Directed by
| Karen Arthur | ||
Writing Credits
| Barbara Avedon | ... | (creator) & |
| Barbara Corday | ... | (creator) |
| Leo E. Arthur | ... | (written by) |
Cast (in credits order)
| Tyne Daly | ... | Mary Beth Lacey | |
| Sharon Gless | ... | Christine Cagney | |
| Al Waxman | ... | Lt. Bert Samuels | |
| Carl Lumbly | ... | Mark Petrie | |
| Martin Kove | ... | Victor Isbecki | |
| Sidney Clute | ... | Paul La Guardia | |
| John Karlen | ... | Harvey Lacey | |
| Michael Madsen | ... | Boyd Evans Strout | |
| Lance Henriksen | ... | Sgt. King | |
| Basil Hoffman | ... | Lt. Palmer | |
| Gary Wood | ... | Police Lt. Talbot - SWAT Commander | |
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Stan Sells | ... | Officer Kelsey |
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Gloria Carlin | ... | Det. Fickett |
| Charles Walker | |||
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Dean Cohen | ||
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Ken Del Conte | ||
| Rest of cast listed alphabetically: | |||
| David Eisen | |||
Produced by
| Steve Brown | ... | producer |
| Terry Louise Fisher | ... | producer |
| P.K. Knelman | ... | associate producer |
| Peter Lefcourt | ... | producer |
| Barney Rosenzweig | ... | executive producer |
Cinematography by
| Tom Neuwirth | ... | director of photography |
Editing by
| Geoffrey Rowland | ||
Art Direction by
| Bonnie Scott | ||
Set Decoration by
| Jeannie Laughlin | ||
Makeup Department
| Eddie M. Barron | ... | hair stylist |
| Carolyn Elias | ... | hair stylist |
| John Norin | ... | makeup artist |
Production Management
| Mick McAfee | ... | post-production supervisor |
| Stanley Neufeld | ... | executive in charge of production |
| Dick Reilly | ... | post-production supervisor |
| Ralph S. Singleton | ... | production manager (as Ralph Singleton) |
Second Unit Director or Assistant Director
| Burt Burnam | ... | second assistant director |
| Paula Marcus | ... | first assistant director |
Art Department
| Gerald Wade | ... | property master |
Sound Department
| Maury Harris | ... | sound mixer |
| Ben Sobin | ... | sound recordist |
| Vanessa Theme Ament | ... | sound effects editor (uncredited) |
| John Asman | ... | re-recording mixer (uncredited) |
| Bill Nicholson | ... | re-recording mixer (uncredited) |
| Ken S. Polk | ... | re-recording mixer (uncredited) |
Camera and Electrical Department
| Frank Detone Jr. | ... | grip |
| Michael Genne | ... | camera operator |
| Bob Rust | ... | key grip |
| Robert Woodside | ... | gaffer |
Costume and Wardrobe Department
| Tom Numbers | ... | wardrobe |
| Judy Sabel | ... | costume supervisor |
Editorial Department
| Susanne Gervay | ... | negative cutter |
| Randy Jon Morgan | ... | assistant editor |
Location Management
| Michael R. Casey | ... | location manager |
| Robert Brooks Mendel | ... | key assistant location manager (uncredited) |
Music Department
| Bill Conti | ... | composer: theme music |
| Terri Fricon | ... | music supervisor |
| John Mick | ... | music editor (uncredited) |
Script and Continuity Department
| Joyce Webb | ... | script supervisor |
Transportation Department
| Dale Henry | ... | transportation coordinator |
Additional Crew
| Tom Brocato | ... | publicity and marketing |
| Bruce Bryant | ... | main title design |
| James Castle | ... | main title design |
| Barbara Corday | ... | creative consultant |
| David Eisen | ... | jimmy the computer cop |
| Paul Glanzman | ... | technical advisor (as Lt. Paul Glanzman) |
| Jim House | ... | main title design (as James House) |
| Eloise Davis Robinson | ... | technical advisor (as Det. Eloise Davis Robinson) |
| Barbara Rosing Hoke | ... | production coordinator (as Barbara Rosing) |
| Ramona Teisan | ... | production controller |
| Norman Webster | ... | production auditor |
| Jack Wood | ... | coordinating motor officer |
