Writer Lee Gambin calls them Natural Horror films, other writers call them Revenge of Nature or Nature Run Amok films and writer Charles Derry considers them a type of Apocalyptic Cinema.
Of course we’re speaking of one of the great horror subgenres for which we’ll employ writer Kim Newman’s tag: The Revolt of Nature.
Since the end of the 1990s, lovers of animal attack films have been subjected to copious amounts of uninspired Nu Image, Syfy Channel and Syfy Channel-like dreck like Silent Predators (1999), Maneater (2007) Croc (2007), Grizzly Rage (2007) and a stunning amount of terrible shark attack films to name a few that barely scratch the surface of a massive list.
These movies fail miserably to capture the intensity of the unforgettable films they are imitating and the recent wave seems to carry with it the intent of giving the Revolt of Nature horror film a bad name.
Of course we’re speaking of one of the great horror subgenres for which we’ll employ writer Kim Newman’s tag: The Revolt of Nature.
Since the end of the 1990s, lovers of animal attack films have been subjected to copious amounts of uninspired Nu Image, Syfy Channel and Syfy Channel-like dreck like Silent Predators (1999), Maneater (2007) Croc (2007), Grizzly Rage (2007) and a stunning amount of terrible shark attack films to name a few that barely scratch the surface of a massive list.
These movies fail miserably to capture the intensity of the unforgettable films they are imitating and the recent wave seems to carry with it the intent of giving the Revolt of Nature horror film a bad name.
- 10/27/2013
- by Terek Puckett
- SoundOnSight
This week’s Must Read is actually a series from Melanie Wilmink’s new blog. One of her posts totally won Bad Lit over with the introductory sentence: “Short films regularly draw the short stick when it comes to being written about.” Ain’t that the truth! So, Melanie rights this wrong with an amazingly well-thought out article/review of the “Crime Wave” shorts at the Calgary International Film Festival that digs deep into issues of cinematic authenticity. Then, she has more in-depth reviews of the “End of Days” shorts program at the fest. Finally, at least for now that I know of, she tackles the anthology film V/H/S, which has been getting lots of press, and hammers it for its overt misogyny.Wanna hear Jonas Mekas talk lovingly about his five Bolexes?The Manitoba Scene got filmmaker Deco Dawson to write an essay about his award-winning short film Keep a Modest Head,...
- 9/30/2012
- by Mike Everleth
- Underground Film Journal
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