Mickey Gilbert, the fearless stunt performer who jumped off a cliff for Robert Redford in Butch Cassidy and the Sundance Kid and doubled for Gene Wilder in films including Blazing Saddles, Silver Streak and The Frisco Kid, has died. He was 87.
Gilbert died Monday of natural causes at his home in Camarillo, California, his oldest son, Tim Gilbert, also a stunt performer, told The Hollywood Reporter.
Early in his career, Gilbert was a horse wrangler in William Wyler’s Ben-Hur (1959) and a bank robber in Sam Peckinpah’s The Wild Bunch (1969). Years later, he took the lumps for Lee Majors’ Colt Seavers on the 1981-86 ABC action show The Fall Guy.
Though they weren’t friends at the time, Gilbert and Redford were in the same class at Van Nuys High School, graduating in 1954. They got together on George Roy Hill’s Butch Cassidy and the Sundance Kid (1969) when Redford...
Gilbert died Monday of natural causes at his home in Camarillo, California, his oldest son, Tim Gilbert, also a stunt performer, told The Hollywood Reporter.
Early in his career, Gilbert was a horse wrangler in William Wyler’s Ben-Hur (1959) and a bank robber in Sam Peckinpah’s The Wild Bunch (1969). Years later, he took the lumps for Lee Majors’ Colt Seavers on the 1981-86 ABC action show The Fall Guy.
Though they weren’t friends at the time, Gilbert and Redford were in the same class at Van Nuys High School, graduating in 1954. They got together on George Roy Hill’s Butch Cassidy and the Sundance Kid (1969) when Redford...
- 2/6/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
It was announced today that controversial actor Robert Blake has died at the age of 89. His niece, Noreen Austin, confirmed that he died at his Los Angeles home after a longtime battle with heart disease. Blake was best known for his roles in Richard Brooks’ adaptation of Truman Capote’s In Cold Blood, David Lynch’s Lost Highway, and for starring in the 1970s detective series Baretta.
Robert Blake got his start as a child actor, appearing as Mickey in forty installments of MGM’s Our Gang short films. He also played Little Beaver in twenty-three installments of the Red Ryder film series. He also appeared in The Treasure of the Sierra Madre as a young Mexican boy who sells a lottery ticket to Humphrey Bogart. Although many child actors can’t transition to adult roles, Blake managed to pull it off. His biggest break came with In Cold Blood,...
Robert Blake got his start as a child actor, appearing as Mickey in forty installments of MGM’s Our Gang short films. He also played Little Beaver in twenty-three installments of the Red Ryder film series. He also appeared in The Treasure of the Sierra Madre as a young Mexican boy who sells a lottery ticket to Humphrey Bogart. Although many child actors can’t transition to adult roles, Blake managed to pull it off. His biggest break came with In Cold Blood,...
- 3/10/2023
- by Kevin Fraser
- JoBlo.com
Jason Momoa in The Last Manhunt Photo: Saban Films Jason Momoa fans may want a little forewarning about The Last Manhunt, which prominently places both his name and face on the poster. Chiefly, that he’s not really in it. His character of “Big Jim” has maybe three scenes, suddenly...
- 11/17/2022
- by Luke Y. Thompson
- avclub.com
In revisiting the tale of fugitive lovers on the run in California’s High Desert, the makers of “The Last Manhunt” sought to correct a story that has remained very much alive for the indigenous Chemehuevi people of the region for more than 100 years.
Produced by Jason Momoa’s On the Roam and directed by Christian Camargo from a script by Thomas Pa’a Sibbett, “The Last Manhunt” opens this year’s inaugural Pioneertown International Film Festival, which takes place May 27-29. The historic movie-set town, home to the popular Pappy & Harriet’s music club, is located near the actual site of the events that transpired in 1909 in and around Twentynine Palms and Joshua Tree National Park.
It was there that Willie Boy met and fell in love with Carlota, the daughter of local tribal chief William Mike. After a confrontation that ends in the death of her father, Willie Boy...
Produced by Jason Momoa’s On the Roam and directed by Christian Camargo from a script by Thomas Pa’a Sibbett, “The Last Manhunt” opens this year’s inaugural Pioneertown International Film Festival, which takes place May 27-29. The historic movie-set town, home to the popular Pappy & Harriet’s music club, is located near the actual site of the events that transpired in 1909 in and around Twentynine Palms and Joshua Tree National Park.
It was there that Willie Boy met and fell in love with Carlota, the daughter of local tribal chief William Mike. After a confrontation that ends in the death of her father, Willie Boy...
- 5/25/2022
- by Ed Meza
- Variety Film + TV
Hart, who founded the “Screen On” cinema chain and distribution company Mainline Pictures, died on December 28
Tributes have been paid to Romaine Hart OBE (1933-2021), one of the doyennes of UK independent arthouse exhibition and distribution, who died on December 28 aged 88.
Hart was the founder of the “Screen On” chain and distribution company Mainline Pictures. She gave a significant boost to the careers of several prominent current industry figures, among them Mia Bays, the new director of the BFI Film Fund, and producers Lucy Darwin (Match Point), Stephen Woolley (Number 9 Films) and John Battsek.
“It is an extraordinary legacy that she has left behind,...
Tributes have been paid to Romaine Hart OBE (1933-2021), one of the doyennes of UK independent arthouse exhibition and distribution, who died on December 28 aged 88.
Hart was the founder of the “Screen On” chain and distribution company Mainline Pictures. She gave a significant boost to the careers of several prominent current industry figures, among them Mia Bays, the new director of the BFI Film Fund, and producers Lucy Darwin (Match Point), Stephen Woolley (Number 9 Films) and John Battsek.
“It is an extraordinary legacy that she has left behind,...
- 1/4/2022
- by Geoffrey Macnab
- ScreenDaily
Exclusive: WME Independent is launching sales ahead of the virtual AFM on under-the-radar Jason Momoa western The Last Manhunt.
Today we can reveal first images of the completed movie, which tells “the true story of the last great American manhunt of the old west,” based on the oral history of the Chemehuevi tribe in Joshua Tree, California. Aquaman and Dune star Momoa is co-writer, executive producer and among cast.
Set in 1909 when a reputed murder spawns a tragedy reminiscent of Romeo and Juliet, the film follows Willie Boy and his love Carlota who go on the run after he accidentally shoots her father in a confrontation gone terribly wrong. With President Taft coming to the area, the local sheriff leads two Native American trackers seeking justice for their “murdered” tribal leader.
The film features a largely Native American ensemble cast, including Martin Sensmeier (The Magnificent Seven) as Willie Boy; Mainei Kinimaka...
Today we can reveal first images of the completed movie, which tells “the true story of the last great American manhunt of the old west,” based on the oral history of the Chemehuevi tribe in Joshua Tree, California. Aquaman and Dune star Momoa is co-writer, executive producer and among cast.
Set in 1909 when a reputed murder spawns a tragedy reminiscent of Romeo and Juliet, the film follows Willie Boy and his love Carlota who go on the run after he accidentally shoots her father in a confrontation gone terribly wrong. With President Taft coming to the area, the local sheriff leads two Native American trackers seeking justice for their “murdered” tribal leader.
The film features a largely Native American ensemble cast, including Martin Sensmeier (The Magnificent Seven) as Willie Boy; Mainei Kinimaka...
- 10/25/2021
- by Andreas Wiseman
- Deadline Film + TV
Do audiences ever ask for a History Lesson? Robert Altman gives them a smart, if diffuse, image of America as a showbiz invention, commercialized and packaged. Paul Newman is the prepackaged white hero surrounded by a jolly circus; Buffalo Bill’s trick seems to be to get his colleagues, the dispossessed minorities and especially the vanquished Native Americans to cooperate with his self-aggrandizing fantasy. One of Altman’s better scattershot ensembles sketches an amusingly hollow Buffalo Bill in Paul Newman, but the director’s style keeps emotional involvement at arm’s length… make that telephoto lens’ length.
Buffalo Bill and the Indians
Region B Blu-ray
Powerhouse Indicator
1976 / Color / 2:35 widescreen / 124, 105 min. / Buffalo Bill and the Indians or Sitting Bull’s History Lesson / Street Date December 14, 2020 / available from Powerhouse Films UK / £15.99
Starring: Paul Newman, Joel Grey, Burt Lancaster, Kevin McCarthy, Harvey Keitel, Will Sampson, Allan F. Nicholls, Geraldine Chaplin, John Considine,...
Buffalo Bill and the Indians
Region B Blu-ray
Powerhouse Indicator
1976 / Color / 2:35 widescreen / 124, 105 min. / Buffalo Bill and the Indians or Sitting Bull’s History Lesson / Street Date December 14, 2020 / available from Powerhouse Films UK / £15.99
Starring: Paul Newman, Joel Grey, Burt Lancaster, Kevin McCarthy, Harvey Keitel, Will Sampson, Allan F. Nicholls, Geraldine Chaplin, John Considine,...
- 12/15/2020
- by Glenn Erickson
- Trailers from Hell
Mojean Aria with Marilee Talkington in ‘See.’
Mojean Aria is in the midst of filming the biggest role of his career in a Warner Bros sci-fi thriller alongside one of his heroes in Hugh Jackman, plus Rebecca Ferguson, Thandie Newton, Cliff Curtis and Daniel Wu.
Jackman stars in Reminiscence as Nicolas Bannister, a war veteran living in a near-future Miami flooded by rising seas who has a special power: offering clients the chance to relive any memory they desire.
His life changes when he meets and embarks on a passionate affair with Ferguson’s Mae. But when another client’s memories implicate Mae in a series of violent crimes, he must uncover the truth about the woman he fell for.
Shooting in New Orleans, the film marks the directing debut of Westworld executive producer Lisa Joy, who wrote the screenplay and is producing with her Kilter Film partner Jonathan Nolan...
Mojean Aria is in the midst of filming the biggest role of his career in a Warner Bros sci-fi thriller alongside one of his heroes in Hugh Jackman, plus Rebecca Ferguson, Thandie Newton, Cliff Curtis and Daniel Wu.
Jackman stars in Reminiscence as Nicolas Bannister, a war veteran living in a near-future Miami flooded by rising seas who has a special power: offering clients the chance to relive any memory they desire.
His life changes when he meets and embarks on a passionate affair with Ferguson’s Mae. But when another client’s memories implicate Mae in a series of violent crimes, he must uncover the truth about the woman he fell for.
Shooting in New Orleans, the film marks the directing debut of Westworld executive producer Lisa Joy, who wrote the screenplay and is producing with her Kilter Film partner Jonathan Nolan...
- 1/12/2020
- by The IF Team
- IF.com.au
George Litto, a longtime Hollywood talent agent who represented blacklisted writers and collaborated with Melvin Van Peeples and Ossie Davis, has died. He was 88.
Litto passed away at Cedars-Sinai Medical Center on April 29 from complications of aortic stenosis, his daughter and business partner, Andria Litto, told Deadline.
George Litto started in the mailroom at William Morris New York in 1954, and worked his way up to an agent, booking summer stock theatre. Among his early successes was helping Mae West secure a role in Come On Up (Ring Twice).
There would be many other famous clients when he moved to boutique agencies in Los Angeles before opening The George Litto Agency in the mid-1960s.
Litto represented Mel Davenport, aka Waldo Salt, who at the time was working in New York under his pseudonym because he was blacklisted. George put him to work under his own name on the film, Midnight Cowboy (1969).
Soon after,...
Litto passed away at Cedars-Sinai Medical Center on April 29 from complications of aortic stenosis, his daughter and business partner, Andria Litto, told Deadline.
George Litto started in the mailroom at William Morris New York in 1954, and worked his way up to an agent, booking summer stock theatre. Among his early successes was helping Mae West secure a role in Come On Up (Ring Twice).
There would be many other famous clients when he moved to boutique agencies in Los Angeles before opening The George Litto Agency in the mid-1960s.
Litto represented Mel Davenport, aka Waldo Salt, who at the time was working in New York under his pseudonym because he was blacklisted. George put him to work under his own name on the film, Midnight Cowboy (1969).
Soon after,...
- 5/8/2019
- by Anita Bennett
- Deadline Film + TV
Tony Sokol Sep 27, 2017
John Travolta stars in Gotti, for which a new trailer has just been released
“Let me tell you, New York City is the greatest city in the world. I was a kid in these streets and I made it the top,” John Travolta says as John Gotti in the trailer for the upcoming biopic Gotti. If anyone could claim “My Way” as a theme song it was the Dapper Don of the Gambino Crime Family.
Gotti “made his bones doing a piece of work for Don Carlo Gambino,” the trailer tells us. From that day on, the Teflon Don was a man on the rise. Gotti has a similar look to Martin Scorsese’s Goodfellas. The film will tell Gotti’s story over three decades, but will largely focus on the years after he was made boss by killing the top guy and then assuming his place.
John Travolta stars in Gotti, for which a new trailer has just been released
“Let me tell you, New York City is the greatest city in the world. I was a kid in these streets and I made it the top,” John Travolta says as John Gotti in the trailer for the upcoming biopic Gotti. If anyone could claim “My Way” as a theme song it was the Dapper Don of the Gambino Crime Family.
Gotti “made his bones doing a piece of work for Don Carlo Gambino,” the trailer tells us. From that day on, the Teflon Don was a man on the rise. Gotti has a similar look to Martin Scorsese’s Goodfellas. The film will tell Gotti’s story over three decades, but will largely focus on the years after he was made boss by killing the top guy and then assuming his place.
- 9/26/2017
- Den of Geek
John Travolta's trademark smile and charisma go a long way to help him transform into the late John Gotti, nicknamed Teflon Don, for upcoming flick Gotti.
The film, due out in December, will chronicle the mafia kingpin's rise to power in New York City over the course of three decades. In a new trailer released Tuesday, Travolta-as-Gotti exudes confidence as he intones over flashing scenes of the city, "New York is the greatest city in the world – my city."
"I was a kid in these streets, and I made it to the top,...
The film, due out in December, will chronicle the mafia kingpin's rise to power in New York City over the course of three decades. In a new trailer released Tuesday, Travolta-as-Gotti exudes confidence as he intones over flashing scenes of the city, "New York is the greatest city in the world – my city."
"I was a kid in these streets, and I made it to the top,...
- 9/26/2017
- Rollingstone.com
The Film Society of Lincoln Center has today announced the fourth edition of Art of the Real, their essential showcase for boundary-pushing nonfiction film, scheduled to take place April 20 – May 2. Billed as “a survey of the most vital and innovative voices in nonfiction and hybrid filmmaking,” this year’s showcase features an eclectic, globe-spanning host of discoveries, including seven North American premieres and eight U.S. premieres.
“In our fourth year we’ve put an emphasis on placing works by first-time and emerging filmmakers alongside established names, with the aim to highlight the experimentation happening across generations, and to trace a new trajectory of documentary art that points to its promising future,” said Film Society of Lincoln Center Programmer at Large Rachael Rakes, who organized the festival with Director of Programming Dennis Lim.
The Opening Night selection is the New York premiere of Theo Anthony’s “Rat Film,” which has...
“In our fourth year we’ve put an emphasis on placing works by first-time and emerging filmmakers alongside established names, with the aim to highlight the experimentation happening across generations, and to trace a new trajectory of documentary art that points to its promising future,” said Film Society of Lincoln Center Programmer at Large Rachael Rakes, who organized the festival with Director of Programming Dennis Lim.
The Opening Night selection is the New York premiere of Theo Anthony’s “Rat Film,” which has...
- 3/20/2017
- by Kate Erbland
- Indiewire
Despite the lottery-esque sounding odds, the U.S Dramatic Competition section which produces the finest American indie specimens such as Frozen River, Winter’s Bone, Blue Valentine, Martha Marcy May Marlene, Beasts of the Southern Wild, Fruitvale Station and Whiplash is fairly consistent in terms of quality. Last year’s crop of sixteen have almost all had their theatrical releases with Kumiko, the Treasure Hunter being the last one out of the gates (pegged with an early 2015 release). Last week we individually looked at our top 80 Sundance Film Fest Predictions (you’ll find 30 other titles worth considering in our intro) and below, we’ve split the list into narrative and non-fiction film items and have both identified and color-coded our picks in an AtoZ cheat sheet. You’ll find 2015′s answer to Whiplash located somewhere in the stack below. Click on the individual titles below, for the film’s profile.
- 11/19/2014
- by Eric Lavallee
- IONCINEMA.com
With 2007′s off-kilter Zoo, Sundance Film Fest habitual Robinson Devor showed his true colors. His unrestricted creativity in storytelling means that his future slate includes mutations in both the fiction and the non-fiction field. With a recent installation showing at MoMA, a docu-portrait on Sarah Jane (the woman who came within inches of assassinating President Gerald R. Ford) in the works, and a feature film that saw the passing of the seasons (a book to film adaptation of 1920′s Americana in You Can’t Win) Robinson with help from oft creative collaborator Charles Mudede have been working on a new docu-project that stitches dual narratives that are a century apart in Pow Wow. The docu, which received successful rounds of crowdfunding earlier in the year, appears to eerily underline a strong set of similarities despite an obvious gap in time.
Gist: This uses modern day desert characters to echo and...
Gist: This uses modern day desert characters to echo and...
- 11/13/2014
- by Eric Lavallee
- IONCINEMA.com
This article is dedicated to Andrew Copp: filmmaker, film writer, artist and close friend who passed away on January 19, 2013. You are loved and missed, brother.
****
Looking at the Best Actor Academy Award nominations for the film year 2012, the one miss that clearly cries out for more attention is Liam Neeson’s powerful performance in Joe Carnahan’s excellent survival film The Grey, easily one of the best roles of Neeson’s career.
In Neeson’s case, his lack of a nomination was a case of neglect similar to the Albert Brooks snub in the Best Supporting Actor category for the film year 2011 for Drive(Nicolas Winding Refn, USA).
Along with negligence, other factors commonly prevent outstanding lead acting performances from getting the kind of critical attention they deserve. Sometimes it’s that the performance is in a film not considered “Oscar material” or even worthy of any substantial critical attention.
****
Looking at the Best Actor Academy Award nominations for the film year 2012, the one miss that clearly cries out for more attention is Liam Neeson’s powerful performance in Joe Carnahan’s excellent survival film The Grey, easily one of the best roles of Neeson’s career.
In Neeson’s case, his lack of a nomination was a case of neglect similar to the Albert Brooks snub in the Best Supporting Actor category for the film year 2011 for Drive(Nicolas Winding Refn, USA).
Along with negligence, other factors commonly prevent outstanding lead acting performances from getting the kind of critical attention they deserve. Sometimes it’s that the performance is in a film not considered “Oscar material” or even worthy of any substantial critical attention.
- 2/27/2013
- by Terek Puckett
- SoundOnSight
Filmmaker Bertrand Tavernier.
Bertrand Tavernier: Taking Rabbits Out Of Hats
By Alex Simon
Bertrand Tavernier was bitten by the cinema bug at a tender age, falling in love with a diverse slate of films and filmmakers like Jean Renoir, Fritz Lang and Buster Keaton. Born in Lyon in 1941, Tavernier abandoned his law studies to write for the now-legendary French cinema magazine Cahiers du Cinema, which also launched auteurs like Francois Truffaut and Jean-Luc Godard. Making his directing debut with The Clockmaker of Saint-Paul in 1974, Tavernier’s career has been a prolific one, with 35 films to his credit, and dozens of awards, including the Best Director prize at the 1984 Cannes Film Festival for A Sunday in the Country.
Tavernier’s latest film is the sweeping epic The Princess of Montpensier, an adaptation of a 1662 novel which was published anonymously, but later credited to French noblewoman Madame de La Fayette. Set...
Bertrand Tavernier: Taking Rabbits Out Of Hats
By Alex Simon
Bertrand Tavernier was bitten by the cinema bug at a tender age, falling in love with a diverse slate of films and filmmakers like Jean Renoir, Fritz Lang and Buster Keaton. Born in Lyon in 1941, Tavernier abandoned his law studies to write for the now-legendary French cinema magazine Cahiers du Cinema, which also launched auteurs like Francois Truffaut and Jean-Luc Godard. Making his directing debut with The Clockmaker of Saint-Paul in 1974, Tavernier’s career has been a prolific one, with 35 films to his credit, and dozens of awards, including the Best Director prize at the 1984 Cannes Film Festival for A Sunday in the Country.
Tavernier’s latest film is the sweeping epic The Princess of Montpensier, an adaptation of a 1662 novel which was published anonymously, but later credited to French noblewoman Madame de La Fayette. Set...
- 4/14/2011
- by The Hollywood Interview.com
- The Hollywood Interview
I confess that this movie made me fall asleep after the first half hour. When I woke up, certain images from the film persisted in my memory (Roger Deakin’s play with light and shadow of the approaching train), nagging me to view the film once again from the start. To my surprise, on my second attempt, I found it to be one of those rare films which do not provide much evidence of good cinema in the early sequences while it provides such evidence much later on. And this is a rather long (2hr 40min) film. However, the film gradually entices the viewer to keep watching with the filmmaking competence improving as the film keeps un-spooling. By the end of the movie, it is quite likely that a patient viewer will not feel cheated by the director Andrew Dominik but instead admire his work that is a cocktail of delicate performances,...
- 5/6/2010
- by Jugu Abraham
- DearCinema.com
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