The episode of Revisited covering Grindhouse was Written by Cody Hamman, Edited and Narrated by Lance Vlcek, Produced by Tyler Nichols and John Fallon, and Executive Produced by Berge Garabedian.
Quentin Tarantino. Robert Rodriguez. Rob Zombie. Edgar Wright. Eli Roth. Back in 2007, these five filmmakers joined forces, all contributing to the same project. A film that brings us sights like deformed, decomposing zombies. Vehicular homicide. Limbs replaced with weaponry. Danny Trejo wiping out bad guys. A holiday slasher. Supernatural beings dripping white goo. And even some Nazi werewolves. It was a fun experiment… and a box office bomb. The film is called Grindhouse (watch it Here) – and we think it’s time for it to be Revisited.
In the ‘90s, Quentin Tarantino and Robert Rodriguez decided to collaborate on From Dusk Till Dawn, with Rodriguez directing from a screenplay by Tarantino. The result was one of the most entertaining vampire movies ever made.
Quentin Tarantino. Robert Rodriguez. Rob Zombie. Edgar Wright. Eli Roth. Back in 2007, these five filmmakers joined forces, all contributing to the same project. A film that brings us sights like deformed, decomposing zombies. Vehicular homicide. Limbs replaced with weaponry. Danny Trejo wiping out bad guys. A holiday slasher. Supernatural beings dripping white goo. And even some Nazi werewolves. It was a fun experiment… and a box office bomb. The film is called Grindhouse (watch it Here) – and we think it’s time for it to be Revisited.
In the ‘90s, Quentin Tarantino and Robert Rodriguez decided to collaborate on From Dusk Till Dawn, with Rodriguez directing from a screenplay by Tarantino. The result was one of the most entertaining vampire movies ever made.
- 11/23/2023
- by Cody Hamman
- JoBlo.com
Mubi has unveiled their November 2023 lineup, featuring notable new releases such as Ashley McKenzie’s Queens of the Qing Dynasty and Alain Gomis’ Thelonious Monk documentary Rewind & Play. Also in the lineup is three stellar earlier films from Christian Petzold––Yella, Jerichow, and The State I Am In––along with John Cassavetes’ Husbands and Gloria, a Hayao Miyazaki short, and a retrospective dedicated to Argentinian-born, French-educated filmmaker and theorist Nelly Kaplan.
Check out the lineup below and get 30 days free here.
November 1
A Very Curious Girl, directed by Nelly Kaplan | A Mischievous Rebellion: Films by Nelly Kaplan
The Pleasure of Love, directed by Nelly Kaplan | A Mischievous Rebellion: Films by Nelly Kaplan
Charles and Lucie, directed by Nelly Kaplan | A Mischievous Rebellion: Films by Nelly Kaplan
Papa the Little Boats, directed by Nelly Kaplan | A Mischievous Rebellion: Films by Nelly Kaplan
Yella, directed by Christian Petzold | Phantoms Among Us: The Films of Christian Petzold
Jerichow,...
Check out the lineup below and get 30 days free here.
November 1
A Very Curious Girl, directed by Nelly Kaplan | A Mischievous Rebellion: Films by Nelly Kaplan
The Pleasure of Love, directed by Nelly Kaplan | A Mischievous Rebellion: Films by Nelly Kaplan
Charles and Lucie, directed by Nelly Kaplan | A Mischievous Rebellion: Films by Nelly Kaplan
Papa the Little Boats, directed by Nelly Kaplan | A Mischievous Rebellion: Films by Nelly Kaplan
Yella, directed by Christian Petzold | Phantoms Among Us: The Films of Christian Petzold
Jerichow,...
- 10/25/2023
- by Jordan Raup
- The Film Stage
George Miller's "Mad Max" was a wild undertaking. The dystopian action flick, which envisioned an Australia verging on lawlessness due to a worldwide oil shortage, became a box office sensation on the strength of its calamitous, perilously practical high-speed car chases and fiery crashes. U.S. cinema was hardly lacking for such entertainment, but there was a breakneck, open-road fury to Miller's film that set it apart from its stateside counterparts.
Set safety regulations were not quite what they are today in the 1970s; in fact, they were practically non-existent in Australia. Though the country's cinema was in the midst of a "New Wave" of its own as the 1980s approached, the films being made by Peter Weir, Gillian Armstrong, and Bruce Beresford were atmospheric dramas that asked viewers to soak in the eerie beauty of the land down under. They were not stunt-heavy affairs. "Mad Max" was,...
Set safety regulations were not quite what they are today in the 1970s; in fact, they were practically non-existent in Australia. Though the country's cinema was in the midst of a "New Wave" of its own as the 1980s approached, the films being made by Peter Weir, Gillian Armstrong, and Bruce Beresford were atmospheric dramas that asked viewers to soak in the eerie beauty of the land down under. They were not stunt-heavy affairs. "Mad Max" was,...
- 5/20/2023
- by Jeremy Smith
- Slash Film
Hammer Horror: Four Gothic Horror Films
Blu ray – All Region
Imprint
1971-72
Starring Ingrid Pitt, Peter Cushing, Eric Porter
Cinematography by Kenneth Talbot, Dick Bush
Directed by Peter Sasdy, John Hough, Robert Young
In December of 1959, Hammer Studios released a bit of Yuletide cheer called The Stranglers from Bombay, a censor-baiting melodrama highlighted by severed limbs and Marie Devereux’s cleavage. The studio would spend the next decade expanding upon those themes and wore the inevitable X Certificates like badges of honor. But as an ancient reprobate said, “Politicians, ugly buildings, and whores all get respectable if they last long enough” and by the seventies the bad boys of Bray seemed positively sedate. Though the power to shock had waned, Hammer was still a thriving business—there were two Dracula films produced in 1970 alone. Still, no one could blame them for shaking things up—Anthony Hinds, the studio’s guiding light,...
Blu ray – All Region
Imprint
1971-72
Starring Ingrid Pitt, Peter Cushing, Eric Porter
Cinematography by Kenneth Talbot, Dick Bush
Directed by Peter Sasdy, John Hough, Robert Young
In December of 1959, Hammer Studios released a bit of Yuletide cheer called The Stranglers from Bombay, a censor-baiting melodrama highlighted by severed limbs and Marie Devereux’s cleavage. The studio would spend the next decade expanding upon those themes and wore the inevitable X Certificates like badges of honor. But as an ancient reprobate said, “Politicians, ugly buildings, and whores all get respectable if they last long enough” and by the seventies the bad boys of Bray seemed positively sedate. Though the power to shock had waned, Hammer was still a thriving business—there were two Dracula films produced in 1970 alone. Still, no one could blame them for shaking things up—Anthony Hinds, the studio’s guiding light,...
- 8/28/2021
- by Charlie Largent
- Trailers from Hell
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Museum of the Moving Image
“See It Big! Action,” one of the finest genre retrospectives in recent memory, is underway with screenings such as Raiders of the Lost Ark and Seven Samurai.
Wallace & Gromit: The Curse of the Were-Rabbit plays throughout the weekend as part of an Earth Day celebration.
Once undistributed for fear it would “incite racial tension,...
Museum of the Moving Image
“See It Big! Action,” one of the finest genre retrospectives in recent memory, is underway with screenings such as Raiders of the Lost Ark and Seven Samurai.
Wallace & Gromit: The Curse of the Were-Rabbit plays throughout the weekend as part of an Earth Day celebration.
Once undistributed for fear it would “incite racial tension,...
- 4/19/2019
- by Nick Newman
- The Film Stage
Get in touch to send in cinephile news and discoveriesNEWSLam SuetThis year's Asian Film Awards are most notable for giving beloved Hong Kong character actor (and Johnnie To axiom) Lam Suet the award for Best Supporting Actor (for Trivisa). We were also happy to see that Tsui Hark (still madly inventive with this year's Journey to the West: The Demons Strike Back) was given the Lifetime Achievement Award.Chinese actress Li Li-hua has died at the age of 92. While not very well known in the West—except perhaps in the obscure Frank Borzage film China Doll (1958)—Li's work for the Shaw Brothers studio and, later, Golden Harvest, minted many classics, including Li Han-hsiang's The Magnificent Concubine (1962), and Storm Over the Yangtse River (1969), as well as King Hu's The Fate of Lee Khan (1975).For those who aren't able to travel to the Locarno Film Festival but are able to...
- 3/22/2017
- MUBI
Actor with a natural and rebellious style, she helped to launch the French New Wave
Bernadette Lafont, who has died aged 74, could have claimed to be the first female star of the Nouvelle Vague. François Truffaut chose the sensual, dark-haired, 18-year-old Lafont and her new husband, Gérard Blain, to play lovers in the director's first professional film, Les Mistons (The Mischief-Makers, 1957). In this charming short, shot in Nîmes one summer, a group of pubescent boys spy on Lafont and Blain's lovemaking in the fields. Blain and Lafont were also picked to appear in arguably the first French New Wave feature, Claude Chabrol's Le Beau Serge (1958). In this film, about a young man returning to his childhood home, Lafont played the "village vamp".
Lafont's fresh look and performance style crystallised the movement's ideological and cinematic ambitions. Truffaut and his colleagues found mainstream stars inadequate to their needs, using instead unknown and non-professional actors,...
Bernadette Lafont, who has died aged 74, could have claimed to be the first female star of the Nouvelle Vague. François Truffaut chose the sensual, dark-haired, 18-year-old Lafont and her new husband, Gérard Blain, to play lovers in the director's first professional film, Les Mistons (The Mischief-Makers, 1957). In this charming short, shot in Nîmes one summer, a group of pubescent boys spy on Lafont and Blain's lovemaking in the fields. Blain and Lafont were also picked to appear in arguably the first French New Wave feature, Claude Chabrol's Le Beau Serge (1958). In this film, about a young man returning to his childhood home, Lafont played the "village vamp".
Lafont's fresh look and performance style crystallised the movement's ideological and cinematic ambitions. Truffaut and his colleagues found mainstream stars inadequate to their needs, using instead unknown and non-professional actors,...
- 7/26/2013
- by Ronald Bergan
- The Guardian - Film News
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