The Bet television network is on fire and it’s been steadily adding to their lineup of popular television series. The network made the announcement that greenlighted the new game show “Face Value.” The show made its premiere on September 27, 2017 and it officially kicked off with a grand party. The new game show is off to a great start, and although it’s just getting going, there’s a lot to know about it. Here are five things that you didn’t know about “Face Value.” 1. It will teach us to be careful about passing judgment on others Sure, there is
Five Things You Didn’t Know about Bet’s new Show “Face Value”...
Five Things You Didn’t Know about Bet’s new Show “Face Value”...
- 10/2/2017
- by Dana Hanson-Firestone
- TVovermind.com
Bet has a whole new crop of shows on the way. Recently, the network announced they've ordered several new series, including a new comedy from comedian Wanda Sykes called Face Value.New shows also include 50 Central, a variety and sketch comedy series form rapper Curtis "50 Cent" Jackson, and Bet's Mancave, a late-night talk show produced by Steve Harvey.Read More…...
- 4/29/2017
- by TVSeriesFinale.com
- TVSeriesFinale.com
Bet has unveiled its new and returning slate for the 2017-2018 TV season, which includes news seasons of “Hit the Floor” (pictured above), “The Breaks” and “The Quad.” Oh yeah, those first two are coming over from fellow Viacom network, VH1. Additionally, the cable channel has ordered new biopics/miniseries centered on Bobby Brown and Death Row Records, per Thursday’s upfront presentation. Bet is also bolstering its comedy and late-night lineup, including new series executive produced by Kevin Hart (“Divorce Saved My Life”), Chris Rock (The Rundown With Robin Thede”), Wanda Sykes (“Face Value”), Steve Harvey (“Bet’s Mancave...
- 4/27/2017
- by Tony Maglio
- The Wrap
When Phil Collins split from his third wife Orianne in 2008, their divorce settlement - a reported $46.68 million - was the biggest celeb payout in British legal history. Now they're back together. "I haven't really talked about it," Collins told Billboard when asked about the divorce and his struggle with alcoholism that followed (he's been sober for three years now). "We've been together for a while, and nobody's noticed." Six months ago, Collins bought a house in Miami where the pair, who have two sons together, are currently residing. Collins, 64, also revealed that back surgery, nerve damage and multiple foot fractures...
- 1/29/2016
- by Danielle Anderson, @dak5000
- PEOPLE.com
Anyone thinking they have a shot at resale tickets for the sold-out David Bowie tribute concert at famed Carnegie Hall should think again ... they're already going for $3k a pop. The Carnegie Hall box office says tickets for "The Music of David Bowie" sold out Monday within an hour. Organizer Michael Dorf tells us previous concerts paying homage to Neil Young, The Rolling Stones and Prince were sell-outs too ... but it usually took 3 months to get there,...
- 1/13/2016
- by TMZ Staff
- TMZ
The first ever Writers Lab, a program targeting female screenwriters over 40, took place at Wiawaka on Lake George, New York from September 18-20, 2015.
The group of mentors included Caroline Kaplan ("Boyhood," "Time Out of Mind," "Personal Velocity"), Kirsten Smith ("Legally Blonde," "Ten Things I Hate About You"), Jessica Bendinger ("Bring It On," "Aquamarine"), Mary Jane Skalski ("Win Win," "The Station Agent"),Gina Prince-Bythewood ("Secret Life of Bees," "Beyond the Lights"),Lydia Dean-Pilcher ("The Lunchbox," The Reluctant Fundamentalist"), Meg LeFauve ("Inside Out," "The Dangerous Lives of Altar Boys"), and Darnell Martin (“Cadillac Records” and “I Like It Like That”).
Launched by New York Women in Film and Television (Nywift) and Iris, a collective of women filmmakers dedicated to championing the female voice in narrative film, was funded in part by Academy Award-winning actress Meryl Streep, and with the collaboration of the Writers Guild of America East.
Motivated by its screenwriting members who were frustrated with the paucity of development opportunities, Iris founders Elizabeth Kaiden, Kyle Ann Stoke, and Nitza Wilson approached Nywift to support a screenwriting Lab exclusively for this demographic and The Writers Lab came into being.
I spoke with Iris cofounder Elizabeth Kaiden to follow up about the first Writers Lab.
Kouguell: How many screenplays were submitted for consideration?
Kaiden: There were approximately 3,500 screenplays submitted. The selected participants were Sarah Bird ("Daughter of a Daughter of a Queen), Vanessa Carmichael ("The American"). Tracy Charlton ("Raised Up"), Kellen Hertz ("Ashburn"), Anna Hozian ("Anchor Baby"), Lyralen Kaye ("St John the Divine in Iowa"), Jan Kimbrough ("The Glastonbury Cow Party"), Billie Jo Mason ("The Cargo"), Peres Owino ("Basketweaver"), Gretchen Somerfeld ("Face Value"), Janet Stilson ("Jaguar Trail"), and Kim Turner ("It Goes Like This").
Kouguell: What were some highlights from the three-day Lab?
Kaiden: Highlights included the chemistry, warmth and enthusiasm of the group, the bucolic setting in which serious and thoughtful individual meetings between writers and mentors took place, the outstanding, locally sourced, group meals presented by Wiawaka chef Meg, and evening conversations around a bonfire. Oh, and the weather was fabulous.
Kouguell: What is the next step for these writers selected for the Lab?
Kaiden: Writers are all revising their work and communicating with each other. They will use the feedback, resources, references, and friendships they took away from the Lab to further develop their scripts and their opportunities.
Kouguell: In addition to the one-on-one meetings, what other events took place?
Kaiden: There were three panel discussions in which the mentors addressed specific craft issues and general industry insight, informal conversations, group meals, as well as small, directed group conversations led by Nywift Board President Alexis Alexanian to address the challenges writers face in navigating the film world.
Kouguell: What do you feel were some of the most positive outcomes from the weekend in Lake George?
Kaiden: The most exciting outcome of this venture, for me, is uncovering and bringing to public attention the field of women screenwriters, particularly its enormous breadth and depth. The most positive outcomes of the weekend Lab, for me, include the sense of empowerment I believe the Lab gave the writers to continue their work and develop their projects, and the supportive community of writers we all discovered, which can only further our goals of ensuring that more of their stories will reach audiences.
Kouguell: Will the Writers Lab take place again next year?
Kaiden: Yes.
Kouguell: Anything else you’d like to add?
Kaiden: We were excited and delighted by the energy and enthusiasm at the Lab. It felt like an important event. It Was an important event. We discussed and debated issues of theme, tone, craft, structure, character, as well as production, representation, and target markets. The mentors were unbelievably focused, supportive and encouraging. Serious work was done. The writers left feeling, I think, that their voices had been heard, and that they should all continue to tell their stories. I think you will be hearing more from these writers and about these projects. And, although that would have been enough, everyone had a blast.
Award-winning screenwriter and filmmaker, Susan Kouguell teaches screenwriting at Purchase College Suny, and presents international seminars on screenwriting and film. Author of Savvy Characters Sell Screenplays! and The Savvy Screenwriter, she is chairperson of Su-City Pictures East, LLC, a consulting company founded in 1990 where she works with writers, filmmakers, and executives worldwide. www.su-city-pictures.com, http://su-city-pictures.com/wpblog...
The group of mentors included Caroline Kaplan ("Boyhood," "Time Out of Mind," "Personal Velocity"), Kirsten Smith ("Legally Blonde," "Ten Things I Hate About You"), Jessica Bendinger ("Bring It On," "Aquamarine"), Mary Jane Skalski ("Win Win," "The Station Agent"),Gina Prince-Bythewood ("Secret Life of Bees," "Beyond the Lights"),Lydia Dean-Pilcher ("The Lunchbox," The Reluctant Fundamentalist"), Meg LeFauve ("Inside Out," "The Dangerous Lives of Altar Boys"), and Darnell Martin (“Cadillac Records” and “I Like It Like That”).
Launched by New York Women in Film and Television (Nywift) and Iris, a collective of women filmmakers dedicated to championing the female voice in narrative film, was funded in part by Academy Award-winning actress Meryl Streep, and with the collaboration of the Writers Guild of America East.
Motivated by its screenwriting members who were frustrated with the paucity of development opportunities, Iris founders Elizabeth Kaiden, Kyle Ann Stoke, and Nitza Wilson approached Nywift to support a screenwriting Lab exclusively for this demographic and The Writers Lab came into being.
I spoke with Iris cofounder Elizabeth Kaiden to follow up about the first Writers Lab.
Kouguell: How many screenplays were submitted for consideration?
Kaiden: There were approximately 3,500 screenplays submitted. The selected participants were Sarah Bird ("Daughter of a Daughter of a Queen), Vanessa Carmichael ("The American"). Tracy Charlton ("Raised Up"), Kellen Hertz ("Ashburn"), Anna Hozian ("Anchor Baby"), Lyralen Kaye ("St John the Divine in Iowa"), Jan Kimbrough ("The Glastonbury Cow Party"), Billie Jo Mason ("The Cargo"), Peres Owino ("Basketweaver"), Gretchen Somerfeld ("Face Value"), Janet Stilson ("Jaguar Trail"), and Kim Turner ("It Goes Like This").
Kouguell: What were some highlights from the three-day Lab?
Kaiden: Highlights included the chemistry, warmth and enthusiasm of the group, the bucolic setting in which serious and thoughtful individual meetings between writers and mentors took place, the outstanding, locally sourced, group meals presented by Wiawaka chef Meg, and evening conversations around a bonfire. Oh, and the weather was fabulous.
Kouguell: What is the next step for these writers selected for the Lab?
Kaiden: Writers are all revising their work and communicating with each other. They will use the feedback, resources, references, and friendships they took away from the Lab to further develop their scripts and their opportunities.
Kouguell: In addition to the one-on-one meetings, what other events took place?
Kaiden: There were three panel discussions in which the mentors addressed specific craft issues and general industry insight, informal conversations, group meals, as well as small, directed group conversations led by Nywift Board President Alexis Alexanian to address the challenges writers face in navigating the film world.
Kouguell: What do you feel were some of the most positive outcomes from the weekend in Lake George?
Kaiden: The most exciting outcome of this venture, for me, is uncovering and bringing to public attention the field of women screenwriters, particularly its enormous breadth and depth. The most positive outcomes of the weekend Lab, for me, include the sense of empowerment I believe the Lab gave the writers to continue their work and develop their projects, and the supportive community of writers we all discovered, which can only further our goals of ensuring that more of their stories will reach audiences.
Kouguell: Will the Writers Lab take place again next year?
Kaiden: Yes.
Kouguell: Anything else you’d like to add?
Kaiden: We were excited and delighted by the energy and enthusiasm at the Lab. It felt like an important event. It Was an important event. We discussed and debated issues of theme, tone, craft, structure, character, as well as production, representation, and target markets. The mentors were unbelievably focused, supportive and encouraging. Serious work was done. The writers left feeling, I think, that their voices had been heard, and that they should all continue to tell their stories. I think you will be hearing more from these writers and about these projects. And, although that would have been enough, everyone had a blast.
Award-winning screenwriter and filmmaker, Susan Kouguell teaches screenwriting at Purchase College Suny, and presents international seminars on screenwriting and film. Author of Savvy Characters Sell Screenplays! and The Savvy Screenwriter, she is chairperson of Su-City Pictures East, LLC, a consulting company founded in 1990 where she works with writers, filmmakers, and executives worldwide. www.su-city-pictures.com, http://su-city-pictures.com/wpblog...
- 10/26/2015
- by Susan Kouguell
- Sydney's Buzz
Presented by New York Women in Film and Television (Nywift) and Iris, The Writers Lab is funded with the generous support of Academy Award-winning actress Meryl Streep. The one-of-a-kind lab will bring 12 women screenwriters over the age of 40 together with established mentors from the film industry for an intimate gathering and intensive workshop at Wiawaka Center for Women on Lake George, NY from September 18-20, 2015. The Lab is also presented in collaboration with the Writers Guild of America, East.
Being the only program of its kind, The Writers Lab evolved in recognition of the absence of the female voice in narrative film, along with the lack of support for script development. The lab will offer these 12 promising features by women over 40 a springboard to production.
The prestigious group of mentors includes Caroline Kaplan ("Boyhood," "Time Out of Mind," "Personal Velocity"), Kirsten Smith ("Legally Blonde," "Ten Things I Hate About You"), Jessica Bendinger ("Bring It On," "Aquamarine"), Mary Jane Skalski ("Win Win," "The Station Agent"), Gina Prince-Bythewood ("Secret Life of Bees," "Beyond the Lights"), Lydia Dean-Pilcher ( "The Lunchbox,"The Reluctant Fundamentalist"), Meg LeFauve ("Inside Out," "The Dangerous Lives of Altar Boys"). During one-on-one meetings they will provide the participants with insightful feedback and will take part in additional events to inspire the artists to hone their creative vision.
The Writers Lab, which was first announced at this year’s Tribeca film festival, received over 3,500 submissions, which encouraged the organizer to support not eight, as they originally had planned, but 12 women in film.
The selected participants are Sarah Bird ("Daughter of a Daughter of a Queen), Vanessa Carmichael ("The American"). Tracy Charlton ("Raised Up"), Kellen Hertz ("Ashburn"), Anna Hozian ("Anchor Baby"), Lyralen Kaye ("St John the Divine in Iowa"), Jan Kimbrough ("The Glastonbury Cow Party"), Billie Mason ("The Cargo"), Peres Owino ("Basketweaver"), Gretchen Somerfeld ("Face Value"), Janet Stilson ("Jaguar Trail"), and Kim Turner ("It Goes Like This").
You can find out more about this initiative and others from Nywift Here...
Being the only program of its kind, The Writers Lab evolved in recognition of the absence of the female voice in narrative film, along with the lack of support for script development. The lab will offer these 12 promising features by women over 40 a springboard to production.
The prestigious group of mentors includes Caroline Kaplan ("Boyhood," "Time Out of Mind," "Personal Velocity"), Kirsten Smith ("Legally Blonde," "Ten Things I Hate About You"), Jessica Bendinger ("Bring It On," "Aquamarine"), Mary Jane Skalski ("Win Win," "The Station Agent"), Gina Prince-Bythewood ("Secret Life of Bees," "Beyond the Lights"), Lydia Dean-Pilcher ( "The Lunchbox,"The Reluctant Fundamentalist"), Meg LeFauve ("Inside Out," "The Dangerous Lives of Altar Boys"). During one-on-one meetings they will provide the participants with insightful feedback and will take part in additional events to inspire the artists to hone their creative vision.
The Writers Lab, which was first announced at this year’s Tribeca film festival, received over 3,500 submissions, which encouraged the organizer to support not eight, as they originally had planned, but 12 women in film.
The selected participants are Sarah Bird ("Daughter of a Daughter of a Queen), Vanessa Carmichael ("The American"). Tracy Charlton ("Raised Up"), Kellen Hertz ("Ashburn"), Anna Hozian ("Anchor Baby"), Lyralen Kaye ("St John the Divine in Iowa"), Jan Kimbrough ("The Glastonbury Cow Party"), Billie Mason ("The Cargo"), Peres Owino ("Basketweaver"), Gretchen Somerfeld ("Face Value"), Janet Stilson ("Jaguar Trail"), and Kim Turner ("It Goes Like This").
You can find out more about this initiative and others from Nywift Here...
- 8/14/2015
- by Sydney Levine
- Sydney's Buzz
Read More: Watch: Trailer for 'Kumiko the Treasure Hunter' Takes 'Fargo' at Face Value David and Nathan Zellner spent a decade making their offbeat drama "Kumiko, the Treasure Hunter," a mesmerizing portrait of a woman who thinks "Fargo" was real. Now you can ask them all about it. On Friday, March 27, the Zellner brothers are participating in an Indiewire live Facebook Q&A (which operates much like a Reddit Ama) to answer all of your pressing "Kumiko" questions. "Kumiko, the Treasure Hunter" was inspired by the urban legend of a Japanese woman named Takako Kunishi. In a pre-internet age, the local media reported that a Tokyo-based office worker had died in Minneapolis in search of the suitcase of cash Steve Buscemi's character buries beneath the snow at the end of "Fargo." The Austin-based Zellner brothers also directed "Kid-Thing," "Goliath" and numerous short films. Just pop over to Indiewire's...
- 3/26/2015
- by Indiewire
- Indiewire
If…
Directed by Lindsay Anderson
Written by David Sherwin
1968, UK
By 1968, America and Europe were completely amerced in the sociological shift between its former Silent Generation traditions and impeding counterculture. Shocking concepts, like anti-establishment thinking, racial integration, drug dependency, and sexual awareness, revolutionized the way society viewed the environment around them. Among these eye-opening revolutions, the medium of New Wave cinema not only explored these alternative live styles, but did so in a way that gave succeeding generations the chance to explore counterculture hands on, through a first-person lens of emotion and deceit. Films like Arthur Penn’s Bonnie and Clyde glorifies youthful alienation with violent portrayals never before seen on screen, whereas Dennis Hopper’s Easy Rider explores the societal tension between conservative America and the hippie movement through a passive-aggressive lens. Then there is the 1969 Cannes Film Festival Palme d’Or winner, If.. by Lindsay Anderson, that manages...
Directed by Lindsay Anderson
Written by David Sherwin
1968, UK
By 1968, America and Europe were completely amerced in the sociological shift between its former Silent Generation traditions and impeding counterculture. Shocking concepts, like anti-establishment thinking, racial integration, drug dependency, and sexual awareness, revolutionized the way society viewed the environment around them. Among these eye-opening revolutions, the medium of New Wave cinema not only explored these alternative live styles, but did so in a way that gave succeeding generations the chance to explore counterculture hands on, through a first-person lens of emotion and deceit. Films like Arthur Penn’s Bonnie and Clyde glorifies youthful alienation with violent portrayals never before seen on screen, whereas Dennis Hopper’s Easy Rider explores the societal tension between conservative America and the hippie movement through a passive-aggressive lens. Then there is the 1969 Cannes Film Festival Palme d’Or winner, If.. by Lindsay Anderson, that manages...
- 6/2/2014
- by Christopher Clemente
- SoundOnSight
London — Portraits by Bob Dylan are going on display at the National Portrait Gallery in London.
The 72-year-old singer-songwriter has been exhibiting his artworks for the past six years, but these 12 new pastel sketches have not been shown before.
The display is a departure for the gallery, which showcases portraits of prominent Britons. The gallery says Dylan's images are "an amalgamation of features the musician has collected from life, memory and his imagination and fashioned into people, some real and some fictitious."
Art historian John Elderfield, who helped bring the works to London, said Monday the paintings were "products of the same extraordinary, inventive imagination" that wrote Dylan's songs.
"Bob Dylan: Face Value" runs Aug. 24 to Jan. 5.
The 72-year-old singer-songwriter has been exhibiting his artworks for the past six years, but these 12 new pastel sketches have not been shown before.
The display is a departure for the gallery, which showcases portraits of prominent Britons. The gallery says Dylan's images are "an amalgamation of features the musician has collected from life, memory and his imagination and fashioned into people, some real and some fictitious."
Art historian John Elderfield, who helped bring the works to London, said Monday the paintings were "products of the same extraordinary, inventive imagination" that wrote Dylan's songs.
"Bob Dylan: Face Value" runs Aug. 24 to Jan. 5.
- 8/5/2013
- by AP
- Huffington Post
Photographs by Benjamin Lowy
On tour with former singer-songwriter Nathan Hubbard and his showstopper of a plan to rescue Ticketmaster's business -- and, for an encore, its dreadful reputation.
The Ticketmaster Turnaround Tour rolls into New York ready to rock. The audience on this fine day in mid-May is a who's who of local clients including the Yankees, Madison Square Garden, and Blue Man Group, here to see if the live show is any different from what they've heard for, literally, decades. Hell, they can't believe Ticketmaster is touring. Throughout its history, Ticketmaster's executive team did not come to you. Call it the Sympathy for the Devil Tour, if the Rolling Stones hadn't already used that moniker.
The road show, 10 cities in four weeks, is CEO Nathan Hubbard's idea, as is the black T-shirt he's wearing: Tm on the front, dates and cities on the back, evoking a concert keepsake.
On tour with former singer-songwriter Nathan Hubbard and his showstopper of a plan to rescue Ticketmaster's business -- and, for an encore, its dreadful reputation.
The Ticketmaster Turnaround Tour rolls into New York ready to rock. The audience on this fine day in mid-May is a who's who of local clients including the Yankees, Madison Square Garden, and Blue Man Group, here to see if the live show is any different from what they've heard for, literally, decades. Hell, they can't believe Ticketmaster is touring. Throughout its history, Ticketmaster's executive team did not come to you. Call it the Sympathy for the Devil Tour, if the Rolling Stones hadn't already used that moniker.
The road show, 10 cities in four weeks, is CEO Nathan Hubbard's idea, as is the black T-shirt he's wearing: Tm on the front, dates and cities on the back, evoking a concert keepsake.
- 6/21/2011
- by Chuck Salter
- Fast Company
By Sean O’Connell
Hollywoodnews.com: Despite reports, Charlie Sheen’s upcoming concert tour is not be selling out its massive venues.
In fact, if you are interested in purchasing tickets, Deadline reports that there “plenty of tickets” available for Sheen’s “Violent Torpedo Of Truth” tour, and the venues “are by no means sold out.”
Quite the opposite, it appears. Even CNBC is weighing in on what could be a financial disaster. The problem appears to be that many of Sheen’s tickets were purchased from Ticketmaster by secondary sellers, and they are having a very hard time selling them to interested audience members.
“Even more surprising (maybe), many tickets are selling for Less Than Face Value,” CNBC reports. “I found main floor tickets that cost around $52 on Ticketmaster (plus fees) for $35 on Stubhub. They’re going for $33 on NoFeesTickets.com. And on Bargainseatsonline.com, they’re even cheaper…...
Hollywoodnews.com: Despite reports, Charlie Sheen’s upcoming concert tour is not be selling out its massive venues.
In fact, if you are interested in purchasing tickets, Deadline reports that there “plenty of tickets” available for Sheen’s “Violent Torpedo Of Truth” tour, and the venues “are by no means sold out.”
Quite the opposite, it appears. Even CNBC is weighing in on what could be a financial disaster. The problem appears to be that many of Sheen’s tickets were purchased from Ticketmaster by secondary sellers, and they are having a very hard time selling them to interested audience members.
“Even more surprising (maybe), many tickets are selling for Less Than Face Value,” CNBC reports. “I found main floor tickets that cost around $52 on Ticketmaster (plus fees) for $35 on Stubhub. They’re going for $33 on NoFeesTickets.com. And on Bargainseatsonline.com, they’re even cheaper…...
- 3/28/2011
- by Sean O'Connell
- Hollywoodnews.com
Here’s the first of a few press releases from my inbox that I’ll be posting:
Beyond Influencing Da Hood Inc has announced today the location, dates and call for submissions for the 1st annual Chillin On Da Corner & Beyond Film Series being held this summer from June 29th – September 7th, 2010 in Brooklyn, NY. Official deadline to submit is April 20th, 2010.
“Our community will get a chance to see great independent films they wouldn’t normally see because they’re not mainstream films and the filmmakers also get introduced to a new potential fan base for the future and a diversified audience,” says Co-Founder Ephraim Benton. A Change Gon Come is our 2010 Chillin On Da Corner & Beyond Film Series theme; a great choice for the Bed-Stuy area. In addition, we have tons of support from within the political, independent film community and some well established film festivals that you...
Beyond Influencing Da Hood Inc has announced today the location, dates and call for submissions for the 1st annual Chillin On Da Corner & Beyond Film Series being held this summer from June 29th – September 7th, 2010 in Brooklyn, NY. Official deadline to submit is April 20th, 2010.
“Our community will get a chance to see great independent films they wouldn’t normally see because they’re not mainstream films and the filmmakers also get introduced to a new potential fan base for the future and a diversified audience,” says Co-Founder Ephraim Benton. A Change Gon Come is our 2010 Chillin On Da Corner & Beyond Film Series theme; a great choice for the Bed-Stuy area. In addition, we have tons of support from within the political, independent film community and some well established film festivals that you...
- 3/23/2010
- by Tambay
- ShadowAndAct
Monique Caulfield, who is producing the feature Basmati Blues, is the recepient of Film Independent's first annual Sloan Producers Grant and will receive a $25,000 development grant and admission to FIND's 2007 Producers Lab.
Funded by the Alfred P. Sloan Foundation, the grant was announced Sunday at FIND's Filmmaker Forum at the DGA.
Honorable mentions went to Gretchen Somerfeld and David Baxter's Face Value and Minh Nguyen-Vo and Julien Favre's Point of Reference. FIND also announced that producer Ram Bergman will lead this year's Producers Lab, which begins Monday.
Funded by the Alfred P. Sloan Foundation, the grant was announced Sunday at FIND's Filmmaker Forum at the DGA.
Honorable mentions went to Gretchen Somerfeld and David Baxter's Face Value and Minh Nguyen-Vo and Julien Favre's Point of Reference. FIND also announced that producer Ram Bergman will lead this year's Producers Lab, which begins Monday.
- 10/22/2007
- The Hollywood Reporter - Movie News
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