The City on the Edge of Forever
- Episode aired Apr 6, 1967
- TV-PG
- 50m
IMDb RATING
9.2/10
6.6K
YOUR RATING
When a temporarily insane Dr. McCoy accidentally changes history and destroys his time, Kirk and Spock follow him to prevent the disaster, but the price to do so is high.When a temporarily insane Dr. McCoy accidentally changes history and destroys his time, Kirk and Spock follow him to prevent the disaster, but the price to do so is high.When a temporarily insane Dr. McCoy accidentally changes history and destroys his time, Kirk and Spock follow him to prevent the disaster, but the price to do so is high.
Bart La Rue
- Guardian
- (voice)
- (as Bartell La Rue)
Walter Bacon
- Onlooker on Street
- (uncredited)
Bill Blackburn
- Lieutenant Hadley
- (uncredited)
Bill Borzage
- Drunk
- (uncredited)
Dick Cherney
- Passerby on Sidewalk
- (uncredited)
Noble 'Kid' Chissell
- Server
- (uncredited)
Jane Crowley
- Onlooker on Street
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaTo emphasize on the extremely high age of the Guardian in the upper millions, or well into the billions, the starfield of its planet is surrounded by red dwarfs and red giants.
- GoofsIn establishing scenes, the completed Empire State Building can be seen as part of the NYC skyline. Construction on the building didn't begin until early 1930, and wasn't finished until mid-1931.
- Crazy creditsScript Supervisor George Rutter is written as "SCPIPT SUPERVISOR...GEORGE A. RUTTER" in the credits. This happened on numerous other episodes in season one.
- Alternate versionsSpecial Enhanced version Digitally Remastered with new exterior shots and remade opening theme song
- ConnectionsEdited from TrekCulture: 10 Greatest Final Lines In Star Trek Episodes (2022)
- SoundtracksTheme From Star Trek
Written by and credited to Alexander Courage
Featured review
Probably the best of all...
This episode has it all, a wonderfully written story, catchy title, superb acting, and an unhappy but necessary ending. I recall this story sticking with me through the end of the first season and into the second. The hallmark of a great story is it's staying power, and "City" certainly has it.
First, the writing. As much controversy there is after the fact as to what Roddenberry did or didn't do with Harlan Ellison's original storyline, the fact remains that it is a dynamite story and incredibly well-crafted for the depth of character development and the continuity of the storyline. What can you say about Ellison as a sci-fi writer that hasn't already been said? The guy is a genius, pure and simple. I simply can't imagine a greater contemporary writer. He is one of a Pantheon of great writers, Heinlein, Bradbury, Clarke. That a series like Star Trek would be able to tap his talents is a real feather in their cap.
Regular actors Shatner, Nimoy, and Kelly deliver perhaps their finest performances of the series in this episode. Shatner doesn't miss a beat in his movement from dispassionate mission achievement to a genuine love interest in the Joan Collins character. And Joan Collins demonstrates here her depth as a serious actress. Her portrayal of compassionate social worker Edith Keeler is spot-on. She isn't just another pretty face, another attractive female for Kirk to conquer. She draws him in with her passion for helping others and her gifted insight into the necessity of forging a better destiny for mankind, one individual at a time. Her tragic fate is a mirror for the seemingly senseless and avoidable tragedies of the 20th century. A person dedicated to the service and well-being of others must die prematurely to prevent a greater tragedy. Certainly the eternal question and mystery of our lifetime.
Anyway, "City" is probably my favorite of many favorite episodes of this classic series. Many thanks to Harlan Ellison and Gene Roddenberry for such a masterful presentation of a great story.
First, the writing. As much controversy there is after the fact as to what Roddenberry did or didn't do with Harlan Ellison's original storyline, the fact remains that it is a dynamite story and incredibly well-crafted for the depth of character development and the continuity of the storyline. What can you say about Ellison as a sci-fi writer that hasn't already been said? The guy is a genius, pure and simple. I simply can't imagine a greater contemporary writer. He is one of a Pantheon of great writers, Heinlein, Bradbury, Clarke. That a series like Star Trek would be able to tap his talents is a real feather in their cap.
Regular actors Shatner, Nimoy, and Kelly deliver perhaps their finest performances of the series in this episode. Shatner doesn't miss a beat in his movement from dispassionate mission achievement to a genuine love interest in the Joan Collins character. And Joan Collins demonstrates here her depth as a serious actress. Her portrayal of compassionate social worker Edith Keeler is spot-on. She isn't just another pretty face, another attractive female for Kirk to conquer. She draws him in with her passion for helping others and her gifted insight into the necessity of forging a better destiny for mankind, one individual at a time. Her tragic fate is a mirror for the seemingly senseless and avoidable tragedies of the 20th century. A person dedicated to the service and well-being of others must die prematurely to prevent a greater tragedy. Certainly the eternal question and mystery of our lifetime.
Anyway, "City" is probably my favorite of many favorite episodes of this classic series. Many thanks to Harlan Ellison and Gene Roddenberry for such a masterful presentation of a great story.
helpful•347
- joseph t
- Sep 2, 2007
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