Actors and theater industry notables are submitting tributes to celebrate the life of longtime theater and film producer William “Bill” Kenwright, who died Monday following surgery to remove a cancerous tumor from his liver back in August.
Kenwright is best known as one of the longest standing theater, TV and film producers, including being the force behind long-running West End musical “Blood Brothers.” He began as an actor, appearing in British soap opera “Coronation Street.” On top of his work in theater, he also served as a BBC Radio 2 presenter and as chairman of the Everton Football Club for nearly two decades.
“Like many grateful actors I am in debt to Bill Kenwright for employment,” “Lord of the Rings” star and theater legend Sir Ian McKellen shared on X (formerly Twitter). “We were young together, when he was in ‘Coronation Street’ and I was dipping a toe into Shaftesbury Avenue.
Kenwright is best known as one of the longest standing theater, TV and film producers, including being the force behind long-running West End musical “Blood Brothers.” He began as an actor, appearing in British soap opera “Coronation Street.” On top of his work in theater, he also served as a BBC Radio 2 presenter and as chairman of the Everton Football Club for nearly two decades.
“Like many grateful actors I am in debt to Bill Kenwright for employment,” “Lord of the Rings” star and theater legend Sir Ian McKellen shared on X (formerly Twitter). “We were young together, when he was in ‘Coronation Street’ and I was dipping a toe into Shaftesbury Avenue.
- 10/24/2023
- by Raquel 'Rocky' Harris
- The Wrap
Documentary filmmaking legend Errol Morris has built his extraordinary reputation on two principle foundations: what might be called dramatizations (he rejects the terms reenactments or recreations) and interviews of incredible insight and verve. He has conversed with a fascinating array of people — Robert McNamara, Donald Rumsfeld, Steve Bannon, owners of pet cemeteries, a woman accused of kidnapping and raping a Mormon missionary, to name a few.
Now, on Deadline’s Doc Talk podcast, it’s our turn to interview Morris, about his latest documentary, The Pigeon Tunnel. In the film, which is about to premiere on Apple TV+, the director trains his lens on perhaps his most elusive subject yet – the spy-turned-novelist David Cornwell, known to the world by his pen name, John le Carré.
Morris tells Doc Talk why his encounter with Cornwell made him question the very nature of documentary interviews. And he gets into whether any person...
Now, on Deadline’s Doc Talk podcast, it’s our turn to interview Morris, about his latest documentary, The Pigeon Tunnel. In the film, which is about to premiere on Apple TV+, the director trains his lens on perhaps his most elusive subject yet – the spy-turned-novelist David Cornwell, known to the world by his pen name, John le Carré.
Morris tells Doc Talk why his encounter with Cornwell made him question the very nature of documentary interviews. And he gets into whether any person...
- 10/17/2023
- by The Deadline Team
- Deadline Film + TV
Philip Glass has been composing soundscapes of ambient intrigue for documentary filmmaker Errol Morris for decades, from the groundbreaking true-crime doc “The Thin Blue Line” to the Robert McNamara portrait “The Fog of War.” Now, the three-time Oscar-nominated modernist composer and co-writer Paul Leonard-Morgan have crafted the original score for Morris’ John le Carré documentary “The Pigeon Tunnel,” the Apple TV+ documentary that opens Friday, October 20. Also premiering that day will be the film’s original soundtrack from Platoon, and IndieWire shares an exclusive track off the album below.
“It is our pleasure to share ‘The Pigeon Tunnel’ soundtrack,” said Philip Glass and Paul Leonard-Morgan, adding that “the orchestral journey this score took us on, combing the cimbalom of ’60s espionage soundtracks with symphonic orchestral work, led to 80 minutes of score, almost the entirety of the film.”
The film centers on four days of interviews with le Carré in 2019 that...
“It is our pleasure to share ‘The Pigeon Tunnel’ soundtrack,” said Philip Glass and Paul Leonard-Morgan, adding that “the orchestral journey this score took us on, combing the cimbalom of ’60s espionage soundtracks with symphonic orchestral work, led to 80 minutes of score, almost the entirety of the film.”
The film centers on four days of interviews with le Carré in 2019 that...
- 10/17/2023
- by Ryan Lattanzio
- Indiewire
Welcome to the premiere episode of Doc Talk, our new podcast hosted by Oscar-winning writer-director John Ridley and Deadline’s documentary editor Matt Carey. We’re kicking off with a deep dive into a signature power of documentary: The capacity to right a grave wrong in the criminal justice system by freeing a wrongfully convicted prisoner. Only a handful of major nonfiction filmmakers has achieved this extraordinary feat, springing men and women who faced Death Row or life sentences.
We talk with Errol Morris (The Thin Blue Line), Joe Berlinger (the Paradise Lost trilogy), Amy Berg (The Case Against Adnan Syed and West of Memphis), and Deborah Esquenazi (Southwest of Salem: The Story of the San Antonio Four).
Morris shares his theory of why Randall Dale Adams — the man who almost certainly would have been put to death by the state of Texas if not for The Thin Blue Line — turned around and sued him.
We talk with Errol Morris (The Thin Blue Line), Joe Berlinger (the Paradise Lost trilogy), Amy Berg (The Case Against Adnan Syed and West of Memphis), and Deborah Esquenazi (Southwest of Salem: The Story of the San Antonio Four).
Morris shares his theory of why Randall Dale Adams — the man who almost certainly would have been put to death by the state of Texas if not for The Thin Blue Line — turned around and sued him.
- 9/12/2023
- by The Deadline Team
- Deadline Film + TV
Oscar-winning filmmaker Errol Morris unveiled his new documentary The Pigeon Tunnel – about the spy-turned-novelist David Cornwell, aka John le Carré – at the Telluride Film Festival on Friday. Audience buzz afterwards ranked it among Morris’s best work, a canon that includes the classics The Thin Blue Line and Gates of Heaven.
Morris said it took years for The Pigeon Tunnel to be completed. But during a Q&a, he referenced a different endeavor that apparently isn’t fated to come together – a nascent documentary project on former Secretary of State Henry Kissinger. The controversial figure who guided American foreign policy during the Nixon and Ford administrations recently reached the century mark.
Henry Kissinger celebrates his 100th birthday in Bavaria, June 20, 2023.
“Someone wanted me to interview quite recently, on the occasion of his hundredth birthday, Henry Kissinger,” Morris told the audience at the Chuck Jones Theater in Mountain Village. “And as my wife has pointed out,...
Morris said it took years for The Pigeon Tunnel to be completed. But during a Q&a, he referenced a different endeavor that apparently isn’t fated to come together – a nascent documentary project on former Secretary of State Henry Kissinger. The controversial figure who guided American foreign policy during the Nixon and Ford administrations recently reached the century mark.
Henry Kissinger celebrates his 100th birthday in Bavaria, June 20, 2023.
“Someone wanted me to interview quite recently, on the occasion of his hundredth birthday, Henry Kissinger,” Morris told the audience at the Chuck Jones Theater in Mountain Village. “And as my wife has pointed out,...
- 9/2/2023
- by Matthew Carey
- Deadline Film + TV
One of cinema history’s most iconic car chases: “The French Connection” (1971). A nightmarishly possessed teen in a menacing horror classic: “The Exorcist” (1973). A killer drama in the so-called Matthew McConaughey rejuvenation era known as the McConaissance: “Killer Joe” (2011).
William Friedkin, the grittily virtuosic, famously tough straight-shooter passed away at age 87 Monday, leaving behind a legacy and wide-ranging career as unique, complex and tough as nails as the filmmaker himself was known to be. Both a crafty auteur of nonfiction fare where he got his earnest start and a popular household name thanks to “The Exorcist” — who among us have not spent many a sleepless night traumatized by visions of Linda Blair’s evil grin and weightlessly spinning head? — Friedkin did it all for the moving image, with over 40 credits across film, TV and music videos to his name.
Documentaries and TV are where Friedkin started his storied career, on...
William Friedkin, the grittily virtuosic, famously tough straight-shooter passed away at age 87 Monday, leaving behind a legacy and wide-ranging career as unique, complex and tough as nails as the filmmaker himself was known to be. Both a crafty auteur of nonfiction fare where he got his earnest start and a popular household name thanks to “The Exorcist” — who among us have not spent many a sleepless night traumatized by visions of Linda Blair’s evil grin and weightlessly spinning head? — Friedkin did it all for the moving image, with over 40 credits across film, TV and music videos to his name.
Documentaries and TV are where Friedkin started his storied career, on...
- 8/7/2023
- by Tomris Laffly
- The Wrap
One of the all-time great filmmakers, Oscar-winner William Friedkin has passed away in Los Angeles at the age of 87, Bloody Disgusting has learned this afternoon.
William Friedkin won “Best Director” at the Academy Awards in 1972 for The French Connection, and he was nominated in the same category just two years later for The Exorcist.
Released in theaters in 1973, The Exorcist has been terrifying audiences across generations ever since, widely considered to be one of the best – and scariest – movies ever made.
William Friedkin got his start directing the documentary The People vs. Paul Crump in 1962, and a few years later he directed an episode of the TV series “The Alfred Hitchcock Hour.” From there, Friedkin directed films including The Thin Blue Line, Good Times, The Birthday Party, and The Boys in the Band, before winning an Oscar for The French Connection in 1972.
In the wake of The Exorcist, which ended...
William Friedkin won “Best Director” at the Academy Awards in 1972 for The French Connection, and he was nominated in the same category just two years later for The Exorcist.
Released in theaters in 1973, The Exorcist has been terrifying audiences across generations ever since, widely considered to be one of the best – and scariest – movies ever made.
William Friedkin got his start directing the documentary The People vs. Paul Crump in 1962, and a few years later he directed an episode of the TV series “The Alfred Hitchcock Hour.” From there, Friedkin directed films including The Thin Blue Line, Good Times, The Birthday Party, and The Boys in the Band, before winning an Oscar for The French Connection in 1972.
In the wake of The Exorcist, which ended...
- 8/7/2023
- by John Squires
- bloody-disgusting.com
Costume Designer Charlese Antoinette Jones has signed for representation by M88. Throughout her design career, Jones has worked on acclaimed films like Shaka King’s “Judas and the Black Messiah,” the Whitney Houston biopic “I Wanna Dance With Somebody,” Ben Affleck’s “Air” and the upcoming Apple TV thriller “The Instigators.”
“I’m so excited to be working with M88 as I continue to expand my career,” said Jones in a statement. “I’m especially appreciative of [James] Swoope for his unwavering support and championing me as a multifaceted creative.”
In 2019, Jones launched the Black Designer Database, a digital fashion house that aims to bring exposure and support to Black designers by connecting them with consumer and media opportunities. She also runs her own jewelry brand Char Ant Gold.
As she signs on with M88, Jones will continue to be represented by WME and Frankfurth Kurnit Klein & Selz, and maintains her membership to the CDG.
“I’m so excited to be working with M88 as I continue to expand my career,” said Jones in a statement. “I’m especially appreciative of [James] Swoope for his unwavering support and championing me as a multifaceted creative.”
In 2019, Jones launched the Black Designer Database, a digital fashion house that aims to bring exposure and support to Black designers by connecting them with consumer and media opportunities. She also runs her own jewelry brand Char Ant Gold.
As she signs on with M88, Jones will continue to be represented by WME and Frankfurth Kurnit Klein & Selz, and maintains her membership to the CDG.
- 7/27/2023
- by Jazz Tangcay and McKinley Franklin
- Variety Film + TV
Exclusive: David Cornwell, the British spy better known to the world under his pen name John le Carré, reveals secrets of his extraordinary life in a documentary directed by nonfiction filmmaking legend Errol Morris.
The Pigeon Tunnel, from Apple Original Films and The Ink Factory (The Night Manager), is set to premiere on Apple TV+ on October 20.
Following a career in Britain’s MI5 and MI6 in the 1950s and ‘60s, Cornwell became the mega-bestselling author of The Spy Who Came in from the Cold, Tinker Tailor Soldier Spy, The Night Manager and The Constant Gardener, all of which were successfully adapted by Hollywood. His fictional creation George Smiley, the veteran intelligence officer who appears in many of those books, has been played on screen by James Mason, Alec Guinness, Denholm Elliott, and Gary Oldman.
“Set against the turbulent backdrop of the Cold War leading into present day, the film...
The Pigeon Tunnel, from Apple Original Films and The Ink Factory (The Night Manager), is set to premiere on Apple TV+ on October 20.
Following a career in Britain’s MI5 and MI6 in the 1950s and ‘60s, Cornwell became the mega-bestselling author of The Spy Who Came in from the Cold, Tinker Tailor Soldier Spy, The Night Manager and The Constant Gardener, all of which were successfully adapted by Hollywood. His fictional creation George Smiley, the veteran intelligence officer who appears in many of those books, has been played on screen by James Mason, Alec Guinness, Denholm Elliott, and Gary Oldman.
“Set against the turbulent backdrop of the Cold War leading into present day, the film...
- 7/24/2023
- by Matthew Carey
- Deadline Film + TV
Serial killer true crime stories are a genre in and of themselves — so much so that the repeated revisiting of murderers like Jeffrey Dahmer and John Wayne Gacy almost turn them into clichés that threaten to trivialize the very real consequences of their killings. But rarely are true crime and social justice as cohesively intertwined on the small screen as they are in “Last Call: When a Serial Killer Stalked Queer New York,” a four-part docuseries premiering on HBO.
Directed by Anthony Caronna and executive produced by Howard Gertler from Elon Green’s 2021 nonfiction book, “Last Call” pulls back the curtain on the killing spree of Richard Rogers, a male nurse who, as far back as the 1980s and until 2001 when he was eventually caught by authorities, targeted gay men in New York and New Jersey. His reign of terror also fell at a time when queer people were under...
Directed by Anthony Caronna and executive produced by Howard Gertler from Elon Green’s 2021 nonfiction book, “Last Call” pulls back the curtain on the killing spree of Richard Rogers, a male nurse who, as far back as the 1980s and until 2001 when he was eventually caught by authorities, targeted gay men in New York and New Jersey. His reign of terror also fell at a time when queer people were under...
- 7/9/2023
- by Ryan Lattanzio
- Indiewire
When the American Film Institute announced last year that it was merging AFI Docs, the organization’s annual Washington, D.C., documentary film festival, into the Los Angeles-based AFI Fest, Jamie Shor called Sky Sitney.
Shor, president of PR Collaborative, and Sitney, director of the film and media studies program at Georgetown, had both previously worked for AFI Docs. Shor’s publicity firm had done work for the former festival, previously known as Silverdocs, while Sitney served as AFI Docs festival director from 2005-2014.
“Sky and I were both thinking to ourselves that Washington, D.C., was not going to have a doc presence,” says Shor. “It collectively broke our hearts.”
So, the duo spent the last year and a half creating and building DC/Dox, a new nonfiction film festival based in the nation’s capital. The inaugural four-day festival kicks off on June 15 with the D.C. premiere of...
Shor, president of PR Collaborative, and Sitney, director of the film and media studies program at Georgetown, had both previously worked for AFI Docs. Shor’s publicity firm had done work for the former festival, previously known as Silverdocs, while Sitney served as AFI Docs festival director from 2005-2014.
“Sky and I were both thinking to ourselves that Washington, D.C., was not going to have a doc presence,” says Shor. “It collectively broke our hearts.”
So, the duo spent the last year and a half creating and building DC/Dox, a new nonfiction film festival based in the nation’s capital. The inaugural four-day festival kicks off on June 15 with the D.C. premiere of...
- 6/15/2023
- by Addie Morfoot
- Variety Film + TV
The creative forces behind four of the documentary films and shows that are hoping to compete at this year’s Emmys took some time to chat with Gold Derby and discussed several topics including their favorite documentaries, surprising subjects covered by docs and the changing nature of what documentaries can be. This was part of Gold Derby’s Meet the Experts panel on TV Documentaries that included Ellen Goosenberg Kent (“Afghan Dreamers”), Michael Gasparro (“Murdaugh Murders: A Southern Scandal”), Zach Heinzerling (“Stolen Youth: Inside the Cult at Sarah Lawrence”) and Jimmy Chin (“Wild Life”).
You can watch the TV documentary group panel above with the people behind these four programs. Click on each person’s name above to be taken to each exclusive interview.
Gasparro sighted classic documentary films like “The Thin Blue Line” as his entry point into the genre but also cited one that was a milestone for documentary series.
You can watch the TV documentary group panel above with the people behind these four programs. Click on each person’s name above to be taken to each exclusive interview.
Gasparro sighted classic documentary films like “The Thin Blue Line” as his entry point into the genre but also cited one that was a milestone for documentary series.
- 6/2/2023
- by Charles Bright
- Gold Derby
Exclusive: A+E Studios and Range Media Partners have prevailed in a competitive auction surrounding Swedish crime novelist Christoffer Carlsson’s International bestseller Blaze Me a Sun and its follow-up, Under the Storm, securing film and TV rights to both titles.
The announcement comes hot on the heels of Good Morning America‘s naming of Blaze Me a Sun as its Buzz Pick of the Week. The title, first published in the U.S. by Hogarth Books on January 3, tells the tale of a small town’s collective guilt when a serial killer commits his first murder the same night the prime minister is assassinated. Under the Storm has not yet been published in the U.S., though it’s currently available in Sweden.
“We are delighted to be working with Christoffer to adapt Blaze Me A Sun and Under The Storm,” said Range’s Co-Heads of International, Oliver Riddle & Thomas Daley.
The announcement comes hot on the heels of Good Morning America‘s naming of Blaze Me a Sun as its Buzz Pick of the Week. The title, first published in the U.S. by Hogarth Books on January 3, tells the tale of a small town’s collective guilt when a serial killer commits his first murder the same night the prime minister is assassinated. Under the Storm has not yet been published in the U.S., though it’s currently available in Sweden.
“We are delighted to be working with Christoffer to adapt Blaze Me A Sun and Under The Storm,” said Range’s Co-Heads of International, Oliver Riddle & Thomas Daley.
- 1/13/2023
- by Matt Grobar
- Deadline Film + TV
Click here to read the full article.
In Nanfu Wang’s docuseries Mind Over Murder, the town of Beatrice, Nebraska, is still struggling with a 38-year-old tragedy. Six people were convicted of raping and murdering a woman in 1985, but DNA evidence exonerated them decades later. The six-part HBO series chronicles the extended miscarriage of justice with a focus on the town’s unique coping mechanism: A local community theater did a staged reading of court records and transcripts. It’s storytelling as confrontation therapy and, in one of the year’s best TV offerings, it’s an exploration of how our insatiable appetite for true crime, so often presented in voyeuristic terms, can be healing for those most personally involved with the tragedy, and for our societal wounds.
Throw in the myriad examples of true-crime content that have contributed to the exoneration of the innocent (The Thin Blue Line, Serial...
In Nanfu Wang’s docuseries Mind Over Murder, the town of Beatrice, Nebraska, is still struggling with a 38-year-old tragedy. Six people were convicted of raping and murdering a woman in 1985, but DNA evidence exonerated them decades later. The six-part HBO series chronicles the extended miscarriage of justice with a focus on the town’s unique coping mechanism: A local community theater did a staged reading of court records and transcripts. It’s storytelling as confrontation therapy and, in one of the year’s best TV offerings, it’s an exploration of how our insatiable appetite for true crime, so often presented in voyeuristic terms, can be healing for those most personally involved with the tragedy, and for our societal wounds.
Throw in the myriad examples of true-crime content that have contributed to the exoneration of the innocent (The Thin Blue Line, Serial...
- 11/20/2022
- by Daniel Fienberg
- The Hollywood Reporter - Movie News
A comedy series that parodies various documentaries is already a niche idea for a TV show, but for the makers of “Documentary Now!,” leaning into the specific is part of the fun – and part of what makes the show such a fan-favorite for its small but devoted fanbase.
“The good news is, I think we always make them knowing that it will be someone’s favorite,” executive producer, co-creator and writer Seth Meyers told TheWrap in an interview tied to Season 4. “And that is so true of the Agnes Varda [episode]. Like I think for some people, it might be a little bit denser to get into and it’s in French, but it’s gonna be for the people – and again, you’re leaving a lot of money on the table when you don’t go after Varda fans – but they’re gonna be blown away that this much care...
“The good news is, I think we always make them knowing that it will be someone’s favorite,” executive producer, co-creator and writer Seth Meyers told TheWrap in an interview tied to Season 4. “And that is so true of the Agnes Varda [episode]. Like I think for some people, it might be a little bit denser to get into and it’s in French, but it’s gonna be for the people – and again, you’re leaving a lot of money on the table when you don’t go after Varda fans – but they’re gonna be blown away that this much care...
- 10/19/2022
- by Adam Chitwood
- The Wrap
Exclusive: Errol Morris, who made his name with Texas true-crime documentary The Thin Blue Line, is heading back to the Lone Star state for his latest project.
Morris will exec produce a docuseries End of Sentence with Rebel Hearts producer Anchor Entertainment and director Zo Wesson about the case of Benjamine Spencer.
Spencer is an innocent Black man who served 34 years of a life-prison sentence for a murder he did not commit.
The project is based on Barbara Bradley Hagerty’s reporting in The Atlantic.
It comes four decades after Spencer’s conviction for the robbery and murder of the 33-year-old Dallas executive Jeffrey Young – a crime he maintains he did not perpetrate throughout his defense and subsequent appeals.
The first act of the project will open on March 12, 2021, the day the district attorney releases Spencer from prison for receiving an unfair trial that led to a conviction based on demonstrably false testimony.
Morris will exec produce a docuseries End of Sentence with Rebel Hearts producer Anchor Entertainment and director Zo Wesson about the case of Benjamine Spencer.
Spencer is an innocent Black man who served 34 years of a life-prison sentence for a murder he did not commit.
The project is based on Barbara Bradley Hagerty’s reporting in The Atlantic.
It comes four decades after Spencer’s conviction for the robbery and murder of the 33-year-old Dallas executive Jeffrey Young – a crime he maintains he did not perpetrate throughout his defense and subsequent appeals.
The first act of the project will open on March 12, 2021, the day the district attorney releases Spencer from prison for receiving an unfair trial that led to a conviction based on demonstrably false testimony.
- 10/4/2022
- by Peter White
- Deadline Film + TV
Any best picture lineup of any industry organization that does not include A24’s “Close,” Utopia’s “Holy Spider” and the doc “Sr.,” which is still seeking a distributor, shall be declared null and void…at least in my mind.
In Telluride, all three films played like gangbusters. “Holy Spider,” which premiered at Cannes and won best actress for Zar Amir Ebrahimi, is looking likely to be Denmark’s submission for international feature. Based on the true story of Saeed Hanaei (played by Mehdi Bajestani), a serial killer who targeted sex workers and killed 16 women from 2000 to 2001 in Mashhad, Iran, the film tells a fictional account of a female journalist (Ebrahimi) who investigates the case.
The suspense thriller evokes “The Silence of the Lambs” (1991) and “Dexter,” particularly the show’s sublime fourth, Trinity Killer-focused season. Both lead actors are worthy of Academy attention, and writer and director Ali Abbasi, who helmed the 2018 hit “Border,...
In Telluride, all three films played like gangbusters. “Holy Spider,” which premiered at Cannes and won best actress for Zar Amir Ebrahimi, is looking likely to be Denmark’s submission for international feature. Based on the true story of Saeed Hanaei (played by Mehdi Bajestani), a serial killer who targeted sex workers and killed 16 women from 2000 to 2001 in Mashhad, Iran, the film tells a fictional account of a female journalist (Ebrahimi) who investigates the case.
The suspense thriller evokes “The Silence of the Lambs” (1991) and “Dexter,” particularly the show’s sublime fourth, Trinity Killer-focused season. Both lead actors are worthy of Academy attention, and writer and director Ali Abbasi, who helmed the 2018 hit “Border,...
- 9/7/2022
- by Clayton Davis
- Variety Film + TV
There is no shortage of documentaries to enjoy on television these days and the Emmy races for non-fiction categories are poised to reflect that. The creative forces behind four of those documentaries and series joined our recent Meet the Experts panel that covered subjects that included chronicling survivors of sexual abuse, celebrities reading letters from people whose lives were changed by them, the career of America’s top infectious disease doctor and a multi-level marketing company that specialized in women’s leggings.
In our roundtable conversation, we hear what the directors and producers behind these projects got them interested in making non-fiction material and the documentaries that leave them feeling good. Gold Derby recently discussed this and more with Aly Raisman (“Ally Raisman: Darkness to Light”), Donny Jackson (“Dear…”), John Hoffman and Janet Tobias (“Fauci”) and Jenner Furst and Julia Willoughby Nason (“LuLaRich”).
You can watch the television documentary group...
In our roundtable conversation, we hear what the directors and producers behind these projects got them interested in making non-fiction material and the documentaries that leave them feeling good. Gold Derby recently discussed this and more with Aly Raisman (“Ally Raisman: Darkness to Light”), Donny Jackson (“Dear…”), John Hoffman and Janet Tobias (“Fauci”) and Jenner Furst and Julia Willoughby Nason (“LuLaRich”).
You can watch the television documentary group...
- 5/20/2022
- by Charles Bright
- Gold Derby
Filmmaker Pat Longstreth’s documentary Iron Family is a portrait of Jazmine Faries, a 32-year old woman with Down syndrome obsessed with soap operas, Barbie dolls, and Matthew McConaughey. For the past 5 summers, her family has performed her original stageplays for a small audience in their town of Iron River, Michigan. In this sixth season, we follow the creative process of writing, rehearsing, and performing the play. Family bonds between her brother Chad, and her mother, Kate, are strengthened and put to the test by the mishaps and chaos of coordinating a production with limited resources. Along the way we see Jazmine’s personal struggle for independence, her yearning for a romantic partner, and how a single spark of creativity can spread joy throughout a community. The site for Iron Family can be found Here
Pat Longstreth’took the time to answer some questions from We Are Movie Geeks about Jazmine,...
Pat Longstreth’took the time to answer some questions from We Are Movie Geeks about Jazmine,...
- 3/17/2022
- by Tom Stockman
- WeAreMovieGeeks.com
Dekanalog, the New York-based speciality distributor, has signed a home video partnership with Ocn Distribution that will see Dekanalog exclusively release Ocn theatrical titles on Blu-ray disc in the United States.
The first film under the deal will be Quentin Dupieux’s French absurdist comedy Keep an Eye Out (Au Poste!), which was Dekanalog’s debut theatrical release in March 2021. Benoît Poelvoorde (Man Bites Dog) stars alongside Grégoire Ludig (Mandibles) in the crime comedy about Fugain (Ludig), an ordinary guy who discovers a dead body outside his apartment building and becomes the only subject in the murder investigation. Police commissaire Buran ...
The first film under the deal will be Quentin Dupieux’s French absurdist comedy Keep an Eye Out (Au Poste!), which was Dekanalog’s debut theatrical release in March 2021. Benoît Poelvoorde (Man Bites Dog) stars alongside Grégoire Ludig (Mandibles) in the crime comedy about Fugain (Ludig), an ordinary guy who discovers a dead body outside his apartment building and becomes the only subject in the murder investigation. Police commissaire Buran ...
- 11/2/2021
- The Hollywood Reporter - Movie News
Dekanalog, the New York-based speciality distributor, has signed a home video partnership with Ocn Distribution that will see Dekanalog exclusively release Ocn theatrical titles on Blu-ray disc in the United States.
The first film under the deal will be Quentin Dupieux’s French absurdist comedy Keep an Eye Out (Au Poste!), which was Dekanalog’s debut theatrical release in March 2021. Benoît Poelvoorde (Man Bites Dog) stars alongside Grégoire Ludig (Mandibles) in the crime comedy about Fugain (Ludig), an ordinary guy who discovers a dead body outside his apartment building and becomes the only subject in the murder investigation. Police commissaire Buran ...
The first film under the deal will be Quentin Dupieux’s French absurdist comedy Keep an Eye Out (Au Poste!), which was Dekanalog’s debut theatrical release in March 2021. Benoît Poelvoorde (Man Bites Dog) stars alongside Grégoire Ludig (Mandibles) in the crime comedy about Fugain (Ludig), an ordinary guy who discovers a dead body outside his apartment building and becomes the only subject in the murder investigation. Police commissaire Buran ...
- 11/2/2021
- The Hollywood Reporter - Film + TV
On Hulu’s Only Murders in the Building, three residents of the same apartment building bond over their obsession with a true crime podcast. After the mysterious death of a neighbor, they can’t resist diving headlong into an investigation — and recording it for their own podcast debut. The unlikely friend group of Charles (Steve Martin), Oliver (Martin Short), and Mabel (Selena Gomez) soon find themselves embroiled in a real mystery, facing death threats, red herrings, and secrets among their ranks. The show’s actors and creators are devotees of the crime podcast genre,...
- 9/21/2021
- by Andrea Marks
- Rollingstone.com
NBC News is an enterprise built on 30-minute and 60-minute increments of TV journalism. Executives are starting to think about longer blocks of time.
As the Toronto International Film Festival continues into this weekend, Noah Oppenheim, president of NBC News, and Liz Cole, president of the still-young NBC News Studios, will be there. “Memory Box: Echoes of 9/11,” a documentary co-presented by the Studios unit that features dozens of recollections by people of that fateful day, will get a special screening on the tragedy’s 20th anniversary.
“We are really honored by the TIFF screening,” says Cole. “We’d like to have more like it in the future.”
NBC News’ presence at TIFF signals its growing ambitions in the documentary space after forming the Studios in early 2020. The co-production, “The Way I See It,” about White House photographer Pete Souza, “was the most watched non-news program on MSNBC in history,” says Oppenheim,...
As the Toronto International Film Festival continues into this weekend, Noah Oppenheim, president of NBC News, and Liz Cole, president of the still-young NBC News Studios, will be there. “Memory Box: Echoes of 9/11,” a documentary co-presented by the Studios unit that features dozens of recollections by people of that fateful day, will get a special screening on the tragedy’s 20th anniversary.
“We are really honored by the TIFF screening,” says Cole. “We’d like to have more like it in the future.”
NBC News’ presence at TIFF signals its growing ambitions in the documentary space after forming the Studios in early 2020. The co-production, “The Way I See It,” about White House photographer Pete Souza, “was the most watched non-news program on MSNBC in history,” says Oppenheim,...
- 9/10/2021
- by Brian Steinberg
- Variety Film + TV
The inaugural Truth Seekers Summit brought together some of the brightest minds in filmmaking, music, and current events to speak on topics ranging from the impact of misinformation in media to the evolving language of documentary filmmaking. Co-hosted by Rolling Stone and Variety in partnership with Showtime, the summit featured panels, Q&a’s, and keynote discussions from marquee names in the world of documentary filmmaking. Check out 10 of the most thought-provoking moments from this week’s event.
Errol Morris on Breaking Rules
The dean of American documentary filmmaking Errol...
Errol Morris on Breaking Rules
The dean of American documentary filmmaking Errol...
- 8/27/2021
- by Ted Brown
- Rollingstone.com
Documentarian Senain Kheshgi takes us through a few of her favorite documentaries.
Show Notes: Movies Referenced In This Episode
American Movie (1999)
Dog Day Afternoon (1975) – Katt Shea’s trailer commentary
The French Connection (1971) – Dennis Lehane’s trailer commentary, Mark Pellington’s trailer commentary
Grey Gardens (1975)
Salesman (1969)
Real Life (1979)
Hoop Dreams (1994)
Seven Up! (1964)
Don’t Look Back (1967)
Primary (1960)
The Thin Blue Line (1988)
Reds (1981)
The Trial of the Chicago 7 (2020) – Dennis Cozzalio’s 2020 best-of list
High School (1968)
Hospital (1970)
Titicut Follies (1967)
Harlan County, USA (1976)
Salaam Bombay! (1988)
Mississippi Masala (1991)
India Cabaret (1985)
The 400 Blows (1959) – Robert Weide’s trailer commentary
Bicycle Thieves (1949) – Dennis Cozzalio’s Muriel Awards column
Shoeshine (1946)
Citizen Kane (1941) – John Landis’s trailer commentary
Day For Night (1973) – Neil Labute’s trailer commentary
Sherman’s March (1986)
Capturing The Friedmans (2003)
I Think We’re Alone Now (2008)
The Mole Agent (2020)
The Act of Killing (2012)
Other Notable Items
Walter Hill
Walton Goggins
The Majority
Mark Borchardt
Mike Schank
The...
Show Notes: Movies Referenced In This Episode
American Movie (1999)
Dog Day Afternoon (1975) – Katt Shea’s trailer commentary
The French Connection (1971) – Dennis Lehane’s trailer commentary, Mark Pellington’s trailer commentary
Grey Gardens (1975)
Salesman (1969)
Real Life (1979)
Hoop Dreams (1994)
Seven Up! (1964)
Don’t Look Back (1967)
Primary (1960)
The Thin Blue Line (1988)
Reds (1981)
The Trial of the Chicago 7 (2020) – Dennis Cozzalio’s 2020 best-of list
High School (1968)
Hospital (1970)
Titicut Follies (1967)
Harlan County, USA (1976)
Salaam Bombay! (1988)
Mississippi Masala (1991)
India Cabaret (1985)
The 400 Blows (1959) – Robert Weide’s trailer commentary
Bicycle Thieves (1949) – Dennis Cozzalio’s Muriel Awards column
Shoeshine (1946)
Citizen Kane (1941) – John Landis’s trailer commentary
Day For Night (1973) – Neil Labute’s trailer commentary
Sherman’s March (1986)
Capturing The Friedmans (2003)
I Think We’re Alone Now (2008)
The Mole Agent (2020)
The Act of Killing (2012)
Other Notable Items
Walter Hill
Walton Goggins
The Majority
Mark Borchardt
Mike Schank
The...
- 7/27/2021
- by Kris Millsap
- Trailers from Hell
I first learned that “Roadrunner,” Morgan Neville’s documentary about the life and death of Anthony Bourdain, contains three sentences spoken by Bourdain that he never actually spoke out loud in the same way that you learn about a lot of things these days: by seeing an eruption of outrage about it on Twitter. The eruption immediately sent me to the New Yorker article in which Neville, the award-winning director of “Won’t You Be My Neighbor?” and “20 Feet From Stardom,” first explained how he used AI technology to feed 10 hours of Bourdain voice recordings into a computer, which then simulated Bourdain’s reading of those sentences — every one of which he had, in fact, written.
The words weren’t faked; the sound of him speaking them was. This was characterized, on social media, as an ethical lapse, and my first reaction is to say that I don’t necessarily disagree.
The words weren’t faked; the sound of him speaking them was. This was characterized, on social media, as an ethical lapse, and my first reaction is to say that I don’t necessarily disagree.
- 7/18/2021
- by Owen Gleiberman
- Variety Film + TV
“If you’re poor and have no money, and can’t get yourself a lawyer who really gives a shit about your case, you’re going to die,” a defense attorney ruefully notes at one point in “The Phantom,” a fascinating and ultimately infuriating documentary.
This isn’t an entirely fitting description of what befell Carlos DeLuna, a young Hispanic man who was executed in 1989 for a brutal 1983 murder in Corpus Christi that he almost certainly did not commit. Indeed, the film, skillfully and compellingly directed by Patrick Forbes (“Wikileaks: Secrets and Lies”), indicates that DeLuna’s defenders were not indifferent, or incompetent, but grievously (and maybe deliberately) misinformed about mitigating evidence. And yet: The deck was stacked against fringe-dwelling DeLuna, his alibi was never given serious credence, his guilt was all-too-easily assumed by police and prosecutors eager to wrap up what appeared to be an open-and-shut case — and, hey,...
This isn’t an entirely fitting description of what befell Carlos DeLuna, a young Hispanic man who was executed in 1989 for a brutal 1983 murder in Corpus Christi that he almost certainly did not commit. Indeed, the film, skillfully and compellingly directed by Patrick Forbes (“Wikileaks: Secrets and Lies”), indicates that DeLuna’s defenders were not indifferent, or incompetent, but grievously (and maybe deliberately) misinformed about mitigating evidence. And yet: The deck was stacked against fringe-dwelling DeLuna, his alibi was never given serious credence, his guilt was all-too-easily assumed by police and prosecutors eager to wrap up what appeared to be an open-and-shut case — and, hey,...
- 6/30/2021
- by Joe Leydon
- Variety Film + TV
With belching refinery towers against a setting sun being one of its singular widescreen images, Patrick Forbes cinematic and highly emotional film The Phantom, at times feels like a lost season of HBO's True Detective. The documentary covers the tragic case of Carlos DeLuna, a troubled, poverty-stricken latino man in Corpus Christie Texas, who was arrested in 1983 for the brutal stabbing murder of gas station attendant Wanda Lopez, and though a series of public defenders and appeals was given the death penalty and executed shortly after. In the ever increasing American subgenre of 'miscarriage of justice' this one is set apart, because it involves the death penalty. There is no 'release' of DeLuna after...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 6/19/2021
- Screen Anarchy
The documentary as true-life suspense mystery came to the fore, and might have been invented, by Errol Morris, when he released “The Thin Blue Line” in 1988. It was the rare nonfiction film that had a demonstrable real-world impact. Beyond that, the movie forged a uniquely gripping experience by presenting itself as a kind of documentary film noir. You could say that Capote and Mailer, in “In Cold Blood” and “The Executioner’s Song,” got there first, but in the world of nonfiction film we hadn’t seen this sort of elevated tabloid page-turner before. This was still an age when documentaries were viewed, by too many, as medicine, and Morris’s techniques were revolutionary, as well as controversial. (His then-novel use of dramatic reenactments was thought to have contributed to the film’s failure to snag an Oscar nomination.)
You could feel the influence of “The Thin Blue Line” on a...
You could feel the influence of “The Thin Blue Line” on a...
- 3/20/2021
- by Owen Gleiberman
- Variety Film + TV
If you knew Rick Singer prior to 2019, chances are good that you worked for a prestigious university or were a very, very wealthy parent. The tall man with the gray Frankenstein’s-monster haircut ran a consulting and college-counseling business called “The Key”; having been an actual high school basketball coach in Sacramento, California, he still dressed the part when he’d visit prospective Ivy Leaguers, all the better to radiate tough-love authority. For a fee, he’d help prep kids to get an into the best universities, the Stanfords and...
- 3/17/2021
- by David Fear
- Rollingstone.com
The January 6 assault on the Capitol by insurrectionists left many Americans shocked, ashamed, and glued to their TV sets. Errol Morris was one of them. For years, the filmmaker has documented the tragic and dangerous actions of powerful men and the lies they tell the world, most prominently in his Oscar-winning portrait of former Secretary of Defense Robert McNamara. But the violent outbreak on Wednesday echoed a more-recent subject of Morris scrutiny: Steve Bannon.
“He is one of the evil geniuses behind it all,” Morris said in a phone call from his office on January 7. He’s got the proof on film with his 2019 documentary “American Dharma,” which pitted the director against Bannon, Trump’s notorious campaign director-turned-senior advisor, the alt-right hero and former Breitbart News publisher who exploited raging and disenfranchised white conspiracy theorists and cemented the seditious rage at the core of Trump’s base.
Bannon relishes his role.
“He is one of the evil geniuses behind it all,” Morris said in a phone call from his office on January 7. He’s got the proof on film with his 2019 documentary “American Dharma,” which pitted the director against Bannon, Trump’s notorious campaign director-turned-senior advisor, the alt-right hero and former Breitbart News publisher who exploited raging and disenfranchised white conspiracy theorists and cemented the seditious rage at the core of Trump’s base.
Bannon relishes his role.
- 1/9/2021
- by Eric Kohn
- Indiewire
Produced and showrun by Vanessa Ragone, an Oscar-winner for “The Secret of Her Eyes,” the Argentinian true crime miniseries dives deep into the still ongoing case of the murder of María Marta García Belsunce. “Carmel, Who Killed Maria Marta?” was released on Netflix reigniting the public’s attention and curiosity.
What was deemed an accident quickly transformed into a five-gunshot murder which has piqued the fascination of the country over the last two decades. An Agatha Christies-style murder mystery enclosed into the safe and sterilized environment of the Carmel country club.
Directed by Alejandro Hartmann, the miniseries tackles the titanic task of organizing the hundreds of hours of archive material alongside lengthy interviews with the key characters to give the audience a birds-eye view of the event. The more detailed and meticulous the series gets, the more intricate and perplexing the case becomes, leaving the viewers with just enough to make up their own minds.
What was deemed an accident quickly transformed into a five-gunshot murder which has piqued the fascination of the country over the last two decades. An Agatha Christies-style murder mystery enclosed into the safe and sterilized environment of the Carmel country club.
Directed by Alejandro Hartmann, the miniseries tackles the titanic task of organizing the hundreds of hours of archive material alongside lengthy interviews with the key characters to give the audience a birds-eye view of the event. The more detailed and meticulous the series gets, the more intricate and perplexing the case becomes, leaving the viewers with just enough to make up their own minds.
- 12/5/2020
- by Emiliano Granada
- Variety Film + TV
Academy Award-winning filmmaker Errol Morris has covered a lot of crazy stories in his day and he’s arguably the godfather of the true-crime documentary that we all love and spend watching as docu-series on places like Netflix (see the monumental true-crime doc “The Thin Blue Line“). Whether crafting incisive political docs like “The Fog of War: Eleven Lessons from the Life of Robert S. McNamara,” or making portraits of eccentric Americans, Morris is one-of-a-kind original and innovator.
Continue reading ‘My Psychedelic Love Story’ Trailer: Errol Morris Examines The Crazy Story of Timothy Leary Flipping As A Narc at The Playlist.
Continue reading ‘My Psychedelic Love Story’ Trailer: Errol Morris Examines The Crazy Story of Timothy Leary Flipping As A Narc at The Playlist.
- 10/29/2020
- by Edward Davis
- The Playlist
Perhaps more interesting as an example of the power of storytelling than as an in-depth historical examination, Errol Morris’ “My Psychedelic Love Story” — which closes out the AFI 2020 festival on its way to Showtime — marks another case of the documentarian finding a fascinating figure and then allowing that person to tell their own side of the story, leaving it to audiences to decide how much is truth and how much is self-aggrandizing rationalization.
That’s not to say that Morris’ subject, Timothy Leary’s longtime companion Joanna Harcourt-Smith, is any more duplicitous or cagey than any of us; most people, asked to recount their life in front of a camera, will of course tell the most glowing and self-serving version of events — particularly after being publicly accused of skullduggery and bad faith. The tale that Harcourt-Smith has to tell is so figuratively mind-blowing, that it makes for a heck of a legend,...
That’s not to say that Morris’ subject, Timothy Leary’s longtime companion Joanna Harcourt-Smith, is any more duplicitous or cagey than any of us; most people, asked to recount their life in front of a camera, will of course tell the most glowing and self-serving version of events — particularly after being publicly accused of skullduggery and bad faith. The tale that Harcourt-Smith has to tell is so figuratively mind-blowing, that it makes for a heck of a legend,...
- 10/22/2020
- by Alonso Duralde
- The Wrap
In what has undoubtedly been a very strange year to watch or release a film (never mind make one), Time is one of a small handful which have made a real impression. A hit at Sundance in January, Garrett Bradley’s compelling documentary tells the striking story of Fox Richardson, an entrepreneur, mother of six and wife of Robert, a black man seeking a way out of a 60-year prison sentence.
A more important adjective to describe Fox than those, however, is “abolitionist”. A keen campaigner against the sort of punitive sentences to which her husband fell victim, Richardson’s eloquent and unforgettably emotive advocacy for a less unjust America is evidently more than enough narrative drive for Bradley. Combining home footage from across the past two decades with slick original photography, not only does Time do justice to its subjects where America cannot, Bradley’s film is also a...
A more important adjective to describe Fox than those, however, is “abolitionist”. A keen campaigner against the sort of punitive sentences to which her husband fell victim, Richardson’s eloquent and unforgettably emotive advocacy for a less unjust America is evidently more than enough narrative drive for Bradley. Combining home footage from across the past two decades with slick original photography, not only does Time do justice to its subjects where America cannot, Bradley’s film is also a...
- 10/16/2020
- by Adam Solomons
- HeyUGuys.co.uk
There comes a moment in Marc Smerling’s FX/Blumhouse-produced documentary “A Wilderness of Error” where the suspect, as described by the lone survivor of a brutal triple murder, is found. This means the remaining story will be focused on how the survivor was eventually exonerated, right? Not so — and, in fact, it is only from this revelation that the true intent of Smerling’s story comes to light.
Smerling has been down this road before when it comes to true crime. He was the producer of the 2015 HBO documentary “The Jinx: The Life and Deaths of Robert Durst,” which eventually saw Durst arrested and charged with first-degree murder. Smerling also served as screenwriter on the Durst biopic that stared Ryan Gosling and Kirsten Dunst, “All Good Things,” released in 2010.
Looking to dissociate himself from the Durst-ian world, he started the podcast “Crimetown” in 2016. And yet the story of how...
Smerling has been down this road before when it comes to true crime. He was the producer of the 2015 HBO documentary “The Jinx: The Life and Deaths of Robert Durst,” which eventually saw Durst arrested and charged with first-degree murder. Smerling also served as screenwriter on the Durst biopic that stared Ryan Gosling and Kirsten Dunst, “All Good Things,” released in 2010.
Looking to dissociate himself from the Durst-ian world, he started the podcast “Crimetown” in 2016. And yet the story of how...
- 9/23/2020
- by Kristen Lopez
- Indiewire
Marc Smerling and Errol Morris are members of an exclusive club.
Smerling, a producer, writer and cinematographer on HBO’s The Jinx, and Morris, helmer of The Thin Blue Line and the Oscar-winning The Fog of War, are documentarians whose efforts in the true crime space yielded change in the real world. If anybody is qualified to discuss the genre and its capacity to bring about justice, but also maybe its ability to obscure facts in a sea of storytelling artifice, it’s these two.
Taken in that context, FX’s five-part documentary series A Wilderness of Error is a must-watch for true crime ...
Smerling, a producer, writer and cinematographer on HBO’s The Jinx, and Morris, helmer of The Thin Blue Line and the Oscar-winning The Fog of War, are documentarians whose efforts in the true crime space yielded change in the real world. If anybody is qualified to discuss the genre and its capacity to bring about justice, but also maybe its ability to obscure facts in a sea of storytelling artifice, it’s these two.
Taken in that context, FX’s five-part documentary series A Wilderness of Error is a must-watch for true crime ...
- 9/23/2020
- The Hollywood Reporter - Film + TV
Marc Smerling and Errol Morris are members of an exclusive club.
Smerling, a producer, writer and cinematographer on HBO’s The Jinx, and Morris, helmer of The Thin Blue Line and the Oscar-winning The Fog of War, are documentarians whose efforts in the true crime space yielded change in the real world. If anybody is qualified to discuss the genre and its capacity to bring about justice, but also maybe its ability to obscure facts in a sea of storytelling artifice, it’s these two.
Taken in that context, FX’s five-part documentary series A Wilderness of Error is a must-watch for true crime ...
Smerling, a producer, writer and cinematographer on HBO’s The Jinx, and Morris, helmer of The Thin Blue Line and the Oscar-winning The Fog of War, are documentarians whose efforts in the true crime space yielded change in the real world. If anybody is qualified to discuss the genre and its capacity to bring about justice, but also maybe its ability to obscure facts in a sea of storytelling artifice, it’s these two.
Taken in that context, FX’s five-part documentary series A Wilderness of Error is a must-watch for true crime ...
- 9/23/2020
- The Hollywood Reporter - Movie News
The case of Jeffrey MacDonald has inspired a greater volume of writing than anyone might have predicted decades ago — or, perhaps, than the facts of the case would seem to warrant. MacDonald, a U.S. military officer and physician accused and convicted of murdering his wife (pregnant at the time) and two children in 1970, was first the subject of Joe McGinniss’s book “Fatal Vision.” That book, which turned on McGinniss’s extreme access to MacDonald’s legal team and built to the author’s conclusion that the man was indeed guilty, inspired not merely lawsuits (settled out of court) but also Janet Malcolm’s 1990 book “The Journalist and the Murderer,” which uses McGinniss as evidence of the idea that the betrayal of sources in service of a narrative is central to the practice of journalism.
And now, once again, Errol Morris enters the fray. The FX documentary series “A Wilderness of Error,...
And now, once again, Errol Morris enters the fray. The FX documentary series “A Wilderness of Error,...
- 9/16/2020
- by Daniel D'Addario
- Variety Film + TV
“Enemies of the State” burrows so deep into the perspectives of its unreliable narrators that it often becomes one. Director Sonia Kennebeck’s documentary tracks the bizarre saga of Anonymous hacktivist Matt DeHart, who was convicted of child pornography charges that he and his family denied. At the age of 25, the former Air National Guard serviceman claimed he had uncovered government secrets so damning the FBI invented other crimes to take him down. Kennebeck’s haunting, enigmatic approach to revisiting these claims borrows executive producer Errol Morris’ labyrinthine style to play up the peculiar nature of DeHart’s odyssey, only to find convincing evidence that he’s probably full of it. The movie walks a jagged line between conflicting sources, and overplays some of the more outrageous claims to the detriment of the trenchant investigation at its core. However, Kennebeck still musters
At first blush, the charges against DeHart are straightforward enough.
At first blush, the charges against DeHart are straightforward enough.
- 9/10/2020
- by Eric Kohn
- Indiewire
Peter Sova, the Czechoslovakian-born cinematographer who shot Diner and three other films for Barry Levinson and Lucky Number Slevin and four other movies for Paul McGuigan, has died. He was 75.
Sova died Aug. 27 at his home in South Kortight, New York, his family announced.
Sova’s Dp credits also included Mike Newell’s Donnie Brasco (1997) and Jonathan Lynn’s Sgt. Bilko (1996), starring Steve Martin, and he served as a photographer for famed documentarian Errol Morris on The Thin Blue Line (1988), Fast, Cheap & Out of Control (1997) and Mr. Death: The Rise and Fall of Fred A. Leuchter Jr. (1999).
As ...
Sova died Aug. 27 at his home in South Kortight, New York, his family announced.
Sova’s Dp credits also included Mike Newell’s Donnie Brasco (1997) and Jonathan Lynn’s Sgt. Bilko (1996), starring Steve Martin, and he served as a photographer for famed documentarian Errol Morris on The Thin Blue Line (1988), Fast, Cheap & Out of Control (1997) and Mr. Death: The Rise and Fall of Fred A. Leuchter Jr. (1999).
As ...
Peter Sova, the Czechoslovakian-born cinematographer who shot Diner and three other films for Barry Levinson and Lucky Number Slevin and four other movies for Paul McGuigan, has died. He was 75.
Sova died Aug. 27 at his home in South Kortight, New York, his family announced.
Sova’s Dp credits also included Mike Newell’s Donnie Brasco (1997) and Jonathan Lynn’s Sgt. Bilko (1996), starring Steve Martin, and he served as a photographer for famed documentarian Errol Morris on The Thin Blue Line (1988), Fast, Cheap & Out of Control (1997) and Mr. Death: The Rise and Fall of Fred A. Leuchter Jr. (1999).
As ...
Sova died Aug. 27 at his home in South Kortight, New York, his family announced.
Sova’s Dp credits also included Mike Newell’s Donnie Brasco (1997) and Jonathan Lynn’s Sgt. Bilko (1996), starring Steve Martin, and he served as a photographer for famed documentarian Errol Morris on The Thin Blue Line (1988), Fast, Cheap & Out of Control (1997) and Mr. Death: The Rise and Fall of Fred A. Leuchter Jr. (1999).
As ...
The director of Sergio and many docs talks about docs and movies taken from true stories.
Show Notes: Movies Referenced In This Episode
Sergio (2009)
Sergio (2020)
Reds (1981)
The Two Popes (2019)
Rules Don’t Apply (2016)
Bulworth (1998)
Dick Tracy (1990)
Gremlins 2: The New Batch (1990)
Innerspace (1987)
Ishtar (1987)
The Thin Blue Line (1988)
Man On Wire (2008)
The Fog of War (2003)
American Dharma (2018)
Tony Robbins: I Am Not Your Guru (2016)
The Killing Fields (1984)
The Year of Living Dangerously (1983)
Under Fire (1983)
Salvador (1986)
The Quiet American (2002)
The Quiet American (1958)
A Private War (2018)
The War Room (1993)
The Final Year (2017)
Independence Day (1996)
Citizen Kane (1941)
Bloodsport (1988)
Bloodsport II: The Next Kumite (1996)
When We Were Kings (1996)
Soul Power (2008)
High School (1968)
Hospital (1970)
Titicut Follies (1967)
The Diving Bell And The Butterfly (2007)
Before Night Falls (2000)
At Eternity’s Gate (2018)
American Factory (2019)
Dina (2017)
Honeyland (2019)
The Act of Killing (2012)
The English Patient (1996)
Truly, Madly, Deeply (1990)
The Talented Mr. Ripley (1999)
Purple Noon (1960)
Other Notable Items
Sergio Aragonés
Wagner Moura
Narcos TV...
Show Notes: Movies Referenced In This Episode
Sergio (2009)
Sergio (2020)
Reds (1981)
The Two Popes (2019)
Rules Don’t Apply (2016)
Bulworth (1998)
Dick Tracy (1990)
Gremlins 2: The New Batch (1990)
Innerspace (1987)
Ishtar (1987)
The Thin Blue Line (1988)
Man On Wire (2008)
The Fog of War (2003)
American Dharma (2018)
Tony Robbins: I Am Not Your Guru (2016)
The Killing Fields (1984)
The Year of Living Dangerously (1983)
Under Fire (1983)
Salvador (1986)
The Quiet American (2002)
The Quiet American (1958)
A Private War (2018)
The War Room (1993)
The Final Year (2017)
Independence Day (1996)
Citizen Kane (1941)
Bloodsport (1988)
Bloodsport II: The Next Kumite (1996)
When We Were Kings (1996)
Soul Power (2008)
High School (1968)
Hospital (1970)
Titicut Follies (1967)
The Diving Bell And The Butterfly (2007)
Before Night Falls (2000)
At Eternity’s Gate (2018)
American Factory (2019)
Dina (2017)
Honeyland (2019)
The Act of Killing (2012)
The English Patient (1996)
Truly, Madly, Deeply (1990)
The Talented Mr. Ripley (1999)
Purple Noon (1960)
Other Notable Items
Sergio Aragonés
Wagner Moura
Narcos TV...
- 7/14/2020
- by Kris Millsap
- Trailers from Hell
Academy Award-winning documentarian Errol Morris is back with a new feature based on the life of psychologist and psychedelic advocate Timothy Leary. Per Showtime, who will air the documentary at a soon-to-be-announced date, the film “will examine why Leary, the High Priest of LSD, became a narc in 1974 and seemingly abandoned the millions he urged to turn on, tune in and drop out.”
Inspired by Tripping the Bardo With Timothy Leary: My Psychedelic Love Story, the memoir by Leary’s longtime partner Joanna Harcourt-Smith, she is heavily featured in the documentary, as one can glean from the trailer. It’s an intriguing subject for Morris, who is is considered to be one of the most influential documentarians in film history with The Thin Blue Line, The Fog of War, and many more. His controversial latest film, American Dharma, focused on political strategist and white nationalist Steve Bannon.
See the trailer below.
Inspired by Tripping the Bardo With Timothy Leary: My Psychedelic Love Story, the memoir by Leary’s longtime partner Joanna Harcourt-Smith, she is heavily featured in the documentary, as one can glean from the trailer. It’s an intriguing subject for Morris, who is is considered to be one of the most influential documentarians in film history with The Thin Blue Line, The Fog of War, and many more. His controversial latest film, American Dharma, focused on political strategist and white nationalist Steve Bannon.
See the trailer below.
- 6/5/2020
- by Stephen Hladik
- The Film Stage
“The Fog of War” and “The Thin Blue Line” director Errol Morris’ next documentary film will be focused on the “High Priest of LSD” Timothy Leary and will debut on Showtime later this year, Showtime Documentary Films announced Tuesday.
The documentary, currently with the working title “A Film By Errol Morris,” is inspired by the memoir “Tripping the Bardo with Timothy Leary: My Psychedelic Love Story” by Joanna Harcourt-Smith. It will examine the romantic relationship between Harcourt-Smith and Leary as he went from an advocate for the psychedelic LSD drug and then became a narc in 1974.
The film will explore Leary’s period of exile, his re-imprisonment and his subsequent cooperation with the authorities and whether Leary and Harcourt-Smith truly had the “perfect love” or if something else was at play.
Also Read: 'American Dharma' Film Review: Errol Morris' Documentary on Steve Bannon Leaves Too Many Questions Unanswered
“This is a dream project,...
The documentary, currently with the working title “A Film By Errol Morris,” is inspired by the memoir “Tripping the Bardo with Timothy Leary: My Psychedelic Love Story” by Joanna Harcourt-Smith. It will examine the romantic relationship between Harcourt-Smith and Leary as he went from an advocate for the psychedelic LSD drug and then became a narc in 1974.
The film will explore Leary’s period of exile, his re-imprisonment and his subsequent cooperation with the authorities and whether Leary and Harcourt-Smith truly had the “perfect love” or if something else was at play.
Also Read: 'American Dharma' Film Review: Errol Morris' Documentary on Steve Bannon Leaves Too Many Questions Unanswered
“This is a dream project,...
- 5/26/2020
- by Brian Welk
- The Wrap
This week, in advance of the Oscars, Nick Davis is looking back at the Academy races of 20 years ago, spotlighting movies he’d never seen and what they teach us about those categories, then and now.
The Blair Witch Project
When I taught my Winter 2017 seminar about the movies of 1999, to a classroom of first-year college students who were all born in the last two years of the millennium, one of the trickiest ideas to historicize was how decisively the visibility and cultural stature of documentary cinema has shifted over the last 20 years. Compared to the decades when I grew up, nonfiction cinema has reached much further outside a relatively niche audience who tracked that filmmaking tradition. The explanations are too numerous to get into here, though they include all of the following: cheaper and more numerous technologies for recording and assembling footage; proliferating platforms for distributing and watching nonfiction films,...
The Blair Witch Project
When I taught my Winter 2017 seminar about the movies of 1999, to a classroom of first-year college students who were all born in the last two years of the millennium, one of the trickiest ideas to historicize was how decisively the visibility and cultural stature of documentary cinema has shifted over the last 20 years. Compared to the decades when I grew up, nonfiction cinema has reached much further outside a relatively niche audience who tracked that filmmaking tradition. The explanations are too numerous to get into here, though they include all of the following: cheaper and more numerous technologies for recording and assembling footage; proliferating platforms for distributing and watching nonfiction films,...
- 2/7/2020
- by NicksFlickPicks
- FilmExperience
Documentaries that resonate deeply with audiences often do so on the strength of a compelling central character: the eccentric Little Edie from Grey Gardens, for instance, or the daring tightrope-walker Philippe Petit of Man on Wire, or the wrongly-convicted Randall Adams from The Thin Blue Line.
In Honeyland, one of 15 feature documentaries still in contention for the Academy Awards, the indelible main character is Hatidze Muratova, a woman from a remote section of North Macedonia. There she lives a humble existence cultivating honey from wild bees and tending to her very old and infirm mother in the rudimentary hut they call home.
“Hatidze is a born star. We must say that. She really is,” filmmaker Tamara Kotevska observed at an event in March at New York’s Film Society of Lincoln Center. “She said, ‘This is my biggest dream, that some journalist come one day and shoot me while I was walking on the hills.
In Honeyland, one of 15 feature documentaries still in contention for the Academy Awards, the indelible main character is Hatidze Muratova, a woman from a remote section of North Macedonia. There she lives a humble existence cultivating honey from wild bees and tending to her very old and infirm mother in the rudimentary hut they call home.
“Hatidze is a born star. We must say that. She really is,” filmmaker Tamara Kotevska observed at an event in March at New York’s Film Society of Lincoln Center. “She said, ‘This is my biggest dream, that some journalist come one day and shoot me while I was walking on the hills.
- 12/23/2019
- by Matthew Carey
- Deadline Film + TV
Errol Morris’ American Dharma Screens at Webster University’s Moore Auditorium(470 E Lockwood Ave) Sunday December 8th through Tuesday December 10th. The film begins each evening at 7:00pm. A Facebook invite for the event can be found Here
MacArthur Genius Grant winner Errol Morris has long been attracted to those on the fringes of society and/or problematic figures. He has made past documentaries about people on death row (The Thin Blue Line), those involved in the Abu Ghraib scandal (Standard Operating Procedure), a Holocaust denier (Mr. Death), Donald Rumsfeld (The Unknown Known), and Robert McNamara. And yet American Dharma, a feature-length interview with Steve Bannon, is the Morris film that has most struck a cultural nerve. Never one to shy away from tangling with controversy, and more than capable at holding his own in an interview when need be, Morris offers American Dharma as a vital text to...
MacArthur Genius Grant winner Errol Morris has long been attracted to those on the fringes of society and/or problematic figures. He has made past documentaries about people on death row (The Thin Blue Line), those involved in the Abu Ghraib scandal (Standard Operating Procedure), a Holocaust denier (Mr. Death), Donald Rumsfeld (The Unknown Known), and Robert McNamara. And yet American Dharma, a feature-length interview with Steve Bannon, is the Morris film that has most struck a cultural nerve. Never one to shy away from tangling with controversy, and more than capable at holding his own in an interview when need be, Morris offers American Dharma as a vital text to...
- 12/2/2019
- by Tom Stockman
- WeAreMovieGeeks.com
Streaming Service IFC Films Unlimited Expands Through Apple TV Channels In U.S. And Canada – Toronto
Exclusive: IFC Films is always a player at the Toronto Film Festival in acquiring films and launching awards-season entries — the Hirokazu Kore-eda-directed The Truth makes its North American debut here — but the company is making news of another kind. IFC has solidified its new streaming channel, IFC Films Unlimited, by expanding to Apple TV channels, both in the U.S. and Canada. The service launched in the U.S. last May, and today marks the debut of IFC Films Unlimited in Canada.
The Apple deal gives the IFC Films Ott service an important platform where customers can subscribe directly through the Apple TV app, for $5.99 per month. The streaming service launched with just over 400 films available in the U.S.
The subscription video on demand streaming channel is comprised of theatrically released titles from distribution labels IFC Films, Sundance Selects and genre label IFC Midnight. The Truth, which premiered at Venice,...
The Apple deal gives the IFC Films Ott service an important platform where customers can subscribe directly through the Apple TV app, for $5.99 per month. The streaming service launched with just over 400 films available in the U.S.
The subscription video on demand streaming channel is comprised of theatrically released titles from distribution labels IFC Films, Sundance Selects and genre label IFC Midnight. The Truth, which premiered at Venice,...
- 9/4/2019
- by Mike Fleming Jr
- Deadline Film + TV
It’s not always easy to decide what to watch on Netflix, since even the streaming company’s sophisticated algorithms can’t always figure out what you might like even if it’s different than what you usually choose. Whether you’re in the mood for the crude humor of Nick Kroll’s adult animated series “Big Mouth,” or you’d rather watch the compelling story behind Gianni Versace’s murder in Ryan Murphy’s “American Crime Story,” Netflix has you covered. The streamer boasts an impressive slate of titles, promising a binge-able show for almost every type of person. You may want to ring in the last days of summer with a Netflix original like Ava DuVernay’s “When They See Us,” which racked up 16 Emmy nominations, or maybe you’re after the comfort food of television: a beloved classic like “The Office” or “Parks and Recreation.” The lazier...
- 8/9/2019
- by Anna Tingley
- Variety Film + TV
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