American Masters (TV Series)
D.W. Griffith: Father of Film (1993)
Full Cast & Crew
Directed by
Kevin Brownlow | ||
David Gill |
Writing Credits (in alphabetical order)
Kevin Brownlow | ... | (writer) |
David Gill | ... | (writer) |
Cast
Produced by
Kevin Brownlow | ... | producer |
David Gill | ... | producer |
Susan Lacy | ... | executive producer: American Masters |
Ian Martin | ... | executive producer: Thames Television |
Patrick Stanbury | ... | associate producer |
Music by
Carl Davis | ||
Nic Raine |
Sound Department
Frances Bowen | ... | sound editor |
David Brill | ... | sound recordist |
Peter Brown | ... | dubbing mixer |
Bill MacCollom | ... | sound recordist |
Mark Mandler | ... | sound recordist |
Greg McCleary | ... | sound recordist |
Alan Strusser | ... | sound recordist |
Ben Baird | ... | sound recordist (uncredited) |
Camera and Electrical Department
Brian Clery | ... | camera operator |
Steve Elkins | ... | camera operator |
Denny Furey | ... | camera operator |
John Hanlon | ... | camera operator |
Ken Lowe | ... | camera operator |
Ken Morse | ... | rostrum camera |
David Rabinovitz | ... | camera operator |
G. John Slagle | ... | camera operator |
Editorial Department
Michael Peatfield | ... | on-line editor |
Music Department
Richard Bradford | ... | music recording |
Harry Rabinowitz | ... | music conducted by |
Additional Crew
Nick Adams | ... | telecine engineer |
Joe Adamson | ... | research |
Chris Bezant | ... | Cuedos advisor |
Laurence Butler | ... | research |
Rusty Casselton | ... | film source (as Harold Casselton) |
Thomas Cripps | ... | historical adviser |
Tommy Duncan | ... | stills |
William K. Everson | ... | historical adviser |
Raye Farr | ... | research |
John Fell | ... | historical adviser |
John Hope Franklin | ... | historical adviser |
Gerrie Griffith Richard | ... | stills |
Tom Gunning | ... | historical adviser |
Edna Harron | ... | stills |
Bruce Lawton | ... | archival film transfer supervisor |
Scott MacQueen | ... | research |
Muriel Marvin | ... | stills |
Andrew McKay | ... | stills |
Russell Merritt | ... | special consultant |
George J. Mitchell | ... | stills |
Alanna Nash | ... | stills |
Barry O'Riordan | ... | title design |
Joanna F. Rapf | ... | historical adviser |
Penelope Read | ... | production assistant |
William Stott | ... | historical adviser |
Arnold Taylor | ... | historical |
David Thaxton | ... | additional film research |
Ted Timreck | ... | film source |
Lynne Wake | ... | stills research |
Graham Walker | ... | aston operator |
Cy Young | ... | additional film research |
Thanks
Edward Brockway | ... | grateful thanks |
Ray Deibel | ... | grateful thanks |
Ruth Deibel | ... | grateful thanks |
John Dorr | ... | grateful thanks |
Mia Galison | ... | grateful thanks |
Ira Gallen | ... | grateful thanks |
Mia Gallison | ... | grateful thanks |
Frank Holland | ... | grateful thanks |
Marty Kearns | ... | grateful thanks |
Helen Kellum | ... | grateful thanks |
Arthur Lennig | ... | grateful thanks |
Bruce Long | ... | grateful thanks |
Walt Lowe | ... | grateful thanks |
Andrew Mackay | ... | grateful thanks |
Gloria Pritts | ... | grateful thanks |
Richard Schickel | ... | grateful thanks |
John Sorensen | ... | grateful thanks |
Liz Sutherland | ... | grateful thanks |
Nancy Weidman | ... | grateful thanks |
Linda Kowall Woal | ... | grateful thanks |