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9/10
if a movie changes your life or the way you see it, it is said that it did a great job.
spiderdib2 July 2020
Warning: Spoilers
If a movie changes your life or the way you see it, it is said that it did a great job....although it took several years for me to watch this one, I only knew that when it finished, something changed.

In American Beauty we follow Lester, a forty-year-old with an unhappy life disguised as being perfect with his wife Carolyn and daughter Jane, just the protagonist that the cinema tries to avoid in his productions being the lie of the American dream, looking as if he had In a coma all his life, he decides to erase the monotony of his existence when he meets Angela, Jane's friend, no matter who he takes between the forces of his chaos, he embarks on a journey on the way to his death.

What I am most passionate about seeing this film is the need to destroy the concept of American perfection and what surrounds it, drops of work, marriage, home and ideal work in a rain of real misery, to achieve this we see everything through Lester's eyes, he says it himself ... "I have lost something, I am not sure what it is, but I know that I did not always feel so sedated", he begins to change everything to recover what he lost trying to have fewer responsibilities, less work, focusing on himself to break the chains, in the first half-hour of the film we see how there are people who do not try to show that they are happy like Jane but on the other hand there are people who lock themselves in a bubble of perfection to represent a good image and reflect success, just what Carolyn does. We can see the real despair of people like Carolyn in the "I'll sell this house today" scene and the final collapse of not achieving it, showing that happiness is a mask that each one desires; the film manages to criticize this system of perfection but not with the desire to make it appear as incorrect or unfair, but it does it so that the audience sees the reaction of these characters to it, it gives us stereotyped characters but capable for the public to identify themselves with them even the most selfish, a man tired of his work (and his life itself), a woman who seems to have everything under control but in reality has no stability, a teenager indifferent to what surrounds her and who doesn't like herself. The characters in the film are profound, objective, out of place, but each one has their own story and is presented in the same way, in addition to the fact that their very existence makes them influence the story greatly, even if they are not the protagonists, something almost impossible to see in the movies where they go in a storyline and forget what is around, here we have characters like Ricky Fitts, a cold boy who knows how to appreciate real beauty, his father, a strict colonel who represses his interior, Angela, a rogue girl who avoids being ordinary and the cause of Lester's awakening, just waking up surprises the audience since we are talking about love 20 years apart but to me, it seems that the relationship of Lester and Angela goes beyond a romance forbidden by age but the insecurity of a teenager and the crisis of a 42-year-old man who seeks to regain youth and his surroundings.

I love to see how the film is not only supported by an ingenious story with deep characters and masterful performances such as the Spacey that won him the Oscar, but the photography manages to give careful and precise shots that give it a unique touch, characteristic symbols such as roses and the fullness of red throughout the film, which could well reflect the perfection of materialism and the lust of the characters.

The film is not perfect, and it is what it wants, as audience we are immersed in the voice-over of the catharsis of a man who, when he dies, embarks us to the beauty of life and his shipwreck, a portrait of society, to worry about what that people think and finally understand beauty, not the American one, but everything, including a plastic bag dancing in the air.
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7/10
Delivers a beautiful, lasting message
Jared_Andrews18 August 2016
Warning: Spoilers
When I first watched American Beauty, I was in awe. To many, this feeling was mutual. I, like most viewers, felt as if I had just witnessed the ultimate achievement in cinema—a film that actually changed my life. I thought it was the deepest, most profound film ever. I believed the message. I was ready to appreciate all the beauty in the world.

Fast forward a few years, my view changed. American Beauty is creepy and pretentious and stomach churningly awkward and so over the top at times that it elicits eye rolls.

I don't mean to rip the movie completely. Upon second viewing, I still enjoyed it immensely. It's aware and insightful, even if it's not quite as profound as everyone believed 15 years ago.

In any case, American Beauty remains an Oscar worthy movie, in part, because of the flawless acting of Annette Bening and Kevin Spacey, who play two iconic roles even though they're essentially playing clichés, which is a super under-appreciated accomplishment.

Seriously, think about it. They play a nuclear suburban couple in an ordinary neighborhood with an ordinary teenage daughter (despite what Ricky thinks about her) and ordinary family issues. Even the greatest sources of conflict in the movie (her affair and his mid-life crisis) are exceedingly ordinary. And still they manage to give extraordinary and lasting performances. Impressive work.

All that ordinary really serves as the point of the film. Ricky, the kid who films stuff, sees things that most people consider ordinary and frames them in his mind as "beautiful." To an extent, he has a wonderful, enlightened perspective. Except for when he crosses the threshold into weird.

Case and point: "Ricky, why are you filming that dead bird?"

"Because it's beautiful."

That's an iffy assertion at best, Ricky. I'm all about finding beauty in everyday places, but I find many things a heckuva lot more beautiful than a dead bird. For one, a living bird.

American Beauty has a worthwhile message; we've established that. But the message means little if not delivered properly. Thankfully it is.

In fact the message delivery is the strength of the film. Its effectiveness lies in its ability to present this family living the American dream, a ubiquitous concept, while exploring it with a deep, multi-perspective approach.

It deconstructs the whole concept of the American dream. We see the nuclear family—husband, wife and daughter. They live in a nice house in a beautiful neighborhood. The parents each work good jobs. The daughter attends a nice school. They should all be perfectly happy. Yet…

As we peel back the layers, we see the flaws. The daughter hates her parents and struggles to fit in at high school. Mom tries and fails to connect with her daughter while she also tries and fails at work. Dad seems to have lost interest in all things aside from lusting after his daughter's teenage friend.

They are miserable.

This all forces us to ask: this is the American dream? What's so great about this? As the story ultimately winds to its conclusion, it arrives at the restoration of hope in the form of a super weird and creepy character experiencing an epiphany. *NOTE* I'm talking about Lester (Kevin Spacey), not Ricky, even though he is also creepy and weird. I know I hit on this already, but it demands a second mention. Quite frankly Ricky is more than just strange. He's kind of a pompous tool who is largely responsible for taking the movie from profound to "come on dude, it's just a plastic bag" levels of pretentiousness. It almost makes me glad President Snow killed him at the end of The Hunger Games 13 years later.

How perfect is that role for him? When you picture Ricky 13 years later, can't you totally imagine him designing the layout of a game in which kids fight to the death? It makes perfect sense to me. He would probably think The Hunger Games are beautiful. *END OF NOTE* Anyway, back to Lester's epiphany.

Lester turned his life around, in large part, due to his pursuit of a fantasy. But when he had a chance to live that fantasy, he turned it down. That was his epiphany. His real one, not the one he thought he had after smoking weed with Ricky.

No, that night with Angela was the moment of his true breakthrough. He realizes that lusting after his daughter's friend is icky. More than that, he started to see things for what they really were. His fantasy girl was really just an innocent, vulnerable teenager. His daughter was really a special young lady he raised. His wife was really the woman he fell in love with.

Being with Angela was not what he really wanted. He had what he wanted all along. Even with his current problems, he chose his reality over his fantasy. He had a wife, a daughter, a great life. Somewhere along the way he just forgot.

I could probably ramble for another few thousand words about this movie, I better wrap things up.

American Beauty sends a worthy message about appreciating the little things in life, the ones most of us take for granted. Experiencing the movie is like swimming through gorgeous ocean water in the Caribbean. It's wonderful, you just have to navigate through the seaweed of affairs and ignore the gross oil spill doubling as a 40 year old guy fantasizing about banging a high school cheerleader.

If you can do that, you will take away something useful from this movie. And you'll have a fun time while you do it.
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9/10
Better than I thought
toh7863 December 2018
I just decided to watch this old movie for the first time, since I heard it was a classic. This is one of the few movies where I had water in my eyes. The story was very powerful, the drama was powerful, everything was powerful. "There's so much beauty in the world, I feel like I can't take it." I do not this see anything wrong with it, it was a simply a great movie to watch. Highly recommend it.
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10/10
Entertaining and Thought-Provoking.
the-evil-cult15 January 2004
Warning: Spoilers
Of the 250+ films I've seen and rated on IMDb, only one other (Schindler's List) is as good as American Beauty. A film like this not only entertains while you're in the theater but also drops subtle questions in your head about the nature of human behavior and the gulf between fantasy and reality. After watching this movie, viewers will think long and hard about their own lives as well as the lives of people around them. The movie spells out the social disillusionment phenomenon everyone experiences but can't really grasp.

American Beauty reminds us that, like Lester, we really have no idea what we really want. We're not rational creatures as economists assume we are. Our instinct might lead us to perform one action, yet our brains might tell us to perform the complete opposite. We may lust after material belongings, yet how do we know we will still treasure those material belongings once we obtain them? Lester may lust after Angela, yet once he feels her in his hands and finds out the truth about her sexuality, an entirely different feeling comes over him.

Ricky Fits, the drug-dealing boy next door, is able to look beyond conventional notions of attractiveness and find beauty in non-promiscuous, solemn girls as well as in plastic bags floating in the wind. When many criticize the movie, they say, "Where's the beauty in a plastic bag?" And that's the point. We live in a world of aesthetic subjectivism. What one person finds attractive, another may find repulsive, yet the urge is there for people to assume aesthetic absolutism. "It's just a plastic bag! How can there be beauty in it?" Well, a human being is just an aggregation of tissues, bones, and blood. How is that attractive? It depends on how you look at it. Reality is shaped by perspective.

Some people criticize the Ricky Fits character because he records his life experiences on tape and doesn't actually experience them. But time moves inexorably in one direction. Time cannot be stopped. In a physical sense the past and the future don't exist. We are only conscious in the present. Everything we do, everything we achieve, every bit of happiness we experience -- they are all eventually buried in the past by time. Recording subjective beauty is a means by which one can attempt to salvage beauty from the past into the present because time eventually destroys all beauty. If you don't believe me, walk into a pre-school and then walk into a nursing home. Remember that all the old men and women in the nursing home were once little kids.

Another profound element of American Beauty is in the tag line: look closer. An individual's behavior is not independent of his environment. Humans are conformists by nature, and humans will modify their behavior to assimilate into existing social categories. If any individual dares to stray from the category to which he has been assigned, he is shouted down and ostracized. No one can resist the urge to conform, so why bother? Everyone is nice in public, yet on the streets they blare their horns, scream, and swear. Some boys I know pretend to hate American Beauty because on the surface it seems like a "chick flick." They force themselves to watch gory horror movies and show off to others how they can stomach intense violence and excessive sex scenes. In American Beauty, Angela acts like a total slut, as many girls seem to be nowadays. In the end, however, she is not what she makes herself out to be. Colonel Fits tries to act like such a man, yet in the end it's all just a giant facade. Civilization is but one giant movie, and members of society must start acting their parts if they want to belong to this civilization. Otherwise, they're outsiders. Try walking into a job interview without a tie. You'll be thrown out. That is the power of convention.

What if I asked you this question: What do you want in life? Most people would say, "happiness." But is happiness worth deluding yourself for? Carolyn Burnham shields herself from sadness by adopting a positive-thinking philosophy, a philosophy of self-affirming mantras and harsh self-discipline. Positive thinking may help you attain your goals, but positive thinking also blinds you from reality. Is it wise or moral to change the channel when you hear about mass starvation in Africa so you can enjoy moments of fleeting happiness from a cheap romance movie? Self-help is just a euphemism for self-deception. All humans need some complex fraud to distract them from the harsh and nihilistic realities of life, whether it's religion, money, or even love.

In spite of American Beauty's greatness, there are problems. Characters are stereotypical, but viewers will hardly notice unless they're ultra-critical. Anyway, exaggeration is essential in satire so that certain points are made obvious to viewers. Furthermore, Alan Ball's original screenplay is slightly edited. The ending is more optimistic.

Problems aside, Sam Mende's debut movie is one of the greatest I've seen. Not only is it entertaining but it is also filled with interesting ideas. It's an important film for society because there's so much society needs to learn. One boy I knew refused to watch American Beauty because, as he said, "I'm not gonna watch a movie with a name like that!"

Look closer.

10/10
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10/10
An Oscar well deserved.
RueMorgue29 May 2000
This film is one of a kind. After seeing this film last week, I was left with a hole in the pit of my stomach. It left many questions in my mind, and most of them cannot be answered. In my view, a film that makes me think after I watch it is second-to-none, and this film certainly delivers in that aspect.

I was amazed with the vivid imagery in this movie, as well as with the symbolism. However, what makes this film the best of 1999 is the acting. Kevin Spacey shines as Lester Burnham, and Annette Bening (Carolyn Burnham) isn't far behind. Supporting cast members such as Wes Bentley (Ricky Fitts), Thora Birch (Jane Burnham), Mena Suvari (Angela Hayes), and Chris Cooper (Col. Frank Fitts) only add to the drama of this film. I think the most special aspect of this film is how all of the characters intertwine in a way that is believable, yet fantastic at the same time. I congratulate Sam Mendes for his direction of this film, as well as Alan Ball for writing it. I don't think it could have been any better.

Rated R in the U.S. for strong sexuality, language, drug content, and violence, the film obviously deserves its rating. However, none of the causes for the R rating are overbearing, and all of them add to the plot-line of this film. While I don't think that this is a film for children, I would suggest that adults should view it with an open mind. I believe that the traits which many of the characters in this film have are found in many people around the world. Perhaps that is why this film hits close to home for so many viewers.

While billed by some as a "comedy-drama", I don't see anything about this film as funny. Sure, there are some comedic moments, but by the end, those moments were all but forgotten when faced with the grim reality of the conclusion of the events portrayed in this film.

If you want to watch a light-hearted film with some elements of comedy and some elements of drama, don't see American Beauty. But if you enjoy films that make you think, and are entertained by an excellent cast, excellent directing, and an excellent screenplay, this film should be at the top of your list.

My Rating: 10/10
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10/10
A deep, wonderful, penetrating film; extraordinary irony in a psychological drama about the American life.
SD-422 March 2000
I have come to see the movie with a certain prejudice. Everyone saying that it was so wonderful, so touching, so excited -- I usually tend to go with movies that nobody likes. Nevertheless, this one was a certain exception.

It is a wonderful psychological drama, a satire about the American community and about the American life; dark, painful irony and cynicism in the descriptions of life and characters; deep sarcasm on types of people in the community, habits of behaviour such as "...if you want to succeed, you always have to seem successful..." or "never stop smiling", parasites of the community, and, most importantly, the treatment of people who are "different", who are "freaky" to some extent; and eventually, there is no character in the film that is not odd in its way, although we have to wait for the very ending of the film, to discover this.

With very deep and accurate exaggeration, (most of) the characters in the movie demonstrate the worst, the darkest sides of their personality, while still remaining very human, very touching and very involving the observer. Everyone can find a certain similarity with characters and persons who he met in his life, in the characters described in the film. The tragi-comical events, the little pieces of funny, disturbing irony dripping from almost every episode, lead the observer to exploration of the American Beauty -- the beauty in life, and the way that we fail to find it, for all our life; the way we hide our feelings and emotions, even behind sullen walls of our sepulchre.

The acting is truly brilliant, the episodes are built logically, coherently, the dialogues are deep, thrilling, intriguing; every sentence and every word is deeply constructed, containing profound irony and intelligent elements of humors. The plot is very intelligently built, constructing a true indication of the sad situation of the American society, and an excellent ground for the actors.

An amazing movie, strongly recommended. 10/10
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10/10
A little masterpiece...
ryan_lynch26 February 2000
"American Beauty" is tour de force cinema. Sam Mendes' brilliant debut feature depicts a web of characters who yearn for their own 'American Dream' - yet, in the end, only one character truly attains it.

Having seen "Happiness" only recently, I could not help but draw comparisons: both films centre around a microcosm of society in which the people, in their own unique way, all strive to be successful or simply 'happy'. But here the similarities end: the characters in "Happiness" undergo a self-realisation process through which they become increasingly aware of their meaningless existence, and go on to wallow in their own depravity. "Happiness" shows no signs of redemption; whereas in "American Beauty" the audience is offered a sense of hope, of salvation, though the characters must endure a similar fate, or more accurately, they must endure the way of life in which they are trapped.

The pivotal character upon which this theme centres, is the father Lester, played impeccably by Kevin Spacey. He is presented to us as a bit of a loser who plays the subjugated figure in the home and at work. He appears resigned to an unhappy life in which he is treated badly by his wife and daughter and his boss at work. Seemingly beyond redemption, Lester transforms from being a loser.

Mendes portrays this transformation admirably well: he shows Lester on his 'path to enlightenment' pushed up against a grim background of suburbanite existence. These early scenes are well balanced, forming a steady rhythm of TV commercial-like vignettes which prove very comical, if at times unsettling. As Lester reflects in the film: "My life is like a commercial". And how this rings true: like in "Happiness", all the characters hide underneath this veneer of normality and respectability, yet they are all revealed to be nothing but the opposite: depressed, depraved and desperate.

Lester's wife, played by Annette Benning, is the most success-driven character in the story which renders her the most hopeless in the film's tone of moral conviction. "In order to be successful in life one must project the appearance of success" is the maxim she adopts from the 'king' of real estate, Buddy King. It is a phrase which resonates throughout the film: for Benning's pawn, life is all about keeping-up appearances. This is where Lester differs from her: his emancipation is enabled by him discarding the constraints of 'normal life' and following what his heart desires.

Lester is the catalyst in this narrative in which the ancillary characters either follow suit (as does his daughter and Ricky) or pay the price (as does his wife and the Colonel). The irony inherent in this film, and it grows with resonance as the film draws to a conclusion, is that the only character who truly becomes free must sacrifice everything in order to achieve it. Yet it is through his sacrifice that he is able to afford the surviving characters a glimpse of hope in life.

This film left me gasping for air: its hyper-realism conveys, at the same time, a portrait of the suburban comedy, a jolting-shock of realisation, and a cathartic sense of hope. Mendes depicts a certain people who, to varying degrees, all strive for a certain 'American Dream', yet so few actually attain it. Though whilst one may have difficulty with tagging this film with the 'feel good' label, the beauty of "American Beauty" is that it sits half-way between a desperate cry for help and a reassuring sense of happiness and fulfilment and that is cinema at its best.
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10/10
Beautiful...so beautiful
Antithesys9 September 2000
Warning: Spoilers
American Beauty is the greatest movie ever made.

If you haven't already, watch American Beauty by yourself and give yourself some time afterwards to think it over. You will never, ever look at life the same way. It does exactly what movies are meant to do - give us a window into ourselves, and American Beauty does that better than any other film has ever done. No word of dialogue is unnecessary, no character exaggerated, everything is perfect...but if you have seen American Beauty you should know that already. Once you look closer at this movie, and see Beauty in every frame, it becomes so much easier to look closer and see Beauty in everything around you. You think I'm waxing poetic? Then you must not have seen the movie. Every character is a part of each of us: the Lester Burnham of change, the Carolyn of uncertainty and failure, the rebellion of Jane, the defeated Barbara, the false control of Angela and the Colonel, and the real control of Ricky. To me Ricky, not Lester, is the center of this story; he somehow controls or sets in motion the heart of Lester's rebirth and downfall. There are several parts of this movie where I lose control every time I see it, and none more so than the paper bag scene. To me that scene is simply the greatest monologue ever written.

I listened to the message of American Beauty - look closely and you can find Beauty in anything - and it changed my life. I rose out of a long, deep depression and started out into the world. Sometimes there is so much Beauty in the world, I can't even stand it, and it feels like my heart is going to burst.

This is the most beautiful movie I have ever seen.
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10/10
a very well done film that continues to amaze me...
reesew187 July 2001
When I first saw this movie in theaters, I found it to be very funny. When I rented it at home, I found it to be very sad and complex. Looking at it now, I realize that it is surely one of the most extraordinary films ever to come out of Hollywood. To some it may look trite or cliched, or maybe too un-ordinary to be worthy of its praise, but the overall impact of this film is extremely powerful. After you've seen it, you know you've seen something.

A few notable elements stand out. The direction is superb; this is visually a superior film, for the director understands the subtle changes in tone. The writing is equally compelling; the story effortlessly interweaves multiple stories to create one amazing movie. The haunting music is also notable. Lastly is the acting. Kevin Spacey has done excellent films before, and he can add this one to the list. He may be a little to witty to suggest the overshadowed character he portrays, but he simply disappears into the role. Annette Bening is also fine; a less strong role, but she is magnificent none the less. As the teenagers, Thora Birch is able to mesmerize us with one intense look; her "typical teenager" role is fleshed out completely. I enjoyed Mena Suvari's character equally. It seemed that she did not receive as much acclaim, but her performance evokes both innocence and experience, and her scenes toward the end give her a depth unlike any other character. And Wes Bentley, as the video-taping boy next door, is easily the most original character. At first he seems a little tense, but, like Spacey, he sinks into the role. His "purpose" in the film, unlike anyone else's, is a mystery, thus making him the most enigmatic person.

Most films are able to make a lasting impression on its audience, but never has a movie been known to "move" its viewers as much as this movie. It truly says something about life, no matter how predictable or tacky it appears, this film disturbingly shows us how to appreciate our individual lives, so therefore, when they are over, we each have something to remember.
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Could be the best movie of the year.
Rusty-6116 September 1999
Warning: Spoilers
And there were a lot of great ones this year. I will also say something even (possibly) bolder--that Kevin Spacey gives the performance of his career. And all us movie geeks know that is saying a LOT, given this man's past roles, and his talent. I used to think he was overrated as an actor. Then I figured OK, I see what all the fuss is about. Now, he's up there with my favorite actors of all time, with James Woods, Steve Buscemi, Robert Deniro...probably in the top 5.

I was lucky enough to see a free screening this afternoon and boy, am I glad I had the privilege. In fact, this review might not even be that coherent- it's one of those movies that blows you away so much that you have trouble even putting your feelings into words.

The plotline sounds trite when you first describe it (it did to me when I first heard about it), Spacey plays a man who describes himself as a loser, with Annette Bening as his horrible, shrewish, self-absorbed, pathetic b*tch of a wife. His daughter is not all that likeable either, despite the fact that you can understand why she turned out this way, with her as a mother. Just when you think you've met the most dysfunctional family in the world outside of "Happiness", you find out about the family who just moved in next door. At first, the strange son seems like the most messed-up member of their brood, but after you get to meet his ex-military, abusive, homophobic, terrifying father and his withdrawn, sad, headcase mother, you realize he is the most normal member of the household by far. Then, the filmwriters toss in Kevin Spacey's lustful obsession with his daughter's sexkitten cheerleader friend, which trust me, is a lot more fun, entertaining, and amusing than it sounds when you read about it. Soon, he is having the most entertaining, amusing midlife crisis ever seen in the history of cinema. He just doesn't give a ***k about what he does or says anymore, and you only wish you could get away with doing the things he does.

I found myself laughing out loud in this movie so many times, most of it horrified, amazed laughter at what is happening and the things that are coming out of the character's mouths, especially Spacey's. He had at least a dozen lines that had every member of the audience in hysterics and actual applause and cheers.

I can't say enough good things about this movie. You think, after the first five minutes, that you know how the movie will end. Well, Spacey's opening narrative does give it away, but trust me, the events unfold in a way that you will NEVER see coming. You will swear you can see what a character is going to do next, what violent or self-destructice act they will commit, but you turn out to be wrong.

Without getting too pretentious here, the movie lives up to it's theme/tagline of "...look closer". THe characters are not what they seem, up until the end, and even then they surprise you. At least two characters that you are POSITIVE you have figured out, do or say something that turns all your preconceptions of them upside down, while making your jaw drop, and your heart ache. You will leave the movie with a smile, though, and that is maybe what I expected least of all.

Words just cannot do this movie justice.

See it for yourself.
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6/10
The closer I look, the worse it gets
andrew75 February 2002
I first saw this in theaters back in 1999. I loved it. I really really loved it. I've seen it four or five times since, and each time, I like it less. I just saw it again a couple of days ago, and I stopped it before it was over. At that moment, I decided to sell my DVD. It has now been excised from my DVD Collection, about which I have considerable pride.

The main reason is that I have come to feel very strongly that this film doesn't know what it wants to say. It takes a bunch of characters, constructs various relationships between them, and sets them loose to run around for two hours, at the end of which, what have we learned?

I've heard lots of people make comparisons between this film and another highly acclaimed movie of 1999 which I hate: Fight Club. Both films include philosophically flimsy but highly entertaining critiques of materialism. With Fight Club, the critique on materialism is made by the character who turns out to be the villain of the piece, who seeks to replace it with fascism. In American Beauty, the anti-consumerist is, first of all, a total hypocrite, and second of all, has a life changing epiphany the moment before his death, but never gets a chance to expound upon what that epiphany was.

On the hypocrisy charge, consider the oft-quoted scene when Lester Burnham (magnificently portrayed by Kevin Spacey) yells at his wife Carolyn (played in an over-the-top caricature by Annette Bening) for placing too high a value on material things, in this case, a sofa. Fine. He makes a good point. No one else seems to have noticed, however, that this is precisely the same scene where it is revealed that Lester has bought a 1970 Pontiac Firebird. Since we at no time see Lester enjoying the use of his car, the implication is that possession of the object is a good in itself, which is the very apex of materialism.

There are lots of other things that we don't see, and I never noticed until I "looked closer" how conspicuous they are in their absence. We never see Angela or Jane don a cheerleading uniform after their initial cheerleading scene. They never make any reference to being cheerleaders. The whole concept of cheerleading, then, is merely a mechanism (and quite a contrived, not to mention cliched mechanism at that) to introduce Lester to Angela.

I also noticed, when I looked closer, how painfully bad much of the dialogue given to the younger characters is. "Lame-o" "Geekboy" "Take a whizz" It's just horrid. And why, exactly, was Jane looking at a breast augmentation website? First of all, her breasts don't appear to need augmenting (when I saw this in theaters, I thought she must want to reduce her breasts, but upon looking closer, the computer monitor clearly says "augmentation", which means a process of adding to).

The worst flaw of the film, by far, is the fact that we have one horrible cliche repeated twice in the space of minutes in the final act. The homophobic marine turns out to be a repressed homosexual, and the slutty cheerleader turns out to be a virgin. For the love of God, who let those two howlers slip through. Bad enough that either made the final cut, but both?!! It defies understanding.

The scene that made me turn the film off, this final time that I watched it, was the scene were Jane and Ricky decide to run off together. I was never very comfortable with this scene, because, call me conservative, I'm just not thrilled about a girl dropping out of school at the tender age of seventeen (or so) and running off with her drug dealer boyfriend. But what really got my goat was when Ricky ridiculed Angela by calling her ordinary. Fair enough, Angela had it coming. But for Ricky to not only accept Angela's principle that ordinariness is bad, but to use it against her... that bothered me. Ordinariness or lack thereof is not a valid criterion for judging the worth of a human being. Ricky, having been set up (clumsily) as a heroic character, shouldn't have descended to such a twisted and hateful principle.

The whole film has the feel of having been made up as it went along. It is radically different from how it was originally planned to go. The prelude sequence and the scene later in the film which it foreshadowed have become utterly pointless since the removal of the subplot about Jane and Ricky being blamed for Lester's murder. Now, that subplot is a bit ridiculous, and was cut for a good reason, I agree. But why leave the set up if you're cutting the payoff? [Notice that Ricky shuts off the camera before Jane says "You know I'm joking, right?"]

The sequence where Col. Fitts spies on Ricky and Lester is straight out of "Three's Company." Fitts sees just enough to draw the conclusion that the writer wants him to draw, and nothing else. That's a classic example (and the most blatant I can recall from any film) of bad, contrived plotting. What exactly was up with Mrs. Fitts? Presumably, her scenes meant something in some previous, unreleased version of the story. The initial meeting between Lester and Ricky is built on numerous coincidences... Ricky just happens to be working there, and he works there just long enough to meet Lester!!! And what self-respecting drug dealer would give a man $2,000 worth of merchandise on the assumption that he'd be willing/able to pay for it later? It would have been more contrived if Lester happened to have $2,000 in cash while jogging, but "I know you're good for it" isn't much better.

This film is ambitious. There are lots of individual pieces of greatness in it. There are a lot of really good ideas. But on a fundamental level, it just doesn't work.
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10/10
Beautiful...
Philip_Pugh29 November 2003
Probably the best film of 1999. This dark comedy drama marks two fantastic feature film debuts with Alan Ball as writer and Sam Mendes as director (both winning oscars for their sterling efforts).

Kevin Spacey plays Lester Burnham, a man on the brink of a mid-life crisis, who suddenly becomes obsessed with one of his teenage daughters friends played by Mena Suvari. His daughter (Thora Birch) is, as Lester tells us; "a typical teenager. Angry, insecure, confused...". And his wife Caroline (Annette Bening) has an obsession of her own, her public appearance.

Life starts off on a downer for the Burnhams and their new neighbours the Fitts despite their lives looking good from the outside.

As life begins to improve (with most of the main characters finding what they think is love or new relationships) it soon all comes crashing down in the climactic final day.

The writing is nothing short of brilliant and made even more amazing by knowing that it comes from a first time feature film screen writer Alan Ball (who had had years of prior experience writing TV sitcoms - not that you'd be able to guess from the tone of this film).

The directing is on a par with the writing and Sam Mendes manages to get some brilliant performances from the great cast, who are all faultless. No doubt Mendes' theatre directing past played a huge part in directing the actors so well.

Another person worthy of a mention is the late director of photography Conrad L. Hall, another one of the five oscar recipients for this film.

All the elements in this film gel perfectly together to make one superb masterpiece. Not one person, either cast or crew, steals this film or does anymore than anyone else to make this film what it is. Truly an ensemble effort. 10/10.
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6/10
American Ugly
kenjha11 August 2006
Much-praised film about a man facing mid-life crisis in suburbia, dreaming of playing Humbert Humbert to a Lolita that is his daughter's friend. There is only one word to describe this film: pretentious. Mendes thinks he is making the Great American Motion Picture but it is populated with cookie-cutter characters and it superficially touches on what the filmmakers regard as important themes. The acting is mediocre at best. Spacey gives the kind of performance that the Academy loves and awarded him with the Oscar but his acting here can be best described as mugging. Benning does not fare much better as his desperate wife.
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5/10
Dude, it's just a plastic bag in the wind
son_of_cheese_messiah20 November 2013
Warning: Spoilers
What I learned from American beauty:

1. Smoking pot frees your mind and helps you exercise better.

2. Having extra-marital affairs makes you more confident.

3. Women liking guns is empowering.

4. Men liking guns is psychopathic.

4. Homophobic men are obviously closet gays.

5. Mouthy sexually obsessed and exceptionally good looking cheerleaders are obviously virgins.

6. Good looking teenage girls come on to middle-aged men who have nothing going on.

7. Selling drugs is an honorable career choice.

8. Death obsessed voyeurs are really sensitive.

9. Ex-Army men are secretly Nazis.

10. Watching a plastic bag float in the wind is really beautiful and profound.

11. Swapping a cushy well paid desk job to work for low pay in Macdonald's is an authentic thing to do.

12. Blackmailing can be fun.

13. All gays are obviously decent welcoming people.

14. People give long saccharine monologues when dead.

15. Montages can help fill out a film.

16. The way to a girl's heart is to write her name in fire in your back garden, film her surreptitiously and show her a video of a plastic bag.

17. Staying at home with a violent control freak father is wise when you've got $40,000 saved from drugs money.

18. Drug dealers in New York are more than glad to help out a 'bro'.

19. Buying yourself an expensive sports car after declaring "your possessions own you" is reasonable.

20. The emperor has no clothes.
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10/10
An American Masterpiece
Smells_Like_Cheese14 August 2001
This is by far one of the best, if not THE, movies of the 90's. "American Beauty" stole my vote immediately as I started watching it. The idea and concept of "American Beauty" is just some ordinary people on an ordinary block with ordinary lives.

Kevin Spacey plays Lester Burnam, a middle aged married man who has lost some hope in life. He has a job that is degrading, a wife who refuses to show any type of loving emotion towards him, a daughter who practically hates herself, and is judged constantly as a looser. But all of a sudden, he sees his daughter's friend, Angela, and something snaps in him to do something with his life. He quits his job and takes, the dreaded by most Americans, a fast food cook job. He starts working out and doing some illegal substances. Even though this sounds like he is ruining his life, it actually helps him and makes him realize how much he loves "the precious moments in his stupid little life." You have no idea what he is talking about I'm sure, but don't worry, you will some day. Kevin Spacey was by far the best actor in 1999 and deserved this Oscar 100%.

Annete Benning plays Carol Burnam, Lester's wife. She is a very fake and unsuccessful real estate agent who cannot get a sale. Her image in life is "in order to be successful, one most project an image of success at all times". You can tell, she is not happy with her marriage and starts to have an affair with the big boss of the real estate company. Again, seems horrible, but it helps her in the end. Annete was unfortunately robbed of an Oscar for this film.

The supporting cast: Thora Birtch who plays Janie, Lester and Carol's daughter, is extremely depressed and hates her body and herself. But when she notices a strange boy next door and develops a relationship with him, she realizes how precious life is and starts communicating with her family. Mena Suvari plays Angela, Janie's best friend, Lester's crush, and a girl who is clearly insecure despite her attempts at showing her sexy side to every guy in town. Wes Bentley plays Ricky, the next door neighbor boy who looks at something as simple as a bag being tossed in the wind as something beautiful. Some say that this was a very stupid scene, but I disagree. His dialog was perfect and made us look twice at something so simple. He won most of our hearts despite having somewhat of an arrogant attitude. Wes without a doubt got robbed of a nomination for this movie. Chris Cooper plays Ricky's father, Col. Frank Fits. He is a military Sergent who is very abusive to his wife and son and is an obvious homophobic that turns into an ironic situation in the end. Chris also should've been nominated.

The most stunning character actually to me was Allison Janney who played Barbara Fits, Ricky's mom, and Frank's wife. She was so beautiful and perfect. Her scene in the front room with Frank and Ricky, everything is so quite, and she says "I'm sorry, what?". Ricky says "Mom, no one said anything". When Ricky gets kicked out by Frank after a horrible accusation, Ricky says "Mom, I'm leaving". Instead of being like the average mom and trying to stop him or say things will get better, she knows this is best and says "OK. Wear a raincoat". Allison was just amazing and didn't get enough credit for her role.

If there could have been nominations for every role in this movie, they were well deserved. This is a terrific movie that should be watched by every adult. It'll make you look again at your life and think. What a great movie.

10/10
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10/10
Movies like this are hard to come by these days
USFbobFL13 October 2023
This movie is so great because it's so relatable. I would rather watch this for the 10th time than watch most of the crap that Netflix is putting out there. Give me the Bravehearts and the Gladiators. I know I'm going to catch hell for not really reviewing American Beauty. This is more of a general praise for the great classics such as this one. Contrasting relationships. Couples that totally get each other and others that are completely clueless what the other really wants or needs. Cautionary tale about communication, or lack thereof. The character development in this film is amazing. And that's really what you want in a movie. You want to care about the least some of the characters.
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10/10
One of my faves of the year...simply great.
The Woof5 November 1999
This movie was a joy to watch. I didn't know what to expect when I came into it. I had heard the buzz of the acting and the story, etc...but we've all heard that before and had been disappointed, but not so with this one.

Kevin Spacey plays this part to a "T". He is strong when it requires and meek when it is needed. His emotional rollercoaster ride is a trip to partake in. Annette Bening is marvelous as well. I think they both should be nominated.

The support cast is also spectacular. Thora Birch, Wes Bentley, and Mena Suvari all give great performances as the troubled "Teenagers" in the film. Of particular mention is Wes Bentley's performance, worthy of a supporting nomination as well.

This is a dramatic and funny tale of a man and his life in a state of turmoil and transition. When he happens to see a beautiful friend of his daughter's at a cheerleading exhibition, he is completely infatuated with her beauty. Using this as his inspiration, he attempts to change all aspects of his life. He confronts his marriage, his job, his ego, and his libido.

The music in this film is also very well chosen. There are moments when the music fits so perfectly with the scene that they meld together as one to present a perfect emotion.

The plot can get rather involved, but you will follow it endlessly to see where you go. I was simply involved, hook, line and sinker.

See this movie more than once, and skip some of the other movies out now that are dare I say, trash.

This should be on the top of many critic's lists this year and it is certainly on top of mine.

My Rating (1 - 10): 10
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10/10
Close To Perfection
uhmartinez-phd12 November 2007
The intention is so clear that everything else falls into place, perfectly. Kevin Spacey's suburban husband and father reminded me of his character in "The Ref" and that could only be a good thing. Annette Bening and her giggle works wonders here. Their marriage is a tabloid version of a "Who's Afraid To Virginia Woolf" Which means very close to someone we know. The biggest surprises in the film. besides the amazing dexterity of Sam Mendes at his first outing behind the camera, are West Bentley. Chris Cooper, Thora Brch and Allison Janney. As I'm writing this 8 years after its first release, the Oscars and the whole hullabaloo, I'm very surprised that West Bentley hasn't become a major star. He is amazing in "American Beauty" the complexities of his character are based on recognizable human stands, the hardest to face up to and I went where he went. Thora Birch is lovely as the object of his attention and the film, I believe, is here to say.
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10/10
Far and away the best film of the year
bootsy-414 December 1999
What can I say, except that this film really knocked me on my keaster. I went in to the theater not knowing what to expect, but was pretty sure it would be worth the ticket price. Boy was I happy when I left. Not only was it worth the ticket, I paid to see this film two more times. This film is virtually perfect. The acting is superb, the story is magnificent, the narrative is brilliant, and the structure of the film is truly groundbreaking (absolutely loved the last 20 minutes). What really surprised me about this film was how well the cinematography was done. In a small, character driven film such as this, it is very unusual to have such great cinematography. With this film, there is something interesting going on in every scene, not many films you can say that about. In a year where first time directors have made some of the best films, Three Kings, Being John Malkovich, etc... Sam Mendes seems to have out-done them all. Though I have yet to see The Green Mile or Magnolia, I find it hard to believe that either film will out-shine American Beauty. This film should easily win a substantial amount of the Oscars this year. What's up with all the cirtics awards snubbing it so far?
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10/10
The Danger Of Dissatisfaction....A Christian's View On Why This Movie Is A Masterpiece.
filmbuff-0570618 December 2023
I first saw American Beauty when I was 17, about 8 years ago. It was interesting, but the plot was a bit creepy. But as time went on, I grew to appreciate the movie, and it's now one of my absolute favorite movies.

American Beauty is about a 42-year-old man named Lester Burnham, played by Kevin Spacey. He's in his mid-life crisis, and he hates his life. He hates his job, his realtor wife argues with him and they don't have sex (she even has an affair with another realtor), and his daughter Jane and him have a broken relationship.

Lester does not like any aspect of his life, and says that choking the chicken (to be less crass) in the shower is the highlight of his day. But then he meets a friend of Jane's named Angela, a gorgeous 17-year-old who, he thinks, will be the key to his satisfaction.

American Beauty has a clever way of showing desire- the color red. The Burnham's have a red door- their house is one of desire for happiness. Carolyn even cuts perfect roses in a covetness for happiness.

When Lester lusts for Angela, we see rose petals surrounding her in his fantasies. When he has a chance with her near the end, we see roses near them. And when he sees what he truly desires, we see roses again. These are just a handful of examples for Lester.

His wife Carolyn desires sex, but can't get it. At the dinner table, roses are in-between her and Lester, showing that she can't reach what she desires. But when she cheats on Lester, we then see them eat together with no roses on the table. Instead, Carolyn wears a shirt with a rose pattern. She got what she desired, while Lester has not- the roses are further away from him.

These clever symbols kind of tell their own story, and enhance the one told plainly.

As a Christian, and simply a person with morals, I remember how uncomfortable I was with the movie when I first saw it. Lust is a sin, how can I admire a movie that, while well-made, is about a married man lusting over a teenager?

However, the more I watched it, the more I realized that this immorality makes it one of the most moral movies I have ever seen.

You see, American Beauty is a story about the danger of dissatisfaction- with your marriage, with your job, with your life. That greed and dissatisfaction leads to downfall- to lust, to adultery, to greed, to immoral behavior, to selfishness.

When we look to God or selflessness instead of material things to be happy, then life has more meaning, more meaning than ogling over teenagers or getting a new car or job. We learn this from Lester's actions, and it's not too late for us.

American Beauty is a dark, unhappy movie. But it's a powerful and thought-provoking movie that makes you think long after you watch it.

The tagline of the movie is "look closer." When you do, American Beauty has an effective message to give- the danger of dissatisfaction.
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6/10
Hollywood derives entertainment value from mental illness....
ohlabtechguy18 February 2019
Here we have yet another highly polished Hollywood flick that seeks to derive entertainment value by depicting two suburban families loaded with mental illness and/or behavioral disorders. Yet, the subject of mental disorders is not addressed and therefore, no meaningful message is given. Instead, the mainstream audience, not fully aware of signs of mental illness, are led to believe that characters with all the signs of mental disorder, are merely quirky, eccentric and at worst dysfunctional. Not a movie I would recommend and no meaningful message given. Hollywood just doesn't get it.
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10/10
Look closer
d_penn24 December 2023
American Beauty is, without a doubt, one of my all time favorite movies. The cast is beyond incredible-Kevin Spacey appears to have a sketchy personal life, but this isn't about his real life-his acting in this movie is brilliant. His relatable, funny and intelligent style has you glued to the screen from start to end. Annette Bening is superb; I can see no one else playing this role; she's simply fantastic; everyone else was spectacular as well-from the entire neighboring family to Mena Suvari, all did an outstanding job both independently and as a team. The plot line and twists were just genius; it's so real and bittersweet at the same time. This movie is one I constantly bring up to new friends and acquaintances and although it premiered almost 2 decades ago, it has left a lasting impression. If you haven't already, and you're looking to be thoroughly entertained, watch American Beauty. I can't say enough good things about it. It is truly one of a kind.
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6/10
Overrated. Spacey is good, as always.
jacobwspringer17 May 2019
This should not be in the top 100 movies of all time. The acting is good but it's not even Kevin Spacey's best. The plot is often forced and many characters are left undeveloped. The dialogue is so-so. Anyone that calls this a 10 or the best movie of all time is likely pretentious or dumb. Perhaps they want to be deep but just don't actually know what is or isn't deep. Also the score is downright terrible.
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1/10
Everything that's wrong with Hollywood, distilled into two horrible hours. Spoilers.
Brundledan3 April 2000
Warning: Spoilers
Now, let me see if I've gotten this straight: "Saving Private Ryan", an epic tale of honor, glory, and sacrifice set against the backdrop of what was possibly the most important single day of the Twentieth Century, was not worthy of the Best Picture Oscar.

However, "American Beauty", a movie whose heroes are a middle-aged pedophile who casually endangers the future of his family, and the next-door drug dealer who finds "beauty" in people getting their brains blown out, is.

I see.

"American Beauty" might work as satire if 1.) it weren't telling us something we've KNOWN for fifty years - that the suburbs are not this perfect, "Ozzie and Harriet" world of smiling, white-bread people - and 2.) if the characters depicted in the movie were in any way REALISTIC. Instead, "American Beauty" is a parade of the most tiresome Hollywood cliches of the 1990s. I don't care how pathetic Spacey's and Bening's characters' lives are - would they really be THAT devoid of any redeeming values? Are we supposed to CHEER Spacey as he quits his job, smokes pot, and lusts after seventeen year-old girls, all to the detriment of his young daughter? Are we supposed to laugh at the ex-Marine's idea that the world NEEDS certain rules and standards in order to work? Clearly, we are. These are not characters at all, but ciphers. Indeed, the ex-Marine is one of the most laughable ciphers at all. He is the parody of the Evil Gun-Toting Gay-Bashing Right-Wing Military Nut, taken to its furthest extreme. As columnist John Leo recently put it, "the only thing they forgot to do was to make him a tobacco company chemist and a trustee of a segregated college." And the final revelation that the "gay-basher" is in fact gay himself is the final piece of this Hollywood stereotype; a move meant purely to make sure this character and his world-view, that of the importance of morality and of the necessity of rules in society, is completely discredited.

And I know, I know: I'm not reading between the lines. I need to "look closer". Well, I submit that those who glowingly praise this movie are looking TOO closely. It's easier to lose sight of the larger message a movie sends when you examine any one element too closely. And all that the people who made this movie have "proved" is that they live on an entirely different planet from the hard-working, Joe and Jane America they claim to so brilliantly "expose" - the same Joe and Jane America that keeps Hollywood in business.

(Ordinarily, I'd rate a movie like "American Beauty" about a "3". But since it was without question both the most offensive AND the most overrated movie of 1999 (move over, "The Phantom Menace"), and since more needs to be done to counterbalance these morons who think it's the next "Citizen Kane", I feel I have no choice but to go with my original gut instinct and give it a big fat "1". For years, I've made it a practice to save every ticket stub from every movie I've seen, regardless of its quality. Nevertheless, my "American Beauty" ticket stub now sits in torn-up shreds at the bottom of the concession-area garbage can. It seemed a fitting gesture toward this Oscar-winning piece of putrescent pap.)
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