Martin Scorsese is back in theaters, but once again, the cinema legend has teamed with a streamer to get it done. Previously, Scorsese teamed with Netflix for “The Irishman” and now, he’s teamed with Apple Original Films for his historical crime epic “Killers of the Flower Moon.”
So does that mean you can watch “Killers of the Flower Moon” on AppleTV+ right now? Not quite — Apple is giving the film a full theatrical run first.
And it’s easy to see why. The film got a rapturous reception when it debuted at Cannes and stars an A-list cast including Leonardo DiCaprio, Robert De Niro and Lily Gladstone. Based on the celebrated book of the same name, the film tells the story of the murders of multiple Osage people in Oklahoma in the 1920s after oil was discovered on tribal land.
Critics are celebrating the film as one of Scorsese...
So does that mean you can watch “Killers of the Flower Moon” on AppleTV+ right now? Not quite — Apple is giving the film a full theatrical run first.
And it’s easy to see why. The film got a rapturous reception when it debuted at Cannes and stars an A-list cast including Leonardo DiCaprio, Robert De Niro and Lily Gladstone. Based on the celebrated book of the same name, the film tells the story of the murders of multiple Osage people in Oklahoma in the 1920s after oil was discovered on tribal land.
Critics are celebrating the film as one of Scorsese...
- 10/20/2023
- by Haleigh Foutch
- The Wrap
In the fall of 1983, one could already make a plausible case for Martin Scorsese as one of the greatest living American filmmakers based on “Mean Streets,” “Alice Doesn’t Live Here Anymore,” “Taxi Driver,” “Italianamerican,” “The Last Waltz,” “Raging Bull,” and “The King of Comedy.” But as the holidays approached, Scorsese’s career was in trouble.
After establishing himself with a series of lean, mean masterpieces shot on tight schedules, the director’s productions had grown in a scale disproportionate to their financial success; “New York, New York,” “Raging Bull,” and “The King of Comedy” had all taken around a hundred days to shoot, and while all three are acknowledged as classics today, they received mixed reviews at the time and “Raging Bull” barely broke even at the box office — “New York, New York” and “The King of Comedy” were flat-out flops.
Scorsese spent most of 1983 preparing what was intended to...
After establishing himself with a series of lean, mean masterpieces shot on tight schedules, the director’s productions had grown in a scale disproportionate to their financial success; “New York, New York,” “Raging Bull,” and “The King of Comedy” had all taken around a hundred days to shoot, and while all three are acknowledged as classics today, they received mixed reviews at the time and “Raging Bull” barely broke even at the box office — “New York, New York” and “The King of Comedy” were flat-out flops.
Scorsese spent most of 1983 preparing what was intended to...
- 8/18/2023
- by Jim Hemphill
- Indiewire
Fresh off the release of his latest crime epic, “The Irishman,” legendary director Martin Scorsese isn’t ready to stop. According to Scorsese, he’s now color-correcting his 1974 documentary “Italianamerican” which he says will be released by Criterion Collection.
Read More: Martin Scorsese To Direct A New Doc About The 1970s Music Scene In New York City
Scorsese announced this off-hand in an interview with Peter Travers, where he talked about reconnecting with Robert De Niro and Joe Pesci as well as working with Al Pacino for the first time in “The Irishman.” When asked about his five favorite films he’s made, Scorsese mentions that he is working on color-correcting his documentary for the Criterion Collection, and that a lot of the filmmaking style he used in that film came in handy for “The Irishman.”
For those uninitiated, “Italianamerican” is a documentary made by Martin Scorsese about his parents,...
Read More: Martin Scorsese To Direct A New Doc About The 1970s Music Scene In New York City
Scorsese announced this off-hand in an interview with Peter Travers, where he talked about reconnecting with Robert De Niro and Joe Pesci as well as working with Al Pacino for the first time in “The Irishman.” When asked about his five favorite films he’s made, Scorsese mentions that he is working on color-correcting his documentary for the Criterion Collection, and that a lot of the filmmaking style he used in that film came in handy for “The Irishman.”
For those uninitiated, “Italianamerican” is a documentary made by Martin Scorsese about his parents,...
- 11/29/2019
- by Rafael Motamayor
- The Playlist
Screenwriter Mardik Martin, a frequent collaborator with Martin Scorsese on films including “Raging Bull,” “Mean Streets” and “New York, New York,” died Wednesday in Los Angeles at 82.
Born in Iran to an Armenian family and raised in Iraq, where he worked for a film distributor as a teenager, Martin moved to the U.S. to study economics at NYU, then gravitated to the film department, where he met Scorsese in 1961. Soon after, he began working with the director on some of his early films such as the 1964 short “It’s Not Just You, Murray,” then on Scorsese’s feature debut, “Who’s That Knocking at My Door?” and documentary “Italianamerican.”
Screenwriter Howard Rodman was among those who recalled his career.
My friend and colleague Mardik Martin died this morning. You may know him for his writing in Mean Streets, Raging Bull, New York New York.
To say that Mardik was...
Born in Iran to an Armenian family and raised in Iraq, where he worked for a film distributor as a teenager, Martin moved to the U.S. to study economics at NYU, then gravitated to the film department, where he met Scorsese in 1961. Soon after, he began working with the director on some of his early films such as the 1964 short “It’s Not Just You, Murray,” then on Scorsese’s feature debut, “Who’s That Knocking at My Door?” and documentary “Italianamerican.”
Screenwriter Howard Rodman was among those who recalled his career.
My friend and colleague Mardik Martin died this morning. You may know him for his writing in Mean Streets, Raging Bull, New York New York.
To say that Mardik was...
- 9/12/2019
- by Pat Saperstein
- Variety Film + TV
All week long our writers will debate: Which was the greatest film year of the past half century. Click here for a complete list of our essays. I was one of the first to select years for this particular exercise, which probably allowed me to select the correct year. The answer is, of course, 1974 and all other answers are wrong. No matter what your criteria happens to be, 1974 is going to come out on top. Again, this is not ambiguous or open to debate. We have to start, of course, with the best of the best. "Chinatown" is one of the greatest movies ever made. You can't structure a thriller better than Robert Towne and Roman Polanski do, nor shoot a Los Angeles movie better than John Alonzo has done. Jack Nicholson and Faye Dunaway give the best performances of their careers, which is no small achievement. If you ask...
- 4/29/2015
- by Daniel Fienberg
- Hitfix
Filmmaker editor Scott Macaulay interviews kogonada, "the somewhat mysterious, Nashville-based film essayist whose works have scored hundreds of thousands of views on Vimeo and other platforms." Among his subjects: Robert Bresson and Stanley Kubrick. Tonight, he'll be presenting work on Steven Soderbergh and Yasujiro Ozu. Also in today's news roundup: James Lattimer on Eric Rohmer's Love in the Afternoon and Jonathan Glazer's Under the Skin, Jeff Reichert on Martin Scorsese's Italianamerican, Ron Rosenbaum on Al Pacino and more. Plus remembering George Sluizer (The Vanishing) and German screenwriter Wolfgang Held. » - David Hudson...
- 9/22/2014
- Fandor: Keyframe
Filmmaker editor Scott Macaulay interviews kogonada, "the somewhat mysterious, Nashville-based film essayist whose works have scored hundreds of thousands of views on Vimeo and other platforms." Among his subjects: Robert Bresson and Stanley Kubrick. Tonight, he'll be presenting work on Steven Soderbergh and Yasujiro Ozu. Also in today's news roundup: James Lattimer on Eric Rohmer's Love in the Afternoon and Jonathan Glazer's Under the Skin, Jeff Reichert on Martin Scorsese's Italianamerican, Ron Rosenbaum on Al Pacino and more. Plus remembering George Sluizer (The Vanishing) and German screenwriter Wolfgang Held. » - David Hudson...
- 9/22/2014
- Keyframe
The BBC has confirmed the lineup for its new documentary festival Art Screen, which runs in Glasgow April 10-13.
The festival kicks off with Julien Temple’s Rio, with the director also participating in a Q&A with Kirsty Wark.
Martin Scorsese has specially selected Italianamerican for Art Screen audiences, exclusively from his own personal archive.
Jarvis Cocker will also attend a Q&A following the screening of steelworks project The Big Melt, which he co-directed with Martin Wallace.
Other screenings include Jeremy Deller’s The Bruce Lacey Experience, Kim Longinotto’s Salma, and a world premiere of Louise Lockwood’s Facing Up To Mackintosh.
Iain Forsyth and Jane Pollard will give a masterclass about making their Nick Cave film, 20,000 Days on Earth.
Art Screen is led by the BBC with collaborators including Glasgow International, British Council, frieze, Lux, Glasgow Film, Cca and BFI. It is supported by Creative Scotland.
The festival kicks off with Julien Temple’s Rio, with the director also participating in a Q&A with Kirsty Wark.
Martin Scorsese has specially selected Italianamerican for Art Screen audiences, exclusively from his own personal archive.
Jarvis Cocker will also attend a Q&A following the screening of steelworks project The Big Melt, which he co-directed with Martin Wallace.
Other screenings include Jeremy Deller’s The Bruce Lacey Experience, Kim Longinotto’s Salma, and a world premiere of Louise Lockwood’s Facing Up To Mackintosh.
Iain Forsyth and Jane Pollard will give a masterclass about making their Nick Cave film, 20,000 Days on Earth.
Art Screen is led by the BBC with collaborators including Glasgow International, British Council, frieze, Lux, Glasgow Film, Cca and BFI. It is supported by Creative Scotland.
- 3/31/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
The BBC has confirmed the lineup for its new documentary festival Art Screen, which runs in Glasgow April 10-13.
The festival kicks off with Julien Temple’s Rio, with the director also participating in a Q&A with Kirsty Wark.
Martin Scorsese has specially selected Italianamerican for Art Screen audiences, exclusively from his own personal archive.
Jarvis Cocker will also attend a Q&A following the screening of steelworks project The Big Melt, which he co-directed with Martin Wallace.
Other screenings include Jeremy Deller’s The Bruce Lacey Experience, Kim Longinotto’s Salma, and a world premiere of Louise Lockwood’s Facing Up To Mackintosh. Iain Forsyth and Jane Pollard will give a masterclass about making their Nick Cave film 20,000 Days on Earth.
Art Screen is led by the BBC with collaborators including Glasgow International, British Council, frieze, Lux, Glasgow Film, Cca and BFI. It is supported by Creative Scotland.
The festival kicks off with Julien Temple’s Rio, with the director also participating in a Q&A with Kirsty Wark.
Martin Scorsese has specially selected Italianamerican for Art Screen audiences, exclusively from his own personal archive.
Jarvis Cocker will also attend a Q&A following the screening of steelworks project The Big Melt, which he co-directed with Martin Wallace.
Other screenings include Jeremy Deller’s The Bruce Lacey Experience, Kim Longinotto’s Salma, and a world premiere of Louise Lockwood’s Facing Up To Mackintosh. Iain Forsyth and Jane Pollard will give a masterclass about making their Nick Cave film 20,000 Days on Earth.
Art Screen is led by the BBC with collaborators including Glasgow International, British Council, frieze, Lux, Glasgow Film, Cca and BFI. It is supported by Creative Scotland.
- 3/31/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
I’ll go out on a limb here and say that anybody reading these words is at least tangentially familiar with Martin Scorsese‘s narrative output. I will, however, also assume that quite a few people have limited themselves to his features — and if I’m correct, they’ve missed out on entertaining, enlightening windows into everyday life (American Boy, Italianamerican), the world of music (The Last Waltz, No Direction Home, Living in the Material World), and film history (A Personal Journey Through American Movies, My Voyage to Italy).
That lattermost category is especially pertinent at this very moment, since The Independent — who profiled a new book about the man, Scorsese on Scorsese — briefly mentioned that he and the book’s author, Personal Journey co-writer and co-director Michael Henry Wilson, are working on a “new doc about British cinema.” To say that Scorsese‘s no stranger to the topic is rather obvious.
That lattermost category is especially pertinent at this very moment, since The Independent — who profiled a new book about the man, Scorsese on Scorsese — briefly mentioned that he and the book’s author, Personal Journey co-writer and co-director Michael Henry Wilson, are working on a “new doc about British cinema.” To say that Scorsese‘s no stranger to the topic is rather obvious.
- 11/29/2011
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
Feb. 26
8:00 p.m.
Eyedrum
290 Mlk Jr. Drive Se, Suite 8
Atlanta, Ga 30312
Hosted by: Film Love
If you think you’ve seen everything ever directed by Martin Scorsese, then you might want to head out to this special screening of two obscure documentaries the director made in the 1970s: Italianamerican and American Boy: A Profile of Steven Prince. These films are currently unavailable on video and extremely hard to see.
Italianamerican (1974) has been described by Scorsese as “the best film I ever made.” It’s a documentary portrait of his parents, Charles and Catherine, both of whom have had numerous cameos in their son’s more famous films. The documentary is both an intimate look at the Scorsese family and a commentary on the immigrant experience in America.
(On a personal note, I remember seeing Italianamerican way back in film school about 20 years ago, and while much of the film...
8:00 p.m.
Eyedrum
290 Mlk Jr. Drive Se, Suite 8
Atlanta, Ga 30312
Hosted by: Film Love
If you think you’ve seen everything ever directed by Martin Scorsese, then you might want to head out to this special screening of two obscure documentaries the director made in the 1970s: Italianamerican and American Boy: A Profile of Steven Prince. These films are currently unavailable on video and extremely hard to see.
Italianamerican (1974) has been described by Scorsese as “the best film I ever made.” It’s a documentary portrait of his parents, Charles and Catherine, both of whom have had numerous cameos in their son’s more famous films. The documentary is both an intimate look at the Scorsese family and a commentary on the immigrant experience in America.
(On a personal note, I remember seeing Italianamerican way back in film school about 20 years ago, and while much of the film...
- 2/25/2010
- by screenings
- Underground Film Journal
Shine A Light: The Long Haul Of Marty, Mick & "Keef"
An essay by Jon Zelazny
This article first appeared at EightMillionStories.com on April 18, 2008.
Martin Scorsese appears on-camera in the pre-concert scenes of Shine a Light, his only obvious personal touch to a concert film that’s generally indistinguishable from your average HBO special. Scorsese has made some wonderful documentaries over the years, and at this stage in his career, I look forward to his pet projects more than his Hollywood features, but when measured against gems like ItalianAmerican and The Last Waltz, or even the tutorial My Voyage to Italy, Shine a Light is easily the least impressive work of Scorsese’s non-fiction career… which isn’t to say it’s a boring movie, or somehow not worth the price of even an IMAX ticket, because The Rolling Stones are indisputably world-class entertainers, and don’t require any...
An essay by Jon Zelazny
This article first appeared at EightMillionStories.com on April 18, 2008.
Martin Scorsese appears on-camera in the pre-concert scenes of Shine a Light, his only obvious personal touch to a concert film that’s generally indistinguishable from your average HBO special. Scorsese has made some wonderful documentaries over the years, and at this stage in his career, I look forward to his pet projects more than his Hollywood features, but when measured against gems like ItalianAmerican and The Last Waltz, or even the tutorial My Voyage to Italy, Shine a Light is easily the least impressive work of Scorsese’s non-fiction career… which isn’t to say it’s a boring movie, or somehow not worth the price of even an IMAX ticket, because The Rolling Stones are indisputably world-class entertainers, and don’t require any...
- 7/21/2009
- by The Hollywood Interview.com
- The Hollywood Interview
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