Strange and unsettling, Amanda Kramer’s depiction of a TV entertainer’s descent is intriguing and amusing, with Sophie von Haselberg the multi-tasking star
Musician turned film-maker Amanda Kramer gave us a retro campy reverie of queer longing in her previous feature Please Baby Please which, though interesting, was oddly unsatisfying and insubstantial. This works much better: a genuinely strange and unsettling creation whose meaning and form can’t quite be pinned down.
It appears to be an imaginary standalone primetime US TV special which went out in some alternative dream-universe between 1975 and 1985; it is centred on one particular star, a brassy, heart-on-sleeve song-and-dance performer called Sissy St Claire, played by Sophie von Haselberg. She does musical numbers, elaborate costume changes, dance routines, goofy comedy sketches, all in the cause of entertainment. Sissy looks like a cross between Barbra Streisand and Bette Midler (Von Haselberg is in fact Midler’s...
Musician turned film-maker Amanda Kramer gave us a retro campy reverie of queer longing in her previous feature Please Baby Please which, though interesting, was oddly unsatisfying and insubstantial. This works much better: a genuinely strange and unsettling creation whose meaning and form can’t quite be pinned down.
It appears to be an imaginary standalone primetime US TV special which went out in some alternative dream-universe between 1975 and 1985; it is centred on one particular star, a brassy, heart-on-sleeve song-and-dance performer called Sissy St Claire, played by Sophie von Haselberg. She does musical numbers, elaborate costume changes, dance routines, goofy comedy sketches, all in the cause of entertainment. Sissy looks like a cross between Barbra Streisand and Bette Midler (Von Haselberg is in fact Midler’s...
- 11/7/2023
- by Peter Bradshaw
- The Guardian - Film News
Lawrence Turman Dies: Oscar-Nominated Producer Of ‘The Graduate’, ‘American History X’ & More Was 96
Oscar-nominated producer Lawrence Turman died Saturday at the Motion Picture and Television Country Home and Hospital. He was 96. He had a stellar career not only as a producer of such seminal films as The Graduate (1967), The Great White Hope (1970), American History X (1998) and many more in a producing career that lasted six decades, but he also took a significant turn when he left his partnership with producer David Foster to head the prestigious Peter Stark Producing Program at USC in 1991, an association that continued until his retirement just two years ago.
His son, John Turman, confirmed the death to Deadline. “Our father Lawrence Turman passed away late yesterday,” he said. “It’s sad, but he had a long and storied life, and it’s the passing of an era.” He added that the MPTF is planning a memorial service as well as USC at a later date.
Related: Hollywood & Media...
His son, John Turman, confirmed the death to Deadline. “Our father Lawrence Turman passed away late yesterday,” he said. “It’s sad, but he had a long and storied life, and it’s the passing of an era.” He added that the MPTF is planning a memorial service as well as USC at a later date.
Related: Hollywood & Media...
- 7/3/2023
- by Pete Hammond
- Deadline Film + TV
Lawrence Turman, producer of films including Oscar winner “The Graduate,” and longtime chair of the Peter Stark Producing program at USC, died Saturday at the Motion Picture Home in Woodland Hills. He was 96.
Turman’s producing career spanned 50 years, and he served as director of USC’s Peter Stark Producing program from 1991 until he retired in 2021 at age 94.
Born in Los Angeles in 1926, Turman graduated from UCLA and broke into the industry after answering an ad in Variety to work at the Kurt Frings agency. He represented actors, and after getting a meeting with Alfred Hitchcock through their friend Ernest Lehman, he was able to book four of his agency’s clients in “North By Northwest.”
Turman moved into producing, working on films including Judy Garland’s last film “I Could Go On Singing,” “The Best Man,” “The Great White Hope” and “Pretty Poison.”
After finding Charles Webb’s book “The Graduate,...
Turman’s producing career spanned 50 years, and he served as director of USC’s Peter Stark Producing program from 1991 until he retired in 2021 at age 94.
Born in Los Angeles in 1926, Turman graduated from UCLA and broke into the industry after answering an ad in Variety to work at the Kurt Frings agency. He represented actors, and after getting a meeting with Alfred Hitchcock through their friend Ernest Lehman, he was able to book four of his agency’s clients in “North By Northwest.”
Turman moved into producing, working on films including Judy Garland’s last film “I Could Go On Singing,” “The Best Man,” “The Great White Hope” and “Pretty Poison.”
After finding Charles Webb’s book “The Graduate,...
- 7/3/2023
- by Pat Saperstein
- Variety Film + TV
June didn't work out exactly as we planned but we delivered most of what we promised (sorry Eleanor Parker -- we'll try to make up for it in July) and it sure ended on a high note with Baz Luhrmann's Elvis.
Here are a dozen of the highlights in case you missed 'em...
• Halfway Mark the best performances and films of the year thus far
• Almost There Emily Blunt - she's a perennial at "almost" snagging an Oscar nod so Cláudio talked The Devil Wears Prada
• Judy Garland @ 100 we covered nine movies from ending with her final film I Could Go On Singing
• Best Shot Fire Island this one was fun to really look at... and not just for thirst reasons
• Ranking International Feature Oscar winners - Juan Carlos has seen them all
• Emma Thompson in Good Luck To You Leo Grande - what a performance!
• Jurassic World Dominion...
Here are a dozen of the highlights in case you missed 'em...
• Halfway Mark the best performances and films of the year thus far
• Almost There Emily Blunt - she's a perennial at "almost" snagging an Oscar nod so Cláudio talked The Devil Wears Prada
• Judy Garland @ 100 we covered nine movies from ending with her final film I Could Go On Singing
• Best Shot Fire Island this one was fun to really look at... and not just for thirst reasons
• Ranking International Feature Oscar winners - Juan Carlos has seen them all
• Emma Thompson in Good Luck To You Leo Grande - what a performance!
• Jurassic World Dominion...
- 6/30/2022
- by NATHANIEL R
- FilmExperience
Zellweger rises to the challenge superbly in a standard-issue heartwarmer, premiering in Telluride, that sugarcoats the sadness
For Judy Garland fans, the final station of the cross in the ordeal of her last years was a five-week booking at the Talk of the Town nightclub in London in 1969, which she desperately needed for the money. In those famous and often chaotic concerts she appeared frail, unwell, tipsy or bleary-eyed: mannerisms that she had long since semi-consciously incorporated into her live act. But they were real at some level. Also real were the many flashes of the old magic; emotional arias made more glorious for having been wrenched from her battered heart. This movie is about that troubled period: a defiant last stand in full view of her passionately supportive fans. It was Judy’s emotional Alamo in the face of parasitic husbands, spiteful press and misogynist showbiz overlords – beginning with studio chief Louis B Mayer,...
For Judy Garland fans, the final station of the cross in the ordeal of her last years was a five-week booking at the Talk of the Town nightclub in London in 1969, which she desperately needed for the money. In those famous and often chaotic concerts she appeared frail, unwell, tipsy or bleary-eyed: mannerisms that she had long since semi-consciously incorporated into her live act. But they were real at some level. Also real were the many flashes of the old magic; emotional arias made more glorious for having been wrenched from her battered heart. This movie is about that troubled period: a defiant last stand in full view of her passionately supportive fans. It was Judy’s emotional Alamo in the face of parasitic husbands, spiteful press and misogynist showbiz overlords – beginning with studio chief Louis B Mayer,...
- 8/31/2019
- by Peter Bradshaw
- The Guardian - Film News
On the day a U.S. appeals court lifted an injunction that blocked a Mississippi “religious freedom” law – i.e., giving Christian extremists the right to discriminate against gays, lesbians, bisexuals, transgender people, etc. – not to mention the publication of a Republican-backed health care bill targeting the poor, the sick, the elderly, and those with “pre-existing conditions” – which would include HIV-infected people, a large chunk of whom are gay and bisexual men, so the wealthy in the U.S. can get a massive tax cut, Turner Classic Movies' 2017 Gay Pride or Lgbt Month celebration continues (into tomorrow morning, Thursday & Friday, June 22–23) with the presentation of movies by or featuring an eclectic – though seemingly all male – group: Montgomery Clift, Anthony Perkins, Tab Hunter, Dirk Bogarde, John Schlesinger, Tennessee Williams, Gore Vidal, Arthur Laurents, and Jerome Robbins. After all, one assumes that, rumors or no, the presence of Mercedes McCambridge in one...
- 6/23/2017
- by Andre Soares
- Alt Film Guide
While the world continued to be horrifying this past month was a partial joy thanks to Tiff ushering in prestige film season, our favorite time of year, and a particularly good one from the looks of it. Here are a baker's dozen highlights from the month at the blog in case you missed these...
7 Favorites
• Isabelle Huppert is Elle -the French icon slays in this tricky movie
• Blue Velvet - 30 memorable things on its 30th anniversary
• Memories of The Blair Witch Project - Team Experience looks back
• The Red Turtle & Courgette - animation is not a genre
• I Could Go On Singing (1963) - Judy Garland's final film
• The Furniture: Love & Friendship - the country charm of the hit comedy
• Moulin Rouge! the musical numbers we're most eager to see reinvisioned for the stage musical version
7 That Spurred the Most Conversation
• Fences & 20th Century Women -they're finally teasing us
• Oscar...
7 Favorites
• Isabelle Huppert is Elle -the French icon slays in this tricky movie
• Blue Velvet - 30 memorable things on its 30th anniversary
• Memories of The Blair Witch Project - Team Experience looks back
• The Red Turtle & Courgette - animation is not a genre
• I Could Go On Singing (1963) - Judy Garland's final film
• The Furniture: Love & Friendship - the country charm of the hit comedy
• Moulin Rouge! the musical numbers we're most eager to see reinvisioned for the stage musical version
7 That Spurred the Most Conversation
• Fences & 20th Century Women -they're finally teasing us
• Oscar...
- 9/30/2016
- by NATHANIEL R
- FilmExperience
by Anne Marie
We have reached the end of Juy Garland's film career. From this point forward, this series will be focused exclusively on her television appearances. So, why not play Judy out the way she's remembered best, belting a big number in glorious Technicolor? But the hopeful title and Judy's brassy voice belie a darker truth. This week's number serves not only as the title song of the film, but also as a thesis for Judy Garland's later career.
The Movie: I Could Go On Singing (United Artists, 1964)
The Songwriters: Harold Arlen and E.Y. Harburg
The Players: Judy Garland & Dick Bogarde, directed by Ronald Nearne
The Story: If A Star Is Born represents Judy Garland's image as a tragic, romantic figure in Hollywood, then I Could Go On Singing may be the closest Garland got to a public confession of how messy the tragic parts of her life coud be.
We have reached the end of Juy Garland's film career. From this point forward, this series will be focused exclusively on her television appearances. So, why not play Judy out the way she's remembered best, belting a big number in glorious Technicolor? But the hopeful title and Judy's brassy voice belie a darker truth. This week's number serves not only as the title song of the film, but also as a thesis for Judy Garland's later career.
The Movie: I Could Go On Singing (United Artists, 1964)
The Songwriters: Harold Arlen and E.Y. Harburg
The Players: Judy Garland & Dick Bogarde, directed by Ronald Nearne
The Story: If A Star Is Born represents Judy Garland's image as a tragic, romantic figure in Hollywood, then I Could Go On Singing may be the closest Garland got to a public confession of how messy the tragic parts of her life coud be.
- 9/14/2016
- by Anne Marie
- FilmExperience
The eighth month of the year is -- we've reached the final third of 2016 already? That was quick. Fall film season here we come. Summer was dreadful for movies unless you were smart and caught platform releases like Little Men, The Fits, Captain Fantastic, Morris From America, Disorder instead of the big budget spectacles. In fact, 2016 is shaping up to be a very rough year for mainstream cinema which could make the Oscars disastrous if they don't get creative and look further afield than they're usually prone to. We shall see.
This past month we've been celebrating 1984 for the Smackdown (coming your way Wednesday) but here are some other highlights in case you missed any.
8 Favorites
• The Art of Disavowing Your Film No, Jared Leto, no.
• The Lobster's Phony Flowers another great episode of The Furniture
• Beauty vs Beast Bridesmaids Wiig or Byrne. Tough choice, right?
• That time Oscar loved...
This past month we've been celebrating 1984 for the Smackdown (coming your way Wednesday) but here are some other highlights in case you missed any.
8 Favorites
• The Art of Disavowing Your Film No, Jared Leto, no.
• The Lobster's Phony Flowers another great episode of The Furniture
• Beauty vs Beast Bridesmaids Wiig or Byrne. Tough choice, right?
• That time Oscar loved...
- 8/29/2016
- by NATHANIEL R
- FilmExperience
NewsTalk How Cartoon Saloon became a major draw and how those Oscar nominations helped
Playbill Stephen Schwartz says Wicked (the movie) will have several new songs. Geez, it already has a ton of songs. I guess he wants that Oscar.
MTV Frankie & Johnny is Garry Marshall's best film
Variety Idris Elba responds to those endless Next James Bond rumors
Coming Soon Star Wars: Episode VIII (as yet untitled) wraps production. It's due in theaters in December 2017 as these things take time in Post-Production
The Playlist the teasers for all the new Marvel/Netflix TV series: Iron Fist, Defenders, Luke Cage
Towleroad an interview with the stars of Looking
Comics Alliance Wonder Woman gets her own Us postage stamps for her 75th anniversary this year
Av Club Brie Larson spoils Room for dumb people on Twitter
The Retro Set looks back at Judy Garland in her final film I Could Go On Singing...
Playbill Stephen Schwartz says Wicked (the movie) will have several new songs. Geez, it already has a ton of songs. I guess he wants that Oscar.
MTV Frankie & Johnny is Garry Marshall's best film
Variety Idris Elba responds to those endless Next James Bond rumors
Coming Soon Star Wars: Episode VIII (as yet untitled) wraps production. It's due in theaters in December 2017 as these things take time in Post-Production
The Playlist the teasers for all the new Marvel/Netflix TV series: Iron Fist, Defenders, Luke Cage
Towleroad an interview with the stars of Looking
Comics Alliance Wonder Woman gets her own Us postage stamps for her 75th anniversary this year
Av Club Brie Larson spoils Room for dumb people on Twitter
The Retro Set looks back at Judy Garland in her final film I Could Go On Singing...
- 7/22/2016
- by NATHANIEL R
- FilmExperience
In this episode of Off The Shelf, Ryan and Brian take a look at the new DVD and Blu-ray releases for Tuesday, May 10th 2016.
Subscribe in iTunes or RSS.
Follow-Up Shout Select Operation Dumbo Drop? Bill Hunt on Uhd Bd Cat People News Arrow Video: David Cronenberg’s Early Works (UK Only), The Complete Count Yorga (UK Only), Kinji Fukasaku films (Individual Releases), Microwave Massacre, The Bloodstained Butterfly Kino Lorber: Trouble Man, Witchcraft, Freeway (1988) Scorpion/Kino: Charlie Chan and the Curse of the Dragon Queen Fabulous Films (UK): June 6th: Brewster’s Millions, Dragnet, King Ralph, The Jetsons Movie, Cheech and Chong’s Next Movie Links to Amazon Back Roads Classic Hitchcock Deadpool Eisenstein in Guanajuato Father of the Bride Gabo: The Creation of Gabriel Garcia Marquez I Don’t Belong Anywhere: The Cinema of Chantal Akerman In a Lonely Place The Little Girl Who Lives Down the Lane...
Subscribe in iTunes or RSS.
Follow-Up Shout Select Operation Dumbo Drop? Bill Hunt on Uhd Bd Cat People News Arrow Video: David Cronenberg’s Early Works (UK Only), The Complete Count Yorga (UK Only), Kinji Fukasaku films (Individual Releases), Microwave Massacre, The Bloodstained Butterfly Kino Lorber: Trouble Man, Witchcraft, Freeway (1988) Scorpion/Kino: Charlie Chan and the Curse of the Dragon Queen Fabulous Films (UK): June 6th: Brewster’s Millions, Dragnet, King Ralph, The Jetsons Movie, Cheech and Chong’s Next Movie Links to Amazon Back Roads Classic Hitchcock Deadpool Eisenstein in Guanajuato Father of the Bride Gabo: The Creation of Gabriel Garcia Marquez I Don’t Belong Anywhere: The Cinema of Chantal Akerman In a Lonely Place The Little Girl Who Lives Down the Lane...
- 5/11/2016
- by Ryan Gallagher
- CriterionCast
In this episode of Off The Shelf, Ryan and Brian take a look at the new DVD and Blu-ray releases for Tuesday, April 26th, 2016. They also discuss the new streaming service: FilmStruck.
Subscribe in iTunes or RSS.
Follow-Up Ryan buys a Blu-ray from Australia! News FilmStruck Alien Day Labyrinth 4k Criterion Collection: July Line-up Kino Lorber: Sherlock Holmes’ Smarter Brother, Road House, The Enemy Below, Caboblanco, Star Crystal, Man on Fire, The Earth Dies Screaming, and Chosen Survivors Scorpion Releasing: Force Five, Haunting of Morella Image Entertainment: The Commitments Twilight Time May 2016 Pre-orders: Garden of Evil, Cat Balou, Eureka, I Could Go On Singing, and Appasionata Links to Amazon 4/19 Barcelona Betrayed Cary Grant: The Vault Collection Dangerous Men Dead Pigeon on Beethoven Street Doris Day and Rock Hudson Romantic Comedy Collection Drunk Stoned Brilliant Dead: The Story of the National Lampoon Fatal Beauty The File of the Golden Goose...
Subscribe in iTunes or RSS.
Follow-Up Ryan buys a Blu-ray from Australia! News FilmStruck Alien Day Labyrinth 4k Criterion Collection: July Line-up Kino Lorber: Sherlock Holmes’ Smarter Brother, Road House, The Enemy Below, Caboblanco, Star Crystal, Man on Fire, The Earth Dies Screaming, and Chosen Survivors Scorpion Releasing: Force Five, Haunting of Morella Image Entertainment: The Commitments Twilight Time May 2016 Pre-orders: Garden of Evil, Cat Balou, Eureka, I Could Go On Singing, and Appasionata Links to Amazon 4/19 Barcelona Betrayed Cary Grant: The Vault Collection Dangerous Men Dead Pigeon on Beethoven Street Doris Day and Rock Hudson Romantic Comedy Collection Drunk Stoned Brilliant Dead: The Story of the National Lampoon Fatal Beauty The File of the Golden Goose...
- 4/27/2016
- by Ryan Gallagher
- CriterionCast
Though it’s a famously compromised vision, to be sure, director John Cassavetes’ third film, A Child is Waiting, represents an important cinematic juncture. Meant to highlight society’s cruelty exacted upon handicapped children via behind-the-scenes details of a new cutting edge school run by an objective physician, the film’s noble ambitions were unfortunately marred by creative forces in disagreement.
After the fallout of his experiences with studio filmmaking, Cassavetes wouldn’t return until 1968 with the landmark Faces, and thus begin building a filmography earning him the moniker ‘father of independent cinema.’ And yet, there’s a scarred, dignified beauty about this troubled motion picture, perhaps as easily identifiable as the warring schools of thought amongst its main protagonists in the film.
A box office failure, it received a cool critical reception, disowned by its director after he was fired in post-production by producer Stanley Kramer. It’s unavoidable...
After the fallout of his experiences with studio filmmaking, Cassavetes wouldn’t return until 1968 with the landmark Faces, and thus begin building a filmography earning him the moniker ‘father of independent cinema.’ And yet, there’s a scarred, dignified beauty about this troubled motion picture, perhaps as easily identifiable as the warring schools of thought amongst its main protagonists in the film.
A box office failure, it received a cool critical reception, disowned by its director after he was fired in post-production by producer Stanley Kramer. It’s unavoidable...
- 12/1/2015
- by Nicholas Bell
- IONCINEMA.com
Shock And Gore | British Airways Silent Picturehouse | Pride film festivals | Mogwai + Zidane: A 21st Century Portrait
Shock And Gore, Birmingham
Like all good horror festivals, this is a mix of old classics and new blood, the latter led by James "Saw" Wan's Amityville-like The Conjuring. Talking of blood, Xan Cassavetes makes her fiction debut with modern vampire flick Kiss Of The Damned, while a post-dinner dare game gets horribly messy in Would You Rather. For the more civilised there's Coppola's Dracula, and for the sincerely debauched, Saturday is an all-nighter, with films, parties, horror-director guests and offbeat awards such as Best Death and Worst Nicolas Cage Movie.
Various venues, Sat to 25 Jul
British Airways Silent Picturehouse, London
Cementing the relationship between movies and air travel, BA transforms the arched caverns of Vinopolis into a sumptuous cinema lounge this week, where you can choose between five films playing simultaneously (in different...
Shock And Gore, Birmingham
Like all good horror festivals, this is a mix of old classics and new blood, the latter led by James "Saw" Wan's Amityville-like The Conjuring. Talking of blood, Xan Cassavetes makes her fiction debut with modern vampire flick Kiss Of The Damned, while a post-dinner dare game gets horribly messy in Would You Rather. For the more civilised there's Coppola's Dracula, and for the sincerely debauched, Saturday is an all-nighter, with films, parties, horror-director guests and offbeat awards such as Best Death and Worst Nicolas Cage Movie.
Various venues, Sat to 25 Jul
British Airways Silent Picturehouse, London
Cementing the relationship between movies and air travel, BA transforms the arched caverns of Vinopolis into a sumptuous cinema lounge this week, where you can choose between five films playing simultaneously (in different...
- 7/20/2013
- by Steve Rose
- The Guardian - Film News
Actor who won fame as Oscar Madison in The Odd Couple and crimesolving medical examiner Quincy
Television was the medium that conferred stardom on the actor Jack Klugman, who has died aged 90. In a long, distinguished career that also embraced theatre and film, he was principally identified with two television characters: Oscar Madison, the slovenly, down-to-earth, cigar-smoking flatmate of the neurotically neat Felix Unger (Tony Randall) in the long-running comedy series The Odd Couple (1970-75; in the play and film, Felix's surname was spelt Ungar), and Quincy in Quincy, Me (1976-83), a crime-solving medical examiner.
Born in a poor neighbourhood of Philadelphia, the son of Russian-Jewish immigrants, Klugman had a tough childhood. His father, a house painter, died young, forcing his mother to make hats in her kitchen to buy food and clothing for her six children. Young Jack, who worked as a street peddler, later observed: "Poverty can teach lessons that privilege cannot.
Television was the medium that conferred stardom on the actor Jack Klugman, who has died aged 90. In a long, distinguished career that also embraced theatre and film, he was principally identified with two television characters: Oscar Madison, the slovenly, down-to-earth, cigar-smoking flatmate of the neurotically neat Felix Unger (Tony Randall) in the long-running comedy series The Odd Couple (1970-75; in the play and film, Felix's surname was spelt Ungar), and Quincy in Quincy, Me (1976-83), a crime-solving medical examiner.
Born in a poor neighbourhood of Philadelphia, the son of Russian-Jewish immigrants, Klugman had a tough childhood. His father, a house painter, died young, forcing his mother to make hats in her kitchen to buy food and clothing for her six children. Young Jack, who worked as a street peddler, later observed: "Poverty can teach lessons that privilege cannot.
- 12/26/2012
- by Ronald Bergan
- The Guardian - Film News
Los Angeles – He was a consummate television character, with a unforgettable reputation as a lovable slob and a nosy medical examiner. Jack Klugman, who portrayed Oscar Madison on the sitcom version of “The Odd Couple” and the title character on the TV drama “Quincy M.E.,” died on December 24th at his home in Woodland Hills, California. He was 90 years old.
In his early career, he was most prominent for his appearance in the film “12 Angry Men” (1957) as Juror #5, opposite Henry Fonda, Lee J. Cobb and nine other actors, playing members of a jury who are bought together to decide a murder case. Klugman was the last surviving member of that famous movie ensemble. He also tied Burgess Meredith for the most starring roles – with four – in the legendary TV series, “The Twilight Zone.”
Tony Randall as Felix and Jack Klugman as Oscar in TV’s ‘The Odd Couple’
Photo credit:...
In his early career, he was most prominent for his appearance in the film “12 Angry Men” (1957) as Juror #5, opposite Henry Fonda, Lee J. Cobb and nine other actors, playing members of a jury who are bought together to decide a murder case. Klugman was the last surviving member of that famous movie ensemble. He also tied Burgess Meredith for the most starring roles – with four – in the legendary TV series, “The Twilight Zone.”
Tony Randall as Felix and Jack Klugman as Oscar in TV’s ‘The Odd Couple’
Photo credit:...
- 12/26/2012
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Reuters Singer Whitney Houston performs during the “VH1 Divas Duets” concert in Las Vegas, in this file photo taken May 22, 2003.
At the time of her death, Whitney Houston had been planning to make a major move back into film. Ironically, one of the projects she was developing was a remake of Judy Garland’s final movie.
According to her spokesperson, Houston wanted to star in a remake of the 1963 Judy Garland film “I Could Go on Singing.” Garland died in...
At the time of her death, Whitney Houston had been planning to make a major move back into film. Ironically, one of the projects she was developing was a remake of Judy Garland’s final movie.
According to her spokesperson, Houston wanted to star in a remake of the 1963 Judy Garland film “I Could Go on Singing.” Garland died in...
- 2/16/2012
- by Christopher John Farley
- Speakeasy/Wall Street Journal
The Lincoln Center and the Paley Center here in NYC have joined forces to celebrate the all-singing all-dancing legend that is Judy Garland!
Shout 'Hallelujah', c'mon get happy!"
Once upon a time she was dubbed "The World's Greatest Entertainer." Few celebrities have ever earned their PR self-mythologizing titles the way Judy G did. There's just no beating her for musical pleasure and cathartic heartbreak. And as if her sensational singing and dancing weren't enough, she was a fine actress, too!
I missed the first week of the celebration being in Michigan but I'll see what I can catch for the remainder of the summer program which ends August 9th. If you're not in New York City, you can always follow along at home as best you can with an impromptu DVD festival.
Still to come in the festival are...
Young Judy:
Everybody Sing (1938), For Me and My Gal (1942), Presenting Lily Mars...
Shout 'Hallelujah', c'mon get happy!"
Once upon a time she was dubbed "The World's Greatest Entertainer." Few celebrities have ever earned their PR self-mythologizing titles the way Judy G did. There's just no beating her for musical pleasure and cathartic heartbreak. And as if her sensational singing and dancing weren't enough, she was a fine actress, too!
I missed the first week of the celebration being in Michigan but I'll see what I can catch for the remainder of the summer program which ends August 9th. If you're not in New York City, you can always follow along at home as best you can with an impromptu DVD festival.
Still to come in the festival are...
Young Judy:
Everybody Sing (1938), For Me and My Gal (1942), Presenting Lily Mars...
- 7/31/2011
- by NATHANIEL R
- FilmExperience
Impressive retrospective of Judy Garland.s films will feature 31 titles including a presentation of seldom seen short films and rarities as well as a special .sing-along. screening of The Wizard Of Oz.
On the occasion of what would have been Judy Garland.s 89th birthday, the Film Society of Lincoln Center and The Paley Center have announced the details today for Fslc.s comprehensive retrospective of the peerless film icon.s work, All Singin., All Dancin., All Judy! which will screen at the Walter Reade Theater July 26 . August 9 and The Paley Center.s comprehensive retrospective of Garland.s television work,Judy Garland: The Television Years which will be presented July 20 . August 18.
With autumn marking the 75th anniversary of Judy Garland’s feature film debut (Pigskin Parade, 1936), the Film Society of Lincoln Center will screen 31 titles from July 26 . August 9, including each of her big-screen acting performances, to pay tribute to...
On the occasion of what would have been Judy Garland.s 89th birthday, the Film Society of Lincoln Center and The Paley Center have announced the details today for Fslc.s comprehensive retrospective of the peerless film icon.s work, All Singin., All Dancin., All Judy! which will screen at the Walter Reade Theater July 26 . August 9 and The Paley Center.s comprehensive retrospective of Garland.s television work,Judy Garland: The Television Years which will be presented July 20 . August 18.
With autumn marking the 75th anniversary of Judy Garland’s feature film debut (Pigskin Parade, 1936), the Film Society of Lincoln Center will screen 31 titles from July 26 . August 9, including each of her big-screen acting performances, to pay tribute to...
- 6/10/2011
- by Melissa Howland
- WeAreMovieGeeks.com
Producer, director and cinematographer of many well-loved British film classics, including Oliver Twist, Tunes of Glory and The Prime of Miss Jean Brodie
The producer, director, writer and cinematographer Ronald Neame, who has died aged 99, played an important role in British cinema for more than half a century. The critic Matthew Sweet once called him "a living embodiment of cinema, a sort of one-man world heritage site". Neame was assistant director to Alfred Hitchcock on Blackmail (1929), the first British talkie; he was the cinematographer on In Which We Serve (1942), Noël Coward's moving tribute to the Royal Navy during the second world war; he co-produced and co-wrote David Lean's Brief Encounter (1945) and Great Expectations (1946); and he directed Alec Guinness in two of his best roles, in The Horse's Mouth (1958) and Tunes of Glory (1960). As if this wasn't enough, Neame also conquered Hollywoo d with one of the first and most successful disaster movies,...
The producer, director, writer and cinematographer Ronald Neame, who has died aged 99, played an important role in British cinema for more than half a century. The critic Matthew Sweet once called him "a living embodiment of cinema, a sort of one-man world heritage site". Neame was assistant director to Alfred Hitchcock on Blackmail (1929), the first British talkie; he was the cinematographer on In Which We Serve (1942), Noël Coward's moving tribute to the Royal Navy during the second world war; he co-produced and co-wrote David Lean's Brief Encounter (1945) and Great Expectations (1946); and he directed Alec Guinness in two of his best roles, in The Horse's Mouth (1958) and Tunes of Glory (1960). As if this wasn't enough, Neame also conquered Hollywoo d with one of the first and most successful disaster movies,...
- 6/20/2010
- by Ronald Bergan
- The Guardian - Film News
Judy Garland in Ronald Neame‘s I Could Go on Singing Ronald Neame Dies The Horse’s Mouth (1958) starred Venice Film Festival Best Actor winner Alec Guinness as an eccentric painter; the British Academy’s Best British Film nominee Tunes of Glory (1960), with Guinness and John Mills in a not-very-flattering look at the British military; and the melodrama I Could Go on Singing (1963), pairing Dirk Bogarde with Judy Garland, who delivers one of her strongest performances in what turned out to be her last film. "Judy Garland… talk about a love-hate relationship! I was so excited when I was asked to direct her," Neame told Matthew Street. "I thought, you know, what a wonderful opportunity, to direct Judy Garland. I heard all kinds of things about how she ate directors for breakfast, and if she didn’t eat them, she fired them. I was told how difficult it would be,...
- 6/19/2010
- by Andre Soares
- Alt Film Guide
British filmmaker Ronald Neame, whose career dates back to serving as assistant cameraman on the first feature film made with sound in Great Britain, Alfred Hitchcock's "Blackmail," has died, according to reports. He was 99.
No details were available.
His directing credits ranged from "The Poseidon Adventure" (1972) to "The Prime of Miss Jean Brodie" (1969), for which Maggie Smith won the Oscar for best actress.
As a producer, Neame was involved with three British classics: "Brief Encounter" (1945), "Great Expectations" (1946) and "Oliver Twist" (1948). "Brief Encounter" and "Great Expectations" were the fruition of a production partnership called Cineguild that Neame had formed with David Lean and Anthony Havelock-Allan.
As a screenwriter, Neame earned Oscar nominations for the screenplays of "Brief," adapted from a Noel Coward play, and "Expectations," from Charles Dickens' novel. He shared those distinctions with Lean and Havelock-Allan.
Cineguild broke up in 1947 with a fall-out between Neame and Lean when...
No details were available.
His directing credits ranged from "The Poseidon Adventure" (1972) to "The Prime of Miss Jean Brodie" (1969), for which Maggie Smith won the Oscar for best actress.
As a producer, Neame was involved with three British classics: "Brief Encounter" (1945), "Great Expectations" (1946) and "Oliver Twist" (1948). "Brief Encounter" and "Great Expectations" were the fruition of a production partnership called Cineguild that Neame had formed with David Lean and Anthony Havelock-Allan.
As a screenwriter, Neame earned Oscar nominations for the screenplays of "Brief," adapted from a Noel Coward play, and "Expectations," from Charles Dickens' novel. He shared those distinctions with Lean and Havelock-Allan.
Cineguild broke up in 1947 with a fall-out between Neame and Lean when...
- 6/18/2010
- by By Duane Byrge
- The Hollywood Reporter - Movie News
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