Oscar-winning British cinematographer who worked on a wide range of film classics
The Oscar-winning British cinematographer Oswald Morris, who has died aged 98, will be remembered for many classics, including Moulin Rouge, Fiddler on the Roof, Moby Dick and Lolita. He worked with some of the great directors, John Huston, Sidney Lumet, Carol Reed, Stanley Kubrick and Franco Zeffirelli. Many of Morris's films are landmarks in the history of colour cinematography. For Moulin Rouge (1952) he used filters to create a style reminiscent of paintings by Toulouse-Lautrec. For Fiddler on the Roof (1971), which won him an Oscar, he filmed with a silk stocking over the lens to give a sepia effect.
Morris also shot popular favourites such as The Guns of Navarone (1961), Oliver! (1968), The Spy Who Came in from the Cold (1965) and The Man Who Would Be King (1975), and photographed acting luminaries: Elizabeth Taylor, Richard Burton, Gregory Peck and Humphrey Bogart.
The Oscar-winning British cinematographer Oswald Morris, who has died aged 98, will be remembered for many classics, including Moulin Rouge, Fiddler on the Roof, Moby Dick and Lolita. He worked with some of the great directors, John Huston, Sidney Lumet, Carol Reed, Stanley Kubrick and Franco Zeffirelli. Many of Morris's films are landmarks in the history of colour cinematography. For Moulin Rouge (1952) he used filters to create a style reminiscent of paintings by Toulouse-Lautrec. For Fiddler on the Roof (1971), which won him an Oscar, he filmed with a silk stocking over the lens to give a sepia effect.
Morris also shot popular favourites such as The Guns of Navarone (1961), Oliver! (1968), The Spy Who Came in from the Cold (1965) and The Man Who Would Be King (1975), and photographed acting luminaries: Elizabeth Taylor, Richard Burton, Gregory Peck and Humphrey Bogart.
- 3/20/2014
- by Brian Baxter
- The Guardian - Film News
Since the announcement of this year’s selected films, the Cannes film festival machine has whirred on, with additions to that line-up and confirmation of some of the Out of Competition activities that attendees can look forward to.
One particular highlight is the Cannes Classics programme of films, a selection of restored films and rediscovered lost films, as part of the build up to their re-release in cinemas or on DVD. The programme traditionally includes some massively important films: the 2009 fest offered the mouth-watering triptych of Powell and Pressburger’s The Red Shoes (1948), Leone’s A Fistful of Dynamite (1971) and Francois Truffaut’s The 400 Blows (1959), and this year’s line-up is just as eye-catching.
This year’s Cannes Classic programme lines up as follows (with additional detail of their restoration, and the ceremony attached to the screening):
- La Bataille Du Rail (The Battle of the Rails) (France,...
One particular highlight is the Cannes Classics programme of films, a selection of restored films and rediscovered lost films, as part of the build up to their re-release in cinemas or on DVD. The programme traditionally includes some massively important films: the 2009 fest offered the mouth-watering triptych of Powell and Pressburger’s The Red Shoes (1948), Leone’s A Fistful of Dynamite (1971) and Francois Truffaut’s The 400 Blows (1959), and this year’s line-up is just as eye-catching.
This year’s Cannes Classic programme lines up as follows (with additional detail of their restoration, and the ceremony attached to the screening):
- La Bataille Du Rail (The Battle of the Rails) (France,...
- 5/1/2010
- by Simon Gallagher
- HeyUGuys.co.uk
Mrinal Sen’s Khandahar will be screened in Cannes Classics 2010. Cannes Classics, created in 2004, accompanies contemporary films from the Official Selection with a programme of restored films and lost films that have been found again, as part of their re-release in cinemas or on DVD.
The film has been restored by Reliance MediaWorks with the support of the National Film Archive of India. Mrinal Sen will attend the screening of Khandahar at Cannes.
Programme - La Bataille Du Rail (The Battle of the Rails) (France, 1946, 82’) by René Clément, awarded the Jury Prize in 1946, restored by Ina and Full Images, will be screened in the presence of Mrs. Johanna Clément.- Boudu Sauve Des Eaux (Boudu Saved from Drowning) by Jean Renoir (France, 85’, 1932), a restoration presented by Pathé in a never-before-seen version that includes scenes that were cut in the original. A Pathé restoration in association with the laboratries L’immagine...
The film has been restored by Reliance MediaWorks with the support of the National Film Archive of India. Mrinal Sen will attend the screening of Khandahar at Cannes.
Programme - La Bataille Du Rail (The Battle of the Rails) (France, 1946, 82’) by René Clément, awarded the Jury Prize in 1946, restored by Ina and Full Images, will be screened in the presence of Mrs. Johanna Clément.- Boudu Sauve Des Eaux (Boudu Saved from Drowning) by Jean Renoir (France, 85’, 1932), a restoration presented by Pathé in a never-before-seen version that includes scenes that were cut in the original. A Pathé restoration in association with the laboratries L’immagine...
- 4/27/2010
- by NewsDesk
- DearCinema.com
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