Latin American filmmakers have done well in the Oscar race over the last three years: Awards have gone to two Mexican directors, while films from Colombia and Chile have landed nominations. Meanwhile, revered auteurs from these region have maintained their positions on the world stage, and American-based Latino filmmakers and actors have become outspoken advocates for the need of inclusion and opportunity. But many others receive far less attention even as they toil away on the sidelines to make sure these artists receive the attention they deserve.
The unsung heroes of Latin American cinema’s success work in film journalism, distribution companies, film-oriented nonprofits, festivals, and even major studios. Behind the scenes, Latinos are paving the way for filmmakers and others who are fighting to be heard, seen, and understood. This crowd of influencers includes U.S Latinos, Latin Americans and Hispanics, all of whom are represented in the following overview.
The unsung heroes of Latin American cinema’s success work in film journalism, distribution companies, film-oriented nonprofits, festivals, and even major studios. Behind the scenes, Latinos are paving the way for filmmakers and others who are fighting to be heard, seen, and understood. This crowd of influencers includes U.S Latinos, Latin Americans and Hispanics, all of whom are represented in the following overview.
- 12/26/2016
- by Carlos Aguilar
- Indiewire
Tons of updates today. Let's start with Bear McCreary.
GameMusic.net posted an interview they did with him in April. It's mostly about the Socom 4 score, but Caprica and BSG also get a mention, as well as the other shows he is/was scoring. Here is a snippet:
Matt: To switch a bit, in addition to video games, you scored three television series over the past season: Eureka, The Walking Dead, and The Cape. How were you able to fit in composing and recording for so many projects?
Bear McCreary: I don't sleep a lot (laughs). The schedules are tough, but thankfully, of the three shows that you cited, two of them are on cable and cable has a very different schedule than network television. Generally I'm able to weave my way through the schedules and I usually don't have to work on more than one show at any given time.
GameMusic.net posted an interview they did with him in April. It's mostly about the Socom 4 score, but Caprica and BSG also get a mention, as well as the other shows he is/was scoring. Here is a snippet:
Matt: To switch a bit, in addition to video games, you scored three television series over the past season: Eureka, The Walking Dead, and The Cape. How were you able to fit in composing and recording for so many projects?
Bear McCreary: I don't sleep a lot (laughs). The schedules are tough, but thankfully, of the three shows that you cited, two of them are on cable and cable has a very different schedule than network television. Generally I'm able to weave my way through the schedules and I usually don't have to work on more than one show at any given time.
- 6/19/2011
- by fanshawe
- CapricaTV
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