | special thanks |
Doug Taylor | ... | special thanks |
Mai Thompson | ... | acknowledgment: selected artwork courtesy of |
Rob Thompson | ... | acknowledgment: selected artwork courtesy of |
Maya Tong | ... | special thanks |
Jan Wade | ... | acknowledgment: selected artwork courtesy of / special thanks |
Melanie Walden | ... | acknowledgment: Cyber Angel |
Mary Anne Waterhouse | ... | special thanks |
Nancy Yu | ... | special thanks |