CBS’s FBI season five concludes with episode 23, which also happens to be the show’s 100th episode. Directed by Alex Chapple from a script by Rick Eid and Joe Halpin, episode 23 – “God Complex” – will air on Tuesday, May 23, 2023 at 8pm Et/Pt.
Season five stars Missy Peregrym as Special Agent Maggie Bell, Zeeko Zaki as Special Agent Omar Adom “Oa” Zidan, Jeremy Sisto as Assistant Special Agent in Charge Jubal Valentine, and Alana De La Garza as Special Agent in Charge Isobel Castille. John Boyd plays Special Agent Stuart Scola and Katherine Renee Turner is Special Agent Tiffany Wallace.
Shantel VanSanten returns to guest star as Nina Chase.
“God Complex” Plot: When a prominent doctor is found dead in a ritualistic slaying, the team must race against the clock to hunt down a religiously motivated serial killer. Also, Scola faces a life-or-death decision.
Missy Peregrym as Special Agent Maggie...
Season five stars Missy Peregrym as Special Agent Maggie Bell, Zeeko Zaki as Special Agent Omar Adom “Oa” Zidan, Jeremy Sisto as Assistant Special Agent in Charge Jubal Valentine, and Alana De La Garza as Special Agent in Charge Isobel Castille. John Boyd plays Special Agent Stuart Scola and Katherine Renee Turner is Special Agent Tiffany Wallace.
Shantel VanSanten returns to guest star as Nina Chase.
“God Complex” Plot: When a prominent doctor is found dead in a ritualistic slaying, the team must race against the clock to hunt down a religiously motivated serial killer. Also, Scola faces a life-or-death decision.
Missy Peregrym as Special Agent Maggie...
- 5/17/2023
- by Rebecca Murray
- Showbiz Junkies
The death of seven teenagers has the team hustling to find the person responsible on CBS’s FBI season five episode 22, “Torn.” Directed by Yamgzom Brauen from a script by Thomas Kelly, episode 22 will air on Tuesday, May 16, 2023 at 8pm Et/Pt.
Season five stars Missy Peregrym as Special Agent Maggie Bell, Zeeko Zaki as Special Agent Omar Adom “Oa” Zidan, Jeremy Sisto as Assistant Special Agent in Charge Jubal Valentine, and Alana De La Garza as Special Agent in Charge Isobel Castille. John Boyd plays Special Agent Stuart Scola and Katherine Renee Turner is Special Agent Tiffany Wallace.
“Torn” Plot: After finding a group of teens dead from a drug overdose, the team races to find the dangerous dealer and his supplier. Meanwhile, Oa questions where he stands in his faith.
Missy Peregrym as Special Agent Maggie Bell, Zeeko Zaki as Special Agent Omar Adom ‘Oa’ Zidan, and Chris Petrovski...
Season five stars Missy Peregrym as Special Agent Maggie Bell, Zeeko Zaki as Special Agent Omar Adom “Oa” Zidan, Jeremy Sisto as Assistant Special Agent in Charge Jubal Valentine, and Alana De La Garza as Special Agent in Charge Isobel Castille. John Boyd plays Special Agent Stuart Scola and Katherine Renee Turner is Special Agent Tiffany Wallace.
“Torn” Plot: After finding a group of teens dead from a drug overdose, the team races to find the dangerous dealer and his supplier. Meanwhile, Oa questions where he stands in his faith.
Missy Peregrym as Special Agent Maggie Bell, Zeeko Zaki as Special Agent Omar Adom ‘Oa’ Zidan, and Chris Petrovski...
- 5/10/2023
- by Rebecca Murray
- Showbiz Junkies
Hey, "FBI" fans. We're here to give you another new round of FBI spoiler scoops because CBS is going to drop another new episode on you guys on Tuesday night, May 9, 2023. That's right, guys. This next, new episode will be the 21st installment for FBI's current season 5. We were able to track down an official teaser description for one of episode 21's main storylines straight from CBS by way of their official episode 21 press release synopsis. So, we're going to certainly see what it has to say and reveal right this second. Let's get to it. First off, CBS gave us an official title for this new episode 21 of FBI's current season 5. The writers decided to name this one, "Privilege." It sounds like episode 21 will feature some very scandalous, intense, dramatic, interesting, action-filled and possible suspenseful scenes.
- 5/9/2023
- by Andre Braddox
- OnTheFlix
Zeeko Zaki as Special Agent Omar Adom ‘Oa’ Zidan and Missy Peregrym as Special Agent Maggie Bell in ‘FBI’ season 5 episode 21
The team leaps into action to solve a kidnapping on CBS’s FBI season five episode 21, “Privilege.” Directed by Carlos Bernard from a script by Claire Demorest, episode 21 will air on Tuesday, May 9, 2023 at 8pm Et/Pt.
Season five stars Missy Peregrym as Special Agent Maggie Bell, Zeeko Zaki as Special Agent Omar Adom “Oa” Zidan, Jeremy Sisto as Assistant Special Agent in Charge Jubal Valentine, and Alana De La Garza as Special Agent in Charge Isobel Castille. John Boyd plays Special Agent Stuart Scola and Katherine Renee Turner is Special Agent Tiffany Wallace.
“Privilege” Plot: All eyes are on the team when they try to find out who kidnapped the only child of a prominent U.S senator. The abduction also uncovers a potential link to a similar...
The team leaps into action to solve a kidnapping on CBS’s FBI season five episode 21, “Privilege.” Directed by Carlos Bernard from a script by Claire Demorest, episode 21 will air on Tuesday, May 9, 2023 at 8pm Et/Pt.
Season five stars Missy Peregrym as Special Agent Maggie Bell, Zeeko Zaki as Special Agent Omar Adom “Oa” Zidan, Jeremy Sisto as Assistant Special Agent in Charge Jubal Valentine, and Alana De La Garza as Special Agent in Charge Isobel Castille. John Boyd plays Special Agent Stuart Scola and Katherine Renee Turner is Special Agent Tiffany Wallace.
“Privilege” Plot: All eyes are on the team when they try to find out who kidnapped the only child of a prominent U.S senator. The abduction also uncovers a potential link to a similar...
- 4/29/2023
- by Rebecca Murray
- Showbiz Junkies
Among the major cinematic events of 2023 are new restorations of the pioneering work by legendary New York dancer, choreographer, and filmmaker Yvonne Rainer. Restored in 4K by the Museum of Modern Art and the Celeste Bartos Fund for Film Preservation, courtesy of Zeitgeist Films and in association with Kino Lorber they’ll be presented in North American premieres starting one week from today at Metrograph. Featuring Rainer in person, the series includes Film About a Woman Who…, Journeys From Berlin/1971, Kristina Talking Pictures, Lives Of Performers, The Man Who Envied Women, Murder and murder, and Privilege. Ahead of next week’s opening, we’re pleased to exclusively debut the trailer for this retrospective.
“With her boundary-pushing, de-glamorized, stripped-down approach to modern dance, Rainer was already established as one of the most innovative forces in choreography before she’d started to make her first standalone films in 1972, bringing the same spirit...
“With her boundary-pushing, de-glamorized, stripped-down approach to modern dance, Rainer was already established as one of the most innovative forces in choreography before she’d started to make her first standalone films in 1972, bringing the same spirit...
- 2/10/2023
- by Jordan Raup
- The Film Stage
The Notebook Primer introduces readers to some of the most important figures, films, genres, and movements in film history.Velvet Goldmine (1998)Todd Haynes’ Velvet Goldmine (1998) opens with a confession that swiftly becomes a command: “Although what you are about to see is a work of fiction, it should nevertheless be played at maximum volume.” Those words, mischievously repurposed from Martin Scorsese’s concert film The Last Waltz (1978), herald one of the great pop music fantasias: a cinema à clef that reimagines ’70s glam rock in an alternate dimension, where fictional versions of David Bowie, Iggy Pop and others perform a parallel version of history as we know it. Embracing the period’s mutable personae and camp energies, the film evokes the spirit of its patron saint, Oscar Wilde—depicted as the original pop star, descended to Earth from outer space—treating “art as the supreme reality and life as a mere mode of fiction,...
- 8/12/2021
- MUBI
As Ted Cruz continues to face backlash over his decision to fly to Cancun while his Texas constituents faced deadly winter conditions, the hosts of “The Real” are calling out the example he set for his own children.
During Tuesday’s episode, “The Real” hosts Adrienne Bailon, Loni Love, Jeannie Mai and Garcelle Beauvais unanimously agreed that Cruz hasn’t done enough to rehabilitate the situation. Mai took the moment to also call out Cruz’s parenting, taking issue with the message she said he inadvertently sent his children by indulging in the trip to Cancun.
“He allowed his kids to see their privilege” Mai argued.
“What he taught his kids is, when the community needs me as a public service person — I’m a servant to the community — we take off and we go to Cancun” she continued. “How are these kids supposed to understand their privilege if that...
During Tuesday’s episode, “The Real” hosts Adrienne Bailon, Loni Love, Jeannie Mai and Garcelle Beauvais unanimously agreed that Cruz hasn’t done enough to rehabilitate the situation. Mai took the moment to also call out Cruz’s parenting, taking issue with the message she said he inadvertently sent his children by indulging in the trip to Cancun.
“He allowed his kids to see their privilege” Mai argued.
“What he taught his kids is, when the community needs me as a public service person — I’m a servant to the community — we take off and we go to Cancun” she continued. “How are these kids supposed to understand their privilege if that...
- 2/23/2021
- by Andi Ortiz
- The Wrap
In today’s TV news roundup, Ray Romano got a guest star gig on “One Day at a Time” and Freeform released the trailer for “The Thing About Harry.”
First Looks
Freeform released a trailer for “The Thing About Harry,“ which premieres Feb. 15. The upcoming rom-com tells the story of high school enemies, “uber-jock” Harry (Niko Terho) and “out-and-proud” Sam (Jake Borelli), who are forced to share a car ride to their Missouri hometown for a friend’s engagement party on Valentine’s Day. When Sam learns Harry has come out, things seem to take a turn for the worst until they begin developing a deep friendship, leaving them wondering if one road trip could change the rest of their lives. The film was written and directed by Peter Paige of “Queer as Folk” and “Good Trouble.”
Casting
Ray Romano has booked a guest star appearance on Pop TV‘s “One Day at a Time.
First Looks
Freeform released a trailer for “The Thing About Harry,“ which premieres Feb. 15. The upcoming rom-com tells the story of high school enemies, “uber-jock” Harry (Niko Terho) and “out-and-proud” Sam (Jake Borelli), who are forced to share a car ride to their Missouri hometown for a friend’s engagement party on Valentine’s Day. When Sam learns Harry has come out, things seem to take a turn for the worst until they begin developing a deep friendship, leaving them wondering if one road trip could change the rest of their lives. The film was written and directed by Peter Paige of “Queer as Folk” and “Good Trouble.”
Casting
Ray Romano has booked a guest star appearance on Pop TV‘s “One Day at a Time.
- 1/27/2020
- by Klaritza Rico
- Variety Film + TV
Shelley Winters, Christopher Jones and Diane Varsi star in American-International's most successful 'youth rebellion' epic -- a political sci-fi satire about a rock star whose opportunistic political movement overthrows the government and puts everyone over 35 into concentration camps... to be force-fed LSD. Wild in the Streets Blu-ray Olive Films 1968 / Color / 1:85 widescreen / 97 min. / Street Date August 16, 2016 / available through the Olive Films website / 29.98 Starring Shelley Winters, Christopher Jones, Diane Varsi, Hal Holbrook, Millie Perkins, Richard Pryor, Bert Freed, Kevin Coughlin, Larry Bishop, Michael Margotta, Ed Begley, May Ishihara. Cinematography Richard Moore Film Editor Fred Feitshans Jr., Eve Newman Original Music Les Baxter Written by Robert Thom from his short story "The Day it All Happened, Baby" Produced by Burt Topper Directed by Barry Shear
Reviewed by Glenn Erickson
Back around 1965 - 1966 we endured this stupid buzzword concept called The Generation Gap, a notion that there was a natural divide between old people and their kids.
Reviewed by Glenn Erickson
Back around 1965 - 1966 we endured this stupid buzzword concept called The Generation Gap, a notion that there was a natural divide between old people and their kids.
- 8/22/2016
- by Glenn Erickson
- Trailers from Hell
British cinematographer Peter Suschitzky is known for his collaborations with David Cronenberg (Cosmopolis, A Dangerous Method, Eastern Promises, A History of Violence, Spider, eXistenZ, Crash, Naked Lunch and Dead Ringers). His eclectic career saw him start working in fantastical “what if” tales on It Happened Here (1966) and Privilege (1967). He worked with Peter Watkins, Albert Finney, Peter Watkins, John Boorman, Ken Russell and Warris Hussein in Britain, before Hollywood came calling. is first trip to Cannes, working on Charlie Bubbles by Albert Finney, was cancelled after the festival was stopped by the May ’68 protests led by Jean Luc-Godard. This year, I met him at the […]...
- 6/9/2016
- by Kaleem Aftab
- Filmmaker Magazine - Blog
London Spanish Film Festival
This year's festival includes a separate focus on Catalan cinema, just weeks after Catalans came out in droves to campaign for independence. Partisan or not, Spanish cinema still looks to be in decent shape. There are accessible commercial movies here – Los Pelayo is a sort of Mallorcan Ocean's Eleven; A Game Of Werewolves is a Galician horror. But there's also more pensive cinema, such as Los Pasos Dobles, a Mali-set meditation on art and memory.
Ciné Lumière, SW7, Fri to 10 Oct
Safar: A Journey Through Popular Arab Cinema, London
Call yourself a global cinema aficionado? If names like Soad Hosny or Adel Imam mean nothing to you, you're still a few regions short of all-encompassing movie omnipotence. So here's the place to quickly fill that gap. Despite the title, what we're mostly talking about here is Egyptian cinema – the biggest player in the region. Hosny, who...
This year's festival includes a separate focus on Catalan cinema, just weeks after Catalans came out in droves to campaign for independence. Partisan or not, Spanish cinema still looks to be in decent shape. There are accessible commercial movies here – Los Pelayo is a sort of Mallorcan Ocean's Eleven; A Game Of Werewolves is a Galician horror. But there's also more pensive cinema, such as Los Pasos Dobles, a Mali-set meditation on art and memory.
Ciné Lumière, SW7, Fri to 10 Oct
Safar: A Journey Through Popular Arab Cinema, London
Call yourself a global cinema aficionado? If names like Soad Hosny or Adel Imam mean nothing to you, you're still a few regions short of all-encompassing movie omnipotence. So here's the place to quickly fill that gap. Despite the title, what we're mostly talking about here is Egyptian cinema – the biggest player in the region. Hosny, who...
- 9/21/2012
- by Steve Rose
- The Guardian - Film News
Brooklyn Close-Up, a monthly series at BAMcinématek, opens tonight with The Warriors (1979) and James Hughes spoke with Walter Hill recently for the Voice. Hill: "[T]his vaguely futuristic, science-fiction movie — why was it so audience-friendly? I don't exactly have the answer. I wish I did." Hughes: "Disturbing to admirers of the film is the specter of a remake, which was at one time attached to director Tony Scott, who planned to move the action to contemporary La. Its future remains unclear. 'I have no idea what the studio plans are,' Hill says. 'They don't call me. The producer tells me they've spent five times as much in developing a sequel as we did to make the movie. I made my version. Somebody else wants to take a shot at it, good luck.'"
On Saturday, Hill will be at MoMA for a screening of another of his landmark works: "His most underappreciated and airtight film,...
On Saturday, Hill will be at MoMA for a screening of another of his landmark works: "His most underappreciated and airtight film,...
- 10/31/2011
- MUBI
Flipside
Not just one film this week, an entire label. Since 2009, the BFI's Flipside offshoot has been digging up some of the lesser known titles of British cinema, some even too obscure to have even the cultiest of cult followings.
Now they are reissuing their first nine releases in dual format editions, containing both DVD and Blu-ray, so now there really is no excuse not to check out this rather wonderful imprint. There's Richard Lester's The Bed Sitting Room, a Spike Milligan-scripted post-apocalyptic comedy that sees Britain populated by a dozen or so oddballs after a nuclear incident. And there's Peter Watkins's stunning Privilege, which, for 1967, was ludicrously ahead of its time in predicting how packaged and cynical pop music was to become. These films were often made outside, or more accurately below, the major studios or even the established indies; director Lindsay Shonteff regularly remortgaged his...
Not just one film this week, an entire label. Since 2009, the BFI's Flipside offshoot has been digging up some of the lesser known titles of British cinema, some even too obscure to have even the cultiest of cult followings.
Now they are reissuing their first nine releases in dual format editions, containing both DVD and Blu-ray, so now there really is no excuse not to check out this rather wonderful imprint. There's Richard Lester's The Bed Sitting Room, a Spike Milligan-scripted post-apocalyptic comedy that sees Britain populated by a dozen or so oddballs after a nuclear incident. And there's Peter Watkins's stunning Privilege, which, for 1967, was ludicrously ahead of its time in predicting how packaged and cynical pop music was to become. These films were often made outside, or more accurately below, the major studios or even the established indies; director Lindsay Shonteff regularly remortgaged his...
- 10/21/2011
- by Phelim O'Neill
- The Guardian - Film News
Cinema Retro has received the following press release from the British Film Institute regarding their popular series of "Flipside" DVD titles:
BFI 12.00 Normal 0 false false false En-us X-none X-none MicrosoftInternetExplorer4
'Every time BFI Flipside releases a newly discovered film I always go and get it. It's like finding lost treasure.' Nicolas Winding Refn (Award-winning director of Drive)
'The Flipside is Britain's most far-out DVD label - bold film choices, gorgeous transfers, imaginative extras. Every release a revelation.' Kim Newman
'Flipside provides a window onto a time in British cinema when real film artists stalked our land.' Ben Wheatley (Award-winning director of Kill List)
Launched in May 2009, the BFI’s Flipside label has dedicated itself to unveiling the hidden history of British cinema, drawing upon materials preserved by the BFI National Archive. To date, the series has published over 60 films (features and shorts), and has met with universal acclaim,...
BFI 12.00 Normal 0 false false false En-us X-none X-none MicrosoftInternetExplorer4
'Every time BFI Flipside releases a newly discovered film I always go and get it. It's like finding lost treasure.' Nicolas Winding Refn (Award-winning director of Drive)
'The Flipside is Britain's most far-out DVD label - bold film choices, gorgeous transfers, imaginative extras. Every release a revelation.' Kim Newman
'Flipside provides a window onto a time in British cinema when real film artists stalked our land.' Ben Wheatley (Award-winning director of Kill List)
Launched in May 2009, the BFI’s Flipside label has dedicated itself to unveiling the hidden history of British cinema, drawing upon materials preserved by the BFI National Archive. To date, the series has published over 60 films (features and shorts), and has met with universal acclaim,...
- 10/6/2011
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Transformers: Dark Of The Moon is Michael Bay's latest epic, but is it time we accepted just how out-there his films are?
To accuse Michael Bay of going over the top is like yelling at Mount Etna just because it erupts. It's in his very nature and genetic makeup; it's what he does – over the top is where he lives, up where the air is thin and icy and finally makes you giddy, addled and crazy enough to make movies like Transformers: Dark Of The Moon.
Forget the critical rout and ponder its contradictions and many overlapping instances of deep weirdness: a popcorn kiddie-flick that's longer, at 155 minutes, than some Béla Tarr or Pedro Costa movies; a threequel based not on a book or a comic or a Broadway hit or even a videogame, but on a Saturday morning cartoon designed to pimp a line of toys.
Considering its prepubescent target audience,...
To accuse Michael Bay of going over the top is like yelling at Mount Etna just because it erupts. It's in his very nature and genetic makeup; it's what he does – over the top is where he lives, up where the air is thin and icy and finally makes you giddy, addled and crazy enough to make movies like Transformers: Dark Of The Moon.
Forget the critical rout and ponder its contradictions and many overlapping instances of deep weirdness: a popcorn kiddie-flick that's longer, at 155 minutes, than some Béla Tarr or Pedro Costa movies; a threequel based not on a book or a comic or a Broadway hit or even a videogame, but on a Saturday morning cartoon designed to pimp a line of toys.
Considering its prepubescent target audience,...
- 7/8/2011
- by John Patterson
- The Guardian - Film News
With 2010 only a week over, it already feels like best-of and top-ten lists have been pouring in for months, and we’re already tired of them: the ranking, the exclusions (and inclusions), the rules and the qualifiers. Some people got to see films at festivals, others only catch movies on video; and the ability for us, or any publication, to come up with a system to fairly determine who saw what when and what they thought was the best seems an impossible feat. That doesn’t stop most people from doing it, but we liked the fantasy double features we did last year and for our 3rd Writers Poll we thought we'd do it again.
I asked our contributors to pick a single new film they saw in 2010—in theaters or at a festival—and creatively pair it with an old film they saw in 2010 to create a unique double feature.
I asked our contributors to pick a single new film they saw in 2010—in theaters or at a festival—and creatively pair it with an old film they saw in 2010 to create a unique double feature.
- 1/10/2011
- MUBI
Two highly-anticipated second feature films from U.S. underground filmmakers will be making their World Premieres all the way over at the 64th annual Edinburgh International Film Festival, which will run for twelve days on June 16-27. The films are Rona Mark’s The Crab and Zach Clark’s Vacation!.
The Crab, which screens on June 21, is the touching story of a verbally abusive man born with two enormous, mutant-like hands; while Vacation!, which screens on June 20, tracks four urban gals let loose in a sunny seaside resort down South.
Both Mark and Clark previously screened their debut features at Eiff. Mark’s Strange Girls screened there in 2008 and Clark’s Modern Love Is Automatic screened in 2009. Both films also ended up as runners-up in Bad Lit’s annual Movie of the Year award, again Strange Girls in 2008 and Modern Love in 2009. Sadly, these two masterpieces are still unavailable on...
The Crab, which screens on June 21, is the touching story of a verbally abusive man born with two enormous, mutant-like hands; while Vacation!, which screens on June 20, tracks four urban gals let loose in a sunny seaside resort down South.
Both Mark and Clark previously screened their debut features at Eiff. Mark’s Strange Girls screened there in 2008 and Clark’s Modern Love Is Automatic screened in 2009. Both films also ended up as runners-up in Bad Lit’s annual Movie of the Year award, again Strange Girls in 2008 and Modern Love in 2009. Sadly, these two masterpieces are still unavailable on...
- 6/4/2010
- by Mike Everleth
- Underground Film Journal
Let me just begin with the fact that I am loving the ‘re-discovery’ of Peter Watkins‘ filmography on DVD. A good number of his films seemed to have skipped both repertory cinema and VHS (outside of rare and ratty VHS dubs) and remain only vaguely remembered, excluding of his Oscar winning The War Game, until the touring retrospective in 2005 which made stops in New York and Toronto. As Terry Gilliam seems to amass a number of failed projects via large ambitions and curiously bad karma, Watkins seems to court distribution roadblocks with the combination of innovative narrative techniques (off-putting to mainstream acceptance) and confrontational up-to-the-minute politics (off-putting to conservative distributors). To say that Watkins‘ films were ahead of their time is an understatement. A gross one. It is interesting that cinephiles are only catching up Watkins‘ work while the themes captured in his films are just as resonant and relevant today,...
- 8/1/2008
- by Kurt Halfyard
- Screen Anarchy
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