Chicago – In one of Jan-Michael Vincent’s most recent photos, taken in 2016 by photographer Joe Arce of HollywoodChicago.com, the ex-heart throb actor is revealed as a man who lived his life hard to the end. Vincent died last month in Asheville, North Carolina, on February 10th, 2019. He was 73.
Jan-Michael Vincent was born in Denver, and after high school in Washington state he bounced around with three years of college and a stint in the California National Guard. In 1966, he began to audition, and his rugged good looks landed him in a Robert Conrad film “The Bandits” (1967). After doing several TV and movie bit parts, he scored in the early 1970s with high profile roles in “Going Home” (1970), “The Mechanic” (1972) and in Walt Disney’s “The World’s Greatest Athlete” (1973) as the title character.
Jan-Michael Vincent in 2016
Photo credit: Joe Arce of Starstruck Foto for HollywoodChicago.com
The hits continued...
Jan-Michael Vincent was born in Denver, and after high school in Washington state he bounced around with three years of college and a stint in the California National Guard. In 1966, he began to audition, and his rugged good looks landed him in a Robert Conrad film “The Bandits” (1967). After doing several TV and movie bit parts, he scored in the early 1970s with high profile roles in “Going Home” (1970), “The Mechanic” (1972) and in Walt Disney’s “The World’s Greatest Athlete” (1973) as the title character.
Jan-Michael Vincent in 2016
Photo credit: Joe Arce of Starstruck Foto for HollywoodChicago.com
The hits continued...
- 3/12/2019
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Joseph Baxter Mar 8, 2019
Former Hollywood heartthrob Jan-Michael Vincent, star the hit TV series, Airwolf, is revealed to have died last month.
Jan-Michael Vincent, former star of the smash 1980s TV series, Airwolf, has died, reportedly at the age of 73. It’s an occurrence that, in actuality, took place nearly a month ago – on February 10 – and we only just now learned.
According to Vincent’s death certificate, as obtained by THR, the actor passed away as a result of cardiac arrest at Mission Hospital's Memorial Campus in Asheville, North Carolina. His death caps off widely-reported struggles with drugs and alcohol, which led to a tumultuous personal life rife with permanent-injury-inducing accidents and shameful legal issues, notably connected to domestic violence. However, his downfall contrasts sharply with an auspicious early career.
Indeed, Vincent was essentially the Brad Pitt of the 1970s, bearing a name and chiseled-jawed countenance that was synonymous with the...
Former Hollywood heartthrob Jan-Michael Vincent, star the hit TV series, Airwolf, is revealed to have died last month.
Jan-Michael Vincent, former star of the smash 1980s TV series, Airwolf, has died, reportedly at the age of 73. It’s an occurrence that, in actuality, took place nearly a month ago – on February 10 – and we only just now learned.
According to Vincent’s death certificate, as obtained by THR, the actor passed away as a result of cardiac arrest at Mission Hospital's Memorial Campus in Asheville, North Carolina. His death caps off widely-reported struggles with drugs and alcohol, which led to a tumultuous personal life rife with permanent-injury-inducing accidents and shameful legal issues, notably connected to domestic violence. However, his downfall contrasts sharply with an auspicious early career.
Indeed, Vincent was essentially the Brad Pitt of the 1970s, bearing a name and chiseled-jawed countenance that was synonymous with the...
- 3/8/2019
- Den of Geek
Jan-Michael Vincent, who briefly rose to prominence as a young leading man in films in the 1970s and 1980s then became a TV star with CBS’ action series Airwolf in the mid-’80s, died February 10 in North Carolina. He was 73.
A death certificate obtained by TMZ noted Vincent died of cardiac arrest while a patient at an Asheville hospital. His death had not been previously reported.
Vincent started his career in the late 1960s with guest roles in TV series including Dragnet, Lassie, Bonanza and Gunsmoke before his first feature film, 1971’s Going Home opposite Robert Mitchum and Brenda Vaccaro. That led to a co-starring role opposite Charles Bronson in Michael Winner’s 1972 movie The Mechanic. He starred in several movies in rapid succession in the mid-’70s including trucker drama White Line Fever, World War II-set Baby Blue Marine, John Millius’ surfing pic Big Wednesday with Gary Busey and...
A death certificate obtained by TMZ noted Vincent died of cardiac arrest while a patient at an Asheville hospital. His death had not been previously reported.
Vincent started his career in the late 1960s with guest roles in TV series including Dragnet, Lassie, Bonanza and Gunsmoke before his first feature film, 1971’s Going Home opposite Robert Mitchum and Brenda Vaccaro. That led to a co-starring role opposite Charles Bronson in Michael Winner’s 1972 movie The Mechanic. He starred in several movies in rapid succession in the mid-’70s including trucker drama White Line Fever, World War II-set Baby Blue Marine, John Millius’ surfing pic Big Wednesday with Gary Busey and...
- 3/8/2019
- by Patrick Hipes
- Deadline Film + TV
Jan-Michael Vincent, who starred in the TV series “Airwolf” and movies like “The Mechanic,” died on Feb. 10 at the age of 74 in North Carolina, according to a death certificate obtained by Ktla.
According to CBS, the actor died of cardiac arrest.
Vincent’s other credits including 1970’s “Tribes,” 1975’s “White Line Fever,” 1976’s “Baby Blue Marine.” In 2002, he starred in the drama “White Boy.” Other films include “Bite the Bullet” and “Big Wednesday.”
See Photos: Hollywood's Notable Deaths of 2019
Vincent was born on July 15, 1944, in Denver. He made his first appearance on screen in the 1967 TV film “The Hardy Boys: The Mystery of the Chinese Junk.” He was found by a talent scout because of his looks as he was finishing a tour of duty in the California Army National Guard, and then made his movie debut opposite Robert Conrad in “The Bandits.”
His career took off in the late...
According to CBS, the actor died of cardiac arrest.
Vincent’s other credits including 1970’s “Tribes,” 1975’s “White Line Fever,” 1976’s “Baby Blue Marine.” In 2002, he starred in the drama “White Boy.” Other films include “Bite the Bullet” and “Big Wednesday.”
See Photos: Hollywood's Notable Deaths of 2019
Vincent was born on July 15, 1944, in Denver. He made his first appearance on screen in the 1967 TV film “The Hardy Boys: The Mystery of the Chinese Junk.” He was found by a talent scout because of his looks as he was finishing a tour of duty in the California Army National Guard, and then made his movie debut opposite Robert Conrad in “The Bandits.”
His career took off in the late...
- 3/8/2019
- by Beatrice Verhoeven
- The Wrap
There are some Hollywood actors who find the limelight, then fade away because they are typecast or they lack the versatility to make the most of their acting opportunities. Jan Michael Vincent did not fit into either of those groups, leaving many of his fans dumbfounded about what ever happened to the once rising star of the television series Airwolf and movies like Baby Blue Marine. The simple but unfortunate answer is that Vincent basically self-destructed in a very short period of time from a number of self-destructive behaviors, including drug and alcohol addiction. There have been other actors such
Whatever Happened to Jan Michael Vincent?...
Whatever Happened to Jan Michael Vincent?...
- 5/22/2018
- by Jennifer Borama
- TVovermind.com
He starred opposite Charles Bronson in The Mechanic in 1972 (see where that falls on my list of best Bronson movies Here) and he played the title role in Disney’s The World’S Greatest Athlete the next year. Jan-Michael Vincent went on to star in a string of modest hits in the ‘70s – Baby Blue Marine, Buster And Billie, Defiance, Vigilante Force and my favorite – White Line Fever. He was in Bite The Bullet with Gene Hackman in 1975 and costarred with Burt Reynolds in Hooper in 1978. Jan-Michael Vincent has been somewhat forgotten over the last couple of decades, but now author David Grove has written a book about the actor; Jan-Michael Vincent Edge of Greatness
With his chiseled features, effortless screen presence, otherworldly vitality, striking blue eyes, Jan-Michael Vincent seemed destined for superstardom. However, the real Jan-Michael Vincent was a reluctant sex symbol plagued by doubt and low self-confidence, a perpetual misfit doomed to alcoholism.
With his chiseled features, effortless screen presence, otherworldly vitality, striking blue eyes, Jan-Michael Vincent seemed destined for superstardom. However, the real Jan-Michael Vincent was a reluctant sex symbol plagued by doubt and low self-confidence, a perpetual misfit doomed to alcoholism.
- 10/4/2016
- by Tom Stockman
- WeAreMovieGeeks.com
Dorothy Tristan wrote and stars in the latest film from Academy Award® nominated director John Hancock,"The Looking Glass," set to open in New York at the Cinema Village, and in Los Angeles at the Fine Arts on October 23, 2015.
“I was very moved by the film. Dorothy gives an extremely touching performance, one that is definitely worthy of an Academy Award nomination,” said film critic Kathleen Carroll.
The official synopsis reads: "After losing her mother, troubled 13-year-old Julie must go to Indiana to live with her grandmother, Karen. Karen, a former star of stage and screen, now facing the end of her life, wants desperately to connect with her granddaughter in a meaningful way and pass on all she knows before it's too late. But the two of them—each stubborn in her own way—butt heads at every turn. Soon, Karen makes a remarkable discovery: Julie’s powerful, unique singing voice. Will the sudden discovery of Julie’s talent be enough to bring the two together and allow Karen to pass on her legacy? This beautifully shot film shows a tenderness in its treatment of family matters such as depression and low self-esteem. In watching the story unfold, the watcher is touched at the beauty and sadness of the rebellious young girl. Our hopes for her finding herself and allowing her voice to be shared with the world engages as the movie unfolds. This is the sort of film families with pre-teen and teen girls and boys would enjoy together. Then one talks of 'family entertainment,' this is the film that fits for a pleasurable movie day"
Married for forty years, "The Looking Glass" finds Dorothy Tristan and John Hancock collaborating for the seventh time. Since 1994, when their house was destroyed in the Malibu fire, they’ve been living and working in La Porte County, Indiana, and turning that little corner of the Midwest into a filmmaking hub.
Dorothy appeared in the director's “California Dreaming” and wrote “Steal the Sky,” “Weeds,” “A Piece of Eden” and “Suspended Animation.” She also did the final polish on Hancock's Christmas classic, “Prancer.” Tristan began her acting career in theatre, playing Charlotte Corday in the national touring production of “Marat/Sade.” She was Helena in “Midsummer Night’s Dream” and Lady Macduff in “Macbeth” at Stratford, Connecticut. She played Blanche Dubois opposite Jon Voight in “Streetcar Named Desire.” She had leading or supporting roles in a number of major motion pictures including “Klute,” “Man on a Swing,” and Aram Avakian’s “End of the Road” with James Earl Jones and Stacy Keach.
Hancock’s feature film credits include “Bang The Drum Slowly,” “California Dreaming,” “Let’s Scare Jessica to Death,” “Baby Blue Marine,” “Weeds,’ and the Christmas classic “Prancer,” starring Sam Elliott, Cloris Leachman, Abe Vigoda and Rebecca Harrell, which he shot "The Looking Glass" on his family’s fruit farm in Laporte County. His current production, , brings him home again, physically and emotionally. He says he “tried to catch the sense of returning to this place where you grew up, and falling in love with what you were not truly able to see before.
The story hits close to home for Hancock and Tristan. “Dorothy and I have reached a point in our lives where we’ve thought a lot about what we’ve accomplished, and what kind of legacy we hope to leave behind once we’re no longer here,” says Hancock, 76.
“You always hope you’ve had some type of impact on people, that what you did with your life meant something to people. That’s what this story is about: reaching out to those closest to you and imparting on them all your knowledge, all your life lessons so a part of you lives on.
“You’re preparing the next generation for greatness. That’s true not just for the characters in the film, but for Dorothy and me, that maybe we can inspire a new generation of filmmakers to create movies that mean something to people.”...
“I was very moved by the film. Dorothy gives an extremely touching performance, one that is definitely worthy of an Academy Award nomination,” said film critic Kathleen Carroll.
The official synopsis reads: "After losing her mother, troubled 13-year-old Julie must go to Indiana to live with her grandmother, Karen. Karen, a former star of stage and screen, now facing the end of her life, wants desperately to connect with her granddaughter in a meaningful way and pass on all she knows before it's too late. But the two of them—each stubborn in her own way—butt heads at every turn. Soon, Karen makes a remarkable discovery: Julie’s powerful, unique singing voice. Will the sudden discovery of Julie’s talent be enough to bring the two together and allow Karen to pass on her legacy? This beautifully shot film shows a tenderness in its treatment of family matters such as depression and low self-esteem. In watching the story unfold, the watcher is touched at the beauty and sadness of the rebellious young girl. Our hopes for her finding herself and allowing her voice to be shared with the world engages as the movie unfolds. This is the sort of film families with pre-teen and teen girls and boys would enjoy together. Then one talks of 'family entertainment,' this is the film that fits for a pleasurable movie day"
Married for forty years, "The Looking Glass" finds Dorothy Tristan and John Hancock collaborating for the seventh time. Since 1994, when their house was destroyed in the Malibu fire, they’ve been living and working in La Porte County, Indiana, and turning that little corner of the Midwest into a filmmaking hub.
Dorothy appeared in the director's “California Dreaming” and wrote “Steal the Sky,” “Weeds,” “A Piece of Eden” and “Suspended Animation.” She also did the final polish on Hancock's Christmas classic, “Prancer.” Tristan began her acting career in theatre, playing Charlotte Corday in the national touring production of “Marat/Sade.” She was Helena in “Midsummer Night’s Dream” and Lady Macduff in “Macbeth” at Stratford, Connecticut. She played Blanche Dubois opposite Jon Voight in “Streetcar Named Desire.” She had leading or supporting roles in a number of major motion pictures including “Klute,” “Man on a Swing,” and Aram Avakian’s “End of the Road” with James Earl Jones and Stacy Keach.
Hancock’s feature film credits include “Bang The Drum Slowly,” “California Dreaming,” “Let’s Scare Jessica to Death,” “Baby Blue Marine,” “Weeds,’ and the Christmas classic “Prancer,” starring Sam Elliott, Cloris Leachman, Abe Vigoda and Rebecca Harrell, which he shot "The Looking Glass" on his family’s fruit farm in Laporte County. His current production, , brings him home again, physically and emotionally. He says he “tried to catch the sense of returning to this place where you grew up, and falling in love with what you were not truly able to see before.
The story hits close to home for Hancock and Tristan. “Dorothy and I have reached a point in our lives where we’ve thought a lot about what we’ve accomplished, and what kind of legacy we hope to leave behind once we’re no longer here,” says Hancock, 76.
“You always hope you’ve had some type of impact on people, that what you did with your life meant something to people. That’s what this story is about: reaching out to those closest to you and imparting on them all your knowledge, all your life lessons so a part of you lives on.
“You’re preparing the next generation for greatness. That’s true not just for the characters in the film, but for Dorothy and me, that maybe we can inspire a new generation of filmmakers to create movies that mean something to people.”...
- 10/6/2015
- by Sydney Levine
- Sydney's Buzz
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