Directed by
| Jeff Broadstreet | ||
Writing Credits
| Robert Valding | ... | (screenplay) |
| George A. Romero | ... | (1968 screenplay) |
| Jeff Broadstreet | ... | (uncredited) |
| John A. Russo | ... | (1968 screenplay) |
Cast (in credits order)
Produced by
| Laszlo Bene | ... | line producer |
| Jeff Broadstreet | ... | producer |
| Ingo Jucht | ... | executive producer |
Music by
| Jason Brandt | ||
Cinematography by
| Andrew Parke | ||
Editing by
| Robert Valding | ||
Casting By
| Mark Sikes | ||
Production Design by
| Chris Davis | ||
Art Direction by
| Josh Ritcher | ||
Set Decoration by
| Yvonne von Wallenberg | ||
Costume Design by
| Lisa Norcia | ||
Makeup Department
| Jennifer Albrecht | ... | key makeup artist |
| Justin Apone | ... | special makeup effects artist |
| Jerri Lynn Ayer | ... | key hair stylist (as Jerri Lynn Marlborough) |
| Dean Jones | ... | effects makeup designer |
| Starr Jones | ... | key makeup effects |
| Christopher James Miller | ... | assistant makeup artist |
| Andy Krawiec | ... | makeup artist (uncredited) |
Production Management
| Laszlo Bene | ... | production manager |
Second Unit Director or Assistant Director
| Mimi Mui | ... | first assistant director |
| James Roddy | ... | second second assistant director |
| Kasia Skorynkiewicz | ... | second assistant director |
| Robert Valding | ... | second unit director |
Art Department
| Veva Burns | ... | title logo designer |
| Jesse P. Emmert | ... | artwork: farmhouse |
| Maxwell Fasen | ... | set dresser |
| Bruce Schiller | ... | mortuary prop rentals: Post Mortem Studio Rentals |
Sound Department
| Jose Barocio Jr. | ... | boom operator (as Jose Barocio) |
| Kyle Billingsley | ... | dialogue editor |
| Jim Lakin | ... | sound mixer |
| Doug Reed | ... | foley artist |
| Kurt Thum | ... | sound designer / sound effects editor |
| Beth Wallan | ... | assistant sound editor |
| Garrard Whatley | ... | re-recording mixer / supervising sound editor |
Special Effects by
| Manuel Beccaro | ... | special effects makeup |
Visual Effects by
| Adam Lima | ... | lead digital effects artist |
| Robert Valding | ... | digital effects artist |
Stunts
| Kim Robert Koscki | ... | stunt coordinator |
Camera and Electrical Department
| Chelsea Coleman | ... | still photographer |
| Michael Dermen | ... | additional grip |
| Brian Felton | ... | grip |
| Jim Firios | ... | first assistant camera |
| Jerry Hill | ... | steadicam operator |
| Yordi Martinez | ... | assistant camera |
| Dante Mazzola | ... | first assistant camera: second unit |
| Scott McCleary | ... | electrician |
| Chris Norris | ... | dolly grip |
| Scott Resnick | ... | second assistant camera |
| John Rogers | ... | gaffer |
| Joseph M. Setele | ... | camera operator / director of photography: second unit |
| Daniel L. Symmes | ... | technical director: Natural Vision 3D |
Costume and Wardrobe Department
| Sarah Jeanne Mgeni | ... | assistant costume designer |
Editorial Department
| Kenneth Armstrong | ... | digital intermediate technical director |
| Teague Cowley | ... | additional colorist |
| Andrew Huebscher | ... | colorist |
| Steve Lemley | ... | color timer |
| Bobby Maruvada | ... | on-line editor |
Music Department
| Lisa K. Fowle | ... | music editor |
Script and Continuity Department
| Rachel Howard | ... | script supervisor |
| Lolita A. O'Connor | ... | additional script supervisor |
Additional Crew
| Chelsea Coleman | ... | production assistant |
| Wil Evans | ... | production coordinator |
| Paul Greenstein | ... | gun wrangler |
| Stephen J. Healey | ... | contact lens examinations: Eyeexam |
| Elizabeth Kirby | ... | production assistant |
| Brian La Rosa | ... | movement coordinator: zombie |
| Lolita A. O'Connor | ... | production assistant |
| James Roddy | ... | production assistant |
Thanks
| R.C. Rosenbalm | ... | for |
