James A. Fitzpatrick sends the Technicolor cameras unde the supervision of cameraman Virgil Miller to Colorado; once again, I remind the people who have read others of my reviews of the Traveltalks during the Second World War, that there was a war going on, and long-distance travel was risky, so the MGM travelogues mostly stuck to the US, with occasional trips to Mexico and Canada.
Once the camera gets out of Denver, there are a lot of shots taken from a moving car. There's some nice pictures in very good shape on the print that plays on Turner Classic Movies.
Once the camera gets out of Denver, there are a lot of shots taken from a moving car. There's some nice pictures in very good shape on the print that plays on Turner Classic Movies.