When the driver of a recurring taxi cab got bored and left on the cab's first day of shooting, prop master Geoff Binns-Calvey and Prop Asst. Merje Veski fashioned a new cab out of Key Grip Ronald Dragosh's maroon Caprice Classic in a single hour to save the shoot. Their creation became Ali's cab for the whole movie.
For William Rutherford's emotional hospital bed speech to Dee Dee, Dolly Grip Korey Salajka executed a 5-foot continuous-speed push-in over 3 min. 45 sec. for 10 takes without missing a mark.