Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper's executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr. Strangelove, are discussing measures to stop the attack or mitigate its blow-up into an all ...Written by
The only film that year nominated for Best Picture at the Academy Awards, and not in any Best Motion Picture category at the Golden Globes. See more »
Towards the end of the film, when Strangelove is fighting with his renegade right hand over control of his wheelchair and punches it several times out of frustration, the Russian Ambassador (Peter Bull) clearly corpses (laughs) at Peter Sellers' performance and then quickly regains his composure. See more »
For more than a year, ominous rumors had been privately circulating among high-level Western leaders that the Soviet Union had been at work on what was darkly hinted to be the ultimate weapon: a doomsday device. Intelligence sources traced the site of the top secret Russian project to the perpetually fog-shrouded wasteland below the Arctic peaks of the Zhokhov Islands. What they were building or why it should be located in such a remote and desolate place no one could say.
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The screenplay title is incorrectly spelled. It reads: 'Base' on the book "Red Alert" by Peter George. This is pointed out on the DVD supplement about the making of the film. See more »
Three different screen aspect ratios have been used for video releases. The initial video releases up until the last VHS used a pan & scan transfer. Starting with the Criterion Collection laserdisc, as well as the later Columbia laserdisc, the film was presented "open matte" which meant that as much of the frame was captured as possible. Since many scenes were shot with mattes in-camera, the aspect ratio varied between 1.33:1 to roughly 1.66:1. This same version was used for the original and later Special Edition. In 2004, Columbia completed a new restoration of the film using an original fine-grain positive. This was utilized for a high definition transfer used for the 2-disc 40th Anniversary Edition DVD set. For the first time, this edition used 16x9 enhancement and presented the entire film at its theatrical exhibition aspect ratio of 1.66:1. While this obscures image previously seen on the variable ratio transfers, this preserves the intended "matted" wide-screen composition - very important for shots like Major Kong riding the bomb to the ground. In the variable ratio transfers, the rigging and projection screen edges are visible. See more »
Stanley Kubrick's first and only comedic masterpiece is still the finest ever made. I love everything in the movie: the brilliant acting, sensational script, flawless direction, and even those quirky visual effects. Not only was this film hilarious, it was a breakthrough for the entire film industry when first released. In addition to it's amazing satirical basis, the film also played a major role in how films were advertised and marketed... as if Peter Seller's performance wasn't enough! The sets were also very convincing and just plain great! So realistic in fact, that the FBI almost investigated how they got the B-52 Bomber replicated to near perfection!
In the end, 'Dr. Strangelove: or How I Learned to Stop Worrying and Love the Bomb' is the best comedy. It's also another milestone in film making and another reason to be astonished when looking at the work of Stanley Kubrick.
An obvious perfect ***** / *****
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