Engel & Joe (2001) Poster

(2001)

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5/10
Better title: "Joe, a young mother fights for love and family"
tyroneslothrop30 January 2004
First of all, this movie is cliche ridden like no other movie i've seen in recent times, second, the cinematography looks extremely (and i cannot overestimate that enough), how can i say, "made for tv", and that's a bad thing. Overall i couldn't enjoy it's good moments, because of the much too high quantity of their "ouch!"-counterparts.

I felt like having watched television after this movie.
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6/10
A beautifully shot story that we've all seen before.
demonicDeimos26 August 2001
Perhaps it's me, but I tend to tire of true stories. And Engel and Joe just happens to be one of them. The plot seems old and cliché. A sappy love story on how love always prevails. The film brings nothing new to the plate.

It had it's moments however, mostly attributed by the excellently crafted atmosphere. The films aesthetic values, particularly the cinematography and music, are what maintain any sense of interest.

Don't, however, attempt to avoid seeing this film. After all, no matter how many times we've heard it before, it seems like people never tire of stories from the heart.
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Small Review
Pocahontas_EvilGiraffe10 January 2004
Absolutely fantastic film, wonderful direction, absolutely ridiculously great soundtrack, and incredable acting, This film really shows love at its largest and really captures the essence of Colognes underground life, with young actors such as Pallaske and Stadlober the script could not of been better performed and these 2 seem to have a very bright and positive future in german film ahead of them! Wonderful! A must see for any German Speaker!
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2/10
Huge mess, failure in every department
Horst_In_Translation23 July 2017
Warning: Spoilers
"Engel & Joe" or "Engel + Joe" or "Hexe & Zottel" is a German movie from 2001, so this one had its 15th anniversary last year and it runs for slightly over 1.5 hours. It is the most known work so far by director Vanessa Jopp, who is also one of the writers working on the script here. The cast includes Robert Stadlober playing one title character and he was quite a star in German back then, but rightfully today he is basically not a factor at all anymore when it comes to new films. He is certainly all about his looks that probably aren't too much mainstream, but also nothing special. Talent is missing entirely in him. His female co-lead is played by Jana Pallaske and while she is certainly enjoying a better career than Stadlober these days, there is also a reason why she appears on "Dancing with the Stars" (the German version) instead of "Homeland". With her looks fading, so will her career. The only reason why she looks somewhat fine in this film we have here is because her male co-lead is extremely untalented and makes it fairly easy for her. Those crying and screaming scenes by Stadlober were 100% cringe. In general, the character of Engel (cringy name too) is all about the looks really, the costumes, the makeup and who plays him is entirely irrelevant, at least with Stadlober's approach.

Another cringeworthy thing here is the title. Reading it, it becomes somewhat clear with the English name in the second half as well as the & instead of "und", that they had some ambition for this film to make an impact internationally too. It does none of that. The talent simply isn't there, neither behind nor in front of the camera. Even with all the plot twists they included (drug abuse, prostitution, pregnancy...), the film never tells a meaningful message. Instead they made sure on all kinds of occasions that we never forget how beautiful Pallaske is by having characters verbally applaud her looks all the time. Guess what, we already know the first time we see her. Another huge problem is that the filmmakers really tried so hard that we would like the two main characters, but how is it possible to like either. One is a drug-addicted small-time crook, homeless pseudo-punk, very poor man's Farin Urlaub, the other is a young woman who sleeps right away with one guy after getting engaged to another and apparently neither contraception nor her baby child are really important to her either.

Oh yeah and when you believe that the film has hit rock-bottom on enough occasions already, then the ending happens. We have a young man suffering strongly from drug withdrawal, so what do we do? Yeah, lets go on a trip to the mountains. Of course this will solve everything. Forced happy ending that has nothing to do with realism? Check. This film is a gigantic failure and it is shocking to see so many people work on the script and then we gets unrealistic quotes from start to finish and a plot (or several plots) that aren't remotely working either. I suggest you stay far far away from this one. Highly not recommended.
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9/10
Simplicity doing miracles
aristofanis5 January 2003
I saw this film at the Montreal festival back in 2001 and had great impressions from this fine example of today's German cinema. Youthful, dynamic, humane are few adjectives to be used for this very touching story of two young marginalized youths who go against all odds to survive physically and emotionally. The camera portrays the big city's underground culture and touches problems of today with directness and precision. Great naturalistic performances from promising young actors!
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8/10
Light in the Mountains
claudio_carvalho21 January 2007
The runaway teenager Joe (Jana Pallaske) leaves her dysfunctional mother after being beat by her lover Harry. She meets Engel (Robert Stadlober) and his punk friends on the streets and the boy lodges her in the abandoned building where he lives. Engel tells her that he dreams on living in the mountains in a community of his own, raising animals and planting his own food, and they fall in love for each other. When Joe gets pregnant, Engel assumes the baby, but without a profession, the young couple faces serious financial difficulties and problems. When Engel gets addicted on drugs, he drags Joe to a low life including prostitution. But there is light in the mountain.

"Joe & Engel' is another dramatic screenplay of Kai Herman, the author of "Christiane F". The story is very realistic, bitter and sad, but the optimistic open conclusion relieves the tension and makes the movie more pleasant. The performances of the young Jana Pallaske and Robert Stadlober are stunning and deserved nominations to the Oscar; the absence of their names withdraws any credibility of the Oscar nominations in any credible list. This film is another great example of the excellent German cinema. I liked the cinematography, dark along the whole story, with a kind of symbolic fusion of their spirits when they make love in the swimming pool and with light when the couple reaches the mountains, transmitting a beautiful final message of hope and peace. My vote is eight.

Title (Brazil): "A Nova Geração Christiane F" ("The New Generation Christiane F")
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