Directed by
| Steven Soderbergh | ||
Writing Credits
| Coleman Hough | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Zennia M. Barahona | ... | post-production producer (uncredited) |
| Gregory Jacobs | ... | producer |
| Scott Kramer | ... | producer |
| Bob Weinstein | ... | executive producer (uncredited) |
| Harvey Weinstein | ... | executive producer |
Cinematography by
| Steven Soderbergh | ... | director of photography (as Peter Andrews) |
Editing by
| Sarah Flack | ||
Casting By
| Debra Zane | ||
Production Management
| Michael Polaire | ... | unit production manager |
| Bob Osher | ... | production supervisor (uncredited) |
| Evan Schechtman | ... | post-production supervisor: Outpost Digital (uncredited) |
Second Unit Director or Assistant Director
| Keri Bruno | ... | second second assistant director |
| Gregory Jacobs | ... | first assistant director |
| Basti Van Der Woude | ... | second assistant director (as Basti van der Woude) |
Art Department
| Mark Gantt | ... | assistant property master |
| Lance Larson | ... | property master |
Sound Department
| David Betancourt | ... | foley mixer |
| Larry Blake | ... | post-production sound |
| Matt Coby | ... | foley editor |
| Jacques Davidovici | ||
| Dawn Fintor | ... | foley |
| Jay Gallagher | ... | foley editor |
| Paul Ledford | ... | production sound mixer |
| Linda Murphy | ... | boom operator |
| Sam Sarkar | ... | utility sound |
| Alicia Stevenson | ... | foley (as Alicia Irwin) |
| Jeff Enden | ... | boom operator (uncredited) |
| Shawn Holden | ... | additional sound mixer (uncredited) |
Special Effects by
| Gunter Anderson | ... | special effects technician (uncredited) |
Visual Effects by
| Edwin Armstrong | ... | digital film services |
| Randall Balsmeyer | ... | visual effects (uncredited) |
| Patrick Bonneau | ... | high def digitizing (uncredited) |
| Michael Brodersen | ... | digital to film output (uncredited) |
| Sal Migliore | ... | high def digitizing (uncredited) |
| Carl S.G. Moore | ... | visual effects associate producer: Cinesite (uncredited) |
Camera and Electrical Department
| Ed Ayer | ... | best boy electric |
| Russell Ayer | ... | gaffer |
| Shawn Breedlove | ... | rigging electric (as Shaun Breedlove) |
| Thomas A. Curran | ... | best boy grip (as Thomas Curran) |
| Joseph Graham | ... | rigging grip (as Joseph A. Graham) |
| Gregg Guellow | ... | dolly grip (as C. Gregory Guellow) |
| Christopher Just Weaver | ... | video technician |
| Ted J. Kredo | ... | lighting technician (as Ted Kredo) |
| Chris Mack | ... | second assistant camera: film |
| Duane Charles Manwiller | ... | camera operator (as Duane 'DC' Manwiller) |
| Bob Marshak | ... | still photographer |
| E.J. Misisco | ... | film loader (as E.J. Misisco Jr.) |
| Daniel Moder | ... | first assistant camera: film (as Danny Moder) |
| Tim Smith | ... | video technician |
| Brent Studler | ... | rigging gaffer |
| Paul Threlkeld | ... | key grip |
| Duane Charles Manwiller | ... | director of photography: second unit (uncredited) |
Casting Department
| Terri Taylor | ... | casting associate |
| Erin Toner | ... | casting assistant (uncredited) |
Costume and Wardrobe Department
| Susi Campos | ... | costumer |
| Shoshana Rubin | ... | costume supervisor |
Editorial Department
| Monica De Armond | ... | post-production coordinator (as Monica Borde) |
| Ramy Katrib | ... | assistant: digital post-production |
| David Kirchner | ... | second assistant editor |
| Susan Littenberg | ... | first assistant editor |
| Peter McCoubrey | ... | video colorist |
| Les Meek | ... | consultant: Ektachrome |
| Dan Muscarella | ... | color timer |
| Ron Patane | ... | post-production services |
| Evan Schechtman | ... | post-production services |
| Timothy Serda | ... | assistant: digital post-production (as Tim Serda) |
| Paul Tanzillo Jr. | ... | negative cutter (as Paul E. Tanzillo) |
| Brett S. McCarthy | ... | assistant editor (uncredited) |
Location Management
| Caleb Duffy | ... | assistant location manager |
| Ken Lavet | ... | location manager |
| Naomi Motohashi | ... | location assistant |
| Robert T. Striem | ... | location manager: New York unit (uncredited) |
Music Department
| Randy Spendlove | ... | executive in charge of music (uncredited) |
Script and Continuity Department
| Rebecca Robertson | ... | script supervisor |
Transportation Department
| Rich Bennetti | ... | driver |
| David Blackman | ... | driver (as David C. Blackman) |
| Jon Carpenter | ... | transportation coordinator |
| David Glavin | ... | driver (as Dave Glavin) |
| Leon Glavin | ... | driver |
| Shane Greedy | ... | transportation captain |
| J.T. Lannen | ... | driver (as JT Lannen) |
| Charles Ramirez | ... | driver |
Additional Crew
| Julie M. Anderson | ... | production coordinator |
| Cassandra Barbour | ... | clearances: Entertainment Clearances |
| Howard Behar | ... | production legal services (as Howard D. Behar Esq.) |
| Mathilde de Cagny | ... | animal trainer (as Mathilde deCagny) |
| Virginie Drouot | ... | production office assistant |
| Jason Hinkel | ... | first assistant accountant |
| Leah Holmes | ... | post-production accountant: R. C. Baral & Company (as Leah A. Holmes) |
| Steven M. Kalb | ... | production legal services (as Steven M. Kalb Esq.) |
| Sonya Lunsford | ... | production accountant |
| Lynne Martin | ... | set production assistant |
| Antoine Mascaro | ... | chef: Gourmet On Location |
| David McKimmie | ... | assistant production coordinator |
| India Neilan | ... | set production assistant |
| Matt Novello | ... | production office assistant |
| Larry Payne | ... | animal trainer |
| Keith Popely | ... | set production assistant |
| Laura Sevier | ... | clearances: Entertainment Clearances |
| Spooky Stevens | ... | unit publicist |
| Jeff Winn | ... | craft service |
| Jenny Gienger | ... | production assistant (uncredited) |
| Traci Hainsworth | ... | production resources (uncredited) |
| Mark R. Lindsay | ... | sales representative (uncredited) |
Thanks
| Chris Birchby | ... | the producers wish to thank: for their kindness, generosity and assistance |
| David Black | ... | the producers wish to thank: for their kindness, generosity and assistance, Final Cut Pro |
| Daniel Fort | ... | the producers wish to thank: for their kindness, generosity and assistance |
| Eric Graves | ... | the producers wish to thank: for their kindness, generosity and assistance, Final Cut Pro |
| Bill Hudson | ... | the producers wish to thank: for their kindness, generosity and assistance, Final Cut Pro |
| Gary Johnson | ... | the producers wish to thank: for their kindness, generosity and assistance, Final Cut Pro |
| Suzanne Lindbergh | ... | the producers wish to thank: for their kindness, generosity and assistance, Apple Products |
| Brian Meaney | ... | the producers wish to thank: for their kindness, generosity and assistance, Final Cut Pro |
| Kit Rachlis | ... | the producers wish to thank: for their kindness, generosity and assistance, Los Angeles Magazine |
| Paul Saccone | ... | the producers wish to thank: for their kindness, generosity and assistance, Final Cut Pro |
| Nadia Vitels | ... | the producers wish to thank: for their kindness, generosity and assistance, Canon USA |
| Vanessa Williams | ... | the producers wish to thank: for their kindness, generosity and assistance, Raffles L'Ermitage Hotel |
| Craig Yanagi | ... | the producers wish to thank: for their kindness, generosity and assistance, Sony Electronics |
