Attendees included Carlo Chatrian, Agnieszka Holland, Wim Wenders and Volker Schlöndorff.
The Berlin film festival honoured the legacy of legendary Spanish filmmaker Carlos Saura, who died aged 91 earlier this month, with a special screening of his last film, documentary Walls Can Talk yesterday (Feb 20).
The attendees included Berlinale’s director Carlo Chatrian, the president of the European Film Academy and Polish director Agnieszka Holland and German directors Wim Wenders and Volker Schlöndorff.
Chatrian said the festival wanted to honour his contribution to cinema and also the special link he had with the Berlinale where he premiered The Hunt (1966), winner of...
The Berlin film festival honoured the legacy of legendary Spanish filmmaker Carlos Saura, who died aged 91 earlier this month, with a special screening of his last film, documentary Walls Can Talk yesterday (Feb 20).
The attendees included Berlinale’s director Carlo Chatrian, the president of the European Film Academy and Polish director Agnieszka Holland and German directors Wim Wenders and Volker Schlöndorff.
Chatrian said the festival wanted to honour his contribution to cinema and also the special link he had with the Berlinale where he premiered The Hunt (1966), winner of...
- 2/21/2023
- by Elisabet Cabeza
- ScreenDaily
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSKristen Stewart in Olivier Assayas's Personal Shopper (2016).The next film directed by Kirsten Johnson (Cameraperson and Dick Johnson is Dead) will star Kristen Stewart as…Susan Sontag. Based on Ben Moser’s Pulitzer Prize-winning biography Sontag: Her Life, the project will have some hybrid-doc elements, as we might expect from Johnson: according to Screen Daily, Johnson will film an interview with the actress about her preparation for the role at the Berlinale, where Stewart is jury president.Richard Ayoade will direct and star in an adaptation of George Saunders’s The Semplica Girl Diaries, with casting currently underway.New Spanish Cinema luminary Carlos Saura died last week aged 91. His best-known films depicted and critiqued life under the Franco dictatorship, like La Caza...
- 2/15/2023
- MUBI
Dear Danny,Ah, puzzle films. Many of my most deeply moving cinematic memories—think of Resnais or Ruiz or Wong—have come from such works, where the intricacy and even obscurity of storytelling jostles and fuses with the frankness of emotions. La La Land has little use for puzzles, unless they’re part of the technical complications that go into the choreography of its slam-bang musical numbers. (Why have the introductory highway hoedown just unfold in one take, when you can also include Matrix-style camera swivels to capture bicycle pirouettes in mid-air?) No, Damien Chazelle’s goal in his follow-up to Whiplash is a boldly direct one: to flood the screen with charm, to bring down the house with joy. Walking into my screening after having had my fair share of dour and difficult festival entries, I could scarcely think of a nobler aim for cinema. Less than twenty minutes later,...
- 9/16/2016
- MUBI
This podcast focuses on Criterion’s Eclipse Series of DVDs. Hosts David Blakeslee and Trevor Berrett give an overview of each box and offer their perspectives on the unique treasures they find inside. In this episode, David and Trevor discuss Eclipse Series 6: Carlos Saura’s Flamenco Trilogy.
About the films:
One of Spanish cinema’s great auteurs, Carlos Saura brought international audiences closer to the art of his country’s dance than any other filmmaker, before or since. In his Flamenco Trilogy—Blood Wedding, Carmen, and El amor brujo—Saura merged his passion for music with his exploration of national identity. All starring and choreographed by legendary dancer Antonio Gades, the films feature thrilling physicality and electrifying cinematography and editing—colorful paeans to bodies in motion as well as to cinema itself.
Subscribe to the podcast via RSS or in iTunes.
Buy The Box Set On Amazon No, don’t bother,...
About the films:
One of Spanish cinema’s great auteurs, Carlos Saura brought international audiences closer to the art of his country’s dance than any other filmmaker, before or since. In his Flamenco Trilogy—Blood Wedding, Carmen, and El amor brujo—Saura merged his passion for music with his exploration of national identity. All starring and choreographed by legendary dancer Antonio Gades, the films feature thrilling physicality and electrifying cinematography and editing—colorful paeans to bodies in motion as well as to cinema itself.
Subscribe to the podcast via RSS or in iTunes.
Buy The Box Set On Amazon No, don’t bother,...
- 4/11/2016
- by David Blakeslee
- CriterionCast
There's nothing quite like the sustained pleasure of immersing one's self in a huge chunk of a top-notch artist's output for a significant period of time. This was easily accomplished in 2012, because lately it seems like the classical arms of the major labels are trying to get all their best material into budget-priced box sets (in Europe even more than in the U.S., so check the imports, especially for Sony). And anything they aren't doing that with, another label would be happy to license. In that sense, it's a great time to be a classical fan. Nonetheless, I'm keeping this list shorter than my new releases list, because, well, there's too much to listen to all of it! So to make my list, these items had to make me very, very happy in 2012.
1. Hilliard Ensemble: Franco-Flemish Masterworks (Virgin Classics)
This eight-cd box is a delight for fans of choral music,...
1. Hilliard Ensemble: Franco-Flemish Masterworks (Virgin Classics)
This eight-cd box is a delight for fans of choral music,...
- 1/3/2013
- by SteveHoltje
- www.culturecatch.com
Consisting of 1981′s Bodas De Sangre (Blood Wedding), 1983′s Carmen and 1986′s El Amor Brujo (Love, The Magician) the Flamenco Trilogy from director Carlos Saura comprise a curious set. Linked by a common cast (Antonio Gades, Cristina Hoyos and Laura del Sol) and all of them shot with a deliberately stagey feel, they will doubtless appeal to fans of vigorous and passionate Spanish dancing but may struggle to find an audience outside of those admittedly narrow tramlines.
Blood Wedding begins with the cast of a dance production applying their make-up before they launch into an energetic rehearsal under the tutelage of Antonio Gades’ choreographer (who assisted with the choreography for the entire trilogy). The wedding of the title is spoiled by the bride running off with Gades’ Leonardo, who the groom must track down and confront. In the end, this is an impressive showcase for vibrant Latin dancing, but pretty...
Blood Wedding begins with the cast of a dance production applying their make-up before they launch into an energetic rehearsal under the tutelage of Antonio Gades’ choreographer (who assisted with the choreography for the entire trilogy). The wedding of the title is spoiled by the bride running off with Gades’ Leonardo, who the groom must track down and confront. In the end, this is an impressive showcase for vibrant Latin dancing, but pretty...
- 5/24/2012
- by Dave Roper
- HeyUGuys.co.uk
Though I typically take great care to avoid hyping up anything in the “reality TV” genre, both in my online writing and in real life, I’m going to make a small exception to that self-imposed rule by mentioning that the televised dance competition known as “Dancing With The Stars” opened its ninth season last week. I am proud to admit that I’ve never sat through a single episode of that series and I don’t plan to change my viewing habits in any way, despite the reference.
Featuring a cast of obnoxious pseudo-celebrities that I would rather have gone through life never hearing about, I did take a few minutes just now to visit the Dwts website (no, I will not provide a link!) before the contrived artificiality of its premise and rank stupidity of its presentation forced me to shut down my browser and re-gather my thoughts.
Featuring a cast of obnoxious pseudo-celebrities that I would rather have gone through life never hearing about, I did take a few minutes just now to visit the Dwts website (no, I will not provide a link!) before the contrived artificiality of its premise and rank stupidity of its presentation forced me to shut down my browser and re-gather my thoughts.
- 9/27/2010
- by David Blakeslee
- CriterionCast
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