Early predictions have emerged for most Academy Award categories. As the studios reveal their hopeful offers to be released in the final months of the year, the speculation increases. But despite all the information available on the centerpiece awards, other more obscure races remain a complete mystery at this point. Among these, the Best Foreign Language Film Oscar is almost certainly the most complex to prognosticate. The lengthy process that precedes the announcement of the final nominees makes for a competition that begins months in advance in nations around the globe.Having the opportunity to submit only one film, each country must carry out its own selection process. Once these decisions have been made, their chosen works will compete to make it to the nine-film shortlist, and eventually into the final five slots. Although this procedure allows for a certain degree of democracy, it also excludes all those other films that were left behind in their homelands. This, in turn, gives us a narrow view of what is being produced abroad.
Therefore, after lots of research and arduous educated guessing to put it together, the list below offers a more insightful look at this race before the actual individual selections are announced. For the sake of time, the amount of films is limited to five per country, but in some cases the choices are scarcer and less films are listed. While trying to speculate is always an uncertain endeavor, the factors taken into account to determine which are some of this year’s most important films in each country and their prospects of being chosen as their representative at the Academy Awards, were varied. Festival exposure, release date, the country’s previous submissions, and even the thematic elements of a few of them were considered to create this piece.
Clearly nothing is definitive at this point, but at the very least, this compilation will provide a sense of what the film industries in these territories are putting out and sharing with the world.
Read More: Oscars 2015 : Best Foreign Language Film Contenders - The Americas
Here is the first part of the list on Europe (Albania -Lithuania)
Albania
Last year the Balkan state had one of its strongest contenders in recent history, Robert Budina’s “Agon,” a powerful drama dealing with the ethnic identity of the region. This time around, there are three films that qualify to be selected. The front-runner is “ Amsterdam Express, ” which has the highest international profile of the three being a co-production between Albania, U.K The Netherlands and Germany. The film explores the sociopolitical situation of the country through the eyes of an Albanian man who immigrates to Dutch territory illegally. Following along are two other dramas, “The Last Wish” (Amaneti) and “Ada.” Having three clearly viable options, it is almost certain that Albania will compete once again this year.
1. "Amsterdam Express" PC: F&Me
2. "The Last Wish" (Amaneti) PC: Media Vision
3. "Ada" PC: Concordia Pictures
Armenia
Having submitted only four times as an independent nation, it is difficult to predict whether Armenia will decide to participate this year. However, they do have a few films that could represent them at the Academy Awards. Even though the country’s film industry is still precarious and struggling, they have their own annual awards and consistently complete feature length works. Since many of them don’t fulfill the quality standards of major festivals, few of their offers ever get passed their border. The most feasible candidate this year is “Tevanik,” a film about the Karabakh war that screened at the Cannes film market and that has also screened theatrically in its home country. Another possible selection is dark comedy “The Romanticists,” which won the Best Screenplay award at the Hayak National Cinema Awards and had some international exposure. Drama “From Two Worlds as a Keepsake, ” could also be a good candidate as it premiered last year at the World Film Festival in Montreal. Less likely are comedy “The Heart in the House ,” a Russian co-production, and Hayak Best Film nominee “Caucho,” which might be a bit too avant-garde to be chosen.
1. "Tevanik" PC: Fish Eye Art
2. "The Romanticists" (Rromantiknery) PC: Aysor-Plus Film Productions
3. "From Two Worlds as a Keepsake" (Yerku ashkharhic i hishatak) PC: National Film Centr of Armenia
4. "The Heart in the House" (Domik v serdtse) PC: Berg Sound
5. "Caucho"
Austria
Since Austrian productions are heavily influenced by the German film industry and often intertwined with it, it is no surprise that the major winner at the German Film Awards was the co-production “The Dark Valley.” But given that the director Andreas Prochaska is Austrian, as well as most of the creative control and resources, the Germans couldn’t claim it as their own. This, and the fact that Sam Riley is in it, make it an ideal, high profile candidate to be Austria’s Oscar submission. Nominated for five awards in the past Austrian Film Awards, “October November” is also a descent candidate. A close third followed is “The Last Dance” the latest film by Houchang Allahyari, whose film “I Love Vienna” represented the country a couple decades ago. Then we have “ Soldier Jane,” which also nominated for Best Film at the National Awards. Lastly, “The Silent Mountain, “ an epic period piece about World War I is not entirely far fetched. Other films that have had positive receptions at festivals such as “Macondo,” or “Amour Fou” will be released closer to the end of the year.
1. "The Dark Valley" (Das Fisntere Tal) Isa: Films Distribution
2. "October November" (Oktober November) Isa: The Match Factory
3. "The Last Dance" (Der letzte Tanz) PC: Allahyari Filmproduktion
4. "Soldier Jane" (Soldate Jeannette) Isa: Premium Films
5. "The Silent Mountain" ( Der Stille Berg) Isa: Premiere Entertainment Group
Azerbaijan
It's always great to see a country like Azerbaijan submitting a film and making an attempt at getting exposure for their filmmakers and industry. Their films rarely make it to the world stage of glamorous festivals, thus they remain mostly obscure and inaccessible outside their homeland. Nevertheless, this year an Azerbaijani film, “Nabat,” could change that as it will screen at the Venice Film festival. This war film has already screened in the country at least at a special event, it is difficult to know if it will qualify this time around. If it does, it is their best bet. Should they decide to save it for next year, the country has another option of mild prestige. “Chameleon,” a small drama set in a remote village, screened last year at Locarno and that alone could help its chances. Lastly, there is “Down by the River,” which was part of the Karlovy Vary Film Festival selection. It will almost certainly be released until past the deadline, but might be a strong contender in the future. Two other dramas, one of epic proportions and a biopic could get in the mix but there is hardly any information available besides the fact that they have been screened in the capital city of Baku.
1. "Nabat" Isa: Dreamlab Films
2. "Chameleon" (Buqälämun) PC: Arizona Productions
3. "Down the River" (Axinla ashagi) PC: Azerbaijanfilm
Belarus
The small ex-Soviet state has been mostly producing documentaries for local viewing. Their output of material that can be successful abroad is minimal, and even when they have been presented with a great opportunity to participate at the Academy Awards, they simply don’t. This was the case of Sergey Loznitsa's “In the Fog” a couple years back, which could have represented them but was not entered. In fact, they have only participated on two occasions, the last one being in 1996. Although it is unlikely they will show interest, the country has a couple of promising choices. Belarus’ best bet would be the international coproduction “ The Role,” a solemn period piece that was nominated for five Nika Awards (the Russian Oscars) and actually won for Best Screenplay. Highly improbable, but given their small number of contenders, the country could also choose to send “BaBu,” an Azerbaijani coproduction about the kidnapping of a businessman’s daughter.
1. "The Role" (Rol) Isa: Reflexion Films
2. "BaBu"
Belgium
With the return to Cannes of the country’s most iconic filmmakers, the Dardenne Brothers, Belgium has an easy decision to make. Starring Oscar-winner Marion Cotillard, “Two Days, One Night” looks like the obvious favorite. Nevertheless, the Dardennes have been overlooked before, as it was the case two years ago when the Belgians decided to send “Bullhead” over the duo’s “The Kid with a Bike.” The only real threat could be “Marina” by Stijn Coninx, who was nominated for an Oscar in this category back in 1992 with “Daens.“ His latest work is a period piece about Rocco Granata’s life, an Italian singer who lived in Belgium in his youth. A more audacious decision, but not entirely impossible, would be to select the beautifully nightmarish “The Strange Color of Your Body’s Tears,” which has had noticeable international presence. Two other titles, “ The Verdict” and “The Treatment” have been well received at home but since they are facing works by revered filmmakers, their chances are slight.
1. "Two Days, One Night" (Deux jours, une nuit) Isa: Wild Bunch
2. "Marina" Isa: Media Luna New Films
3. "The Strange Color of Your Body's Tears" (L'étrange couleur des larmes de ton corps) Isa: Bac Films International
4. "The Verdict" (Het Vonnis) Isa: Media Luna New Films
5. "The Treatment" (De Behandeling) Isa: Be for Films
Bosnia & Herzegovina
The last film by the poster child for Bosnian cinema, Danis Tanovic, managed to make it to the 9-film shortlist last December. This year, the country doesn’t have such a prominent candidate. Based on release date, festival exposure, and language, their safest selection would be the family drama “ With Mom.” Another title that could qualify is “Krivina,” which is technically a 2012 film, but did not premier in Bosnia until late last year. If eligible, it would definitively be a great runner-up. In third place is the incredibly small local film “ Krajina: Life or Death,” and it’s in that position simply because it meets all the minimum requirements to qualify - language included. The last two films mentioned here are longer shots not due to lack of quality, but because of their production details. One, “Bridges of Sarajevo,” is an anthology film created by over a dozen filmmakers from around the world. Even though one of the filmmakers is Bosnian and all sections are in a language other than English, it will be hard to consider it an actual Bosnian film. The other, “For Those Who Can Tell No Tales,” is a Bosnian production directed by Jasmila Zbanic, but the dialogue seems to be mostly in English, which would make it ineligible.
1. "With Mom" (Sa Mamom) PC: Scca/Pro.BA
2. "Krivina" Isa: Princ Films
3. "Krajina: Life and Death" (Ja sam iz Krajine, zemlje kestena) PC: Depo Production
4. "Bridges of Sarajevo" (Les Ponts de Sarajevo) Isa: Indie Sales
5."For Those Who Can Tell No Tales" (Za one koji ne mogu da govore) PC: Mpm
Bulgaria
In recent years the country has decided to send films that have won or have been nominated for their local film awards. This year the winner of the top award for Best Film was “Alienation,” seemingly making it the favorite to be submitted. This might actually not be the case. Premiering at Sundance earlier this year, “Viktoria,” an epic drama about a peculiar mother-daughter relationship, might actually be the frontrunner. The film has been rightfully hailed as the most important Bulgarian film of 2014 as it has been praised at several international festivals. The only concern was its release date, but that has been put to rest since the filmmakers have announced a one-week theatrical run of the film in Sofia this September. This might imply they are seriously considering the possibility of being chosen. Other less likely options are “Roseville,” another Best Film nominee at the local film awards, “Rat Poison,” which won Best Screenplay at those same awards, and the comedy “ Living Legends.” “The Judgement,” another important Bulgarian film that opened the Sofia International Film Festival in March, won’t opened theatrically until after the deadline.
1. "Viktoria" PC: Viktoria Films
2. "Alienation" PC: Red Carpet/ Bnt
3."Roseville" Isa: Wide
4. "Rat Poison" PC: Bulfilm Nfc
5. "Living Legends" PC: Euro Dialogue Productions
Croatia
Dominating last year’s Pula Film Festival with seven Golden Arena awards and presented at other international festivals, the drama “ A Stranger” is by far the most qualified choice. Bobo Jelcic’s film follows a man who returns to his hometown only to attend a funeral, but is forced to deal with several other issues from his past while there. Closely following is complex family drama “Hush…,” which also won several awards at the same festival. Other films that could come into play include “Vis-à-Vis,” a story about a film director and on his actor trying to write a screenplay, crime thriller “Not All About the Money, ”and the comedy “Handymen” by Dalibor Matanic, whose film “Fine Dead Girls” represented Croatia in 2002. It is important to note that three other relevant Croatian films, “The Bridge at the of the World,” "Number 55” and “The Reaper,” will probably be released in the next few months and will be in the running next year.
1. "A Stranger"(Obrana i zastita) Isa: Rendez-vous Pictures
2. "Hush..." (Šuti) PC: Kinorama
3. "Vis-a-Vis" PC: Copycat Production House
4. "Not All About the Money" (Nije sve u lovi) PC: Interfilm
5. "Handymen" (Majstori) PC: Hrvatska Radiotelevizija
Cyprus
As one of the few countries in Europe that has never submitted a film, it is likely they will continue on that path once again. Yet, if they decide otherwise, there is a film that could represent them. Crime drama “Stratos” directed by Cyprus-born Yannis Economides and produced with support from the Cyprus Ministry of Education and Culture could actually be the island nation’s lucky charm. Another Cypriot production, the romantic comedy “ Committed,” would be listed here as a possibility if it wasn’t for the fact that it is entirely in English.
1. "Stratos" (To Mikro Psari) Isa: The Match Factory
Czech Republic
Last year was rough for the Czechs. The ambitious historical courtroom drama “Burning Bush” by acclaimed filmmaker Agnieszka Holland, was disqualified as their submission because it was originally conceived as a TV miniseries. They were forced to select another film “The Don Juans,” which that didn’t do much them. This time around things are looking up with a wide array of films to choose from. Playing at Karlovy Vary recently and opening theatrically just in time to qualify is “Fair Play,” a sports drama about a sprinter attempting to make it to the Olympic Games in 1980. Then there is “Clownwise, ” a quirky dramedy that was nominated for Best Film and won Best Supporting actor at the local Czech Lion Awards. In the third spot is “Hany,” a film conformed of a single continuous shot depicting the madness occurring during a night out in the city. “The Way Out, ” a drama that screened in the Acid sidebar at Cannes, could also be picked based on that notable international exposure. Lastly, “Delight,” another Czech Lion Best Film nominee, could be the surprise selection, but it will probably prove to be a tad too abstract for voters.
1. "Fair Play" Isa: Intramovies
2. "Clownwise" (Klauni) Isa: Latido
3. "Hany" PC: Barletta
4. "The Way Out" (Cesta Ven) Isa: Premium Films
5. "Delight" (Rozkos) PC: Cineart TV Prague
Denmark
These days Denmark is a powerhouse in this category. After almost tasting glory once again with Vinterberg’s “The Hunt, ” the Danish will return to seek their third consecutive nomination. In order to continue their great streak, they need to choose wisely. “Someone in Love,” about a musician in crisis, has garnered praise from critics internationally, and will seem like the obvious choice. On the other hand, there is the mystery flick “ The Keeper of Lost Causes,” which opened in Denmark late last yearand was nominated for 4 Bodil Awards. Then there is “Sorrow and Joy” another powerful drama from Nils Malmros, whose film “Barbara” represented Denmark in 1992. Unique coming-of-age tale ”Speed Walking” could also be a contender. On the final slot there is the romantic drama “The Miracle,” a film that did well at the Montreal World Film Festival, unlikely but not impossible. Whichever it is, it will certainly be something to watch out for throughout the race.
1. "Someone You Love" (En du elsker) Isa: TrustNordisk
2. "The Keeper of Lost Causes" (Kvinden i buret) Isa: TrustNordisk
3. "Sorrow and Joy" (Sorg og glæde) PC: Nordisk Film Production
4. "Speed Walking" (Kapgang) PC: Nordisk Film Production
5. "The Miracle" (Miraklet) PC: Film i Vast
Estonia
This Baltic country’s film industry has increasingly become more consistent at delivering interesting films. Winning awards across festivals, their absolute frontrunner is “Tangerines, ” a Georgian coproduction about a Estonian man caught up in the middle of a war. Its biggest competition is the black and white historical film “In the Crosswind,” “which is a viable choice given that it deals with a painful episode in the region's history: the mass deportation of Baltic people to Siberia by Russia. Though it looks beautifully done, its particular visual aesthetic might seem to unconventional to some voters. It is still really possible they decide to send it regardless. Finally there is “ Kertu” a romantic drama about an unlikely relationship.
1. "Tangerines" (Mandariinid) Isa: Cinemavault
2. "In the Crosswind" (Risttuules) PC: Allfilm
3. "Kertu, Love is Blind" (Kertu) Isa: Paul Thiltges Distribution Sarl
Finland
Despite the countries long filmmaking tradition, the Finnish have only been nominated once for Aki Kaurismäki's “The Man Without a Past” in 2002. Fortunately for them, they have several great eligible films that will make for a difficult decision. Black and white philosophical drama “ Concrete Night” from Pirjo Honkasalo earned 6 Jussi Awards, given by Finland’s film professionals. Such overwhelming recognition will make it hard to ignore despite the serious competition. The film also had a great festival run. Right behind it are two films by prolific Dome Karukoski, who has represented his country at the Oscar previously. The first one is “The Grump,” a comedy based on the character created by Tuomas Kyro. It will screen at Tiff and will open locally just in time to qualify. Karukoski’s other film “Heart of a Lion,” tells a more serious story about a Neo-Nazi who reconsiders his views after falling in love. Either one of them could be picked as a way to honor the consistently great work this filmmaker puts out. Yet another interesting possibility is “Korso,” about a young man with big basketball dreams. The film was partially produced by the same company that created last year’s Oscar nominated short “Do I Have to Take Care of Everything?” There are several other plausible films, but from all those, the one that seems to have the best prospects is the historical comedy “August Fools.”
1. "Concrete Night" (Betoniyö) Isa: Film Republic
2. "The Grump" (Mielensäpahoittaja) Isa: The Yellow Affair
3. "Heart of a Lion" (Leijonasydän) Isa: The Yellow Affair
4. "Korso" PC: Bufo/Tuffi Films
5. "August Fools" (Mieletön elokuu) Isa: Insomnia World Sales
France
Narrowing down France’s possible selection to five titles is by far one of the must uncertain and difficult tasks. The French film industry releases a vast number of films every year in a variety of genres and sizes. This gives them endless possibilities. Yet, there are some indicators that provide insight to what they might end up choosing. First off, the Cesar Awards. This year’s big winner was Guillaume Gallienne's “Me, Myself and Mum, ” which is a delightfully funny film that shines with originality. It was released last November and could definitely be their selected entry. On the other hand, they could choose to honor legendary filmmaker Alain Resnais- who past away earlier this year - by submitting his last film “Life of Riley.” The film received mixed reactions, but won the Fipresci Prize and the Alfred Bauer Award in Berlin. If they want to go with some fresh young talent, there is Cannes Directors' Fortnight Winner “Love at First Sight, ” the debut feature by Thomas Cailley. Another award winner that qualifies is Katell Quillévéré’s “Suzanne” about a woman that loses it all for the love a deviant man. Last but not least, Mathieu Amalric’s latest directorial effort “The Blue Room” could be a surprise player given the actor’s prestige and talent both in front and behind the camera. It is still up in the air.
1. "Me, Myself and Mum" (Les Garçons et Guillaume, à table!) Isa: Gaumont
2. "Life of Riley" (Aimer, boire et chanter) PC: F Comme Film
3. "Love at First Sight" (Les Conbattants) PC: Nord-Ouest Productions
4. "Suzanne" Isa: Films Distribution
5. "The Blue Room" (La Chambre Bleue) Isa: Alfama Films
Georgia
Impressively on the rise, the Georgian film industry keeps on delivering great works that often make waves across international festivals. Last year’s submission “In Bloom,” was a great success and managed to get U.S. distribution for a small theatrical release. On this occasion, they have three films that have done well internationally. Out of the batch, the most successful has been Levan Koguashvili’s “Blind Dates, ” a charming story of a unique quest for love. A second strong competitor is “Brides,” a drama that screened both at the Berlinale and Tribeca this year. Then, just fresh from winning at Karlovy Vary, there is “Corn Island,” a poetic vision of life from the perspective of rural Georgia. It appears like all three titles will release at home in time to qualify. If that’s the case, Georgia has a tough decision to make
1. "Blind Dates" (Shemtkhveviti paemnebi) Isa: Films Boutique
2. "Brides" (Patardzlebi) Isa: Rezo
3. "Corn Island" (Simindis kundzuli) PC: Arizona Productions
Germany
After releasing a 15-film shortlist, Germany’s prospects look clearer. There are several titles on the list that won’t merit a nomination, but the prominent film that remain will make for a competitive final selection. Winning two prizes in Berlin, “Stations of the Cross,” a look at fundamentalist Catholicism, sounds like a front-runner. However, its subject matter might play against it. Feo Aladag’s latest film “Inbetween Worlds,” about a German soldier in Afghanistan, seems to be a powerful drama on the vein of Susanne Bier’s “In a Better World.” On the third slot is “West,” a moving film about a woman and her son escaping socialist East Germany to discover the other side also has its darkness. Then there is “Beloved Sisters,” a costume drama that seems like a safer choice. It might be too familiar to be selected, but not at all improbable. Lastly, “Home from Home,” which won several national awards. It'ss possible, but its narrative style and extensive running time (225 min.) might make it a much more harder sell.
1. "Stations of the Cross" (Kreuzweg) Isa: Beta Cinema
2. "Inbetween Worlds" (Zwischen Welten) Isa: The Match Factory
3. "West" (Westen) Isa: Picture Tree International
4. "Beloved Sisters" (Die geliebten Schwestern) PC: Bavaria Film
5. "Home from Home - Chronicle of a Vision" (Die andere Heimat - Chronik einer Sehnsucht) Isa: Arri Worldsales
Greece
Even though it not an absolute rule, the Greeks tend to select the Hellenic Awards Best Film winner as their submission. Taking that into account, the clear favorite and almost certain choice is “Little England,” a period piece that won big locally. It’s biggest flaw; however, is the lack of international exposure. If for some reason they wanted to make a bold move and reward an impressive festival run, then Alexandros Avranas’s marvelously perverse “Miss Violence” would be ideal. Another great festival darling is Elina Psikou‘s feature debut “The Eternal Return of Antonis Paraskevas,” a sardonic exploration on fame and identity. On the fourth spot, there is “ The Enemy Within,” a tense crime drama about a family in the aftermath of a home invasion. The film was also honored at the Hellenic Awards. Finally, “Standing Aside, Watching,” about corruption, sexism, and intimidation in a small village, could also be a great entry. Un Certain Regard film “Xenia” by Panos H. Koutras, won’t open in Greece until October, but will be a possible option next year.
1. "Little England" (Mikra Anglia) PC: Black Orange
2."Miss Violence" Isa: Elle Driver
3."The Eternal Return of Antonis Paraskevas" (I Aionia Epistrofi tou Antoni Paraskeva) Isa: M-Appeal World Sales
4."The Enemy Within" (O Ehthros Mou) Isa: Patra Spanou
5. "Standing Aside, Watching" (Na kathesai kai na koitas) Isa: Patra Spanou
Hungary
Hungary’s last submission “The Notebook” managed to make it into the highly competitive 9-film shortlist. This year they have even brighter hopes with a slate of titles that have done very well around the world. Un Certain Regard winner “White God” is undoubtedly the one to beat. It is a rare occasion for the country to win such a high profile prize, thus making it almost impossible to ignore. Nevertheless, if that is not enough to convince the selection committee, “Free Fall” the latest film György Pálfi - whose films “ Hukkie” and “Taxidermia” have represented Hungary in the past - would be the next best choice. It also won several awards recently at Karlovy Vary, which could be of help. Less likely is Virág Zomborácz‘s “Afterlife” another drama that screened at the renowned Czech festival. Other possible titles include Lgbt romantic drama “Land of Storms, “ which screened in Berlin, and dark “ “Heavenly Shift,” which descent international presence.
1. "White God" (Fehér isten) Isa: The Match Factory
2. "Free Fall" (Szabadesés) PC: Jiff Project
3. "Afterlife" (Utóélet) Isa: Hungarian National Film Fund
4. "Land of Storms" (Viharsarok) Isa: M-Appeal World Sales
5. "Heavenly Shift" (Isteni müszak) Isa: Hungarian National Film Fund
Iceland
This small Scandinavian nation seems to have a very easy decision to make. The film “Life in a Fishbowl” has been dubbed by local critics as “the best Icelandic” film ever made” and it has also been an absolute box-office hit in its homeland. The multi-narrative film is by far the most likely to be submitted. However, its closest competitor is Ragnar Bragason‘s “ Metalhead,” a drama about a girl coping with her brother’s death. It was released late last year and won several Edda Awards. With far less possibilities given the two frontrunners is the dramedy “Paris of the North, ” which screened at Karlovy Vary, and comedy “ The Grandad,” which lacks exposure and buzz.
1. "Life in a Fishbowl" (Vonarstræti) Isa: Films Boutique
2. "Metalhead" (Málmhaus) Isa: Picture Tree International
3. "Paris of the North" (París Norðursins) PC: Arizona Productions
4. "The Grandad" (Afinn) PC: Thorsson Productions
Ireland
Since most of country’s releases are in English rather than in the Irish language, most years the country doesn’t have any candidates for this category. Ireland has only submitted to films for consideration as foreign language films. It is unlikely they’ll enter the race this year, but if it manages to be released in time, Irish director Johnny O'Reilly‘s Russian-language film “Moscow Never Sleeps” could be their selected candidate. The film was produced with the help of the Irish Film Funs, a fact that could help claim it as an Irish production. Another film in the Irish language, “An Bronntanas” (The Gift), would be a great choice, but it seems to be originally envisioned for TV as a five part miniseries. It’s hard to know if it will manage to qualify.
1. "Moscow Never Sleeps" (Москва никогда не спит) PC: Snapshot Films
Italy
Returning as current champion, Italy - which is the most successful nation ever in this category – has two main contenders and a couple other minor players. At the top of the list is “Human Capital,” which beat out “The Great Beauty” at the local David di Donatello Awards. Added to that, the film has won almost every award at home and several others abroad. It would be shocking to see the film be ignored. The biggest threat to its flawless run is Cannes Competition film “The Wonders.” It received mixed reviews but the Cannes pedigree could play a big role. Local success “The Mafia Only Kills in Summer” is less likely to have a chance. However, it also received tons of praise at home, so it shouldn’t be entirely disqualified. “Misunderstood,” by Asia Argento, played in the Un Certain Regard section but faces tough competition. Rounding up these five possibilities is “Those Happy Years, ” a personal film by Daniele Luchetti, which received very positive reviews internationally.
1. "Human Capital" (Il capitale umano) PC: Indiana Production Company
2. "The Wonders" (Le meraviglie) Isa: The Match Factory
3. "The Mafia Only Kills in Summer" (La mafia uccide solo d'estate) Isa: Rai Com
4. "Misunderstood" (Incompresa) Isa: Other Angle Pictures
5. "Those Happy Years" (Anni felici) Isa: Celluloid Dreams/Nightmares
Kosovo
The surprise submission could come from the recently independent, war-torn Balkan state. They have a promising feature film by Isa Qosja's “Three Windows and a Hanging,” which has been called “the best film from Kosovo to date.” Dealing with the forced silence and shame rape victims experience in a small village ruled by patriarchal norms, the film seems to be a perfect candidate to be their first submission. It recently premiered at the Sarajevo Film Festival, so its biggest challenge would be qualifying based on its unknown release date at home.
1. "Three Windows and a Hanging"
Latvia
Unfortunately for Latvia, their possibilities are extremely limited this year. There are only two films that seem as possible candidates. One is the slasher horror film “The Man in the Orange Jacket.” It sports a great production value and might be an interesting offer, but it is hard to see it get far in the race. Nonetheless, it is still their best chance. The other film "Escaping Riga" is a documentary on historical figures Sergei Eisenstein and Sir Isaiah Berlin. Given its subject matter it wouldn’t be surprising if they chose to with this. Hopefully next year their output gives them more to pick from.
1. "The Man in the Orange Jacket" (M.O.Zh.) Isa: Wide
2. "Escaping Riga" PC: Mistrus Media
Lithuania
Opposite to its Baltic neighbor mentioned above, Lithuania has several notable films that could represent them. After winning the top prizes at the Lithuanian Silver Crane’ awards, “The Gambler” became the clear favorite. However, it is important to mention that despite having narrative features to choose from, Lithuania decided to send a small documentary to represent them last year. This curious fact could play in favor of “ Cenotaphs,” a doc focusing on the search for the remains of dead soldiers from World War II. The film won Best Documentary and was nominated in other categories at the local awards. Then there are three other Silver Crane nominated films. Coming-of-age flick “ Non-Present Time,” family drama “Santa,” and crime thriller “Name in the Dark.” The winner of several of these awards, “The Excursionist” was released too early last year to be considered this time around. Local financial success “Redirected” is mostly in English, thus ineligible.
1. "The Gambler" (Losejas) Isa: Wide
2. "Cenotaph" (Kenotafas) PC: Studio Uljana Kim
3. "Non-Present Time" (Nesamasis laikas) PC: Just a Moment
4. "Santa" PC: Artbox
5. "Name in the Dark" (Vardas tamsoje) PC: Fralita Films...
Therefore, after lots of research and arduous educated guessing to put it together, the list below offers a more insightful look at this race before the actual individual selections are announced. For the sake of time, the amount of films is limited to five per country, but in some cases the choices are scarcer and less films are listed. While trying to speculate is always an uncertain endeavor, the factors taken into account to determine which are some of this year’s most important films in each country and their prospects of being chosen as their representative at the Academy Awards, were varied. Festival exposure, release date, the country’s previous submissions, and even the thematic elements of a few of them were considered to create this piece.
Clearly nothing is definitive at this point, but at the very least, this compilation will provide a sense of what the film industries in these territories are putting out and sharing with the world.
Read More: Oscars 2015 : Best Foreign Language Film Contenders - The Americas
Here is the first part of the list on Europe (Albania -Lithuania)
Albania
Last year the Balkan state had one of its strongest contenders in recent history, Robert Budina’s “Agon,” a powerful drama dealing with the ethnic identity of the region. This time around, there are three films that qualify to be selected. The front-runner is “ Amsterdam Express, ” which has the highest international profile of the three being a co-production between Albania, U.K The Netherlands and Germany. The film explores the sociopolitical situation of the country through the eyes of an Albanian man who immigrates to Dutch territory illegally. Following along are two other dramas, “The Last Wish” (Amaneti) and “Ada.” Having three clearly viable options, it is almost certain that Albania will compete once again this year.
1. "Amsterdam Express" PC: F&Me
2. "The Last Wish" (Amaneti) PC: Media Vision
3. "Ada" PC: Concordia Pictures
Armenia
Having submitted only four times as an independent nation, it is difficult to predict whether Armenia will decide to participate this year. However, they do have a few films that could represent them at the Academy Awards. Even though the country’s film industry is still precarious and struggling, they have their own annual awards and consistently complete feature length works. Since many of them don’t fulfill the quality standards of major festivals, few of their offers ever get passed their border. The most feasible candidate this year is “Tevanik,” a film about the Karabakh war that screened at the Cannes film market and that has also screened theatrically in its home country. Another possible selection is dark comedy “The Romanticists,” which won the Best Screenplay award at the Hayak National Cinema Awards and had some international exposure. Drama “From Two Worlds as a Keepsake, ” could also be a good candidate as it premiered last year at the World Film Festival in Montreal. Less likely are comedy “The Heart in the House ,” a Russian co-production, and Hayak Best Film nominee “Caucho,” which might be a bit too avant-garde to be chosen.
1. "Tevanik" PC: Fish Eye Art
2. "The Romanticists" (Rromantiknery) PC: Aysor-Plus Film Productions
3. "From Two Worlds as a Keepsake" (Yerku ashkharhic i hishatak) PC: National Film Centr of Armenia
4. "The Heart in the House" (Domik v serdtse) PC: Berg Sound
5. "Caucho"
Austria
Since Austrian productions are heavily influenced by the German film industry and often intertwined with it, it is no surprise that the major winner at the German Film Awards was the co-production “The Dark Valley.” But given that the director Andreas Prochaska is Austrian, as well as most of the creative control and resources, the Germans couldn’t claim it as their own. This, and the fact that Sam Riley is in it, make it an ideal, high profile candidate to be Austria’s Oscar submission. Nominated for five awards in the past Austrian Film Awards, “October November” is also a descent candidate. A close third followed is “The Last Dance” the latest film by Houchang Allahyari, whose film “I Love Vienna” represented the country a couple decades ago. Then we have “ Soldier Jane,” which also nominated for Best Film at the National Awards. Lastly, “The Silent Mountain, “ an epic period piece about World War I is not entirely far fetched. Other films that have had positive receptions at festivals such as “Macondo,” or “Amour Fou” will be released closer to the end of the year.
1. "The Dark Valley" (Das Fisntere Tal) Isa: Films Distribution
2. "October November" (Oktober November) Isa: The Match Factory
3. "The Last Dance" (Der letzte Tanz) PC: Allahyari Filmproduktion
4. "Soldier Jane" (Soldate Jeannette) Isa: Premium Films
5. "The Silent Mountain" ( Der Stille Berg) Isa: Premiere Entertainment Group
Azerbaijan
It's always great to see a country like Azerbaijan submitting a film and making an attempt at getting exposure for their filmmakers and industry. Their films rarely make it to the world stage of glamorous festivals, thus they remain mostly obscure and inaccessible outside their homeland. Nevertheless, this year an Azerbaijani film, “Nabat,” could change that as it will screen at the Venice Film festival. This war film has already screened in the country at least at a special event, it is difficult to know if it will qualify this time around. If it does, it is their best bet. Should they decide to save it for next year, the country has another option of mild prestige. “Chameleon,” a small drama set in a remote village, screened last year at Locarno and that alone could help its chances. Lastly, there is “Down by the River,” which was part of the Karlovy Vary Film Festival selection. It will almost certainly be released until past the deadline, but might be a strong contender in the future. Two other dramas, one of epic proportions and a biopic could get in the mix but there is hardly any information available besides the fact that they have been screened in the capital city of Baku.
1. "Nabat" Isa: Dreamlab Films
2. "Chameleon" (Buqälämun) PC: Arizona Productions
3. "Down the River" (Axinla ashagi) PC: Azerbaijanfilm
Belarus
The small ex-Soviet state has been mostly producing documentaries for local viewing. Their output of material that can be successful abroad is minimal, and even when they have been presented with a great opportunity to participate at the Academy Awards, they simply don’t. This was the case of Sergey Loznitsa's “In the Fog” a couple years back, which could have represented them but was not entered. In fact, they have only participated on two occasions, the last one being in 1996. Although it is unlikely they will show interest, the country has a couple of promising choices. Belarus’ best bet would be the international coproduction “ The Role,” a solemn period piece that was nominated for five Nika Awards (the Russian Oscars) and actually won for Best Screenplay. Highly improbable, but given their small number of contenders, the country could also choose to send “BaBu,” an Azerbaijani coproduction about the kidnapping of a businessman’s daughter.
1. "The Role" (Rol) Isa: Reflexion Films
2. "BaBu"
Belgium
With the return to Cannes of the country’s most iconic filmmakers, the Dardenne Brothers, Belgium has an easy decision to make. Starring Oscar-winner Marion Cotillard, “Two Days, One Night” looks like the obvious favorite. Nevertheless, the Dardennes have been overlooked before, as it was the case two years ago when the Belgians decided to send “Bullhead” over the duo’s “The Kid with a Bike.” The only real threat could be “Marina” by Stijn Coninx, who was nominated for an Oscar in this category back in 1992 with “Daens.“ His latest work is a period piece about Rocco Granata’s life, an Italian singer who lived in Belgium in his youth. A more audacious decision, but not entirely impossible, would be to select the beautifully nightmarish “The Strange Color of Your Body’s Tears,” which has had noticeable international presence. Two other titles, “ The Verdict” and “The Treatment” have been well received at home but since they are facing works by revered filmmakers, their chances are slight.
1. "Two Days, One Night" (Deux jours, une nuit) Isa: Wild Bunch
2. "Marina" Isa: Media Luna New Films
3. "The Strange Color of Your Body's Tears" (L'étrange couleur des larmes de ton corps) Isa: Bac Films International
4. "The Verdict" (Het Vonnis) Isa: Media Luna New Films
5. "The Treatment" (De Behandeling) Isa: Be for Films
Bosnia & Herzegovina
The last film by the poster child for Bosnian cinema, Danis Tanovic, managed to make it to the 9-film shortlist last December. This year, the country doesn’t have such a prominent candidate. Based on release date, festival exposure, and language, their safest selection would be the family drama “ With Mom.” Another title that could qualify is “Krivina,” which is technically a 2012 film, but did not premier in Bosnia until late last year. If eligible, it would definitively be a great runner-up. In third place is the incredibly small local film “ Krajina: Life or Death,” and it’s in that position simply because it meets all the minimum requirements to qualify - language included. The last two films mentioned here are longer shots not due to lack of quality, but because of their production details. One, “Bridges of Sarajevo,” is an anthology film created by over a dozen filmmakers from around the world. Even though one of the filmmakers is Bosnian and all sections are in a language other than English, it will be hard to consider it an actual Bosnian film. The other, “For Those Who Can Tell No Tales,” is a Bosnian production directed by Jasmila Zbanic, but the dialogue seems to be mostly in English, which would make it ineligible.
1. "With Mom" (Sa Mamom) PC: Scca/Pro.BA
2. "Krivina" Isa: Princ Films
3. "Krajina: Life and Death" (Ja sam iz Krajine, zemlje kestena) PC: Depo Production
4. "Bridges of Sarajevo" (Les Ponts de Sarajevo) Isa: Indie Sales
5."For Those Who Can Tell No Tales" (Za one koji ne mogu da govore) PC: Mpm
Bulgaria
In recent years the country has decided to send films that have won or have been nominated for their local film awards. This year the winner of the top award for Best Film was “Alienation,” seemingly making it the favorite to be submitted. This might actually not be the case. Premiering at Sundance earlier this year, “Viktoria,” an epic drama about a peculiar mother-daughter relationship, might actually be the frontrunner. The film has been rightfully hailed as the most important Bulgarian film of 2014 as it has been praised at several international festivals. The only concern was its release date, but that has been put to rest since the filmmakers have announced a one-week theatrical run of the film in Sofia this September. This might imply they are seriously considering the possibility of being chosen. Other less likely options are “Roseville,” another Best Film nominee at the local film awards, “Rat Poison,” which won Best Screenplay at those same awards, and the comedy “ Living Legends.” “The Judgement,” another important Bulgarian film that opened the Sofia International Film Festival in March, won’t opened theatrically until after the deadline.
1. "Viktoria" PC: Viktoria Films
2. "Alienation" PC: Red Carpet/ Bnt
3."Roseville" Isa: Wide
4. "Rat Poison" PC: Bulfilm Nfc
5. "Living Legends" PC: Euro Dialogue Productions
Croatia
Dominating last year’s Pula Film Festival with seven Golden Arena awards and presented at other international festivals, the drama “ A Stranger” is by far the most qualified choice. Bobo Jelcic’s film follows a man who returns to his hometown only to attend a funeral, but is forced to deal with several other issues from his past while there. Closely following is complex family drama “Hush…,” which also won several awards at the same festival. Other films that could come into play include “Vis-à-Vis,” a story about a film director and on his actor trying to write a screenplay, crime thriller “Not All About the Money, ”and the comedy “Handymen” by Dalibor Matanic, whose film “Fine Dead Girls” represented Croatia in 2002. It is important to note that three other relevant Croatian films, “The Bridge at the of the World,” "Number 55” and “The Reaper,” will probably be released in the next few months and will be in the running next year.
1. "A Stranger"(Obrana i zastita) Isa: Rendez-vous Pictures
2. "Hush..." (Šuti) PC: Kinorama
3. "Vis-a-Vis" PC: Copycat Production House
4. "Not All About the Money" (Nije sve u lovi) PC: Interfilm
5. "Handymen" (Majstori) PC: Hrvatska Radiotelevizija
Cyprus
As one of the few countries in Europe that has never submitted a film, it is likely they will continue on that path once again. Yet, if they decide otherwise, there is a film that could represent them. Crime drama “Stratos” directed by Cyprus-born Yannis Economides and produced with support from the Cyprus Ministry of Education and Culture could actually be the island nation’s lucky charm. Another Cypriot production, the romantic comedy “ Committed,” would be listed here as a possibility if it wasn’t for the fact that it is entirely in English.
1. "Stratos" (To Mikro Psari) Isa: The Match Factory
Czech Republic
Last year was rough for the Czechs. The ambitious historical courtroom drama “Burning Bush” by acclaimed filmmaker Agnieszka Holland, was disqualified as their submission because it was originally conceived as a TV miniseries. They were forced to select another film “The Don Juans,” which that didn’t do much them. This time around things are looking up with a wide array of films to choose from. Playing at Karlovy Vary recently and opening theatrically just in time to qualify is “Fair Play,” a sports drama about a sprinter attempting to make it to the Olympic Games in 1980. Then there is “Clownwise, ” a quirky dramedy that was nominated for Best Film and won Best Supporting actor at the local Czech Lion Awards. In the third spot is “Hany,” a film conformed of a single continuous shot depicting the madness occurring during a night out in the city. “The Way Out, ” a drama that screened in the Acid sidebar at Cannes, could also be picked based on that notable international exposure. Lastly, “Delight,” another Czech Lion Best Film nominee, could be the surprise selection, but it will probably prove to be a tad too abstract for voters.
1. "Fair Play" Isa: Intramovies
2. "Clownwise" (Klauni) Isa: Latido
3. "Hany" PC: Barletta
4. "The Way Out" (Cesta Ven) Isa: Premium Films
5. "Delight" (Rozkos) PC: Cineart TV Prague
Denmark
These days Denmark is a powerhouse in this category. After almost tasting glory once again with Vinterberg’s “The Hunt, ” the Danish will return to seek their third consecutive nomination. In order to continue their great streak, they need to choose wisely. “Someone in Love,” about a musician in crisis, has garnered praise from critics internationally, and will seem like the obvious choice. On the other hand, there is the mystery flick “ The Keeper of Lost Causes,” which opened in Denmark late last yearand was nominated for 4 Bodil Awards. Then there is “Sorrow and Joy” another powerful drama from Nils Malmros, whose film “Barbara” represented Denmark in 1992. Unique coming-of-age tale ”Speed Walking” could also be a contender. On the final slot there is the romantic drama “The Miracle,” a film that did well at the Montreal World Film Festival, unlikely but not impossible. Whichever it is, it will certainly be something to watch out for throughout the race.
1. "Someone You Love" (En du elsker) Isa: TrustNordisk
2. "The Keeper of Lost Causes" (Kvinden i buret) Isa: TrustNordisk
3. "Sorrow and Joy" (Sorg og glæde) PC: Nordisk Film Production
4. "Speed Walking" (Kapgang) PC: Nordisk Film Production
5. "The Miracle" (Miraklet) PC: Film i Vast
Estonia
This Baltic country’s film industry has increasingly become more consistent at delivering interesting films. Winning awards across festivals, their absolute frontrunner is “Tangerines, ” a Georgian coproduction about a Estonian man caught up in the middle of a war. Its biggest competition is the black and white historical film “In the Crosswind,” “which is a viable choice given that it deals with a painful episode in the region's history: the mass deportation of Baltic people to Siberia by Russia. Though it looks beautifully done, its particular visual aesthetic might seem to unconventional to some voters. It is still really possible they decide to send it regardless. Finally there is “ Kertu” a romantic drama about an unlikely relationship.
1. "Tangerines" (Mandariinid) Isa: Cinemavault
2. "In the Crosswind" (Risttuules) PC: Allfilm
3. "Kertu, Love is Blind" (Kertu) Isa: Paul Thiltges Distribution Sarl
Finland
Despite the countries long filmmaking tradition, the Finnish have only been nominated once for Aki Kaurismäki's “The Man Without a Past” in 2002. Fortunately for them, they have several great eligible films that will make for a difficult decision. Black and white philosophical drama “ Concrete Night” from Pirjo Honkasalo earned 6 Jussi Awards, given by Finland’s film professionals. Such overwhelming recognition will make it hard to ignore despite the serious competition. The film also had a great festival run. Right behind it are two films by prolific Dome Karukoski, who has represented his country at the Oscar previously. The first one is “The Grump,” a comedy based on the character created by Tuomas Kyro. It will screen at Tiff and will open locally just in time to qualify. Karukoski’s other film “Heart of a Lion,” tells a more serious story about a Neo-Nazi who reconsiders his views after falling in love. Either one of them could be picked as a way to honor the consistently great work this filmmaker puts out. Yet another interesting possibility is “Korso,” about a young man with big basketball dreams. The film was partially produced by the same company that created last year’s Oscar nominated short “Do I Have to Take Care of Everything?” There are several other plausible films, but from all those, the one that seems to have the best prospects is the historical comedy “August Fools.”
1. "Concrete Night" (Betoniyö) Isa: Film Republic
2. "The Grump" (Mielensäpahoittaja) Isa: The Yellow Affair
3. "Heart of a Lion" (Leijonasydän) Isa: The Yellow Affair
4. "Korso" PC: Bufo/Tuffi Films
5. "August Fools" (Mieletön elokuu) Isa: Insomnia World Sales
France
Narrowing down France’s possible selection to five titles is by far one of the must uncertain and difficult tasks. The French film industry releases a vast number of films every year in a variety of genres and sizes. This gives them endless possibilities. Yet, there are some indicators that provide insight to what they might end up choosing. First off, the Cesar Awards. This year’s big winner was Guillaume Gallienne's “Me, Myself and Mum, ” which is a delightfully funny film that shines with originality. It was released last November and could definitely be their selected entry. On the other hand, they could choose to honor legendary filmmaker Alain Resnais- who past away earlier this year - by submitting his last film “Life of Riley.” The film received mixed reactions, but won the Fipresci Prize and the Alfred Bauer Award in Berlin. If they want to go with some fresh young talent, there is Cannes Directors' Fortnight Winner “Love at First Sight, ” the debut feature by Thomas Cailley. Another award winner that qualifies is Katell Quillévéré’s “Suzanne” about a woman that loses it all for the love a deviant man. Last but not least, Mathieu Amalric’s latest directorial effort “The Blue Room” could be a surprise player given the actor’s prestige and talent both in front and behind the camera. It is still up in the air.
1. "Me, Myself and Mum" (Les Garçons et Guillaume, à table!) Isa: Gaumont
2. "Life of Riley" (Aimer, boire et chanter) PC: F Comme Film
3. "Love at First Sight" (Les Conbattants) PC: Nord-Ouest Productions
4. "Suzanne" Isa: Films Distribution
5. "The Blue Room" (La Chambre Bleue) Isa: Alfama Films
Georgia
Impressively on the rise, the Georgian film industry keeps on delivering great works that often make waves across international festivals. Last year’s submission “In Bloom,” was a great success and managed to get U.S. distribution for a small theatrical release. On this occasion, they have three films that have done well internationally. Out of the batch, the most successful has been Levan Koguashvili’s “Blind Dates, ” a charming story of a unique quest for love. A second strong competitor is “Brides,” a drama that screened both at the Berlinale and Tribeca this year. Then, just fresh from winning at Karlovy Vary, there is “Corn Island,” a poetic vision of life from the perspective of rural Georgia. It appears like all three titles will release at home in time to qualify. If that’s the case, Georgia has a tough decision to make
1. "Blind Dates" (Shemtkhveviti paemnebi) Isa: Films Boutique
2. "Brides" (Patardzlebi) Isa: Rezo
3. "Corn Island" (Simindis kundzuli) PC: Arizona Productions
Germany
After releasing a 15-film shortlist, Germany’s prospects look clearer. There are several titles on the list that won’t merit a nomination, but the prominent film that remain will make for a competitive final selection. Winning two prizes in Berlin, “Stations of the Cross,” a look at fundamentalist Catholicism, sounds like a front-runner. However, its subject matter might play against it. Feo Aladag’s latest film “Inbetween Worlds,” about a German soldier in Afghanistan, seems to be a powerful drama on the vein of Susanne Bier’s “In a Better World.” On the third slot is “West,” a moving film about a woman and her son escaping socialist East Germany to discover the other side also has its darkness. Then there is “Beloved Sisters,” a costume drama that seems like a safer choice. It might be too familiar to be selected, but not at all improbable. Lastly, “Home from Home,” which won several national awards. It'ss possible, but its narrative style and extensive running time (225 min.) might make it a much more harder sell.
1. "Stations of the Cross" (Kreuzweg) Isa: Beta Cinema
2. "Inbetween Worlds" (Zwischen Welten) Isa: The Match Factory
3. "West" (Westen) Isa: Picture Tree International
4. "Beloved Sisters" (Die geliebten Schwestern) PC: Bavaria Film
5. "Home from Home - Chronicle of a Vision" (Die andere Heimat - Chronik einer Sehnsucht) Isa: Arri Worldsales
Greece
Even though it not an absolute rule, the Greeks tend to select the Hellenic Awards Best Film winner as their submission. Taking that into account, the clear favorite and almost certain choice is “Little England,” a period piece that won big locally. It’s biggest flaw; however, is the lack of international exposure. If for some reason they wanted to make a bold move and reward an impressive festival run, then Alexandros Avranas’s marvelously perverse “Miss Violence” would be ideal. Another great festival darling is Elina Psikou‘s feature debut “The Eternal Return of Antonis Paraskevas,” a sardonic exploration on fame and identity. On the fourth spot, there is “ The Enemy Within,” a tense crime drama about a family in the aftermath of a home invasion. The film was also honored at the Hellenic Awards. Finally, “Standing Aside, Watching,” about corruption, sexism, and intimidation in a small village, could also be a great entry. Un Certain Regard film “Xenia” by Panos H. Koutras, won’t open in Greece until October, but will be a possible option next year.
1. "Little England" (Mikra Anglia) PC: Black Orange
2."Miss Violence" Isa: Elle Driver
3."The Eternal Return of Antonis Paraskevas" (I Aionia Epistrofi tou Antoni Paraskeva) Isa: M-Appeal World Sales
4."The Enemy Within" (O Ehthros Mou) Isa: Patra Spanou
5. "Standing Aside, Watching" (Na kathesai kai na koitas) Isa: Patra Spanou
Hungary
Hungary’s last submission “The Notebook” managed to make it into the highly competitive 9-film shortlist. This year they have even brighter hopes with a slate of titles that have done very well around the world. Un Certain Regard winner “White God” is undoubtedly the one to beat. It is a rare occasion for the country to win such a high profile prize, thus making it almost impossible to ignore. Nevertheless, if that is not enough to convince the selection committee, “Free Fall” the latest film György Pálfi - whose films “ Hukkie” and “Taxidermia” have represented Hungary in the past - would be the next best choice. It also won several awards recently at Karlovy Vary, which could be of help. Less likely is Virág Zomborácz‘s “Afterlife” another drama that screened at the renowned Czech festival. Other possible titles include Lgbt romantic drama “Land of Storms, “ which screened in Berlin, and dark “ “Heavenly Shift,” which descent international presence.
1. "White God" (Fehér isten) Isa: The Match Factory
2. "Free Fall" (Szabadesés) PC: Jiff Project
3. "Afterlife" (Utóélet) Isa: Hungarian National Film Fund
4. "Land of Storms" (Viharsarok) Isa: M-Appeal World Sales
5. "Heavenly Shift" (Isteni müszak) Isa: Hungarian National Film Fund
Iceland
This small Scandinavian nation seems to have a very easy decision to make. The film “Life in a Fishbowl” has been dubbed by local critics as “the best Icelandic” film ever made” and it has also been an absolute box-office hit in its homeland. The multi-narrative film is by far the most likely to be submitted. However, its closest competitor is Ragnar Bragason‘s “ Metalhead,” a drama about a girl coping with her brother’s death. It was released late last year and won several Edda Awards. With far less possibilities given the two frontrunners is the dramedy “Paris of the North, ” which screened at Karlovy Vary, and comedy “ The Grandad,” which lacks exposure and buzz.
1. "Life in a Fishbowl" (Vonarstræti) Isa: Films Boutique
2. "Metalhead" (Málmhaus) Isa: Picture Tree International
3. "Paris of the North" (París Norðursins) PC: Arizona Productions
4. "The Grandad" (Afinn) PC: Thorsson Productions
Ireland
Since most of country’s releases are in English rather than in the Irish language, most years the country doesn’t have any candidates for this category. Ireland has only submitted to films for consideration as foreign language films. It is unlikely they’ll enter the race this year, but if it manages to be released in time, Irish director Johnny O'Reilly‘s Russian-language film “Moscow Never Sleeps” could be their selected candidate. The film was produced with the help of the Irish Film Funs, a fact that could help claim it as an Irish production. Another film in the Irish language, “An Bronntanas” (The Gift), would be a great choice, but it seems to be originally envisioned for TV as a five part miniseries. It’s hard to know if it will manage to qualify.
1. "Moscow Never Sleeps" (Москва никогда не спит) PC: Snapshot Films
Italy
Returning as current champion, Italy - which is the most successful nation ever in this category – has two main contenders and a couple other minor players. At the top of the list is “Human Capital,” which beat out “The Great Beauty” at the local David di Donatello Awards. Added to that, the film has won almost every award at home and several others abroad. It would be shocking to see the film be ignored. The biggest threat to its flawless run is Cannes Competition film “The Wonders.” It received mixed reviews but the Cannes pedigree could play a big role. Local success “The Mafia Only Kills in Summer” is less likely to have a chance. However, it also received tons of praise at home, so it shouldn’t be entirely disqualified. “Misunderstood,” by Asia Argento, played in the Un Certain Regard section but faces tough competition. Rounding up these five possibilities is “Those Happy Years, ” a personal film by Daniele Luchetti, which received very positive reviews internationally.
1. "Human Capital" (Il capitale umano) PC: Indiana Production Company
2. "The Wonders" (Le meraviglie) Isa: The Match Factory
3. "The Mafia Only Kills in Summer" (La mafia uccide solo d'estate) Isa: Rai Com
4. "Misunderstood" (Incompresa) Isa: Other Angle Pictures
5. "Those Happy Years" (Anni felici) Isa: Celluloid Dreams/Nightmares
Kosovo
The surprise submission could come from the recently independent, war-torn Balkan state. They have a promising feature film by Isa Qosja's “Three Windows and a Hanging,” which has been called “the best film from Kosovo to date.” Dealing with the forced silence and shame rape victims experience in a small village ruled by patriarchal norms, the film seems to be a perfect candidate to be their first submission. It recently premiered at the Sarajevo Film Festival, so its biggest challenge would be qualifying based on its unknown release date at home.
1. "Three Windows and a Hanging"
Latvia
Unfortunately for Latvia, their possibilities are extremely limited this year. There are only two films that seem as possible candidates. One is the slasher horror film “The Man in the Orange Jacket.” It sports a great production value and might be an interesting offer, but it is hard to see it get far in the race. Nonetheless, it is still their best chance. The other film "Escaping Riga" is a documentary on historical figures Sergei Eisenstein and Sir Isaiah Berlin. Given its subject matter it wouldn’t be surprising if they chose to with this. Hopefully next year their output gives them more to pick from.
1. "The Man in the Orange Jacket" (M.O.Zh.) Isa: Wide
2. "Escaping Riga" PC: Mistrus Media
Lithuania
Opposite to its Baltic neighbor mentioned above, Lithuania has several notable films that could represent them. After winning the top prizes at the Lithuanian Silver Crane’ awards, “The Gambler” became the clear favorite. However, it is important to mention that despite having narrative features to choose from, Lithuania decided to send a small documentary to represent them last year. This curious fact could play in favor of “ Cenotaphs,” a doc focusing on the search for the remains of dead soldiers from World War II. The film won Best Documentary and was nominated in other categories at the local awards. Then there are three other Silver Crane nominated films. Coming-of-age flick “ Non-Present Time,” family drama “Santa,” and crime thriller “Name in the Dark.” The winner of several of these awards, “The Excursionist” was released too early last year to be considered this time around. Local financial success “Redirected” is mostly in English, thus ineligible.
1. "The Gambler" (Losejas) Isa: Wide
2. "Cenotaph" (Kenotafas) PC: Studio Uljana Kim
3. "Non-Present Time" (Nesamasis laikas) PC: Just a Moment
4. "Santa" PC: Artbox
5. "Name in the Dark" (Vardas tamsoje) PC: Fralita Films...
- 8/31/2014
- by Carlos Aguilar
- Sydney's Buzz
Vol. I Issue 10 February 2013
Join us twice weekly. Send us links to your sizzle reels and film sites.
As this last weekend approached I was faced with marking my Academy Award ballot. This process is always really difficult. How does one sort out the “best” film or accomplishment of five or nine in the case of the Best Picture? For me it has been over 30 years of screenings. Thousand of films. Some really great films and many not so great. I also try to think what it means to be one of the nominees. What was the off-screen story but always more importantly what their contribution was to the work and how the film compares to others. What’s great about short films is that they can be made for almost nothing by a few filmmakers without a large budget, crew or cast.
The Academy has three nomination categories for films less than 41 minutes in length: short fiction, documentary and animation. Once nominated, there are public screenings and panels to celebrate the nominated films at the Academy in Beverly Hills. A group photograph of all the nominees is taken with a large Oscar in the lobby of the Academy headquarters. It is really a wonderful experience.
It wasn’t always like that. There were no special celebrations for the short or documentary films until the l980s. While the Foreign Language films had their seminar, nothing was done for these films. We tried to remedy that in the 1980s and started the Direct Cinema receptions and screenings with UCLA, USC and, a few years later, the Ida sponsored “Docuday” and the Academy started doing an annual reception for the shorts and documentary filmmakers. Today the Academy’s evening receptions for the short films, animated features (a relatively new Oscar category) and the documentaries are annual sell-out events. The filmmakers and their works are celebrated and it has become a highlight of the Oscar week for the filmmakers and those associated with the films.
When I first became a member of the Academy the short films and animation branch was headed by a number of extraordinary talents: T Hee, Saul Bass and June Forey. These three remarkable artists represented classic Disney animation (T. Hee), fiction and narrative short films (Saul Bass), and the television and theatrical films (June Forey, who voiced hundreds of characters.)
Saul Bass articulated the branch’s membership policy, “We want them to be part of our branch.” This liberal interpretation allowed documentary filmmakers like Ken Burns as well as voice artists and creatives like Stan Friedberg (and June Forey) to be part of a group that included IMAX filmmakers as well as classic character animation directors, colorists, layout artists, producers and other key short film and animation filmmakers. The animation filmmakers represent both the studio animators and the independent animators who work globally doing personal work as well as studio work. Other governors from 1979 to the present have included Hal Elias, who served on the Academy board for 37 years and was a short film publicist for MGM among other things; Bill Littlejohn, who worked on over 90 films as an animator ranging from Charley Brown, Peanuts Christmas Specials to working with the Hubleys’; Bill Scott, who acted and wrote over a hundred animated films, and Carl Bell, who worked on over 35 films at Disney in its animation department.
Unlike most of the other branches, the Short Films branch screens all of the submitted films in 16mm and 35mm and now in Digital Cinema, in an effort to find and nominate the best short films produced in the world. The branch rules allowed films to qualify in an effort to encourage more international entries in the 1990s by taking a first prize at key festivals in addition to the method that all Academy films can use to qualify, a theatrical week long (now three day for shorts) run in a theater in Los Angeles County. Branch screenings were expanded to New York to permit more members to participate in the nomination process in the 1990s. The final short listed screenings are in New York, San Francisco and Los Angeles. Over one-third of the branch participates in the voting. The best change took place this year, sending DVD screeners to all Academy members of the short live action and animated nominated films. While this still won’t force members to watch them, members can’t claim they can’t see them. This is not only great for the branch but great for the nominated filmmakers. Who would not want to screen their short film for Academy members?
The process of the branch for selecting Nominees has remained unchanged for years—members screen the films in a theater rather than on DVDs, which is how the Documentary branch is dealing with the flood of feature docs and their unwillingness to trust committees. Nothing beats seeing films projected on a large screen with perfect sound and that is now lost. In a two step process, a committee (self selected from the branch membership) screens the films and the 15 films with the highest scores are short listed. The short listed films are then screened again and members vote.
The current Short Film Branch governors are Jon Bloom (pictured with the 2007 nominees), a 1983 fiction short nominee, filmmaker, editor and producer who chairs the branch, animator and Disney Creative Head and multi-Oscar winner, John Lasseter, and William "Bill" Kroyer,an award-winning director of animation and computer graphics commercials, short films, movie titles and theatrical films and faculty member Chapman College.
One of the challenges for the branch is how to grow live action producing members. With the addition of feature animation to the awards and the large number of feature animation films being released, the branch would like to have the most qualified animators to become members. The number of animators grows at a far faster rate than that of the live action filmmakers since only a few live action filmmakers can qualify for membership. The commercial success of animated features, the long production schedules and the large number of animators who work in qualifying positions allows for six plus individuals per picture to be eligible for membership. With five nominees a year, the number of individuals who can play a key role in two or three features becoming eligible for membership can easily approach 30 plus individuals annually. Add in the short animation nominees and competition for the limited new slots allocated to the branch can be brutal. The talent pool of animators is both astonishingly strong and suggests that Hollywood can easily double production from the 15 or so films made annually to 25 or 30 without having to compromise on talent.
Many of the filmmakers in the branch who make their Oscar nominated or winning live action short have made or are interested in making feature length works. A number of recent nominees or winners have made that transition. The following list looks at all of the live action nominees from 2001 to 2011, using the Internet Movie Database I looked up each nominee and listed what they reported they were doing professionally. Obviously, this is not intended to show everything. In each case, I listed credits or summarized credits shown in the IMDb listing.
Some observations about 11 years of Live Action Short Film Academy Award Nominees:
There were 86 nominations (out of a possible 110) This is because in some years only three films were nominated and in some cases only one filmmaker from a film was eligible for a nomination. Non-us based filmmakers dominate this category. Despite the huge number of short films being made annually in the Us, a majority of the nominated films come from filmmakers based abroad. In part this is due to the government subsidies available, but it is also due to the strong training programs, commercial support for the short films and a rich tradition of theatrical shorts. This year (2012) four of the five films in the live action category are from Us filmmakers. This is an unusual year. Few filmmakers have more than one nomination, only a handful of the nominees have made multiple Academy worthy short films. As one might expect, many of the filmmakers have continued their film work in television, some in features. The European Oscar winners (vs nominees) have done better at snagging features after a win than have their American counterparts. Again, this is likely a function of government support for entry features. Perhaps one of the short films seem to have been turned into a feature (or television) film. Some of the short films are intended to be sizzle reels for features, but it is not clear why so few of the nominated short films have been turned into features. A number of the Oscar winners have not continued working in film. No record of future productions are shown on IMDb. It would be interesting to see what they are doing now. Two of the Oscar winners have written critically award winning screenplays, one received two Academy Award nominations for his screenwriting. None of these nominees have gone on to win Oscars in directing or producing for feature films.
The data is from the Academy and the IMDb databases.
Apologies in advance, if credits were missed or other factual errors were made. In a week we’ll be able to add this year's winner.
2001 (74th)
Short Film (Live Action) (* won Academy Award)
*the accountant -- Ray McKinnon: Two Features: Randy and the Mob 2007 and Crystal 2004 Lisa Blount: Produced these features. Copy Shop -- Virgil Widrich Gregor's Greatest Invention -- Johannes Kiefer A Man Thing (Meska Sprawa) -- Slawomir Fabicki, Two Features: Loving 2012, Retrieval 2006 (Also wrote) Bogumil Godfrejow Has shot multiple features Speed for Thespians -- Kalman Apple, Shameela Bakhsh
2002 (75th)
Short Film (Live Action)
Fait D'Hiver -- Dirk Beliën, Anja Daelemans produced Comrade Kim Goes North I'll Wait for the Next One... (J'Attendrai Le Suivant...) -- Philippe Orreindy, Thomas Gaudin Inja (Dog) -- Steven Pasvolsky Feature, Deck Dogz Joe Weatherstone, produced episodic television. Johnny Flynton -- Lexi Alexander, directed 3 features: Lifted, Punisher: War Zone and Green Street Hooligans Alexander Buono as a Dp has shot series and features *This Charming Manon (Der Er En Yndig Mand) -- Martin Strange-Hansen, Mie Andreasen produced both features, series and documentaries.
2003 (76th)
Short Film (Live Action)
Die Rote Jacke (The Red Jacket) -- Florian Baxmeyer Multiple television films and series Most (The Bridge) -- Bobby Garabedian, William Zabka Mr. Zabka has appeared as an actor in numerous films and television shows Squash -- Lionel Bailliu Features: Fair Play and Denis (in post) (A) Torzija [(A) Torsion] -- Stefan Arsenijevic Directed: Lost and Found, Love and Other Crimes, and Do Not Forget Me Istanbul *Two Soldiers -- Aaron Schneider,Asc (Cinematographer numerous credits) and feature, Kiss the Girls, Andrew J. Sacks Series The Closer (98 episodes) and Major Crimes.
2004 (77th)
Short Film (Live Action)
Everything in This Country Must -- Gary McKendry Directed Killer Elite, Joseph and the Girl Little Terrorist -- Ashvin Kumar Produced and Directed features (2) and documentaries (2) 7:35 in the Morning (7:35 de la Mañana) -- Nacho Vigalondo Directed and written multiple films, series, shorts Two Cars, One Night -- Taika Waititi, Acted and directed and written multi television and films Ainsley Gardiner Nz based producer of multiple shorts, television and feature films *Wasp -- Andrea Arnold Actor, director and writer of numbers films, television programs
2005 (78th)
Short Film (Live Action)
Ausreisser (The Runaway) -- Ulrike Grote Ms. Grote has acted in over 42 programs, features, television series and films Cashback -- Sean Ellis, Director/Writer Metro Manila, The Broken Lene Bausager Producer, The Broken, Ginger and Rosa The Last Farm -- Rúnar Rúnarsson, Director/Writer Volcano, Thor S. Sigurjónsson Produced multiple features Our Time Is Up -- Rob Pearlstein, Director/Writer multiple television and a feature Pia Clemente Producer, documentaries *Six Shooter -- Martin McDonagh Writer/Director Seven Psychopaths, In Bruges
2006 (79th)
Short Film (Live Action)
Binta and the Great Idea (Binta Y La Gran Idea) -- Javier Fesser, no other credits shown Luis Manso Produced multiple features Éramos Pocos (One Too Many) -- Borja Cobeaga Writer, multi films and television series Helmer & Son -- Søren Pilmark no other credits, Kim Magnusso Producer over 100 film, television films (4 Best Short Film Academy Award nominations) Won for Ernst & Lyset The Saviour -- Peter Templeman, no other credits Stuart Parkyn, Producer, multi-short film credits *West Bank Story -- Ari Sandel Director, one short, one documentary
2007 (80th)
Short Film (Live Action)
At Night -- Christian E. Christiansen, Directed, Features and television series Louise Vesth Producer, multi features Il Supplente (The Substitute) -- Andrea Jublin
*Le Mozart des Pickpockets (The Mozart of Pickpockets) -- Philippe Pollet-Villard Actor and director short films, a television film
Tanghi Argentini -- Guido Thys, Director, Multiple television series Anja Daelemans, nominated for 2 Short Film nominations (Gridlock, 2002) Producer/Pm various The Tonto Woman -- Daniel Barber, Directed The Keeping Room, Harry Brown Matthew Brown Produced 2 shorts
2008 (81st)
Short Film (Live Action)
Auf der Strecke (On the Line) -- Reto Caffi Manon on the Asphalt -- Elizabeth Marre, Director, Television series Olivier Pont Director, Television series New Boy -- Steph Green, Director Run and Jump Tamara Anghie Producer Run and Jump The Pig -- Tivi Magnusson, Producer Over 64 titles many short films, Dorte Høgh Writer multiple series, (Directed The Pig) *Spielzeugland (Toyland) -- Jochen Alexander Freydank Producer of multiple television series
2009 (82nd)
Short Film (Live Action)
The Door -- Juanita Wilson, Director As If I Am Not There James Flynn Multiple Producer credits for over 50 titles, television and theatrical Instead of Abracadabra -- Patrik Eklund, Director, Television film and feature Mathias Fjellström Kavi -- Gregg Helvey Miracle Fish -- Luke Doolan, Multiple credits as editor Drew Bailey Multiple credits as Assistant Director *The New Tenants -- Joachim Back, no other credits shown as a director, Tivi Magnusson This is Mr. Magnusson’s first Academy Award and second nomination. See 2008.
2010 (83rd)
Short Film (Live Action)
The Confession -- Tanel Toom The Crush -- Michael Creagh *God of Love -- Luke Matheny Feature Love Sick and multiple Television series episode Na Wewe -- Ivan Goldschmidt Wish 143 -- Ian Barnes, Multiple directing credits Television Samantha Waite Credits as production coordinator on multiple titles
2011 (84th)
Short Film (Live Action)
Pentecost -- Peter McDonald, Credits as actor Eimear O'Kane Credits as Producer on The Shadows and on television programs. Raju -- Max Zähle, Director, Television series Stefan Gieren Producer-Writer credit on feature film, Kunduz: The Incident at Hadji Ghafur *The Shore -- Terry George, Writer Two Oscar nominations for screenplays In the Name of the Father and Hotel Riwanda Producer and director on films and television series Oorlagh George Numerous credits as Assistant on features, documentaries and television shows Time Freak -- Andrew Bowler Writer and actor in a short film Gigi Causey Production manager, producer shorts, series and films
__________________________________________________________________________________
Credits: Editing by Jessica Just for SydneysBuzz
__________________________________________________________________________________
Mitchell Block specializes in conceiving, producing, marketing & distributing independent features & consulting. He is an expert in placing both completed works into distribution & working with producers to make projects fundable. He conducts regular workshops in film producing in Los Angeles and most recently in Maine, Russia and in Myanmar (Burma).
Poster Girl, produced by Block was nominated for a Documentary Academy Award and selected by the Ida as the Best Doc Short 2011. It was also nominated for two Emmy Awards and aired on HBO. He is an executive producer of the Emmy Award-winning PBS series Carrier, a 10-hour series that he conceived & co-created. Block is a graduate of Tisch School and Columbia University’s Graduate School of Business. He is a member of Academy of Motion Picture Arts & Sciences, the Television Academy, a founding member of BAFTA-la and has been teaching at USC School of Cinematic Arts since 1979. Currently Block teaches a required class in the USC Peter Stark Producing Program.
______________________________________________________________________
©2013Mwb All Rights Reserved All Rights Reserved. All information and designs on the Sites are copyrighted material owned by Block. Reproduction, dissemination, or transmission of any part of the material here without the express written consent of the owner is strictly prohibited.All other product names and marks on Block Direct, whether trademarks, service marks, or other type, and whether registered or unregistered, is the property of Block.
Join us twice weekly. Send us links to your sizzle reels and film sites.
As this last weekend approached I was faced with marking my Academy Award ballot. This process is always really difficult. How does one sort out the “best” film or accomplishment of five or nine in the case of the Best Picture? For me it has been over 30 years of screenings. Thousand of films. Some really great films and many not so great. I also try to think what it means to be one of the nominees. What was the off-screen story but always more importantly what their contribution was to the work and how the film compares to others. What’s great about short films is that they can be made for almost nothing by a few filmmakers without a large budget, crew or cast.
The Academy has three nomination categories for films less than 41 minutes in length: short fiction, documentary and animation. Once nominated, there are public screenings and panels to celebrate the nominated films at the Academy in Beverly Hills. A group photograph of all the nominees is taken with a large Oscar in the lobby of the Academy headquarters. It is really a wonderful experience.
It wasn’t always like that. There were no special celebrations for the short or documentary films until the l980s. While the Foreign Language films had their seminar, nothing was done for these films. We tried to remedy that in the 1980s and started the Direct Cinema receptions and screenings with UCLA, USC and, a few years later, the Ida sponsored “Docuday” and the Academy started doing an annual reception for the shorts and documentary filmmakers. Today the Academy’s evening receptions for the short films, animated features (a relatively new Oscar category) and the documentaries are annual sell-out events. The filmmakers and their works are celebrated and it has become a highlight of the Oscar week for the filmmakers and those associated with the films.
When I first became a member of the Academy the short films and animation branch was headed by a number of extraordinary talents: T Hee, Saul Bass and June Forey. These three remarkable artists represented classic Disney animation (T. Hee), fiction and narrative short films (Saul Bass), and the television and theatrical films (June Forey, who voiced hundreds of characters.)
Saul Bass articulated the branch’s membership policy, “We want them to be part of our branch.” This liberal interpretation allowed documentary filmmakers like Ken Burns as well as voice artists and creatives like Stan Friedberg (and June Forey) to be part of a group that included IMAX filmmakers as well as classic character animation directors, colorists, layout artists, producers and other key short film and animation filmmakers. The animation filmmakers represent both the studio animators and the independent animators who work globally doing personal work as well as studio work. Other governors from 1979 to the present have included Hal Elias, who served on the Academy board for 37 years and was a short film publicist for MGM among other things; Bill Littlejohn, who worked on over 90 films as an animator ranging from Charley Brown, Peanuts Christmas Specials to working with the Hubleys’; Bill Scott, who acted and wrote over a hundred animated films, and Carl Bell, who worked on over 35 films at Disney in its animation department.
Unlike most of the other branches, the Short Films branch screens all of the submitted films in 16mm and 35mm and now in Digital Cinema, in an effort to find and nominate the best short films produced in the world. The branch rules allowed films to qualify in an effort to encourage more international entries in the 1990s by taking a first prize at key festivals in addition to the method that all Academy films can use to qualify, a theatrical week long (now three day for shorts) run in a theater in Los Angeles County. Branch screenings were expanded to New York to permit more members to participate in the nomination process in the 1990s. The final short listed screenings are in New York, San Francisco and Los Angeles. Over one-third of the branch participates in the voting. The best change took place this year, sending DVD screeners to all Academy members of the short live action and animated nominated films. While this still won’t force members to watch them, members can’t claim they can’t see them. This is not only great for the branch but great for the nominated filmmakers. Who would not want to screen their short film for Academy members?
The process of the branch for selecting Nominees has remained unchanged for years—members screen the films in a theater rather than on DVDs, which is how the Documentary branch is dealing with the flood of feature docs and their unwillingness to trust committees. Nothing beats seeing films projected on a large screen with perfect sound and that is now lost. In a two step process, a committee (self selected from the branch membership) screens the films and the 15 films with the highest scores are short listed. The short listed films are then screened again and members vote.
The current Short Film Branch governors are Jon Bloom (pictured with the 2007 nominees), a 1983 fiction short nominee, filmmaker, editor and producer who chairs the branch, animator and Disney Creative Head and multi-Oscar winner, John Lasseter, and William "Bill" Kroyer,an award-winning director of animation and computer graphics commercials, short films, movie titles and theatrical films and faculty member Chapman College.
One of the challenges for the branch is how to grow live action producing members. With the addition of feature animation to the awards and the large number of feature animation films being released, the branch would like to have the most qualified animators to become members. The number of animators grows at a far faster rate than that of the live action filmmakers since only a few live action filmmakers can qualify for membership. The commercial success of animated features, the long production schedules and the large number of animators who work in qualifying positions allows for six plus individuals per picture to be eligible for membership. With five nominees a year, the number of individuals who can play a key role in two or three features becoming eligible for membership can easily approach 30 plus individuals annually. Add in the short animation nominees and competition for the limited new slots allocated to the branch can be brutal. The talent pool of animators is both astonishingly strong and suggests that Hollywood can easily double production from the 15 or so films made annually to 25 or 30 without having to compromise on talent.
Many of the filmmakers in the branch who make their Oscar nominated or winning live action short have made or are interested in making feature length works. A number of recent nominees or winners have made that transition. The following list looks at all of the live action nominees from 2001 to 2011, using the Internet Movie Database I looked up each nominee and listed what they reported they were doing professionally. Obviously, this is not intended to show everything. In each case, I listed credits or summarized credits shown in the IMDb listing.
Some observations about 11 years of Live Action Short Film Academy Award Nominees:
There were 86 nominations (out of a possible 110) This is because in some years only three films were nominated and in some cases only one filmmaker from a film was eligible for a nomination. Non-us based filmmakers dominate this category. Despite the huge number of short films being made annually in the Us, a majority of the nominated films come from filmmakers based abroad. In part this is due to the government subsidies available, but it is also due to the strong training programs, commercial support for the short films and a rich tradition of theatrical shorts. This year (2012) four of the five films in the live action category are from Us filmmakers. This is an unusual year. Few filmmakers have more than one nomination, only a handful of the nominees have made multiple Academy worthy short films. As one might expect, many of the filmmakers have continued their film work in television, some in features. The European Oscar winners (vs nominees) have done better at snagging features after a win than have their American counterparts. Again, this is likely a function of government support for entry features. Perhaps one of the short films seem to have been turned into a feature (or television) film. Some of the short films are intended to be sizzle reels for features, but it is not clear why so few of the nominated short films have been turned into features. A number of the Oscar winners have not continued working in film. No record of future productions are shown on IMDb. It would be interesting to see what they are doing now. Two of the Oscar winners have written critically award winning screenplays, one received two Academy Award nominations for his screenwriting. None of these nominees have gone on to win Oscars in directing or producing for feature films.
The data is from the Academy and the IMDb databases.
Apologies in advance, if credits were missed or other factual errors were made. In a week we’ll be able to add this year's winner.
2001 (74th)
Short Film (Live Action) (* won Academy Award)
*the accountant -- Ray McKinnon: Two Features: Randy and the Mob 2007 and Crystal 2004 Lisa Blount: Produced these features. Copy Shop -- Virgil Widrich Gregor's Greatest Invention -- Johannes Kiefer A Man Thing (Meska Sprawa) -- Slawomir Fabicki, Two Features: Loving 2012, Retrieval 2006 (Also wrote) Bogumil Godfrejow Has shot multiple features Speed for Thespians -- Kalman Apple, Shameela Bakhsh
2002 (75th)
Short Film (Live Action)
Fait D'Hiver -- Dirk Beliën, Anja Daelemans produced Comrade Kim Goes North I'll Wait for the Next One... (J'Attendrai Le Suivant...) -- Philippe Orreindy, Thomas Gaudin Inja (Dog) -- Steven Pasvolsky Feature, Deck Dogz Joe Weatherstone, produced episodic television. Johnny Flynton -- Lexi Alexander, directed 3 features: Lifted, Punisher: War Zone and Green Street Hooligans Alexander Buono as a Dp has shot series and features *This Charming Manon (Der Er En Yndig Mand) -- Martin Strange-Hansen, Mie Andreasen produced both features, series and documentaries.
2003 (76th)
Short Film (Live Action)
Die Rote Jacke (The Red Jacket) -- Florian Baxmeyer Multiple television films and series Most (The Bridge) -- Bobby Garabedian, William Zabka Mr. Zabka has appeared as an actor in numerous films and television shows Squash -- Lionel Bailliu Features: Fair Play and Denis (in post) (A) Torzija [(A) Torsion] -- Stefan Arsenijevic Directed: Lost and Found, Love and Other Crimes, and Do Not Forget Me Istanbul *Two Soldiers -- Aaron Schneider,Asc (Cinematographer numerous credits) and feature, Kiss the Girls, Andrew J. Sacks Series The Closer (98 episodes) and Major Crimes.
2004 (77th)
Short Film (Live Action)
Everything in This Country Must -- Gary McKendry Directed Killer Elite, Joseph and the Girl Little Terrorist -- Ashvin Kumar Produced and Directed features (2) and documentaries (2) 7:35 in the Morning (7:35 de la Mañana) -- Nacho Vigalondo Directed and written multiple films, series, shorts Two Cars, One Night -- Taika Waititi, Acted and directed and written multi television and films Ainsley Gardiner Nz based producer of multiple shorts, television and feature films *Wasp -- Andrea Arnold Actor, director and writer of numbers films, television programs
2005 (78th)
Short Film (Live Action)
Ausreisser (The Runaway) -- Ulrike Grote Ms. Grote has acted in over 42 programs, features, television series and films Cashback -- Sean Ellis, Director/Writer Metro Manila, The Broken Lene Bausager Producer, The Broken, Ginger and Rosa The Last Farm -- Rúnar Rúnarsson, Director/Writer Volcano, Thor S. Sigurjónsson Produced multiple features Our Time Is Up -- Rob Pearlstein, Director/Writer multiple television and a feature Pia Clemente Producer, documentaries *Six Shooter -- Martin McDonagh Writer/Director Seven Psychopaths, In Bruges
2006 (79th)
Short Film (Live Action)
Binta and the Great Idea (Binta Y La Gran Idea) -- Javier Fesser, no other credits shown Luis Manso Produced multiple features Éramos Pocos (One Too Many) -- Borja Cobeaga Writer, multi films and television series Helmer & Son -- Søren Pilmark no other credits, Kim Magnusso Producer over 100 film, television films (4 Best Short Film Academy Award nominations) Won for Ernst & Lyset The Saviour -- Peter Templeman, no other credits Stuart Parkyn, Producer, multi-short film credits *West Bank Story -- Ari Sandel Director, one short, one documentary
2007 (80th)
Short Film (Live Action)
At Night -- Christian E. Christiansen, Directed, Features and television series Louise Vesth Producer, multi features Il Supplente (The Substitute) -- Andrea Jublin
*Le Mozart des Pickpockets (The Mozart of Pickpockets) -- Philippe Pollet-Villard Actor and director short films, a television film
Tanghi Argentini -- Guido Thys, Director, Multiple television series Anja Daelemans, nominated for 2 Short Film nominations (Gridlock, 2002) Producer/Pm various The Tonto Woman -- Daniel Barber, Directed The Keeping Room, Harry Brown Matthew Brown Produced 2 shorts
2008 (81st)
Short Film (Live Action)
Auf der Strecke (On the Line) -- Reto Caffi Manon on the Asphalt -- Elizabeth Marre, Director, Television series Olivier Pont Director, Television series New Boy -- Steph Green, Director Run and Jump Tamara Anghie Producer Run and Jump The Pig -- Tivi Magnusson, Producer Over 64 titles many short films, Dorte Høgh Writer multiple series, (Directed The Pig) *Spielzeugland (Toyland) -- Jochen Alexander Freydank Producer of multiple television series
2009 (82nd)
Short Film (Live Action)
The Door -- Juanita Wilson, Director As If I Am Not There James Flynn Multiple Producer credits for over 50 titles, television and theatrical Instead of Abracadabra -- Patrik Eklund, Director, Television film and feature Mathias Fjellström Kavi -- Gregg Helvey Miracle Fish -- Luke Doolan, Multiple credits as editor Drew Bailey Multiple credits as Assistant Director *The New Tenants -- Joachim Back, no other credits shown as a director, Tivi Magnusson This is Mr. Magnusson’s first Academy Award and second nomination. See 2008.
2010 (83rd)
Short Film (Live Action)
The Confession -- Tanel Toom The Crush -- Michael Creagh *God of Love -- Luke Matheny Feature Love Sick and multiple Television series episode Na Wewe -- Ivan Goldschmidt Wish 143 -- Ian Barnes, Multiple directing credits Television Samantha Waite Credits as production coordinator on multiple titles
2011 (84th)
Short Film (Live Action)
Pentecost -- Peter McDonald, Credits as actor Eimear O'Kane Credits as Producer on The Shadows and on television programs. Raju -- Max Zähle, Director, Television series Stefan Gieren Producer-Writer credit on feature film, Kunduz: The Incident at Hadji Ghafur *The Shore -- Terry George, Writer Two Oscar nominations for screenplays In the Name of the Father and Hotel Riwanda Producer and director on films and television series Oorlagh George Numerous credits as Assistant on features, documentaries and television shows Time Freak -- Andrew Bowler Writer and actor in a short film Gigi Causey Production manager, producer shorts, series and films
__________________________________________________________________________________
Credits: Editing by Jessica Just for SydneysBuzz
__________________________________________________________________________________
Mitchell Block specializes in conceiving, producing, marketing & distributing independent features & consulting. He is an expert in placing both completed works into distribution & working with producers to make projects fundable. He conducts regular workshops in film producing in Los Angeles and most recently in Maine, Russia and in Myanmar (Burma).
Poster Girl, produced by Block was nominated for a Documentary Academy Award and selected by the Ida as the Best Doc Short 2011. It was also nominated for two Emmy Awards and aired on HBO. He is an executive producer of the Emmy Award-winning PBS series Carrier, a 10-hour series that he conceived & co-created. Block is a graduate of Tisch School and Columbia University’s Graduate School of Business. He is a member of Academy of Motion Picture Arts & Sciences, the Television Academy, a founding member of BAFTA-la and has been teaching at USC School of Cinematic Arts since 1979. Currently Block teaches a required class in the USC Peter Stark Producing Program.
______________________________________________________________________
©2013Mwb All Rights Reserved All Rights Reserved. All information and designs on the Sites are copyrighted material owned by Block. Reproduction, dissemination, or transmission of any part of the material here without the express written consent of the owner is strictly prohibited.All other product names and marks on Block Direct, whether trademarks, service marks, or other type, and whether registered or unregistered, is the property of Block.
- 2/28/2013
- by Mitchell Block
- Sydney's Buzz
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.