Directed by
Rolf de Heer |
Writing Credits
Marc Rosenberg | ... | (screenplay) |
Cast (in credits order) verified as complete
Produced by
Rolf de Heer | ... | producer |
Giorgio Draskovic | ... | executive producer / producer |
Marie-Pascale Osterrieth | ... | producer |
Marc Rosenberg | ... | producer |
Music by
Miles Davis | ||
Michel Legrand |
Cinematography by
Denis Lenoir |
Editing by
Suresh Ayyar |
Production Design by
Judith Russell |
Art Direction by
Françoise Benoît-Fresco | ... | (as Françoise Benoit-Fresco) |
David McKay |
Set Decoration by
Denise Goudy |
Costume Design by
Clarissa Patterson |
Makeup Department
Egon Dahm | ... | hair stylist / makeup artist |
James Finney | ... | hair stylist / makeup artist |
Philippe Houvet | ... | hair stylist |
Ellin La Var | ... | hair stylist (as Ellin Lavar) / makeup artist (as Ellin Lavar) |
Irène Ottavis | ... | makeup artist (as Irene Ottavis) |
Production Management
Dixie Betts | ... | production manager |
David Lightfoot | ... | unit manager |
Second Unit Director or Assistant Director
Christian Faure | ... | first assistant director |
Connie Mercurio | ... | third assistant director |
Michael Mercurio | ... | second assistant director |
Art Department
André Fonsny | ... | assistant art director |
Clinton Morgan | ... | art department assistant |
Kelvin Sexton | ... | stand-by props |
Sue Vivian | ... | props buyer |
Laurence Wardman | ... | props buyer |
Sound Department
James Currie | ... | chief mixer / sound mixer |
Ashley Grenville | ... | sound editor |
Robert J. Kral | ... | foley artist (as Robert Kral) / foley recordist |
Henri Morelle | ... | sound |
John Simpson | ... | foley artist |
Pete Smith | ... | music mixer (as Peter D. Smith) |
Frank Struys | ... | boom operator |
Visual Effects by
Roger Cowland | ... | visual effects |
Camera and Electrical Department
Brian Bosisto | ... | key grip |
Marcus Bosisto | ... | assistant grip |
Craig Bryant | ... | gaffer |
François Hernandez | ... | focus puller |
Ian Jones | ... | steadicam operator |
Jacques Monge | ... | steadicam operator |
François Tille | ... | key grip |
Skip Watkins | ... | still photographer |
Costume and Wardrobe Department
Jane Johnston | ... | costume supervisor |
Anita Seiler | ... | costume standby |
Editorial Department
Arthur Cambridge | ... | grader |
Olivier Fontenay | ... | color timer |
Shawn Seet | ... | assistant editor |
Danielle Wiessner | ... | first assistant editor |
Denise Wolfson | ... | laboratory liaison |
Location Management
David Lightfoot | ... | location manager |
Music Department
Kevin Braheny | ... | music recording engineers |
Chris Danley | ... | music recording engineers |
Tim Hood | ... | composer: additional music / musician |
Pete Smith | ... | music mixer (as Peter D. Smith) |
Vince De Rosa | ... | musician: french horn (uncredited) |
Script and Continuity Department
Barbara Constantine | ... | continuity |
Additional Crew
Richard Blackadder | ... | production runner |
Sally Browning | ... | production secretary |
Deb Copeland | ... | production coordinator |
Richard Dumas | ... | stills photographer |
Luke Hura | ... | dog trainer |
Marie-Christine Malbert | ... | unit publicist |
Clint Morris | ... | publicist |
Trudy Talbot | ... | camp manager |
Thanks
Sharon Cartwright | ... | special thanks |
Moya Iceton | ... | special thanks |
Walter Partos | ... | special thanks |
Fiona Paterson | ... | special thanks |
David Rawlinson | ... | special thanks |
Saturday Rosenberg | ... | special thanks |
Phaedon Vass | ... | special thanks |