★★★☆☆ Completing the BFI's accumulative DVD collection of ghost story adaptations, which over the years became a staple of the BBC's Christmas and New Year programming, come two contemporary made chillers from renowned British writer M. R. James. Both A View From A Hill (2005), directed by Luke Watson and starring Mark Letheren, and follow-up Number 13 (2006), directed by Pier Wilkie with Greg Wise taking the lead, are clear examples of the Auntie Beeb trying to revive the tradition they started in the late 1960s - though unfortunately, without quite the same degree of sinister success.
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- 10/29/2012
- by CineVue UK
- CineVue
Hammer Blu-rays The Devil Rides Out (1968, dir. Terence Fisher)
Hammer applies its trademark Gothic veneer with considerably greater care than usual in this, the second and best of the company's three stabs at the satanic stylings of author Dennis Wheatley. Christopher Lee comes over to the light for a rare foray as central hero the Duc de Richleau, teaming up with friend Rex van Rijn (Leon Greene) to prevent the evil Satanist Mocata (Charles Gray) from enmeshing the son of his old friend (Patrick Mower) into a devil-worshipping cult.
The Devil Rides Out is perhaps best remembered for what Lee argues in his commentary to be Hammer's most enduring image, that of our heroes fighting a series of spectral and psychological nemeses from within the protective confines of a ritual circle. And yet the most chilling scene contains no special effects, but is instead a simple conversation between the wife...
Hammer applies its trademark Gothic veneer with considerably greater care than usual in this, the second and best of the company's three stabs at the satanic stylings of author Dennis Wheatley. Christopher Lee comes over to the light for a rare foray as central hero the Duc de Richleau, teaming up with friend Rex van Rijn (Leon Greene) to prevent the evil Satanist Mocata (Charles Gray) from enmeshing the son of his old friend (Patrick Mower) into a devil-worshipping cult.
The Devil Rides Out is perhaps best remembered for what Lee argues in his commentary to be Hammer's most enduring image, that of our heroes fighting a series of spectral and psychological nemeses from within the protective confines of a ritual circle. And yet the most chilling scene contains no special effects, but is instead a simple conversation between the wife...
- 9/30/2012
- Shadowlocked
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