Directed by
Scott Patterson |
Writing Credits
John O'Brien | ... | (writer) |
Cast (in credits order) complete, awaiting verification
Produced by
Frank Haines | ... | line producer |
Rachel Knowles | ... | assistant producer |
Nicki Roller | ... | producer |
Music by
Robert Moss |
Cinematography by
John Swaffield |
Editing by
Shawn Seet |
Casting By
Christine King |
Production Design by
Catherine Mansill |
Set Decoration by
Pete Baxter | ... | (as Peter Baxter) |
Costume Design by
Wendy Cork |
Makeup Department
Angela Mork | ... | hair and makeup |
Simone Wajon | ... | hair and makeup |
Production Management
Michelle Chanique | ... | unit manager |
Gerard Nicholson | ... | unit manager |
Leroy Page | ... | unit manager |
Linda Ujuk | ... | unit manager |
Second Unit Director or Assistant Director
Liam Branagan | ... | second assistant director |
Dimitri Ellerington | ... | additional assistant director |
Stefanie Kleinhenz | ... | second assistant director |
Darren Mallett | ... | first assistant director |
Art Department
Seth Aitken | ... | stand-by props |
Keris Angrove | ... | art department assistant |
Mandi Bialek-Wester | ... | assistant art director |
Chris Darvall | ... | stand-by props |
Warwick Edgington | ... | art department assistant |
Katrina Fish | ... | art department assistant |
Kylie Rose McLean | ... | set dresser (as Kylie McLean) |
Freda Meckelburg | ... | art department runner |
Sound Department
Greg Bell | ... | adr editor |
Julius Chan | ... | dialogue editor |
Liam Egan | ... | sound designer |
Dave Eggins | ... | mix assistant |
Les Fiddess | ... | foley artist |
Peter Hensley | ... | boom operator |
Mauricio Hernández | ... | adr engineer / foley engineer |
Phil Judd | ... | sound mixer |
Bronwyn Murphy | ... | sound recordist |
Stunts
Nash Edgerton | ... | stunts |
Tony Lynch | ... | stunts |
Gillian Statham | ... | stunt double |
Bernadette Winthers | ... | stunt double |
Camera and Electrical Department
Glen Day | ... | grip |
Rodney Evans | ... | still photographer |
Damien Hammond | ... | best boy |
David Hauserman | ... | clapper loader |
Heidrun Löhr | ... | electrician |
Geoff Maine | ... | gaffer |
Chris Ruane | ... | 3rd electrics |
Bryn Whitie | ... | focus puller |
Graham Young | ... | grip |
Costume and Wardrobe Department
Amy De Haviland | ... | costume cutter |
Fiona Holly | ... | stand-by wardrobe |
Margot Koudstaal | ... | costume cutter |
Editorial Department
Jason di Rosso | ... | second assistant editor |
Jackie Gelling | ... | negative matching |
Maria Kaltenthaler | ... | assistant editor |
Milena Romanin | ... | assistant editor |
Chris Rowell | ... | negative matching |
Location Management
Tobin Hughes | ... | location manager |
Script and Continuity Department
Belinda Chayko | ... | script editor |
Jenny Hogan | ... | continuity |
Keith Thompson | ... | script editor |
Additional Crew
Anthony Battaglia | ... | titles designer |
Helen Clarke | ... | caterer |
Robyn Coombs | ... | caterer |
Sean Ellis | ... | production runner |
Janette Gould | ... | production accountant |
Amanda Howitt | ... | production secretary |
Martin Reefman | ... | director's assistant |
Kerry Shrimpton | ... | choreographer |
Ruth Watson | ... | production coordinator |
Thanks
Phil Judd | ... | very special thanks |
Tristram Miall | ... | very special thanks |
Chris Noonan | ... | very special thanks |
Glenys Rowe | ... | very special thanks |
Corrie Soeterboek | ... | very special thanks |