Don't Open Till Doomsday
- Episode aired Jan 20, 1964
- 51m
On the night of her marriage in 1929, Mrs. Harvey Kry's husband suddenly disappeared. He made the mistake of unwrapping a gift labeled "Don't Open Till Doomsday.On the night of her marriage in 1929, Mrs. Harvey Kry's husband suddenly disappeared. He made the mistake of unwrapping a gift labeled "Don't Open Till Doomsday.On the night of her marriage in 1929, Mrs. Harvey Kry's husband suddenly disappeared. He made the mistake of unwrapping a gift labeled "Don't Open Till Doomsday.
- Vivia Balfour Hayden
- (as Melinda Plowman)
- Box Creature
- (voice)
- (uncredited)
- Control Voice
- (voice)
- (uncredited)
- Director
- Writers
- Joseph Stefano
- Leslie Stevens(uncredited)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis episode takes place in 1929 and 1964.
- GoofsWhen the man delivers the wedding gift at the door, he tells the butler, "For the newlyweds," but his mouth isn't moving.
- Quotes
Control Voice: The greatness of evil lies in its awful accuracy. Without that deadly talent for being in the right place at the right time, evil must suffer defeat. For unlike its opposite, good, evil is allowed no human failings, no miscalculations. Evil must be perfect, or depend upon the imperfections of others.
This wonderful episode opens in 1929, in the small town of Winterfield, on the wedding day of Harvey Kry (well played by David Frankham) and his bride Mary. A wrapped box is delivered to their house, where the festivities are in full swing. When Harvey peers into the box--which is pierced with a peephole of sorts, out of which flashes a mysterious light--he is somehow sucked inside, never to be seen again. Flash forward 35 years. Now, another couple, a pair of elopers, is about to be married: Gard Hayden (Buck Taylor) and his bride Vivia (Melinda Plowman). The wife of the local justice of the peace (Nellie Burt, who would go on to appear in "OL" episode #26, "The Guests") steers the couple to the Kry house to spend their honeymoon night ("even heaven itself couldn't find you there," she tells them, ominously). There, the newlyweds encounter Mary Kry (the great '30s and '40s actress Miriam Hopkins), who has been waiting for the reappearance of her lost husband all these decades, and who maneuvers the couple into the vicinity of that mysterious box, in the hopes of getting them sucked in, and her lost husband released. And yes, as it turns out, her husband IS still very much alive in there, still young in the box's ageless limbo, and sharing the space with a very ugly alien being, indeed. And things only get more complicated when Vivia's father (played by the great character actor John Hoyt, who had just starred, the previous year, in both "Cleopatra" AND "X: The Man With the X-Ray Eyes") comes to the Kry residence, looking for the runaway pair....
Viewers wanting to peruse what must be the definitive examination of this wonderful hour would be advised to read David Schow's insightful article in his indispensable "Outer Limits Companion" volume, an article that discusses all the Freudian symbolism and sexual frustration that the episode dishes out in spades. The episode features an alien monster that Schow describes as being a "feculent blob," and that has been elsewhere less elegantly termed "the turd creature." It is a truly memorable creation, whatever one chooses to call it. But even more memorable than El Turdo itself is the character that Hopkins created for this film, an insane grotesque who manages to make such a strong impression on the viewer that I feel the actress should have been given some kind of Emmy Award for her work here. Her overly made-up visage is very much on a par with Jane Hudson's--there are even similar sequences in the two films, of the aged biddies applying their lipstick in close-up--and is used to shock and startle the audience just as much as the sight of the alien monster. On at least two occasions, we are given shock cuts of Mrs. Kry's face in close-up, and the scenes DO manage to startle. Hopkins--who had starred with Davis on two occasions, in 1939's "The Old Maid" and 1943's "Old Acquaintance--easily steals the show here, but the episode has lots more to offer than her exquisitely sad and ghoulish portrayal, having been created by one of my favorite triumvirates of "OL" talent. It features a wonderful script from "OL" producer Joseph Stefano, expert direction from Gerd Oswald, and always interesting cinematography from DOP Conrad Hall (just take a gander at the lighting in the stairwell of the Kry residence, and the swirling mists that seem to perpetually float inside that darn alien box!). The result is one extraordinarily strange and atmospheric hour of television, with a truly one-of-a-kind story line (illogical as it may be), and one of "The Outer Limits"'s finest offerings. To be succinct, despite all the many questions that the episode leaves unanswered, it is one of this viewer's Top 10 favorites....
- ferbs54
- May 16, 2017
Details
- Runtime51 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
- 4:3