Directed by
| Robert Downey Sr. | ||
Writing Credits
| Tom Patchett | ... | (written by) & |
| Jay Tarses | ... | (written by) |
Cast (in credits order)
Produced by
| Bernie Brillstein | ... | executive producer |
| Daniel Grodnik | ... | executive producer |
| Danton Rissner | ... | producer |
| Marvin Worth | ... | producer |
Cinematography by
| Harry Stradling Jr. | ... | director of photography (as Harry Stradling) |
Editing by
| Bud Molin | ||
| Ron Spang | ... | co-editor |
Casting By
| Karen Rea | ||
Production Design by
| Peter Wooley | ||
Set Decoration by
| Mary Swanson | ||
Makeup Department
| Nicholas Pagliaro | ... | makeup artist |
| Joy Zapata | ... | hair stylist |
Production Management
| Ira Loonstein | ... | unit production manager |
Second Unit Director or Assistant Director
| Forrest L. Futrell | ... | dga trainee (as Forrest Futrell) |
| Bud Molin | ... | second unit director |
| James Quinn | ... | first assistant director (as James J. Quinn) |
| Kalai Strode | ... | second assistant director |
Art Department
| Daniel R. Bentley | ... | property master |
| Ron Frazier | ... | construction foreman |
| Ben Massi | ... | painter |
| Sam Raspa | ... | construction coordinator |
| Fred Throop | ... | assistant property master |
Sound Department
| Martin Raymond Bolger | ... | sound mixer |
| Les Fresholtz | ... | re-recording mixer |
| Andrew Herbert | ... | sound effects editor |
| Gilbert D. Marchant | ... | sound effects editor |
| Michael Minkler | ... | re-recording mixer |
| Arthur Piantadosi | ... | re-recording mixer |
| Jack Schrader | ... | dialogue editor |
| Hal Whitby | ... | boom operator |
Special Effects by
| Candy Flanagin | ... | special effects |
Stunts
| Jerry Brutsche | ... | stunts |
| Richard E. Butler | ... | stunt coordinator / stunts |
| Michael Cassidy | ... | stunts |
| Ann Chatterton | ... | stunts |
| Erik Cord | ... | stunts |
| Laurie Creach | ... | stunts |
| Ted Grossman | ... | stunts |
| Ted White | ... | stunts |
| Ray Woodford | ... | stunts |
Camera and Electrical Department
| Pat Campea Jr. | ... | best boy grip / grip |
| Armando Contreras | ... | grip |
| Andrew Davis | ... | director of photography: special effects second unit |
| Ralph Gerling | ... | camera operator |
| Henry Harrison | ... | first assistant camera |
| Paul Jacobsen | ... | electrician |
| David M. Lang | ... | second assistant camera |
| Tom D. May | ... | key grip (as Tom May) |
| Richard Craig Meinardus | ... | first assistant camera |
| Randall Robinson | ... | first assistant camera: special effects unit |
| Frank Ruttencutter | ... | camera operator |
| Don Smetzer | ... | still photographer |
| Jack Wilson | ... | gaffer |
Costume and Wardrobe Department
| Michael J. Harte | ... | costume supervisor |
| Agnes Lyon | ... | costumer: women |
| Daniel Grant North | ... | assistant costumer |
Editorial Department
| Jud Nealon | ... | assistant film editor |
Music Department
| Hubert de La Bouillerie | ... | music editor (as Hubert C. de la Bouillerie) |
| Jody Worth | ... | music supervisor (as Jody Taylor Worth) |
Script and Continuity Department
| Judy Rosenthal | ... | script supervisor |
Transportation Department
| Rocky Blodgett | ... | transportation captain |
| Gary Hellerstein | ... | transportation coordinator |
Additional Crew
| Lea Andrews | ... | production secretary |
| William M. Gaines | ... | creator: "Mad" magazine |
| Anthony Goldschmidt | ... | title montage |
| Nancy Hamilton | ... | unit publicist |
| Stephanie Angelini | ... | production assistant (uncredited) |
