The 1970 war epic "Tora! Tora! Tora!" takes place from August 1939 to December 1941, dramatizing the wartime events that led up to the attack on Pearl Harbor. The film alternately follows the American and the Japanese military during the same 29-month period, with the American sequences directed by Richard Fleischer and the Japanese sequences directed by Kinji Fukusaku (of "Battle Royale" fame) and Toshiro Masuda. 20th Century Fox ultra-producer Darryl F. Zanuck conceived of the project, as he wanted to give a proper telling of both sides of Pearl Harbor while also wanting to partially exonerate the American military (which had previously been blamed for its inability to prevent the attack).
Planning and shooting "Tora!" took an amazingly long amount of time. Pre-production wrangling lasted about three years, with principal photography taking an entire eight months. To make sure the Japanese segments would be handled by a master, Fox hired Akira Kurosawa to co-direct.
Planning and shooting "Tora!" took an amazingly long amount of time. Pre-production wrangling lasted about three years, with principal photography taking an entire eight months. To make sure the Japanese segments would be handled by a master, Fox hired Akira Kurosawa to co-direct.
- 6/15/2024
- by Witney Seibold
- Slash Film
“Always: Sunset on Third Street” is based on the manga series “Sunset on Third Street,” written and illustrated by Ryohei Saigan, which follows the lives of various characters in post-war Japan. Upon release, “Always: Sunset on Third Street” would be a box-office hit, receive an overwhelmingly positive reception, and be picked as the Picture of the Year at the 2006 Japanese Academy Awards. The success of the movie would spawn two sequels.
on Amazon by clicking on the image below
Set in 1958 Japan, during the post-war economic recovery, technology is evolving, with the rising advent of television and the building of the Tokyo Tower. The primary location is a lower-income neighborhood in the Yuhi district. Rural schoolgirl Mutsuko Hoshino arrives in the metropolitan city excited to work as an apprentice at Suzuki Auto. Yet, she's perplexed when she learns that her workplace is a rundown auto repair shop...
on Amazon by clicking on the image below
Set in 1958 Japan, during the post-war economic recovery, technology is evolving, with the rising advent of television and the building of the Tokyo Tower. The primary location is a lower-income neighborhood in the Yuhi district. Rural schoolgirl Mutsuko Hoshino arrives in the metropolitan city excited to work as an apprentice at Suzuki Auto. Yet, she's perplexed when she learns that her workplace is a rundown auto repair shop...
- 11/4/2023
- by Sean Barry
- AsianMoviePulse
The early 1970s marked a torrid time for legendary Japanese filmmaker Akira Kurosawa. Coming off the back of his first outright commercial failure with “Dodes'ka-den” (1970) and having been fired from the Hollywood project “Tora! Tora! Tora!” (1970), the director attempted to take his own life in 1971, miraculously surviving. However, the auteur's fortunes would take a turn the following year, as studio Mosfilm of the Soviet Union offered him the opportunity to adapt V.K. Arsenyev's 1923 memoir “Dersu Uzala”. Having wanted to work with the material earlier in his career, Kurosawa accepted, thus producing one of his most overlooked epics.
on Amazon by clicking on the image below
The Russian language film follows Captain Vladimir Arsenyev (Yuriy Solomin), a soldier leading a group of men on a topography mission in Imperial Russia's vast Ussuri region. One night, his camp is visited by the nomad hunter, Dersu Uzala (Maksim Munzuk...
on Amazon by clicking on the image below
The Russian language film follows Captain Vladimir Arsenyev (Yuriy Solomin), a soldier leading a group of men on a topography mission in Imperial Russia's vast Ussuri region. One night, his camp is visited by the nomad hunter, Dersu Uzala (Maksim Munzuk...
- 5/11/2023
- by Tom Wilmot
- AsianMoviePulse
The Japanese entertainment industry has lost a truly marvelous talent. On January 15th, 2023, versatile character actor Noboru Mitani passed away at the age of 90. On the website Yahoo! Japan, Kyodo News reports the cause of death being “due to acute exacerbation of chronic heart failure”( Kyodo News 1). Mitani worked with an array of filmmakers, frequently appearing in the works of Kinji Fukasaku and Juzo Itami. He was also quite active in television and theatre. Tokusatsu fans may recognize him for his appearances in “Return of Ultraman,” “Ultraman Taro,” and “Space Sheriff Gavan,” while anime enthusiasts may remember him for voice acting in the series “Princess Tutu.” His wide range, colorful personality, and how real he could make his characters feel made him stand out as an actor. He also was often able to convey so much through his facial expressions alone, even in moments without dialogue.
Noboru Mitani and Hiroyuki Kawase...
Noboru Mitani and Hiroyuki Kawase...
- 2/3/2023
- by Sean Barry
- AsianMoviePulse
Peter O'Toole's acting career spanned seven decades and involved hundreds of roles, a million sardonic smirks, and no small amount of liquor. On screen, O'Toole could be heroic, villainous, affable, and off-putting, sometimes all at once. In interviews, O'Toole was frank and unguarded, quick with a jibe, and unwilling to suffer fools. O'Toole and his frequent collaborator, the actor Richard Harris, have both appeared on many talk shows toward the ends of their lives to tell many, many stories of getting drunk together.
Somewhere along the way, O'Toole garnered enough fame and clout to more or less select any project he wanted. By the time he starred in Peter Medak's "The Ruling Class" in 1972, O'Toole had already appeared in 18 feature films, including a James Bond movie. That same year, O'Toole would appear in "Under Milk Wood" and a film adaptation of "Man of La Mancha." One might say...
Somewhere along the way, O'Toole garnered enough fame and clout to more or less select any project he wanted. By the time he starred in Peter Medak's "The Ruling Class" in 1972, O'Toole had already appeared in 18 feature films, including a James Bond movie. That same year, O'Toole would appear in "Under Milk Wood" and a film adaptation of "Man of La Mancha." One might say...
- 9/9/2022
- by Witney Seibold
- Slash Film
Filmmaker Boaz Yakin discusses some of his favorite films with hosts Josh Olson and Joe Dante.
Show Notes:
Movies Referenced In This Episode
Aviva (2020)
The Harder They Fall (2021)
The Harder They Come (1972)
Reservoir Dogs (1992)
Pulp Fiction (1994)
Fresh (1994)
Mo’ Better Blues (1990)
Safe (2012)
Scream (2022)
The Punisher (1989)
The Adventures of Robin Hood (1938)
Kagemusha (1980) – Bernard Rose’s trailer commentary
Mean Streets (1973)
Jaws (1975) – Josh Olson’s trailer commentary
The 400 Blows (1959) – Robert Weide’s trailer commentary
Yojimbo (1961)
Dodes’ka-den (1970)
Short Cuts (1993) – Glenn Erickson’s Criterion Blu-ray commentary
Casablanca (1942) – John Landis’s trailer commentary
Coonskin (1975) – Larry Karaszewski’s trailer commentary
Fritz The Cat (1972) – Mick Garris’s trailer commentary, Charlie Largent’s Blu-ray review
The Lord of the Rings (1978)
Wizards (1977)
Heavy Traffic (1973) – Larry Karaszewski’s trailer commentary, Randy Fuller’s wine pairing
The Warriors (1979)
Quintet (1979)
Brewster McCloud (1970) – Larry Karaszewski’s trailer commentary, Glenn Erickson’s Blu-ray review
Mash (1970)
Nashville (1975) – Larry Karaszewski’s trailer commentary, Dan Perri’s trailer commentary,...
Show Notes:
Movies Referenced In This Episode
Aviva (2020)
The Harder They Fall (2021)
The Harder They Come (1972)
Reservoir Dogs (1992)
Pulp Fiction (1994)
Fresh (1994)
Mo’ Better Blues (1990)
Safe (2012)
Scream (2022)
The Punisher (1989)
The Adventures of Robin Hood (1938)
Kagemusha (1980) – Bernard Rose’s trailer commentary
Mean Streets (1973)
Jaws (1975) – Josh Olson’s trailer commentary
The 400 Blows (1959) – Robert Weide’s trailer commentary
Yojimbo (1961)
Dodes’ka-den (1970)
Short Cuts (1993) – Glenn Erickson’s Criterion Blu-ray commentary
Casablanca (1942) – John Landis’s trailer commentary
Coonskin (1975) – Larry Karaszewski’s trailer commentary
Fritz The Cat (1972) – Mick Garris’s trailer commentary, Charlie Largent’s Blu-ray review
The Lord of the Rings (1978)
Wizards (1977)
Heavy Traffic (1973) – Larry Karaszewski’s trailer commentary, Randy Fuller’s wine pairing
The Warriors (1979)
Quintet (1979)
Brewster McCloud (1970) – Larry Karaszewski’s trailer commentary, Glenn Erickson’s Blu-ray review
Mash (1970)
Nashville (1975) – Larry Karaszewski’s trailer commentary, Dan Perri’s trailer commentary,...
- 2/22/2022
- by Kris Millsap
- Trailers from Hell
TV director Dan Attias discusses his favorite cinematic moments with hosts Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Sweet Smell of Success (1957) – John Landis’s trailer commentary
Twilight Zone: The Movie (1983)
White Dog (1982)
Silver Bullet (1985)
Witness (1985)
The Verdict (1982)
Scent Of A Woman (1992)
The Piano (1993)
The Pawnbroker (1965)
Dog Day Afternoon (1975)
True Romance (1993)
Infested (2002)
A History Of Violence (2005)
The Lost World: Jurassic Park (1997)
Gremlins (1984) – Glenn Erickson’s review, Tfh’s 30th anniversary links
It’s A Wonderful Life (1946) – Bill Duke’s trailer commentary, John Landis’s trailer commentary
Jaws (1975) – Josh Olson’s trailer commentary
Fast Times At Ridgemont High (1982) – Karyn Kusama’s trailer commentary, Glenn Erickson’s Criterion review
Heaven Can Wait (1978)
Here Comes Mr. Jordan (1941) – Glenn Erickson’s Criterion review
12 Angry Men (1957)
Dodes’ka-den (1970)
Memento (2000)
Lawrence of Arabia (1962)
Other Notable Items
Phillips Club in NYC
Tfh Guru Alan Spencer
Sledge Hammer! TV series (1986-1988)
The Garland in...
Show Notes: Movies Referenced In This Episode
Sweet Smell of Success (1957) – John Landis’s trailer commentary
Twilight Zone: The Movie (1983)
White Dog (1982)
Silver Bullet (1985)
Witness (1985)
The Verdict (1982)
Scent Of A Woman (1992)
The Piano (1993)
The Pawnbroker (1965)
Dog Day Afternoon (1975)
True Romance (1993)
Infested (2002)
A History Of Violence (2005)
The Lost World: Jurassic Park (1997)
Gremlins (1984) – Glenn Erickson’s review, Tfh’s 30th anniversary links
It’s A Wonderful Life (1946) – Bill Duke’s trailer commentary, John Landis’s trailer commentary
Jaws (1975) – Josh Olson’s trailer commentary
Fast Times At Ridgemont High (1982) – Karyn Kusama’s trailer commentary, Glenn Erickson’s Criterion review
Heaven Can Wait (1978)
Here Comes Mr. Jordan (1941) – Glenn Erickson’s Criterion review
12 Angry Men (1957)
Dodes’ka-den (1970)
Memento (2000)
Lawrence of Arabia (1962)
Other Notable Items
Phillips Club in NYC
Tfh Guru Alan Spencer
Sledge Hammer! TV series (1986-1988)
The Garland in...
- 9/14/2021
- by Kris Millsap
- Trailers from Hell
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSWith the eyebrow-raising working title of Soggy Bottom, Paul Thomas Anderson's new 70s-set project has quietly begun shooting in Los Angeles with Bradley Cooper, and possibly Alana Haim of the band Haim. Speaking of new projects, the next feature by Hirokazu Kore-eda will be a Korean production starring Bae Doona (who previously starred in his film Air Doll) and Song Kang-ho. Entitled Broker, the film is about characters linked by a "baby box," a place where parents may anonymously drop off babies they are unable to raise. Berlinale has announced plans for its 2021 edition, which will be a physical festival. For the first time, performance awards will be gender neutral, replacing the awards for the Best Actor and the Best Actress with a Silver Bear for Best Leading Performance and a Silver Bear for Best Supporting Performance.
- 8/26/2020
- MUBI
Above: 1976 Hungarian poster for The Wizard of Oz. Art by Olga Tövisváry.In the world of East European poster design, Hungary has always been somewhat of a poor relation to Poland and Czechoslovakia, whose artists have been justly celebrated for years. In that indispensable bible of international postwar movie poster design, Art of the Modern Movie Poster, 66 pages are devoted to Polish posters and 40 to the Czechs, but not only is Hungary lumped into a section with Russia, Romania, and Yugoslavia but there are only two Hungarian posters featured. But that dearth of attention is all due to access rather than to the quality of Hungarian design. I recently came across a treasure-trove of Hungarian movie posters on a number of websites that could go a long way to redressing the balance. The posters that I am featuring here were all found on the auction site Bedo and they come...
- 8/23/2020
- MUBI
This interview was originally conducted by Serge Kaganski. Suhaib Gasmelbari's Talking About Trees is Mubi Go's Film of the Week of January 31, 2020. Special thanks to Serge Kaganski and Mathieu Berthon for their permission to republish it.Suhaib Gasmelbari's documentary Talking About Trees is about Ibrahim, Manar, Suleiman and Altayeb, members of the Sudanese Film Club founded in 1989. Unable to make films for years, they have decided to revive an old cinema. They are united not only by their love of cinema and their passionate desire to restore old films and draw attention to Sudanese film history once more, but also by the fact that they all enjoyed a film education outside Sudan.Serge Koganski: What sort of cinema viewer were you during your youth in Sudan?Suhaib Gasmelbari: My journey as a cinephile is not very classic. I grew up in Sudan in the nineties, a period when...
- 1/30/2020
- MUBI
Mubi is showing Seijun Suzuki's Taisho Trilogy from November 13 - December 27, 2017 in the United States and United Kingdom.In a now-famous quote from a 1997 video interview, the late Japanese filmmaker Seijun Suzuki paraphrases Nikkatsu Studio executives when he declares, "I make movies that make no sense and make no money.” The quip is put forth in the context of 1967’sBranded to Kill, the pop-influenced noir that arguably stands as the artistic pinnacle of Suzuki’s career as a filmmaker of yakuza, gangster, and proto-pink films with Nikkatsu. While others have contested Suzuki’s claims that his nonsensical and unbankable output lead to the fissure between the filmmaker and Nikkatsu—pointing instead to the drain he and his dedicated coterie of assistant directors placed on the studio—Branded to Kill was the cap to a prodigious run of no less than two features a year from 1956 through 1966, and Suzuki's his...
- 12/5/2017
- MUBI
There was plenty of discussion across the movie blogosphere following last week's announcement that Vertigo had dethroned Citizen Kane as the greatest film of all time according to Sight & Sound's decennial poll. In addition to revealing the top 50 as determined by critics, they also provided a top 10 based on a separate poll for directors only. In the print version of the magazine, they have taken it a step further by reprinting some of the individual top 10 lists from the filmmakers who participated, and we now have some of them here for your perusal. Among them, we have lists from legends like Martin Scorsese, Francis Ford Coppola and Quentin Tarantino, but there are also some unexpected newcomers who took part including Richard Ayoade (Submarine), Miranda July (Me and You and Everyone We Know) and Sean Durkin (Martha Marcy May Marlene). Some of these lists aren't all that surprising (both Quentin Tarantino...
- 8/6/2012
- by Sean
- FilmJunk
(Akira Kurosawa, 1975, Artificial Eye, U)
In the early 1970s Akira Kurosawa's fortunes and spirit were at a low ebb. He'd been dropped by Hollywood from the Pearl Harbor epic Tora! Tora! Tora! in which he had invested much time and energy. His first colour film Dodes'ka-den was a critical and box-office failure. A crisis in the Japanese film industry had made financing his movies impossible. As a result he attempted suicide. But eventually his career was restored by a Soviet invitation to direct a film version of a non-fiction work he'd loved in his youth, and back in the 1940s he had planned a Japanese version that was aborted, partly due to unsuitable locations but mainly because its themes were in conflict with Japanese militarism. Published in 1923, the book is a memoir by the Russian army engineer Captain Vladimir Arsenyev about his friendship with a nomadic hunter, Dersu Uzala,...
In the early 1970s Akira Kurosawa's fortunes and spirit were at a low ebb. He'd been dropped by Hollywood from the Pearl Harbor epic Tora! Tora! Tora! in which he had invested much time and energy. His first colour film Dodes'ka-den was a critical and box-office failure. A crisis in the Japanese film industry had made financing his movies impossible. As a result he attempted suicide. But eventually his career was restored by a Soviet invitation to direct a film version of a non-fiction work he'd loved in his youth, and back in the 1940s he had planned a Japanese version that was aborted, partly due to unsuitable locations but mainly because its themes were in conflict with Japanese militarism. Published in 1923, the book is a memoir by the Russian army engineer Captain Vladimir Arsenyev about his friendship with a nomadic hunter, Dersu Uzala,...
- 1/8/2012
- by Philip French
- The Guardian - Film News
(Akira Kurosawa, 1952-70, 15, BFI)
The highlight of this five-film box is Ikiru (aka Living), one of the greatest films ever made and Kurosawa's finest non-samurai movie. Set in modern Japan it takes a hackneyed subject – a middle-aged civil servant (superbly played by Takashi Shimura) reacting to a diagnosis of terminal cancer – and turns it into a profound, moving, unforgettable statement about the human condition. Three of the other films star the charismatic Toshiro Mifune: I Live in Fear (1955), the nuclear-angst tale of a man bent on taking his family to safety in Brazil; the rarely shown The Lower Depths (1957), a fascinating transposition of Gorky's play to a changing 19th-century Japan; and Red Beard (1965), a medical epic about a dedicated doctor (Mifune's last Kurosawa movie) in a country clinic. The fifth film, Dodes'ka-den (1970), a mosaic narrative about dreamily eccentric slum-dwellers, was Kurosawa's first colour picture and influenced by Antonioni's Red Desert.
The highlight of this five-film box is Ikiru (aka Living), one of the greatest films ever made and Kurosawa's finest non-samurai movie. Set in modern Japan it takes a hackneyed subject – a middle-aged civil servant (superbly played by Takashi Shimura) reacting to a diagnosis of terminal cancer – and turns it into a profound, moving, unforgettable statement about the human condition. Three of the other films star the charismatic Toshiro Mifune: I Live in Fear (1955), the nuclear-angst tale of a man bent on taking his family to safety in Brazil; the rarely shown The Lower Depths (1957), a fascinating transposition of Gorky's play to a changing 19th-century Japan; and Red Beard (1965), a medical epic about a dedicated doctor (Mifune's last Kurosawa movie) in a country clinic. The fifth film, Dodes'ka-den (1970), a mosaic narrative about dreamily eccentric slum-dwellers, was Kurosawa's first colour picture and influenced by Antonioni's Red Desert.
- 12/4/2011
- by Philip French
- The Guardian - Film News
Over the last few years my interest in Akira Kurosawa has grown and grown, but it isn't as if I have been familiar with his work for all that long. It wasn't until August 25, 2007 that I saw my first Kurosawa film, and just as I assume to be the same for many before and after me, that film was Seven Samurai. I enjoyed it and began my exploration into Kurosawa using that film as my starting point. Since that day in August I have seen twelve more of Kurosawa's features and with Criterion's recent Eclipse release titled "The First Films of Akira Kurosawa" I have added four more to that tally.
This was my first time watching one of Criterion's Eclipse releases, which seem to primarily dedicate themselves to ensuring lesser known films from well known directors never die, and while they don't get the full Criterion treatment they will live on.
This was my first time watching one of Criterion's Eclipse releases, which seem to primarily dedicate themselves to ensuring lesser known films from well known directors never die, and while they don't get the full Criterion treatment they will live on.
- 8/3/2010
- by Brad Brevet
- Rope of Silicon
tuesday top ten returns! It's for the list-maker in me and the list-lover in you
The Cannes film festival wrapped this weekend (previous posts) and the most recent Oscar winner for Best Foreign Language Film, The Secret in Their Eyes is still in the midst of a successful Us run. That Oscar winning Argentinian film came to us from director Juan Jose Campanella. It's his second film to be honored by the Academy (Son of the Bride was nominated ten years back). The Academy voters obviously like Campanella and in some ways he's a Hollywood guy. When he's not directing Argentinian Oscar hopefuls he spends time making Us television with episodes of Law & Order, House and 30 Rock under his belt.
So let's talk foreign-language auteurs. Who does Oscar love most?
[The film titles discussed in this article will link to Netflix pages -- if available -- should you be curious to see the films]
Best Director winners Ang Lee (Brokeback Mountain) and Milos Forman
(Amadeus and One Flew Over the Cuckoo's Nest)
Please Note:...
The Cannes film festival wrapped this weekend (previous posts) and the most recent Oscar winner for Best Foreign Language Film, The Secret in Their Eyes is still in the midst of a successful Us run. That Oscar winning Argentinian film came to us from director Juan Jose Campanella. It's his second film to be honored by the Academy (Son of the Bride was nominated ten years back). The Academy voters obviously like Campanella and in some ways he's a Hollywood guy. When he's not directing Argentinian Oscar hopefuls he spends time making Us television with episodes of Law & Order, House and 30 Rock under his belt.
So let's talk foreign-language auteurs. Who does Oscar love most?
[The film titles discussed in this article will link to Netflix pages -- if available -- should you be curious to see the films]
Best Director winners Ang Lee (Brokeback Mountain) and Milos Forman
(Amadeus and One Flew Over the Cuckoo's Nest)
Please Note:...
- 5/31/2010
- by NATHANIEL R
- FilmExperience
DVD Links: DVD News | Release Dates | New Dvds | Reviews | RSS Feed
Ak 100: 25 Films by Akira Kurosawa (Criterion Collection) Sure, there are some of 2009's bigger film releases hitting DVD and Blu-ray this week, but this set from Criterion is undoubtedly the release of the week. This set offers 25 of Akira Kurosawa's films, four of which had never been released on DVD, and an illustrated book featuring an introduction and notes on each of the films by Stephen Prince (The Warrior's Camera: The Cinema of Akira Kurosawa) and a remembrance by Donald Richie (The Films of Akira Kurosawa).
I was not sent a copy for review, but DVD Beaver has an extensive three page look at the set right here. If you are interested, it is selling for $284.99 at Amazon as of the posting of this round-up. A list of the films included is directly below followed by a...
Ak 100: 25 Films by Akira Kurosawa (Criterion Collection) Sure, there are some of 2009's bigger film releases hitting DVD and Blu-ray this week, but this set from Criterion is undoubtedly the release of the week. This set offers 25 of Akira Kurosawa's films, four of which had never been released on DVD, and an illustrated book featuring an introduction and notes on each of the films by Stephen Prince (The Warrior's Camera: The Cinema of Akira Kurosawa) and a remembrance by Donald Richie (The Films of Akira Kurosawa).
I was not sent a copy for review, but DVD Beaver has an extensive three page look at the set right here. If you are interested, it is selling for $284.99 at Amazon as of the posting of this round-up. A list of the films included is directly below followed by a...
- 12/8/2009
- by Brad Brevet
- Rope of Silicon
DVD Playhouse—March 2009
By
Allen Gardner
Let The Right One In (Magnolia) An awkward 12 year-old boy, ignored by his mother and the target of bullies, finds himself drawn to his new neighbor: a girl his own age who only appears at night, and seems herself to be as lonely an outcast as he. Haunting film from Sweden is best described as The 400 Blows meets Nosferatu, and contains some of the most haunting imagery of any film in recent memory. Truly a unique and memorable work. Bonuses: Deleted scenes; Featurette; Photo and poster gallery. Widescreen. Dolby 5.1 surround.
Paramount Centennial Collection Paramount offers two more classic titles, restored, remastered and loaded with extras. Alfred Hitchcock’s To Catch A Thief stars Cary Grant as a retired jewel thief trying to enjoy his sunset years on the French Riviera with a minimum of drama, until he catches the eye of a high-maintenance heiress (Grace Kelly,...
By
Allen Gardner
Let The Right One In (Magnolia) An awkward 12 year-old boy, ignored by his mother and the target of bullies, finds himself drawn to his new neighbor: a girl his own age who only appears at night, and seems herself to be as lonely an outcast as he. Haunting film from Sweden is best described as The 400 Blows meets Nosferatu, and contains some of the most haunting imagery of any film in recent memory. Truly a unique and memorable work. Bonuses: Deleted scenes; Featurette; Photo and poster gallery. Widescreen. Dolby 5.1 surround.
Paramount Centennial Collection Paramount offers two more classic titles, restored, remastered and loaded with extras. Alfred Hitchcock’s To Catch A Thief stars Cary Grant as a retired jewel thief trying to enjoy his sunset years on the French Riviera with a minimum of drama, until he catches the eye of a high-maintenance heiress (Grace Kelly,...
- 3/11/2009
- by The Hollywood Interview.com
- The Hollywood Interview
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