Directed by
| Kristine Peterson | ||
Writing Credits (in alphabetical order)
| Jack Canson | ... | (as Jackson Barr) |
Cast (in credits order) complete, awaiting verification
Produced by
| Alida Camp | ... | producer |
| Roger Corman | ... | executive producer (uncredited) |
| Rodman Flender | ... | executive producer |
| Kevin Reidy | ... | associate producer |
Music by
| Terry Plumeri | ||
Cinematography by
| Phedon Papamichael | ||
Editing by
| Nina M. Gilberti | ... | (as Nina Gilberti) |
Production Design by
| Gary Randall | ||
Art Direction by
| Ella St. John Blakey | ||
Set Decoration by
| Michele Munoz | ||
Costume Design by
| Sandra Araya Jensen | ||
Makeup Department
| Peter Christopher | ... | assistant makeup artist |
| Deirdra Hearn | ... | assistant makeup artist |
| Desne J. Holland | ... | makeup designer |
| Tricia Sawyer | ... | makeup artist |
Production Management
| Mike Elliott | ... | Production Executive |
| Adam Moos | ... | production manager |
| Esther P. Russell | ... | post-production supervisor |
| Jonathan Winfrey | ... | production manager |
Second Unit Director or Assistant Director
| Melitta Fitzer | ... | second unit director |
| Juan Mas | ... | second second assistant director (as Juan A. Mas) |
| J.B. Rogers | ... | first assistant director (as James B. Rogers) |
| Mike Upton | ... | second assistant director (as Michael E. Upton) |
Art Department
| Stephan Bataillard | ... | set dresser (as Steve Bataillard) |
| Anderson Broussard III | ... | swing |
| Tamara Murphy | ... | on-set dresser |
| Cee Parker | ... | set designer |
| Robert Somerton | ... | carpenter |
| Richard K. Wright | ... | property master |
Sound Department
| Mark Cooper | ... | re-recording mixer |
| Cameron Hamza | ... | sound mixer |
| Joseph Holsen | ... | sound designer |
| Martha Burns Holsen | ... | sound editor |
| T.A. Moore Jr. | ... | re-recording mixer |
| Timothy Pearson | ... | foley mixer |
| Christopher M. Taylor | ... | boom operator (as Christopher Taylor) |
Special Effects by
| Dean Jones | ... | special effects makeup |
| William Starr Jones | ... | special effects makeup |
Stunts
| Ellen G. Statham | ... | stunts |
| Patrick J. Statham | ... | stunt coordinator |
| Merritt Yohnka | ... | stunts |
Camera and Electrical Department
| Malcolm Abbey | ... | still photographer |
| Ronnie Dennis | ... | first assistant camera: second unit |
| Marcus 'Roo' Flower | ... | grip |
| John Huey | ... | electrician |
| David Mendenhall | ... | Camera P.A. |
| Vojislav Mikulic | ... | gaffer |
| David Pearlberg | ... | electrician |
| Wally Pfister | ... | director of photography: second unit |
| Jeffrey Porter | ... | focus puller |
| William Russell | ... | second assistant camera |
| Tom Schmieder | ... | best boy electric |
| James Lawrence Spencer | ... | key grip |
| Doug Weinmann | ... | electrician |
| Kerrec 'K-Man' Williams | ... | best boy grip |
Costume and Wardrobe Department
| Deborah Araya | ... | wardrober (as Debora Araya) |
Editorial Department
| Todd DeSade | ... | second assistant film editor (as Todd 'De Sade' Wallace) |
| Julia Gray | ... | apprentice film editor |
| Mato | ... | color timer |
| Ralph A. Riccoboni | ... | first assistant film editor |
| Joseph Jett Sally | ... | associate film editor |
| Fred Wells | ... | post-production assistant |
| Pamela Winn-Barnett | ... | post-production coordinator (as Pamela Winn) |
Location Management
| Linda Walker | ... | location manager |
Music Department
| Paul Di Franco | ... | music supervisor |
| Frank McKelvey | ... | music editor |
Script and Continuity Department
| Tricia Ronten | ... | script supervisor |
Additional Crew
| Thom Babbes | ... | additional dialogue |
| Jill Holmes | ... | production coordinator (as Jill Marie Osmon) |
| Ted Lin | ... | choreographer |
| Dan Perri | ... | titles |
| Michele Weisler | ... | production coordinator |
