- Released on DVD in 2004, complete with a commentary track from writer/producer/director Michael Mann, the Director's Cut of the film features roughly fourteen minutes of additional material and has roughly five minutes of content removed, running just under nine minutes longer than the Theatrical Cut. In this version,
- During the opening credits, the Initial Entertainment Group logo has been replaced by the Columbia Pictures logo, and "Initial Entertainment Group Presents, in Association with Columbia Pictures" has been replaced with "Columbia Pictures Presents, in Association with Initial Entertainment Group".
- During the opening montage, right after the scene showing Cassius Clay Sr. (Giancarlo Esposito) completing a painting of Jesus, a new scene has been added showing him attending a meeting with the Louisville Sponsoring Group and going through some paperwork. Cassius Clay Jr. (Will Smith) sits behind his father, looking bored. He then turns around and looks at a picture of a thoroughbred horse, before turning back around and looking contemptuously at the group (00:14).
- Also during the opening montage, the transition from Sam Cooke (David Elliott) to Angelo Dundee (Ron Silver) reading a newspaper is slightly longer on each side of the edit (00:03).
- Also in the opening montage, after Howard Bingham (Jeffrey Wright) and Dr. Ferdie Pacheco (Paul Rodriguez) enter the gym, there is more footage of Cooke greeting the crowd and singing to specific people (00:14).
- Still in the opening montage, as Ali spars in the ring, there is an additional shot of Bingham taking photographs and then a shot of Ali dodging his sparring partner's jabs (00:04).
- The high elevation shot of the ring at the start of the fight with Sonny Liston (Michael Bentt) has been trimmed (-00:02).
- At the end of the third round against Liston, the shot of him returning to his corner and sitting down is absent (-00:06).
- The shot of Malcolm X (Mario Van Peebles) leaving the arena after Ali defeats Liston is longer and occurs during Ali's speech, whereas in the Theatrical Cut, he leaves before Ali starts speaking (00:02).
- There is an additional scene in between Ali's victory and his visit to Malcolm's apartment. In this scene, the Louisville Sponsoring Group have organized a celebration party for Ali. We see Cassius Sr., Bingham, Pacheco, Luis Sarria (Laurence Mason), and Drew 'Bundini' Brown (Jamie Foxx) drinking and celebrating. Jimmy Cannon (Kim Robillard) then approaches one of the management group and asks where Ali is. He's assured that Ali will be there shortly. We see Howard Cosell (Jon Voight) smoking a cigar, and the film then cuts to an exterior shot of Malcolm's apartment, before cutting inside (00:32).
- The scene of Ali and Malcolm walking around Harlem is longer. After Ali says, "hold on, I'm doing the rhyming", he stops a boy and says, "You wanna see how fast I am?" He then gets the boy to hold his hand up, and says that he will punch it six times before the boy can count to three. Ali gets into a fighting stance and tells the boy to count. When the boy reaches three, Ali, still in the same stance, says "Did I hurt you?" and the crowd laugh and cheer (00:23).
- The scene between Ali and Elijah Muhammad (Albert Hall) is longer. After Elijah tells him that his new name is Muhammad Ali, there is some additional dialogue, with Elijah telling Ali, "up until now, I have entrusted your spiritual development to brother Malcom. I do not think that is a wise choice anymore." Ali pauses for a moment, and then nods in agreement (00:15).
- Immediately after this scene, the scene between Ali and Cassius Sr. is longer. The scene opens with Cassius Sr. asking "what's wrong with the managers and lawyers I got you? They're the best white men I could find, right here in Louisville." Ali says he wants black managers and lawyers and so has gotten Chauncey Eskridge (Joe Morton). Cassius Sr. says of Ali's previous managers, "they saved you from the gangs, from the hyenas, from the jackals of boxing, never cheated you, protected you with a trust fund." Ali asks, "Why do I need protecting from myself?", and Cassius Sr. says "so I gotta go tell them to p*#s off, Cassius don't want you around no more." Ali responds with, "I ain't one of their thoroughbreds or one of their little charity things". Ali then tells his father about the name change. (00:48).
- After Malcolm is told his suspension has been extended, the film cuts to an exterior shot of a building in Nigeria. In the Director's Cut, the shot of the building is shorter, as is the next shot, which shows CIA agent Marlin Thomas (Brad Greenquist) ascending a flight of stairs. Because of this trimming, part of the voiceover conversation between Malcolm and his wife Betty (Victoria Dillard) is absent, specifically the line where Malcolm says he got a little doll for his daughter (-00:05).
- The scene where Ali goes to the cockpit of the plane is different in both versions. In the Theatrical Cut, after Ali asks "what you all done with the real pilot", the pilot (Bradford E. Lang) replies, "I am the real pilot." He then invites Ali to sit down. In the Director's Cut, after Ali asks what happened to the real pilot, there is a cutaway to someone on the plane looking up towards the cockpit, and when the film cuts back, the pilot is inviting Ali to sit down, thus missing the "I am the real pilot" line. There is no time differentiation.
- The scene of Ali being driven in an open top car and waving to the people is shorter, with less cutaways to the pedestrians (-00:04).
- Immediately after the above scene, a shot from behind of Malcolm and his companions walking down the hotel driveway is absent (-00:03).
- During the conversation between Ali and Malcolm in front of the hotel, the Theatrical Cut shows a scene of the CIA agents watching from a room. We get several close-ups of the men, including a shot of one stirring a cup of tea, and another shot showing they are armed. The film then cuts back to Ali and Malcolm. In the Director's Cut, however, the various close-up shots of the CIA agents are absent. Instead, the camera pans across to show Agent Thomas on the phone. The phone is answered by Agent Bradley (Bruce McGill), and Thomas says, "You'll never guess who our guy ran into." Bradley says he'll have to ring Thomas back. A screen caption then tells us we are in the Republic of Congo. Bradley and a uniformed military officer (Richard Katanga) speak French and shake hands. The military officer heads outside, and we see several men held prisoner with a firing line setting up behind them. The officer then makes a phone call, and a soldier answers on a radio, He listens for a moment, and then runs up to Major General Joseph Mobutu (Malick Bowens) and says something to him in French. Mobutu then enters a room and proudly says "it is done" (in French). The people in the room (all military officers) then applaud. The scene cuts back to Bradley returning Thomas's call, with Thomas telling him that Malcolm has met Ali, and Bradley saying he thought their relationship was finished. He then says, "You stay with Clay. We'll pick up Malcolm ourselves in Liberia" (01:54).
- In the scene after Ali tells Herbert Muhammad (Barry Shabaka Henley) that he wants to marry Sonji Roi (Jada Pinkett Smith), there is a scene of Ali training, and in the background, the meeting between Malcolm and Martin Luther King (LeVar Burton) can be seen on TV. In the Director's Cut, there are several more shots of the meeting (although no dialogue is heard). As Malcolm and King go their separate ways, it is revealed that they are being secretly watched and photographed (00:24).
- During the scene between FBI agent Smiley (Ted Levine) and Joseph 13X (Leon), Smiley's pause after telling Joseph he wants Elijah to take Malcolm back into the Nation of Islam has been trimmed (-00:02).
- In same scene, the shot of Smiley standing up and saying, "get me receipts, I'll reimburse you for your dry cleaning" is absent (-00:05).
- After Malcolm welcomes the crowd to his speech, the shot of Ali driving through an underpass has been trimmed (-00:03).
- Immediately after the second Liston bout, the shot of Dundee cutting off Ali's hand wrapping has been trimmed (-00:03).
- After Cassius Sr. says to Ali, "you don't know your name or who you are," a shot of Herbert watching them leave the room is absent (-00:03).
- Immediately after the above scene, the shot of Ali holding Sonji's shawl to his face has been trimmed (-00:08).
- During the interview with Cosell, the shot of Cosell holding his wig and saying "we'll be right back" has been trimmed (-00:01).
- During the conversation between Ali and Cosell backstage, after Cosell says, "they're coming after you because they're scared of black militancy in the inner cities", there is some additional dialogue. Cosell says, "They will make an example out of you", and Ali replies, "Example of what? Some good negro who do what he told?" Cosell replies, "Yes, and to demonstrate here's what happens to your ass if you don't" (00:19).
- Prior to the draft scene, a shot of Ali, Herbert, and Eskridge walking across the lobby of the building is absent (-00:08).
- Immediately after the draft scene, the scene of Ali driving through a parking lot full of reporters is longer, with several additional shots from inside and outside the car (00:13).
- Following the above scene, the scene of Ali and his entourage ignoring reporters as they approach his apartment is longer, showing a bodyguard preventing the reporters from coming too close to the apartment door (00:09).
- After Ali tells a reporter that he has no beef with the Viet Cong, he says, "I ain't got to be what nobody else want me to be, and I ain't afraid to be what I wanna be. Think how I wanna think," In the Theatrical Cut, this is followed by a shot of Bingham looking at Ali as Ali loosens his collar. In the Director's Cut, right after his line, the film cuts to a new scene in which Robert Lipsyte (David Cubitt) tells Ali, "you're being denounced by Nixon, republicans, boxing commissions in New York, Cleveland, LA. But you're also getting a tag as unpatriotic by the NAACP, by Roy Wilkens, Jackie Robinson, New York Times, Joe Lewis." A stoic Ali doesn't respond (00:32).
- After Ali is found guilty and sentenced, the shot of him in the courthouse lobby shaking hands with the security guards is absent (-00:18).
- During the montage in which Ali meets Belinda Boyd (Nona Gaye), the shot of him crossing the street right before he has his meeting with Eskridge has been trimmed (-00:03).
- Right after their meeting, the shot of Eskridge waving goodbye to Ali has been trimmed, as has the next shot, showing Ali jogging (-00:03).
- Immediately after this scene, the shot of Ali and Belinda in bed has been trimmed, with some of the dialogue now occurring as voiceover atop the previous scene (-00:03).
- In the same scene, the shot of Ali and Belinda in bed as she kisses him and he teases her about trying to make up with him is longer (00:14).
- At the end of this same scene, the shot where Belinda gets their baby from the crib has been trimmed and now ends with her off screen; the shot of her sitting down beside the crib and feeding the baby is absent (-00:06).
- In the Theatrical Cut, the film cuts from Belinda feeding the baby, to a series of archival shots of rioting, inter-cut with Ali, Bingham, and several other people looking at the TV as it reports on the violence. The film then cuts to Eskridge and Ali speaking on the phone. In the Director's Cut, the film cuts directly from Belinda to the phone conversation, with the archival footage and the reaction shots of Ali and Bingham pushed back until the end of the scene in which Martin Luther King is killed (putting it here makes a lot more sense). The shots of Ali looking at the TV have also been trimmed (-00:05).
- The scene in which Ali, Belinda, and Bingham watch Joe Frazier (James Toney) on TV is longer. After mocking Frazier, Ali notices that his daughter's nappy needs changing. Belinda jokingly says, "Try changing her, do it for the experience." Ali replies, "well, you know, I was gonna change her, but then I remembered I didn't want to" (00:22).
- In the same scene, after Ali calls Cosell's show, the shot of him looking at Belinda is absent (-00:02).
- Immediately after the above scene, the shot of Ali working out on a speed bag is absent (-00:12).
- In the Theatrical Cut, right after the above scene, the film cuts to a scene where Elijah suspends Ali from the Nation of Islam. It then cuts to Ali and Bingham confronting Bundini, before showing several shots of Ali riding a train. In the Director's Cut, however, the film cuts from Ali hanging up the phone straight to the confrontation with Bundini. The scene of his suspension from the Nation then occurs during the shots of Ali on the train (again, this placement makes more sense). Additionally, the line where Elijah says, "he may have no conversation with any Muslim whatsoever" is absent (-00:05).
- In the same scene, the shots of Ali on the train have been edited differently, with some shots trimmed and some extended. An alternate take of Ali rubbing his eyes has also been used - in the Theatrical Cut, the shot is from behind him facing the back door of the train; in the Director's Cut, it is from in front (-00:04).
- Immediately after the above scene, a shot from in front of Ali as he approaches Cosell is absent (-00:03).
- In the same scene, after Ali and Cosell go to speak, the shot of the stadium has been trimmed, specifically the shot of the floodlight (-00:02).
- During the scene in which Ali accepts Bundini back, there are several additional shots of Ali training before Bundini comes into the room (00:08).
- After the fight against Jerry Quarry (Robert Sale), the scene where Herbert approaches Ali backstage and Belinda reminds him that "you don't need them" has been trimmed (-00:06).
- The dinner scene during which Cosell calls Ali to tell him his conviction has been overturned is shorter, missing several seconds of the phone ringing, then being answered, and then handed over to Ali (-00:17).
- At the start of the first Frazier fight, the shot of the mic lowering down into the ring is absent (-00:02).
- During Ali's introduction at the start of the fight, some shots of the crowd are absent, as is the announcer's line, "with a record of thirty-one and oh, with twenty-five knockouts". Similarly, during Frazier's introduction, more crowd shots are absent, as is the announcer's line, "with a record of twenty-six and oh, with twenty-three knockouts" (-00:07).
- In the Theatrical Cut, after the Frazier fight, there is a shot of Ali standing with his arms on the ropes and looking out into the crowd. This shot is absent in the Director's Cut, but a new scene has been added. Backstage after the fight, we see Ali getting his hand wraps removed. He asks where Belinda is and Pacheco tells him she's at the first aid station as she felt a little dizzy. Ali then says to Dundee, "feet was in the sand, my hands was in water." Dundee considers what to say, before pointing out, "We needed more time between Quarry and this. You know, after three-and-a-half years..." Ali looks at him and Dundee doesn't say anything else. Ali then gets up and says, "where's that aid station", before leaving the room. A concerned Dundee watches him leave (00:50).
- After watching George Foreman (Charles Shufford) beating Frazier on TV, there is a shot of Ali looking concernedly at the screen. This shot is absent in the Director's Cut, but two new scenes have been added. The first scene depicts the second fight between Frazier and Ali, which Ali narrowly wins on points. This is followed by a scene in a restaurant with Ali and his team discussing a possible Foreman fight. Pacheco points out, "Foreman is 22; you're 34 years old. I don't want to see your head become someone's bulls eye." Ali then asks Dundee, "You think I still got the tools?" to which Dundee yes, "yeah, sure you do. You still got the tools daddy. But they're different." Ali contemplates this for a moment, and then says, "well, we better sharpen them up because we going to Africa." The group celebrate and Dundee tries to take away Ali's pie, saying "no girls, no pies champ", to which Ali says "I'll bite you off at the elbow if you touch my pie" (01:52).
- The press conference with Ali, Foreman, and Don King (Mykelti Williamson) has been extended. After Ali says, "you must have studied the whole D section of the dictionary", Cosell says, "George Foreman demolished two of your most difficult opponents. Isn't it intimidating to you in some way to have to face such a reality?" Ali reacts by challenging Cosell to a fight, and Cosell accepts. The two square up to one another in front of the conference table and Ali says, "Cosell, I've been holding back for years. Every time I see you, you're out here talking, using big words that you know I don't understand, you're saying stuff to me always, you asked me the last time was I truculent." Everybody laughs. Cosell says, "Well, did you finally find out what that word means?" Again everybody laughs, and Ali says, "Cosell, I've seen you doing interviews on your TV show, and I've realized you don't know nobody as famous as me. You don't know nobody. Nobody would know who you were if it wasn't for me." Cosell disagrees, so Ali asks the crowd, and points out, "all these cameras, all these people writing down everything I say, and when people look it up and when they read it in their newspapers, folks write it down and folks looking at it, it's gonna say Muhammad Ali and some strange white man." Again, everyone laughs, including Cosell himself (01:25).
- Right after Ali changes his route when he is out jogging, there is a shot of a door with "Babilonia House" written on it. A quick shot of Ali reacting to this is absent (-00:01).
- Immediately after this, the montage scene of Ali running through the slums has been changed, with the shots in a different order, and several shots either missing, or trimmed (-00:12).
- The first shot of the mural depicting Ali defeating military planes and tanks is longer. There is also additional footage of Ali looking at the mural in awe, and some of the shots are in a different order (00:08).
- Immediately after the mural scene, the scene where Ali jogs in slow motion past a dilapidated apartment block features several shots that have been trimmed (-00:04).
- During their argument, the shot of Ali looking at Belinda after she says, "I just want to know why my Muslim husband is allowing himself to be strung up on a cross" has been trimmed, and a shot of Belinda trying to hold back tears after Ali walks out is absent (-00:07).
- Immediately after the argument, there is a new scene. Ali is sitting alone waiting for the press conference to begin and he calls Cosell over to him, asking "how many of you ugly sportswriters in there got me over Foreman?" Cosell smiles kindly, and says, "how are you gonna dance against George? He's sparring with a fast middleweight, training to cut you off. He gets you against the ropes, he can knock you out with either hand." Ali contemplates this, but doesn't answer (00:32).
- The opening few lines of dialogue from the press conference are absent; "this fight is no contest; he is entirely too slow to fight me. I say that George Foreman is a mummy. He's too slow" (-00:07).
- During the press conference, when Cosell asks Ali if he is still the man he used to be, and Ali makes a joke about Cosell's wife, there is an additional shot of Ali playfully winking at Cosell, and a longer shot of Cosell laughing (00:03).
- As King approaches Ali to tell him that Foreman has been hurt, two shots of him crossing the field are absent (-00:06).
- After speaking to King about Foreman, the scene of Ali watching the dance rehearsals has been edited differently, and different shots have been used. There is no time differentiation.
- After the press conference, a few brief shots of Ali and his team sitting at a cafe have been removed (-00:02).
- After Ali meets Veronica Porche (Michael Michele), the scenes of Ali and Foreman working with their respective sparring partners have been reversed. In the Theatrical Cut, we see Ali first and then Foreman, but in the Director's Cut, we see Foreman first and then Ali. There is no time differentiation.
- Immediately after Ali is finished training there is an additional scene. We see him cooling down as the crowd cheer. Then we see him and Bundini fooling around with Foreman's coach. This is followed by a shot of Bradley as he walks towards the gym exit. A reporter approaches him and says (in French), "you are from the American embassy. Do you have a prediction?" Bradley smiles and replies (also in French), "I am from the American Information Agency. I'm not permitted to express my preference between two US citizens." He then drops the smile and says, "D'accord?" before he walks away (01:03).
- During the scene where Belinda questions Ali about Veronica, she asks him if he loves her and he says he doesn't know. Her reaction shot has been trimmed, as has the shot of her leaning against the wall after Ali leaves (-00:06).
- Immediately after this, the shot of Ali in the shower has been extended (00:04).
- The scene between Bradley, Mobuto, and Idi Amin (Themba Gasa) is shorter, with a couple of shots trimmed, including the shot of the waiter approaching the table, the shot of the three men sitting down, and the shot of the waiter walking away from the table (-00:04).
- The scene immediately before Ali goes to the ring in different in both versions of the film. In the Theatrical Cut, there is a shot of him being picked up from his apartment and driving away with a motorcycle escort. In the Director's Cut, this scene is absent, and is replaced by a scene in his locker room. Ali is told there is four minutes left, and Dundee asks him if he's alright. Ali says he is. He then says, "George Foreman ain't no mummy. He done knocked out eight out of eleven before the end of the third round. Most dangerous fighter I ever fought." Dundee nods, and says "alright, I'd worry if I was hearing anything else." Bundini then comes into the locker room and says, "Forget every battle of man against man, of mind against mind, of soul against soul. This is the one. This is it. This is the greatest. The prophet has come back to claim his own and get the pretender off that throne." They then do the "rumble young man rumble" chant and they all leave (00:33).
- The sequence of Ali bouncing around the in ring so as to warm up has been trimmed with the removal of several shots (-00:16).
- The sequence when Dundee asks the referee where Foreman is, and then goes to Ali and says, "George is jerking us off, making us wait" is absent (-00:15).
- When Foreman is being counted out, both versions are edited slightly differently. In the Theatrical Cut, we see a shot of a worried Dundee; in the Director's Cut, the shot of Dundee is shorter, and then cuts to a shot of the crowd. There is no time differentiation.
- Originally created for TV broadcast in 2014, and subsequently released on Blu-ray in 2017 to mark what would have been Muhammad Ali's 75th birthday, the 'Commemorative Cut' (as it's unofficially known) features roughly nine minutes of additional material and has roughly fourteen minutes of content removed (primarily in the form of tighter editing), running five minutes shorter than the Theatrical Cut, and fourteen minutes shorter than the Director's Cut (changes common to both the Director's Cut and the Commemorative Cut are noted below). Director Michael Mann has noted that the Commemorative Cut is his preferred version of the film, saying "it's more complete and moves better. [It's] much more dramatic". In this cut,
- As in the Director's Cut, during the opening credits, the Initial Entertainment Group logo has been replaced by the Columbia Pictures logo, and "Initial Entertainment Group Presents, in Association with Columbia Pictures" has been replaced with "Columbia Pictures Presents, in Association with Initial Entertainment Group".
- During the opening montage, the scene of a young Cassius Clay Jr. (Maestro Harrell) watching his father (Giancarlo Esposito) painting has been edited differently, with more close-ups of the brush and more tight shots on young Clay. There is no time differentiation.
- As in the Director's Cut, immediately after the above scene, a new scene has been added showing Clay Sr. attending a meeting with the Louisville Sponsoring Group and going through some paperwork. Cassius Clay Jr. (Will Smith) sits behind his father, looking bored. He then turns around and looks at a picture of a thoroughbred horse, before turning back around and looking contemptuously at the group (00:14).
- Also in the opening montage, the introductory scene of Malcolm X (Mario Van Peebles) is edited slightly differently. In the Theatrical Cut, the line "that we shall overcome, some day" occurs as a voiceover on a shot of Ali training. In the Commemorative Cut, Malcolm X is seen saying this line, but his next line, "I say to you, you came to the wrong place" now occurs as voiceover, whereas in the Theatrical Cut, he could be seen saying this line. There is no time differentiation.
- As in the Director's Cut, the transition from Sam Cooke (David Elliott) to Angelo Dundee (Ron Silver) reading a newspaper during the opening montage is slightly longer on each side of the edit (00:03).
- As in the Director's Cut, after Howard Bingham (Jeffrey Wright) and Dr. Ferdie Pacheco (Paul Rodriguez) enter the gym during the opening montage, there is more footage of Cooke greeting the crowd and singing to specific people (00:14).
- As in the Director's Cut, as Ali spars in the ring during the opening montage, there is an additional shot of Bingham taking photographs and then a shot of Ali dodging his sparring partner's jabs (00:04).
- The reaction shot of Ali after Sonny Liston (Michael Bentt) tells him, "I'm gonna f#*k you up" has been trimmed (-00:02).
- As in the Director's Cut, at the end of the third round against Liston, the shot of him returning to his corner and sitting down is absent (-00:06).
- The scene of Ali celebrating in the ring after beating Liston has been trimmed, with Sam Cooke removed from the scene (-00:13).
- As in the Director's Cut, there is a scene in between Ali's victory and his visit to Malcolm's apartment. In this scene, the Louisville Sponsoring Group have organized a celebration party for Ali. We see Cassius Sr., Bingham, Pacheco, Luis Sarria (Laurence Mason), and Drew 'Bundini' Brown (Jamie Foxx) drinking and celebrating. Jimmy Cannon (Kim Robillard) then approaches one of the management group and asks where Ali is. He's assured that Ali will be there shortly. We see Howard Cosell (Jon Voight) smoking a cigar, and the film then cuts to an exterior shot of Malcolm's apartment, before cutting inside (00:32).
- As in the Director's Cut, there is an additional scene when Ali and Malcolm are walking around Harlem. After Ali says, "hold on, I'm doing the rhyming", he stops a boy and says, "You wanna see how fast I am?" He then gets the boy to hold his hand up, and says that he will punch it six times before the boy can count to three. Ali gets into a fighting stance and tells the boy to count. When the boy reaches three, Ali, still in the same stance, says "Did I hurt you?" and the crowd laugh and cheer (00:23).
- The shot of Ali walking across his apartment to open the door after Malcolm knocks has been trimmed (-00:02).
- After Malcolm comes to Ali's apartment and asks why he's up so late, Ali says he's watching a show about termites. The subsequent shot of the TV has been trimmed, removing the scene of the house collapsing and Ali saying, "oh man, look". The shot of Malcolm walking towards the window has also been trimmed (-00:07).
- The shot of Ali contemplating what Malcolm has said to him after Malcolm leaves has been trimmed (-00:03).
- As in the Director's Cut, the scene between Ali and Elijah Muhammad (Albert Hall) is longer. After Elijah tells him that his new name is Muhammad Ali, there is some additional dialogue, with Elijah telling Ali, "up until now, I have entrusted your spiritual development to brother Malcom. I do not think that is a wise choice anymore." Ali pauses for a moment, and then nods in agreement (00:15).
- The scene in which Ali tells his father about his name change and they subsequently argue is absent (-00:55).
- As in the Director's Cut, the scene where Ali goes to the cockpit of the plane is different. In the Theatrical Cut, after Ali asks "what you all done with the real pilot", the pilot (Bradford E. Lang) replies, "I am the real pilot." He then invites Ali to sit down. In the Commemorative Cut, after Ali asks what happened to the real pilot, there is a cutaway to someone on the plane looking up towards the cockpit, and when the film cuts back, the pilot is inviting Ali to sit down, thus missing the "I am the real pilot" line. There is no time differentiation.
- A caption saying "Accra, Ghana" has been added to the opening shot of the scene of Ali riding in an open top car.
- As in the Director's Cut, the scene of Ali being driven around Accra and waving to the people is shorter, with less cutaways to the pedestrians (-00:04).
- As in the Director's Cut, immediately after the above scene, a shot from behind of Malcolm and his companions walking down the hotel driveway is absent (-00:03).
- During the conversation between Ali and Malcolm in front of the hotel, the Theatrical Cut shows a scene of the CIA agents watching from a room. We get several close-ups of the men, including a shot of one stirring a cup of tea, and another shot showing they are armed. The film then cuts back to Ali and Malcolm. In the Commemorative Cut, as in the Director's Cut, the various close-up shots of the CIA agents are absent. Instead, the camera pans across to show Agent Marlin Thomas (Brad Greenquist) on the phone. The phone is answered by Agent Bradley (Bruce McGill) in the Republic of Congo, and Thomas says, "You'll never guess who our guy ran into." Bradley says he'll have to ring Thomas back. Bradley and a uniformed military officer (Richard Katanga) then speak French and shake hands. The military officer heads outside, and we see several men held prisoner with a firing line setting up behind them. The officer then makes a phone call, and a soldier answers on a radio, He listens for a moment, and then runs up to Major General Joseph Motubu (Malick Bowens) and says something to him in French. Motubu then enters a room and proudly says "it is done" (in French). The people in the room (all military officers) then clap. The scene cuts back to Bradley returning Thomas's call, with Thomas telling him that Malcolm has met Ali, and Bradley saying he thought their relationship was finished. He then says, "You stay with Clay. We'll pick up Malcolm ourselves in Liberia". There are several minor differences between the scene in the Director's Cut and that in the Commemorative Cut; the location caption appears earlier in the Commemorative Cut; as the soldier answers the phone, the sound of a gunshot has been added to the audio; when the solider approaches Mobuto and says something to him in French, a subtitle translation has been added ("Prime Minister Patrice Lumumba is dead"); as Mobuto walks into the room, a caption has been added identifying who he is (01:54).
- In the scene after Ali tells Herbert Muhammad (Barry Shabaka Henley) that he wants to marry Sonji Roi (Jada Pinkett Smith), there is a scene of Ali training, and in the background, the meeting between Malcolm and Martin Luther King (LeVar Burton) can be seen on TV. In the Commemorative Cut, as in the Director's Cut, there are several more shots of the meeting (although no dialogue is heard). As Malcolm and King go their separate ways, it is revealed that they are being secretly watched and photographed (00:24).
- As in the Director's Cut, during the scene between FBI agent Smiley (Ted Levine) and Joseph 13X (Leon), Smiley's pause after telling Joseph he wants Elijah to take Malcolm back into the Nation of Islam has been trimmed (-00:02).
- In the same scene, an additional line of dialogue has been added. As Joseph moves over to the far side of the table, Smiley (whose back is to camera) can be heard saying, "We got different plans for Malcolm." There is no time differentiation.
- The scene ends with Joseph asking, "when am I being reimbursed for my expenses? Dry cleaning all these suits is not free"; the shots of Smiley pointing to a picture of Ali and saying "we need to talk about this guy too" and then standing up and saying, "get me receipts, I'll reimburse you for your dry cleaning" are both absent (-00:14).
- In the scene where Ali, Bundini, and Clay Sr. are waiting for Sonja to get ready, the shot of Bundini taking the glass from the waiter has been trimmed (-00:01).
- As in the Director's Cut, after Malcolm welcomes the crowd to his speech, the shot of Ali driving through an underpass has been trimmed (-00:03).
- The scene of Ali driving just prior to hearing that Malcolm is dead has been edited slightly differently. In the Theatrical Cut, there is a shot from behind the car and then an interior shot in the car. In the Commemorative Cut, there is a shot from in front of the car, and then the same shot from behind. There is no time differentiation.
- As in the Director's Cut, immediately after the second Liston bout, the shot of Dundee cutting off Ali's hand wrapping has been trimmed (-00:03).
- The scene where Ali asks Herbert what he has to do to divorce Sonja now ends with Bundini saying, "I'm the only normal person left around here, and I'm a black Jew, I can't read, and I'm half drunk." The rest of the scene has been cut; the arrival of Clay Sr. and his chastisement of Ali, saying, "your brother's taking you wife back to Chicago; she crying like a widow." When Ali says he isn't dead, Clay Sr. says, "well you may as well be; you don't know your name or who you are"; Ali walking out of the room; Clay Sr. looking contemptuously at Herbert; and a reaction shot of Herbert (-00:29).
- As in the Director's Cut, immediately after the above scene, the shot of Ali holding Sonji's shawl to his face has been trimmed (-00:08).
- In the next scene, the shot of a cosmologist applying make-up to Ali has been trimmed (-00:03).
- As in the Director's Cut, during the conversation between Ali and Cosell backstage, after Cosell says, "they're coming after you because they're scared of black militancy in the inner cities", some additional dialogue has been added; Cosell says, "They will make an example out of you", and Ali replies, "Example of what? Some good negro who do what he told?" Cosell replies, "Yes, and to demonstrate here's what happens to your ass if you don't." Ali's line "I ain't no H. Rap Brown, I ain't no Stokely Carmichael," and Cosell's reply, "all they are is political. You're the heavyweight champion of the world" have been moved to the end of the scene (00:19).
- As in the Director's Cut, prior to the draft scene, a shot of Ali, Herbert, and Chauncey Eskridge (Joe Morton) walking across the lobby of the building is absent (-00:08).
- As in the Director's Cut, immediately after the draft scene, the scene of Ali driving through a parking lot full of reporters is longer, with several additional shots from inside and outside the car (00:13).
- As in the Director's Cut, following the above scene, the scene of Ali and his entourage ignoring reporters as they approach his apartment is longer, showing a bodyguard preventing the reporters from coming too close to the apartment door (00:09).
- In the following scene, as Ali talks to a reporter on the phone, some of the dialogue has been removed; "nah man, I never shot nothing in my life, no ducks, no geese, no deer, no nothing" (-00:08).
- During the same conversation, there is an alternate angle of the line where Ali says, "no Viet Cong ever called me n$'#*er"; in the Theatrical Cut, he says the line in the master shot of the room, in the Commemorative Cut, he says it in a mid-shot. There is no time differentiation.
- In the same scene, after Ali tells the reporter that he has no beef with the Viet Cong, he says, "I ain't got to be what nobody else want me to be, and I ain't afraid to be what I wanna be. Think how I wanna think," In the Theatrical Cut, this is followed by a shot of Bingham looking at Ali as Ali loosens his collar. In the Commemorative Cut, as in the Director's cut, right after his line, the film cuts to a new scene in which Robert Lipsyte (David Cubitt) tells Ali, "you're being denounced by Nixon, republicans, boxing commissions in New York, Cleveland, LA. But you're also getting a tag as unpatriotic by the NAACP, by Roy Wilkens, Jackie Robinson, New York Times, Joe Lewis." A stoic Ali doesn't respond (00:32).
- After Ali's "you my opposer when I want freedom" speech, the entire Ernie Terrell (Alfred Cole) bout has been removed (-02:06).
- As in the Director's Cut, after Ali is found guilty and sentenced, the shot of him in the courthouse lobby shaking hands with the security guards is absent (-00:18).
- As in the Director's Cut, right after Ali and Eskridge meet, the shot of Eskridge waving goodbye to Ali has been trimmed, as has the next shot, showing Ali jogging (-00:03).
- Ad in the Director's Cut, immediately after this scene, the shot of Ali and Belinda in bed, has been trimmed, with some of the dialogue now occurring as voiceover atop the previous scene (-00:03).
- As in the Director's Cut, at the end of this same scene, the shot where Belinda gets their baby from the crib has been trimmed and now ends with her off screen; the shot of her sitting down beside the crib and feeding the baby is absent (-00:06).
- In the Theatrical Cut, the film cuts from Belinda (Nona Gaye) feeding the baby, to a series of archival shots of rioting, inter-cut with Ali, Bingham, and several other people looking at the TV as it reports on the violence. The film then cuts to Eskridge and Ali speaking on the phone. In the Commemorative Cut, as in the Director's Cut, the film cuts directly from Belinda to the phone conversation, with the archival footage and the reaction shots of Ali and Bingham pushed back until the end of the scene in which Martin Luther King is killed. The shots of Ali looking at the TV have also been trimmed (-00:05).
- During the phone conversation between Ali and Eskridge, a caption appears on screen; "Lorraine Motel 4/4/1968".
- As in the Director's Cut, after Ali calls Cosell's show, the shot of him looking at Belinda is absent (-00:02).
- As in the Director's Cut, immediately after the above scene, the shot of Ali working out on a speed bag is absent (-00:12).
- In the Theatrical Cut, right after the above scene, the film cuts to a scene where Elijah suspends Ali from the Nation of Islam. It then cuts to Ali and Bingham confronting Bundini, before showing several shots of Ali riding a train. In the Commemorative Cut, as in the Director's Cut, however, the film cuts from Ali hanging up the phone straight to the confrontation with Bundini. The scene of his suspension from the Nation then occurs during the shots of Ali on the train. Additionally, the line where Elijah says, "he may have no conversation with any Muslim whatsoever" is absent (-00:05).
- As in the Director's Cut, the shots of Ali on the train have been edited differently, with some shots trimmed and some extended. An alternate take of Ali rubbing his eyes has also been used - in the Theatrical Cut, the shot is from behind him facing the back door of the train; in the Director's Cut, it is from in front (-00:04).
- As in the Director's Cut, after Ali and Cosell go to speak in the bleachers, the shot of the stadium has been trimmed, specifically the shot of the floodlight (-00:02).
- Most of the bout against Jerry Quarry (Robert Sale) has been removed, with the scene now beginning as Ali and Quarry go to their corners seconds before the referee stops the fight (-01:06).
- As in the Director's Cut, after the fight against Quarry, the scene where Herbert approaches Ali backstage and Belinda reminds him that "you don't need them" has been trimmed (-00:06).
- In the same scene, Belinda's reaction to Ali asking Herbert to make the Joe Frazier (James Toney) deal has been trimmed (-00:04).
- As in the Director's Cut, the dinner scene during which Cosell calls Ali to tell him his conviction has been overturned is shorter, missing several seconds of the phone ringing, then being answered, and then handed over to Ali (-00:17).
- In the same scene, after Ali announces to everyone that he has had his conviction overturned, the scene has been trimmed, removing Bundini's "the truth tastes good when it's a bellyful of lies" monologue and Ali's bemused response (-00:21).
- As in the Director's Cut, at the start of the first Frazier fight, the shot of the mic lowering down into the ring is absent (-00:02).
- As in the Director's Cut, during Ali's introduction at the start of the fight, some shots of the crowd are absent, as is the announcer's line, "with a record of thirty-one and oh, with twenty-five knockouts". Similarly, during Frazier's introduction, more crowd shots are absent, as is the announcer's line, "with a record of twenty-six and oh, with twenty-three knockouts" (-00:07).
- The Frazier fight has been trimmed, with the removal of multiple shots (-00:11).
- In the Theatrical Cut, after the Frazier fight, there is a shot of Ali standing with his arms on the ropes and looking out into the crowd. In the Commemorative Cut, as in the Director's Cut, a new scene has been added. Backstage after the fight, we see Ali getting his hand wraps removed. He asks where Belinda is and Pacheco tells him she's at the first aid station as she felt a little dizzy. Ali then says to Dundee, "feet was in the sand, my hands was in water." Dundee considers what to say, before pointing out, "We needed more time between Quarry and this. You know, after three-and-a-half years..." Ali looks at him and Dundee doesn't say anything else. Ali then gets up and says "where's that aid station", before leaving the room. A concerned Dundee watches him leave (00:50).
- The sequence of Ali walking backstage and being hounded by reporters, until Bundini loses his temper and tells them to back off has been removed (-00:31).
- After watching George Foreman (Charles Shufford) beating Frazier on TV, there is a shot of Ali looking concernedly at the screen. As in the Director's Cut, this shot is absent in the Commemorative Cut, but two new scenes have been added. The first scene depicts the second fight between Frazier and Ali, which Ali narrowly wins on points. This is followed by a scene in a restaurant with Ali and his team discussing a possible Foreman fight. Pacheco points out, "Foreman is 22; you're 34 years old. I don't want to see your head become someone's bulls eye." Ali then asks Dundee, "You think I still got the tools?" to which Dundee yes, "yeah, sure you do. You still got the tools daddy. But they're different." Ali contemplates this for a moment, and then says, "well, we better sharpen them up because we going to Africa." The group celebrate and Dundee tries to take away Ali's pie, saying "no girls, no pies champ", to which Ali says "I'll bite you off at the elbow if you touch my pie" (01:52).
- At the end of the scene where Ali chants "the champ is here", there is an additional scene. We see Bradley as he walks towards the gym exit, and a reporter approaches him and says (in French), "you are from the American embassy. Do you have a prediction?" Bradley smiles and replies (also in French), "I am from the American Information Agency. I'm not permitted to express my preference between two US citizens." He then drops the smile and says, "D'accord?" before he walks away (01:03). This scene was also added to the Director's Cut, but in a completely different location (it was placed at the end of the scene where we see Ali and Foreman training).
- The sequence of events in Zaire has been completely restructured (and, it has to be said, for the better). In the Theatrical Cut, the sequence is 1. the "champ is here" scene 2. the jogging montage 3. the argument between Ali and Belinda 4. the first Zaire press conference 5. the scene where King tells Ali that Foreman is injured 6. the final press conference 7. the scene in which Ali meets Veronica Porche 8. the training scene 9. Belinda's return to Zaire In the Commemorative Cut, the sequence is 1. the "champ is here" scene 2. the first Zaire press conference 3. the training scene 4. the argument between Ali and Belinda 5. the jogging montage 6. the scene where King tells Ali that Foreman is injured 7. the final press conference 8. the scene in which Ali meets Veronica Porche 9. Belinda's return to Zaire
- During the first Zaire press conference, when Cosell asks Ali if he is still as good as he once was, his line "if George gets you against the ropes, he can knock you out with either hand" has been removed (-00:02).
- As in the Director's Cut, during the press conference, when Ali makes a joke about Cosell's wife, there is an additional shot of Ali playfully winking at Cosell, and a longer shot of Cosell laughing (00:03).
- The training scene has been restructured. In the Theatrical Cut, we see Ali sparring first and then Foreman; in the Director's Cut, we see Foreman first and then Ali. In the Commemorative Cut, there are no shots of Foreman at all, and Ali's sparring session is longer, showing more of Dundee watching. The Theatrical version of the scene is longer (-00:05).
- As in the Director's Cut, during their argument, the shot of Ali looking at Belinda after she says, "I just want to know why my Muslim husband is allowing himself to be strung up on a cross" has been trimmed, and a shot of Belinda trying to hold back tears after Ali walks out is absent (-00:07).
- During the jogging montage, the initial sequence of Ali running along a main road before taking a detour has been trimmed (-00:03).
- As in the Director's Cut, right after Ali changes his route when he is out jogging, there is a shot of a door with "Babilonia House" written on it. A quick shot of Ali reacting to this is absent (-00:01).
- As in the Director's Cut, immediately after this, the montage scene of Ali running through the slums has been changed, with the shots in a different order, and several shots either missing, or trimmed (-00:12).
- The sequence immediately prior to Ali seeing the mural, as he lets the crowd lead him, has had several shots trimmed or removed (-00:11).
- During the mural scene, several of Ali's reaction shots and some shots of the mural have been trimmed, while a couple of shots have been extended. The Theatrical version of the scene is longer (-00:19).
- As in the Director's Cut, immediately after the mural scene, the scene where Ali jogs in slow motion past a dilapidated apartment block features several shots that have been trimmed (-00:04).
- A line of voiceover has been added to the scene of Ali jogging past the apartment block; "you're facing a man who'll die before he lets you win."
- At the start of the scene where Don King (Mykelti Williamson) tells Ali that Foreman is hurt, the establishing shot of the stadium has been moved; in the Theatrical Cut, it occurs before King and Herbert get out of a car and walk towards the building, where in the Commemorative Cut, it happens after they enter the building. There is no time differentiation.
- As in the Director's Cut, as King approaches Ali to tell him that Foreman has been hurt, two shots of him crossing the field are absent (-00:06).
- In the same scene, King's plea to Ali to "be Moses in reverse" is absent, as is Bingham's interjection telling King that the language in Zaire is Lingala, not Swahili. Also absent in King's line, "hell, I don't control George Foreman" (-00:27).
- As in the Director's Cut, after speaking to King about Foreman, the scene of Ali watching the dance rehearsals has been edited differently, and different shots have been used. There is no time differentiation.
- As in the Director's Cut, after the press conference, a few brief shots of Ali and his team sitting at a cafe have been removed (-00:02).
- The scene where Belinda returns to Zaire has been shortened. At the start of the scene, some dialogue has been removed; Ali asking her "hey, when did you get in?" and she says, "today." Her pause before she asks Ali if he loves Veronica (Michael Michele) has been trimmed, as has her reaction to him saying he doesn't know. When Ali says he "didn't come all this way to lose", her reply ("neither did I") has been removed. Ali's pause before leaving has also been trimmed, as has the shot of Belinda leaning against the wall (-00:17).
- As in the Director's Cut, the scene between Bradley, Mobuto, and Idi Amin (Themba Gasa) is shorter, with a couple of shots trimmed, including the shot of the waiter approaching the table, the shot of the three men sitting down, and the shot of the waiter walking away from the table (-00:04).
- As in the Director's Cut, the sequence of Ali bouncing around the in ring before the Foreman fight has been trimmed with the removal of several shots (-00:16).
- As in the Director's Cut, the sequence when Dundee asks the referee where Foreman is, and then goes to Ali and says, "George is jerking us off, making us wait" is absent (-00:15).
- When Foreman is being counted out, both versions are edited slightly differently. In the Theatrical Cut, we see a shot of a worried Dundee; in the Commemorative Cut, as in the Director's Cut, the shot of Dundee is shorter, and then cuts to a shot of the crowd. There is no time differentiation.
- The closing legend from the Theatrical Cut talking about Ali winning the title for a third time has been replaced with a simple dedication; "Muhammad Ali 1942-2017" (-00:09).
- The background shots of the crowd from the closing credits are absent; instead the entire credits play out against a traditional black backdrop.
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