MollywoodThe actor is also playing one of the female leads in the film, which will have Jacob Gregory playing the male lead.Digital NativeDulquer Salmaan’s maiden production venture was launched recently and the shooting is on at a brisk pace. The latest about this as yet untitled film is that actor Anupama Parameswaran, who is playing one of the female leads, is also working as assistant director to debutant filmmaker Shamsu Zayba. The actor herself shared the big news via her Instagram post along with a photo of her working on the sets of the movie. Anupama wrote, “A new beginning assisting this new talent Shamsu Zayba in Dulquer Salmaan’s new production venture. Can’t be more excited, happy and blessed. Totally in love with this amazing team and how the movie is shaping up. A lot more to share, will update soon. Need your blessings and love.
- 5/29/2019
- by Cris
- The News Minute
MusicThe singer from Bengaluru, who shot to fame thanks to ‘Sa Re Ga Ma Pa’ Kannada, talks to Tnm about his journey so far and more.Ikyatha YerasalaSanjith Hegde/InstagramAnytime you switch on a Kannada radio station or even a Telugu or Tamil one, chances are that you will hear this lad’s magical voice. From the intense music of the recently released Kavaludaari to the peppy songs of Abcd, Bengaluru boy Sanjith Hegde’s voice is the flavour of not just Sandalwood, but also Tollywood and Kollywood. The lanky lad who shot to fame thanks to Sa Re Ga Ma Pa Kannada is on a roll with various film projects. But Sanijth is more than just a playback singer – his love for independent music comes through as he talks to The News Minute about his journey so far and more. “Even before Sa Re Ga Ma Pa, I’d worked on Rama Rama Re,...
- 5/20/2019
- by Vidya
- The News Minute
The incredible and inspiring journey of two boys from the slums of Mumbai to the world of international ballet, will be written and directed by Sooni Taraporevala.
Siddharth Roy Kapur’s Roy Kapur Films (Rkf) has signed on acclaimed filmmaker Sooni Taraporevala to bring to the screen the inspiring and hopeful journey of the two Mumbai boys, Amiruddin Shah and Manish Chauhan, their Israeli-American mentor Yehuda Maor and their families, who triumphed over their circumstances and achieved a feat no Indian ever has before – by making their way to prestigious global ballet institutes like London’s Royal Ballet Academy and the Oregon Ballet Theatre.
Sooni, known for her award-winning writing on Salaam Bombay, Mississippi Masala and The Namesake, has previously directed a Vr documentary on the same subject titled “Yeh Ballet”, for Anand Gandhi’s Memesys Lab.
When Siddharth read about the boys and saw this documentary, he was so...
Siddharth Roy Kapur’s Roy Kapur Films (Rkf) has signed on acclaimed filmmaker Sooni Taraporevala to bring to the screen the inspiring and hopeful journey of the two Mumbai boys, Amiruddin Shah and Manish Chauhan, their Israeli-American mentor Yehuda Maor and their families, who triumphed over their circumstances and achieved a feat no Indian ever has before – by making their way to prestigious global ballet institutes like London’s Royal Ballet Academy and the Oregon Ballet Theatre.
Sooni, known for her award-winning writing on Salaam Bombay, Mississippi Masala and The Namesake, has previously directed a Vr documentary on the same subject titled “Yeh Ballet”, for Anand Gandhi’s Memesys Lab.
When Siddharth read about the boys and saw this documentary, he was so...
- 9/13/2018
- by Stacey Yount
- Bollyspice
This year I finally went to the Indian Film Festival of Los Angeles (Iffla). It took me 11 years of urging by my friend and former employee Carla Sanders, a festival guru, who works there and whose festival career began with "the two Garys" the founders of Filmex which was Los Angeles' first film festival in the 70s and 80s and one of the greatest shows on earth. In its second year The Discreet Charm of the Bourgeoisie closed Filmex '72, and Luis Buñuel attended his first-ever public screening of one of his films. I won't go into this piece of history except to say it spawned the American Cinemateque and AFI Fest. The two Garys (Gary Essert and Gary Abraham) passed on, both victims of the first wave of the AIDS epidemic that hit the artistic community very hard, wiping out a generation of innovative filmmakers and film curator/ historians in Los Angeles.
The opening night of Iffla reminded me somewhat of Filmex with the glory of the filmmakers on the red carpet, beautiful young stars in glitzy clothes and skyscraper tall high heels, being stopped for interviews, flashbulbs going off and a general yet genteel excitement in the air. Even those interviewing were worth watching. It was different because all the stars were Indian which made this affair rather exotic at the same time.
The opening film, Gangs of Wasseypur, which had shown last year in the Cannes Film Festival, was truly extraordinary and the director Anurag Kashyap spent at least an hour talking to the audience about this film which is reminiscent of The Godfather and Gangs of New York though not at all derivative. Its second part showed the following evening and was equally outrageously original. Again the director spent an hour in the Q&A. He spoke to his move to Bombay as a filmmaker and the return to his own roots in telling the story of Wasseypur where he in fact grew up. The film actually is an analysis of the place's history and evolution as a burning inferno as the fight for the coal industry fuels the feud. From digging coal to killing someone in an innocuous brawl, the tale of vengeance runs parallel to the tale of India itself.
The 5 hours and 20 minutes were riveting. The music and dancing was also outrageous. Our friend Deborah Young of The Hollywood Reporter called it, "A dizzying explosion of an Indian gangster film, whose epic structure and colorful, immoral killers capture the imagination for over five hours."
David Chute, quoted in Thompson on Hollywood, says "Gangs is headlong, hand-held, violent entertainment. It manages to keep a dozen major characters and their agendas clear while rarely pausing to take a breath. It is also one of those rare movies that acknowledge the influence of movies and other forms of pop culture in shaping the values and motivations of its characters.
The story was actually based upon fact, a story of revenge over three generations of two families in a small city of India. My surprise and reaction to it reminded me of how I felt when I saw John Woo's The Killers in Toronto in 1989 which opened the door to John Woo in the U.S. (Coincidently it was the same David Chute who brought John Woo to the U.S. as I recall). The international sales agent, Elle Driver, has not made a sale in the U.S. Which surprises me.
Iffla concluded on Sunday evening (April 14) with a red carpet and gala fete that included the Los Angeles premiere of Deepa Mehta’s Midnight's Children, and the presentation of the festival's Grand Jury and Audience Choice Awards, followed by an after party.
This year the festival showcased more than 35 film features, documentaries, and short films at ArcLight Hollywood, home of Iffla since its inception. “The awards are always bittersweet for all of us in the programming team as we truly believe in the exceptional talent and relevance of each film which has been so carefully chosen,” said Lead Programmer Terrie Samundra. “That being said, we wholeheartedly share the enthusiasm of the audience and our prestigious jury. A huge congratulations to the winners!”
Ashim Ahluwalia’s Miss Lovely took home the Grand Jury Prize for Best Feature, with an honorable mention for Ship of Theseus directed by Anand Gandhi. The Grand Jury Prize for Best Documentary went to Sushrut Jain for Beyond All Boundaries, and for Best Short to Unravel directed by Meghna Gupta, with an honorable mention for Tatpaschat directed by Vasudev Keluskar.
Audience Awards
Best Feature: Filmistaan directed by Nitin Kakkar
Best Documentary: Beyond All Boundaries directed by Gotham Chopra
Best Short: Unravel directed by Meghna Gupta
The 2013 feature film jurors were International Director of the Feature Film Program at the Sundance Institute Paul Federbush, director/editor/writer Kanika Myer (Halo, Heart Of India), and Assistant Curator of Film Programs at Lacma Bernardo Rondeau.The Best Documentary Award was decided by The Hollywood Reporter and Los Angeles Times film critic Sheri Linden, Senior Programmer at Film Independent Maggie Mackay, and Producer Nadine Mundo (Chelsea Settles). Judging the short films were filmmaker and Iffla alum Prashant Bhargava (Patang), Film Curator and Director of Industry Programming at Palm Springs ShortFest Kathleen McInnis, and actress Sheetal Sheth (Abcd, Looking For Comedy In The Muslim World).
About Iffla
Now in its 11th year, the Indian Film Festival of Los Angeles (Iffla) is a nonprofit organization devoted to a greater appreciation of Indian cinema and culture by showcasing films, honoring entertainment industry business executives, and promoting the diverse perspectives of the Indian diaspora.
The six-day festival is the premiere platform for the latest in cutting edge global Indian cinema and bridges the gap between the two largest entertainment industries in the world – Hollywood and India. The festival showcased over 35 films from the Indian filmmaking community across the globe, hosted the highly anticipated opening and closing red carpet galas, and the closing awards ceremony.
For more information:
http://www.indianfilmfestival.org.
Facebook: http://www.facebook.com/indianfilmfestival
Twitter: https://twitter.com/iffla...
The opening night of Iffla reminded me somewhat of Filmex with the glory of the filmmakers on the red carpet, beautiful young stars in glitzy clothes and skyscraper tall high heels, being stopped for interviews, flashbulbs going off and a general yet genteel excitement in the air. Even those interviewing were worth watching. It was different because all the stars were Indian which made this affair rather exotic at the same time.
The opening film, Gangs of Wasseypur, which had shown last year in the Cannes Film Festival, was truly extraordinary and the director Anurag Kashyap spent at least an hour talking to the audience about this film which is reminiscent of The Godfather and Gangs of New York though not at all derivative. Its second part showed the following evening and was equally outrageously original. Again the director spent an hour in the Q&A. He spoke to his move to Bombay as a filmmaker and the return to his own roots in telling the story of Wasseypur where he in fact grew up. The film actually is an analysis of the place's history and evolution as a burning inferno as the fight for the coal industry fuels the feud. From digging coal to killing someone in an innocuous brawl, the tale of vengeance runs parallel to the tale of India itself.
The 5 hours and 20 minutes were riveting. The music and dancing was also outrageous. Our friend Deborah Young of The Hollywood Reporter called it, "A dizzying explosion of an Indian gangster film, whose epic structure and colorful, immoral killers capture the imagination for over five hours."
David Chute, quoted in Thompson on Hollywood, says "Gangs is headlong, hand-held, violent entertainment. It manages to keep a dozen major characters and their agendas clear while rarely pausing to take a breath. It is also one of those rare movies that acknowledge the influence of movies and other forms of pop culture in shaping the values and motivations of its characters.
The story was actually based upon fact, a story of revenge over three generations of two families in a small city of India. My surprise and reaction to it reminded me of how I felt when I saw John Woo's The Killers in Toronto in 1989 which opened the door to John Woo in the U.S. (Coincidently it was the same David Chute who brought John Woo to the U.S. as I recall). The international sales agent, Elle Driver, has not made a sale in the U.S. Which surprises me.
Iffla concluded on Sunday evening (April 14) with a red carpet and gala fete that included the Los Angeles premiere of Deepa Mehta’s Midnight's Children, and the presentation of the festival's Grand Jury and Audience Choice Awards, followed by an after party.
This year the festival showcased more than 35 film features, documentaries, and short films at ArcLight Hollywood, home of Iffla since its inception. “The awards are always bittersweet for all of us in the programming team as we truly believe in the exceptional talent and relevance of each film which has been so carefully chosen,” said Lead Programmer Terrie Samundra. “That being said, we wholeheartedly share the enthusiasm of the audience and our prestigious jury. A huge congratulations to the winners!”
Ashim Ahluwalia’s Miss Lovely took home the Grand Jury Prize for Best Feature, with an honorable mention for Ship of Theseus directed by Anand Gandhi. The Grand Jury Prize for Best Documentary went to Sushrut Jain for Beyond All Boundaries, and for Best Short to Unravel directed by Meghna Gupta, with an honorable mention for Tatpaschat directed by Vasudev Keluskar.
Audience Awards
Best Feature: Filmistaan directed by Nitin Kakkar
Best Documentary: Beyond All Boundaries directed by Gotham Chopra
Best Short: Unravel directed by Meghna Gupta
The 2013 feature film jurors were International Director of the Feature Film Program at the Sundance Institute Paul Federbush, director/editor/writer Kanika Myer (Halo, Heart Of India), and Assistant Curator of Film Programs at Lacma Bernardo Rondeau.The Best Documentary Award was decided by The Hollywood Reporter and Los Angeles Times film critic Sheri Linden, Senior Programmer at Film Independent Maggie Mackay, and Producer Nadine Mundo (Chelsea Settles). Judging the short films were filmmaker and Iffla alum Prashant Bhargava (Patang), Film Curator and Director of Industry Programming at Palm Springs ShortFest Kathleen McInnis, and actress Sheetal Sheth (Abcd, Looking For Comedy In The Muslim World).
About Iffla
Now in its 11th year, the Indian Film Festival of Los Angeles (Iffla) is a nonprofit organization devoted to a greater appreciation of Indian cinema and culture by showcasing films, honoring entertainment industry business executives, and promoting the diverse perspectives of the Indian diaspora.
The six-day festival is the premiere platform for the latest in cutting edge global Indian cinema and bridges the gap between the two largest entertainment industries in the world – Hollywood and India. The festival showcased over 35 films from the Indian filmmaking community across the globe, hosted the highly anticipated opening and closing red carpet galas, and the closing awards ceremony.
For more information:
http://www.indianfilmfestival.org.
Facebook: http://www.facebook.com/indianfilmfestival
Twitter: https://twitter.com/iffla...
- 5/6/2013
- by Sydney Levine
- Sydney's Buzz
Still from Ship of Theseus
The Indian Film Festival of Los Angeles (Iffla) has added four films to its line up. Anand Gandhi’s feature debut Ship of Theseus, an environmental documentary Pad Yatra: A Green Journey narrated by Darryl Hannah, Walt Disney animation Arjun: The Warrior Prince and short film Iron Tracks (Lohpath).
A panel discussion ‘Today’s Pioneer Voices Changing the Landscape of Indian Cinema’ will feature indie directors whose films are screening at the festival this year. The panel comprising Vasan Bala (Peddlers), Anand Gandhi(Ship Of Theseus), Hansal Mehta (Shahid), and Nitin Kakkar (Filmistaan) will be moderated by film critic Lisa Tsering.
The festival also announced its Jury for feature, short and documentary films.
The short film Jury comprises filmmaker Prashant Bhargava (Patang), Kathleen McInnis, Film Curator and Director of Industry Programming at Palm Springs ShortFest and actress Sheetal Sheth (Abcd, Looking For Comedy In The Muslim World...
The Indian Film Festival of Los Angeles (Iffla) has added four films to its line up. Anand Gandhi’s feature debut Ship of Theseus, an environmental documentary Pad Yatra: A Green Journey narrated by Darryl Hannah, Walt Disney animation Arjun: The Warrior Prince and short film Iron Tracks (Lohpath).
A panel discussion ‘Today’s Pioneer Voices Changing the Landscape of Indian Cinema’ will feature indie directors whose films are screening at the festival this year. The panel comprising Vasan Bala (Peddlers), Anand Gandhi(Ship Of Theseus), Hansal Mehta (Shahid), and Nitin Kakkar (Filmistaan) will be moderated by film critic Lisa Tsering.
The festival also announced its Jury for feature, short and documentary films.
The short film Jury comprises filmmaker Prashant Bhargava (Patang), Kathleen McInnis, Film Curator and Director of Industry Programming at Palm Springs ShortFest and actress Sheetal Sheth (Abcd, Looking For Comedy In The Muslim World...
- 4/3/2013
- by NewsDesk
- DearCinema.com
Actress Sheetal Sheth is no stranger to controversy. She made her debut in the film Abcd , playing a promiscuous young woman struggling with the ties of family and tradition. It garnered a lot of attention from press and audiences , both positive and negative. The Indian American beauty held her own against Albert Brooks in Looking for Comedy in the Muslim World, she fell in love with actress Lisa Ray in Shamim Sarif's beloved films The World Unseen and I Can't Think Straight. She also bested me during a pillow fight on my Logo show Brunch with Bridget. (I totally let her win!)
Sheth is dealing with controversy once again with her latest film, Three Veils. The films follows three Middle Eastern women and who deal with abuse, rape and struggles with their sexuality. The script was originally boycotted but was saved thanks to the efforts of the film's director and producer.
Sheth is dealing with controversy once again with her latest film, Three Veils. The films follows three Middle Eastern women and who deal with abuse, rape and struggles with their sexuality. The script was originally boycotted but was saved thanks to the efforts of the film's director and producer.
- 3/31/2011
- by Bridget McManus
- AfterEllen.com
Sheetal Sheth was first seen in the extremely award winning film Abcd - which also aided the Indian-American genre of films. After gaining immense popularity with the film, she went on to become a part of a handful of critically acclaimed movies which the depicted the lives of Indians abroad. More recently she has went out on a real limb and teamed up with Lisa Ray in the lesbian romantic film, I Can't Think Straight directed by writer turned director Shamim Sarif. After creating mass frenzy amongst the gay and lesbian community all over the world, the film is finally coming to India. However, the team of the film was met by a rigid Indian Censor Board who claimed too many scenes in the film were unacceptable only to cut some of the love scenes between the women. BollySpice talks to the actress about her journey through I Can't Think Straight and The World Unseen,...
- 9/29/2009
- Bollyspice
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.