Mumia Abu-Jamal
By Alex Simon
"Wrapped in the sweet, false escape of dreams, I hear the unmistakable sounds of meat being beaten by blackjack, of bootfalls, yells, curses; and it merges into the mind's movie-making machine, evoking distant memories of some of the Philadelphia Police Department's greatest hits--on me. "Get off that man, you fat, greasy, racist, redneck pig bitch muthafucka!" My tired eyes snap open; the cracks, thuds, "oofs!" come in all too clear. Damn. No dream. Another dawn, another beating on B-Block, another shackled inmate at Pennsylvania's Huntingdon prison pummeled into the concrete by a squadron of guards." -Mumia Abu-Jamal "B-Block Days & Nightmares"
Stephen Vittoria is that rare commodity in Hollywood today: a filmmaker with a conscience. To be more precise, a filmmaker with a strong political conscience. After making two feature films, Black and White (aka Lou, Pat & Joe D., 1987) and Hollywood Boulevard (1996), as well as...
By Alex Simon
"Wrapped in the sweet, false escape of dreams, I hear the unmistakable sounds of meat being beaten by blackjack, of bootfalls, yells, curses; and it merges into the mind's movie-making machine, evoking distant memories of some of the Philadelphia Police Department's greatest hits--on me. "Get off that man, you fat, greasy, racist, redneck pig bitch muthafucka!" My tired eyes snap open; the cracks, thuds, "oofs!" come in all too clear. Damn. No dream. Another dawn, another beating on B-Block, another shackled inmate at Pennsylvania's Huntingdon prison pummeled into the concrete by a squadron of guards." -Mumia Abu-Jamal "B-Block Days & Nightmares"
Stephen Vittoria is that rare commodity in Hollywood today: a filmmaker with a conscience. To be more precise, a filmmaker with a strong political conscience. After making two feature films, Black and White (aka Lou, Pat & Joe D., 1987) and Hollywood Boulevard (1996), as well as...
- 3/11/2012
- by The Hollywood Interview.com
- The Hollywood Interview
From award-winning writer Steven Peros, author of the play and screenplay for The Cat.s Meow (directed by Peter Bogdanovich) and twice-published Samuel French playwright, comes Footprints, a haunting, hopeful and unforgettable mystery. The film chronicles a young woman.s journey of discovery in one day, from sunrise to sunset.
Sybil Temtchine (Ten Benny, Passion of Ayn Rand) stars as a young woman who wakes up at dawn on the footprints and handprints of the famed Grauman.s Chinese Theatre in Hollywood with no idea who she or how she got there. Upon awakening, she wonders if she isn.t, in fact, lost in a dream. And perhaps she is.
Regardless of whether she is dreaming or wide awake, Our Gal sets off on her journey, from one person to the next, one famous locale after the other. Among the Hollywood fringe denizens with whom she comes into contact are...
Sybil Temtchine (Ten Benny, Passion of Ayn Rand) stars as a young woman who wakes up at dawn on the footprints and handprints of the famed Grauman.s Chinese Theatre in Hollywood with no idea who she or how she got there. Upon awakening, she wonders if she isn.t, in fact, lost in a dream. And perhaps she is.
Regardless of whether she is dreaming or wide awake, Our Gal sets off on her journey, from one person to the next, one famous locale after the other. Among the Hollywood fringe denizens with whom she comes into contact are...
- 3/9/2011
- by Melissa Howland
- WeAreMovieGeeks.com
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