Pioneering actor to receive BAFTA’s highest honour.
BAFTA is to honour Us actor Sidney Poitier with its Fellowship honour at the Ee British Academy Film Awards in London on Feb 14.
Awarded annually, the Fellowship is the highest accolade bestowed by BAFTA upon an individual in recognition of an outstanding and exceptional contribution to film, television or games.
Fellows previously honoured for their work in film include Charlie Chaplin, Alfred Hitchcock, Steven Spielberg, Sean Connery, Elizabeth Taylor, Stanley Kubrick, Anthony Hopkins, Laurence Olivier, Judi Dench, Vanessa Redgrave, Christopher Lee, Martin Scorsese, Alan Parker and Helen Mirren. Mike Leigh received the Fellowship at last year’s Film Awards.
Poitier said: “I am extremely honored to have been chosen to receive the Fellowship and my deep appreciation to the British Academy for the recognition.”
The pioneering actor’s award-winning career includes six BAFTA nominations, including one BAFTA win for The Defiant Ones (1958), and a British Academy Britannia Award for Lifetime...
BAFTA is to honour Us actor Sidney Poitier with its Fellowship honour at the Ee British Academy Film Awards in London on Feb 14.
Awarded annually, the Fellowship is the highest accolade bestowed by BAFTA upon an individual in recognition of an outstanding and exceptional contribution to film, television or games.
Fellows previously honoured for their work in film include Charlie Chaplin, Alfred Hitchcock, Steven Spielberg, Sean Connery, Elizabeth Taylor, Stanley Kubrick, Anthony Hopkins, Laurence Olivier, Judi Dench, Vanessa Redgrave, Christopher Lee, Martin Scorsese, Alan Parker and Helen Mirren. Mike Leigh received the Fellowship at last year’s Film Awards.
Poitier said: “I am extremely honored to have been chosen to receive the Fellowship and my deep appreciation to the British Academy for the recognition.”
The pioneering actor’s award-winning career includes six BAFTA nominations, including one BAFTA win for The Defiant Ones (1958), and a British Academy Britannia Award for Lifetime...
- 1/12/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
The director that epitomized the 1970’s, Joseph Sargent, has sadly passed away. (1925-2014)
With a career lasting 50 years, Sargent brought to the big screen such thrilling cinema as The Taking Of The Pelham One Two Three, MacArthur, White Lightning and Colossus: The Forbin Project.
Directors Guild of America President Paris Barclay made the following statement upon learning of the passing of director Joseph Sargent:
“When it comes to directing Movies for Television, Joe’s dominance and craftsmanship was legendary – for the past 50 years. With eight DGA Awards nominations in Movies for Television, more than any other director in this category, Joe embodied directorial excellence on the small screen. He was unafraid of taking risks, believing in his heart that television audiences demanded the highest quality stories – whether chronicling uncomfortable historic events like the infamous Tuskegee syphilis study in Miss Evers’ Boys, or compelling personal stories about inspiring individuals like...
With a career lasting 50 years, Sargent brought to the big screen such thrilling cinema as The Taking Of The Pelham One Two Three, MacArthur, White Lightning and Colossus: The Forbin Project.
Directors Guild of America President Paris Barclay made the following statement upon learning of the passing of director Joseph Sargent:
“When it comes to directing Movies for Television, Joe’s dominance and craftsmanship was legendary – for the past 50 years. With eight DGA Awards nominations in Movies for Television, more than any other director in this category, Joe embodied directorial excellence on the small screen. He was unafraid of taking risks, believing in his heart that television audiences demanded the highest quality stories – whether chronicling uncomfortable historic events like the infamous Tuskegee syphilis study in Miss Evers’ Boys, or compelling personal stories about inspiring individuals like...
- 12/23/2014
- by Michelle McCue
- WeAreMovieGeeks.com
Nelson Mandela on film and TV: From Sidney Poitier to Terrence Howard (photo: Sidney Poitier as Nelson Mandela in ‘Mandela and de Klerk’) (See previous post: "Nelson Mandela Movies: ‘Mandela: Long Walk to Freedom,’ ‘Invictus.’") As found on the IMDb, here are a handful of other narrative big-screen films featuring Nelson Mandela: Darrell Roodt’s Winnie Mandela (2011), with Jennifer Hudson in the title role and Terrence Howard as Nelson Mandela. Pete Travis’ Endgame (2009), with Clarke Peters’ Mandela as less a martyred saint than a skillful realpolitik negotiator. This political drama also features Chiwetel Ejiofor, William Hurt, Jonny Lee Miller, Mark Strong, and Derek Jacobi. Zola Maseko’s 1950s-set Drum (2004), in which Mandela is played — for a change — by a South African actor, Lindani Nkosi. As reported by Peter Bradshaw in The Guardian, British filmmaker Peter Kosminsky (White Oleander, Wuthering Heights) "got into hot water a couple of years ago...
- 12/7/2013
- by Andre Soares
- Alt Film Guide
In film, the role of the former Anc activist and president of South Africa has traditionally been approached with great reverence
The voice. The gentle, mysterious smile. The walk – generally an older man's walk, across a garden, or presidential office, or prison exercise yard. The enigmatically polite manner: intimidating, even awe-inspiring for allies and adversaries alike. The list of actors who have tried all this is long: Morgan Freeman, David Harewood, Terrence Howard, Danny Glover, Sidney Poitier, Clarke Peters, Dennis Haysbert, Idris Elba – and Lindane Nkosi, the one South African actor who has managed to make some sort of impression as this character in Anglo-Hollywood circles, for a film called Drum, about the 1950s anti-apartheid campaign, that played at festivals in London and Cannes.
Nelson Mandela has been a role to be approached reverently, a difficult part and a career hurdle in some ways, like a royal figure in a Shakespearian play,...
The voice. The gentle, mysterious smile. The walk – generally an older man's walk, across a garden, or presidential office, or prison exercise yard. The enigmatically polite manner: intimidating, even awe-inspiring for allies and adversaries alike. The list of actors who have tried all this is long: Morgan Freeman, David Harewood, Terrence Howard, Danny Glover, Sidney Poitier, Clarke Peters, Dennis Haysbert, Idris Elba – and Lindane Nkosi, the one South African actor who has managed to make some sort of impression as this character in Anglo-Hollywood circles, for a film called Drum, about the 1950s anti-apartheid campaign, that played at festivals in London and Cannes.
Nelson Mandela has been a role to be approached reverently, a difficult part and a career hurdle in some ways, like a royal figure in a Shakespearian play,...
- 12/6/2013
- by Danny Glover, Peter Bradshaw
- The Guardian - Film News
Last week, he cancelled the apocalypse. This week, Idris Elba plans to liberate a nation. In the first full-length trailer for Mandela: Long Walk To Freedom, the actor takes on a far more challenging role than defeating aliens. Now he embodies one of the great modern day icons of peace.
Elba takes on the part of Nelson Mandela in what looks like a fairly straight forward biopic of the South African president. The film follows Mandela from his rural childhood through the struggle against apartheid, imprisonment and his rise to become South Africa’s first black president in a multi-racial, fair election. The film is based on Mandela’s book Long Walk To Freedom.
The trailer gives a fairly basic overview of the film, including the struggles against apartheid and the centrepiece of Mandela’s imprisonment. It’s a harrowing but inspiring story, made all the more poignant when we...
Elba takes on the part of Nelson Mandela in what looks like a fairly straight forward biopic of the South African president. The film follows Mandela from his rural childhood through the struggle against apartheid, imprisonment and his rise to become South Africa’s first black president in a multi-racial, fair election. The film is based on Mandela’s book Long Walk To Freedom.
The trailer gives a fairly basic overview of the film, including the struggles against apartheid and the centrepiece of Mandela’s imprisonment. It’s a harrowing but inspiring story, made all the more poignant when we...
- 7/19/2013
- by Lauren Humphries-Brooks
- We Got This Covered
Portraying Nelson Mandela has defeated many actors, but not Morgan Freeman. The star of Invictus tells Bill Keller about shadowing – and embodying – the South African leader
Morgan Freeman has been cast as God – twice – so he evidently has no trouble projecting moral authority. The challenge of portraying Nelson Mandela, then, was not the size of the halo, but knowing the performance would be measured against the real, familiar Mandela, and his myth. "If we can say any part of acting is hard, then playing someone who is living and everybody knows would be the hardest," Freeman says.
The role has defeated actors as varied as Danny Glover (in the 1987 TV film Mandela), Sidney Poitier (Mandela and de Klerk, 1997, also for TV) and Dennis Haysbert (Goodbye Bafana, 2007), in vehicles that were reverential and mostly forgettable. But as someone who studied Mandela over the course of three years while he replaced an...
Morgan Freeman has been cast as God – twice – so he evidently has no trouble projecting moral authority. The challenge of portraying Nelson Mandela, then, was not the size of the halo, but knowing the performance would be measured against the real, familiar Mandela, and his myth. "If we can say any part of acting is hard, then playing someone who is living and everybody knows would be the hardest," Freeman says.
The role has defeated actors as varied as Danny Glover (in the 1987 TV film Mandela), Sidney Poitier (Mandela and de Klerk, 1997, also for TV) and Dennis Haysbert (Goodbye Bafana, 2007), in vehicles that were reverential and mostly forgettable. But as someone who studied Mandela over the course of three years while he replaced an...
- 1/1/2010
- by John Carlin
- The Guardian - Film News
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