Aki Kaurismäki's Fallen Leaves is screening exclusively on Mubi in many countries.Fallen Leaves.There’s a moment early in Aki Kaurismäki’s latest film, Fallen Leaves (2023), that will surely tug at the heartstrings of shy lovers everywhere. A man, Holappa (played by Jussi Vatanen), and a woman, Ansa (Alma Pöysti), sit across from each other in a bar. Between them, his friend tries vainly to flirt with hers, getting nowhere, but Holappa and Ansa themselves do not speak, and instead merely stare meekly into their drinks, the gap of a few meters opening up like a yawning chasm. Then, for just a moment, Holappa looks up from his beer and their eyes meet. And as they do, the first cascading piano chords of Franz Schubert’s “Serenade” are heard and a besuited man takes the karaoke stage to start singing: “Softly my songs plead / through the night for...
- 2/4/2024
- MUBI
"If the summer doesn't sing in you, then nothing sings in you. And if nothing sings in you, then you can't make music."
This quote is featured prominently in the new trailer for "Maestro," the latest directorial effort from Bradley Cooper, which you can watch above. It's clear that something is really singing for Bradley Cooper with this film, whether it's summer or something else entirely, because this film looks like it is filled with his blood, sweat and tears.
"Maestro" tells the story of acclaimed composer Leonard Bernstein (played by Cooper himself) and the lifelong relationship and marriage he shared with Felicia Montealegre Cohn Bernstein (Carey Mulligan), which included a fair share of complications because Bernstein also identified as homosexual. But as the official synopsis for the movie describes the movie, "A love letter to life and art, 'Maestro' at its core is an emotionally epic portrayal of family and love.
This quote is featured prominently in the new trailer for "Maestro," the latest directorial effort from Bradley Cooper, which you can watch above. It's clear that something is really singing for Bradley Cooper with this film, whether it's summer or something else entirely, because this film looks like it is filled with his blood, sweat and tears.
"Maestro" tells the story of acclaimed composer Leonard Bernstein (played by Cooper himself) and the lifelong relationship and marriage he shared with Felicia Montealegre Cohn Bernstein (Carey Mulligan), which included a fair share of complications because Bernstein also identified as homosexual. But as the official synopsis for the movie describes the movie, "A love letter to life and art, 'Maestro' at its core is an emotionally epic portrayal of family and love.
- 10/25/2023
- by Ethan Anderton
- Slash Film
This Friday, October 27, 2023, at 9:00 Pm on PBS, “Great Performances” brings you a remarkable show featuring the New York City Ballet as they take the stage at Madrid’s Teatro Real. In this episode, viewers will enjoy an evening of incredible dance performances without any embellishments.
The New York City Ballet, renowned for their exceptional artistry, will showcase timeless works by legendary choreographer George Balanchine. These include “Serenade” and “Square Dance.” Additionally, the show will feature the contemporary piece “The Times Are Racing,” choreographed by Justin Peck.
“Great Performances” invites audiences of all ages to witness the beauty and grace of ballet. It’s a night of pure dance, where the artistry and talent of the New York City Ballet take center stage.
Don’t miss the New York City Ballet’s enchanting performance on October 27, 2023, at 9:00 Pm, only on PBS.
Release Date & Time: 9:00 Pm Friday 27 October 2023 on...
The New York City Ballet, renowned for their exceptional artistry, will showcase timeless works by legendary choreographer George Balanchine. These include “Serenade” and “Square Dance.” Additionally, the show will feature the contemporary piece “The Times Are Racing,” choreographed by Justin Peck.
“Great Performances” invites audiences of all ages to witness the beauty and grace of ballet. It’s a night of pure dance, where the artistry and talent of the New York City Ballet take center stage.
Don’t miss the New York City Ballet’s enchanting performance on October 27, 2023, at 9:00 Pm, only on PBS.
Release Date & Time: 9:00 Pm Friday 27 October 2023 on...
- 10/20/2023
- by Jules Byrd
- TV Everyday
Comic-Con is coming to the high seas.
San Diego Comic Convention, the parent company of the international comic convention, and Entertainment Cruise Productions — which has previously produced a Star Trek cruise experience — are teaming to launch Comic-Con: The Cruise. The full-ship charter will take fans from Tampa to the Mexican island Cozumel onboard Royal Caribbean’s Serenade of the Seas, with its first voyage set for Feb. 5-9, 2025.
“With a stellar reputation for producing fan events on the ocean, we are excited that Entertainment Cruise Productions has developed Comic-Con: The Cruise to be a truly new kind of adventure,” said David Glanzer, a spokesperson for the popular convention, in a statement. “The team at Ecp shares our passion for transformational events and innovative programming and we are excited they are building something so amazing.”
Fans will be immersed in a one-of-a-kind experience dedicated to comics and popular arts. Fans will...
San Diego Comic Convention, the parent company of the international comic convention, and Entertainment Cruise Productions — which has previously produced a Star Trek cruise experience — are teaming to launch Comic-Con: The Cruise. The full-ship charter will take fans from Tampa to the Mexican island Cozumel onboard Royal Caribbean’s Serenade of the Seas, with its first voyage set for Feb. 5-9, 2025.
“With a stellar reputation for producing fan events on the ocean, we are excited that Entertainment Cruise Productions has developed Comic-Con: The Cruise to be a truly new kind of adventure,” said David Glanzer, a spokesperson for the popular convention, in a statement. “The team at Ecp shares our passion for transformational events and innovative programming and we are excited they are building something so amazing.”
Fans will be immersed in a one-of-a-kind experience dedicated to comics and popular arts. Fans will...
- 7/19/2023
- by Abbey White
- The Hollywood Reporter - Movie News
To judge by Aki Kaurismäki’s typically wry and winsome “Fallen Leaves,” the Finnish auteur’s first movie since threatening to retire after “The Other Side of Hope” came out 2017, only two things have any significant importance have happened in the world over the last six years.
The first and most pressing of those is the war in Ukraine, which bleeds into Ansa’s (Alma Pöysti) already depressing kitchen every time the supermarket cashier dares to turn on her radio after work. Listening to news of the latest atrocity in Kyiv is the only thing worse than eating her microwaved dinner in the complete silence Ansa settles for when she can’t find anything more comforting on the airwaves. She doesn’t need any further evidence of the darkness outside her window, thank you very much.
The other major historical milestone since 2017 was obviously the release of Jim Jarmusch’s “The Dead Don’t Die,...
The first and most pressing of those is the war in Ukraine, which bleeds into Ansa’s (Alma Pöysti) already depressing kitchen every time the supermarket cashier dares to turn on her radio after work. Listening to news of the latest atrocity in Kyiv is the only thing worse than eating her microwaved dinner in the complete silence Ansa settles for when she can’t find anything more comforting on the airwaves. She doesn’t need any further evidence of the darkness outside her window, thank you very much.
The other major historical milestone since 2017 was obviously the release of Jim Jarmusch’s “The Dead Don’t Die,...
- 5/24/2023
- by David Ehrlich
- Indiewire
After going virtual last year and not handing out any prizes due to the Covid pandemic, the 2021 Cannes Film Festival returned to form by announcing its winners on July 17. How many of these will figure in the upcoming Oscar race? We recap the results from the 74th edition of this foremost of film festivals and review its history as a forecaster of the Academy Awards.
The top award at Cannes is the Palme d’Or. Over the years, 40 winners of this prize have amassed 135 Academy Award nominations. Seventeen of these have claimed a combined 32 Oscars. This year, the Palme d’Or went to French filmmaker Julia Ducournau‘s “Titane.” Her dramatic thriller centers on a father reunited with his son who was missing for a decade during which several unexplained crimes were committed. Ducournau is the second woman to take this top prize following Jane Campion‘s breakthrough in 1993 with “The Piano.
The top award at Cannes is the Palme d’Or. Over the years, 40 winners of this prize have amassed 135 Academy Award nominations. Seventeen of these have claimed a combined 32 Oscars. This year, the Palme d’Or went to French filmmaker Julia Ducournau‘s “Titane.” Her dramatic thriller centers on a father reunited with his son who was missing for a decade during which several unexplained crimes were committed. Ducournau is the second woman to take this top prize following Jane Campion‘s breakthrough in 1993 with “The Piano.
- 7/18/2021
- by Charles Bright
- Gold Derby
The 2020 Kennedy Center Honors were delayed from their traditional December slot by five months to May. Producers recorded the tributes over several days for Debbie Allen, Joan Baez, Garth Brooks, Midori and Dick Van Dyke in and around the Washington, D.C. landmark for a ceremony to be broadcast this Sunday, June 6, on CBS.
Here is the complete list of performers and presenters to be seen on the two-hour program hosted by previous Kch recipient Gloria Estefan. While all performers were there in person to honor the entertainment careers of these icons, some presenters recorded their portions from other locations.
Debbie Allen:
Presenters are Paula Abdul, Phylicia Rashad, Shonda Rhimes, Tracee Ellis Ross
“Fame” performed by Ariana DeBose, Vanessa Hudgens, Vivian Nixon, Tiler Peck, Desmond Richardson, Anika Noni Rose
“I’m a Brass Band” performed by Ariana DeBose, Vivian Nixon
“Out Here on My Own” performed by Tiler Peck,...
Here is the complete list of performers and presenters to be seen on the two-hour program hosted by previous Kch recipient Gloria Estefan. While all performers were there in person to honor the entertainment careers of these icons, some presenters recorded their portions from other locations.
Debbie Allen:
Presenters are Paula Abdul, Phylicia Rashad, Shonda Rhimes, Tracee Ellis Ross
“Fame” performed by Ariana DeBose, Vanessa Hudgens, Vivian Nixon, Tiler Peck, Desmond Richardson, Anika Noni Rose
“I’m a Brass Band” performed by Ariana DeBose, Vivian Nixon
“Out Here on My Own” performed by Tiler Peck,...
- 6/5/2021
- by Chris Beachum
- Gold Derby
The latest Chinese film to sneak into North American theatres with little fanfare, targeting immigrant communities with single multiplex screens in a handful of major metropolitan markets, is the new film from prolific Hong Kong director Johnnie To. His first crime film since 2013’s Blind Detective (yet to see a Us release) and his first film set in a hospital since his 2000 farce Help!!!, To’s latest is a bottle episode, a side-swipe at a psychological thriller about a cop, a crook and a doctor battling to see who can best exemplify humanity’s hubris in the face of chance and fate. This conflict between free will and universal randomness lies at the heart of most of the films To has made in the twenty years since he established the Milkyway Image studio, uniting both his crime thrillers and his romances, though rarely has it been stated so explicitly.Taking...
- 7/5/2016
- MUBI
Kate’s Classical Corner: Hannibal, Ep. 3.01, “Antipasto”
As a classical musician, I can’t help but be influenced in my interpretation of Hannibal by its amazing score and soundtrack, composed and compiled by music supervisor Brian Reitzell. I’ll be reviewing Hannibal season three for Sound on Sight and along with each review, I’ll be writing up a few notes (or this week—thanks to the sheer volume of music—many, many notes) on the episode’s scoring and soundtrack choices. This is not intended to be a definitive reading of Reitzell or Bryan Fuller’s intentions in regards to the music, but rather an exploration of how these choices affect my appreciation of the given episode. Read my thoughts on “Antipasto” here.
Prélude à l’après-midi d’un faune by Claude Debussy (1894): Gideon and Hannibal eat dinner, Hannibal tends his snails
Based on L’après-midi d’un...
As a classical musician, I can’t help but be influenced in my interpretation of Hannibal by its amazing score and soundtrack, composed and compiled by music supervisor Brian Reitzell. I’ll be reviewing Hannibal season three for Sound on Sight and along with each review, I’ll be writing up a few notes (or this week—thanks to the sheer volume of music—many, many notes) on the episode’s scoring and soundtrack choices. This is not intended to be a definitive reading of Reitzell or Bryan Fuller’s intentions in regards to the music, but rather an exploration of how these choices affect my appreciation of the given episode. Read my thoughts on “Antipasto” here.
Prélude à l’après-midi d’un faune by Claude Debussy (1894): Gideon and Hannibal eat dinner, Hannibal tends his snails
Based on L’après-midi d’un...
- 6/5/2015
- by Kate Kulzick
- SoundOnSight
Oscar-winning actor who played threatened heroines for Alfred Hitchcock in Rebecca and Suspicion
It was hard to cast the lead in Daphne du Maurier's Rebecca, filmed by Alfred Hitchcock in 1939. The female fans of the bestseller were very protective of the naive woman whom the widower Max de Winter marries and transports to his ancestral home of Manderley. None of the contenders – including Vivien Leigh, Anne Baxter and Loretta Young – felt right for the second Mrs de Winter, who was every lending-library reader's dream self.
To play opposite Laurence Olivier in the film, the producer David O Selznick suggested instead a 21-year-old actor with whom he was smitten: Joan Fontaine. The prolonged casting process made Fontaine anxious. Vulnerability was central to the part, and you can see that vulnerability, that inability to trust her own judgment, in every frame of the film. The performance brought Fontaine, who has died...
It was hard to cast the lead in Daphne du Maurier's Rebecca, filmed by Alfred Hitchcock in 1939. The female fans of the bestseller were very protective of the naive woman whom the widower Max de Winter marries and transports to his ancestral home of Manderley. None of the contenders – including Vivien Leigh, Anne Baxter and Loretta Young – felt right for the second Mrs de Winter, who was every lending-library reader's dream self.
To play opposite Laurence Olivier in the film, the producer David O Selznick suggested instead a 21-year-old actor with whom he was smitten: Joan Fontaine. The prolonged casting process made Fontaine anxious. Vulnerability was central to the part, and you can see that vulnerability, that inability to trust her own judgment, in every frame of the film. The performance brought Fontaine, who has died...
- 12/16/2013
- by Veronica Horwell
- The Guardian - Film News
TCM devotes Thursday nights in October to Vincent Price, the versatile actor whose career lasted more than five decades and extended far beyond the horror films for which he was best known.
The chronological lineup includes such classics as The Private Lives of Elizabeth and Essex (1939), The Three Musketeers (1948) and While the City Sleeps (1956).
And on Oct. 23 and Oct. 31, Price’s talents in the horror genre are on full display in 17 films, just in time for Halloween.
Thursday, Oct. 3
8 p.m. – The Private Lives of Elizabeth and Essex (1939)
10 p.m. – Leave Her to Heaven (1945)
Midnight – The Keys of the Kingdom (1945)
2:30 a.m. – The Three Musketeers (1948)
5:15 a.m. – The Bribe (1949)
7 a.m. – The Long Night (1947)
Thursday, Oct. 10
8 p.m. – The Baron of Arizona (1950)
9:45 p.m. – His Kind of Woman (1951)
Midnight – The Las Vegas Story (1952)
1:30 a.m. – Dangerous Mission (1954)
3 a.m. – Son of Sinbad (1955)
4:45 a.m. – Serenade (1956)
Thursday,...
The chronological lineup includes such classics as The Private Lives of Elizabeth and Essex (1939), The Three Musketeers (1948) and While the City Sleeps (1956).
And on Oct. 23 and Oct. 31, Price’s talents in the horror genre are on full display in 17 films, just in time for Halloween.
Thursday, Oct. 3
8 p.m. – The Private Lives of Elizabeth and Essex (1939)
10 p.m. – Leave Her to Heaven (1945)
Midnight – The Keys of the Kingdom (1945)
2:30 a.m. – The Three Musketeers (1948)
5:15 a.m. – The Bribe (1949)
7 a.m. – The Long Night (1947)
Thursday, Oct. 10
8 p.m. – The Baron of Arizona (1950)
9:45 p.m. – His Kind of Woman (1951)
Midnight – The Las Vegas Story (1952)
1:30 a.m. – Dangerous Mission (1954)
3 a.m. – Son of Sinbad (1955)
4:45 a.m. – Serenade (1956)
Thursday,...
- 10/3/2013
- by Michelle McCue
- WeAreMovieGeeks.com
Legendary Spanish-born international film and music icon has died Sara Montiel, also known as either Sarita Montiel or, at times, Saritisima, was one of the Spanish-speaking world's biggest stars. She died on Monday, April 8, apparently of "natural causes" at her house in Madrid's district of Salamanca. She was 85 years old. Earlier today, a cortege driving through the streets of Madrid was attended (and applauded) by thousands of mourning fans. Montiel was born on March 10, 1928; according to online sources, her birth name was María Antonia Alejandra Vicenta Elpidia Isadora Abad Fernández; her father was a small farmer and her mother was beauty products salesperson. She left behind her poverty-stricken childhood, spending her days in the streets of her small village while dreaming of Spanish film star Imperio Argentina, after moving to Madrid in her mid-teens. Diction and singing lessons followed. Eventually, she started appearing in films, landing two roles in 1944 releases:...
- 4/10/2013
- by Andre Soares
- Alt Film Guide
Hammett, Chandler, Cain: the modern mystery thriller starts with them. They are the godfathers of that sensibility that would come to be called noir which would, in time, overflow the printed page and onto the stage, the big screen, and eventually even to television. Identified primarily with mysteries, the concept of flawed human beings ethically tripping and stumbling in a moral No Man’s Land, equidistant between Right and Wrong, Good and Bad would bleed across genre lines. There would be noir Westerns (Blood on the Moon, 1948), noir war movies (Attack!, 1956), noir horror (The Body Snatcher, 1945), even noir melodramas like Cain’s own Mildred Pierce, adapted for the screen in 1945.
But they all started with what Hammett, Chandler, and Cain did on the page, and each provided an evolutionary step which took what had once been usually dismissed as a flyweight genre dedicated to colorful private investigators and clever puzzles,...
But they all started with what Hammett, Chandler, and Cain did on the page, and each provided an evolutionary step which took what had once been usually dismissed as a flyweight genre dedicated to colorful private investigators and clever puzzles,...
- 9/19/2012
- by Bill Mesce
- SoundOnSight
Royal Albert Hall, London
For those of us who know our musicals from DVDs and Christmas TV, John Wilson's Hollywood Prom delivered a pleasurable shock. His orchestra, with its nine-piece percussion section and full-blown jazz big band, blasted out a surround-sound version of music that is usually squeezed through the tiny speakers of a telly.
Without the tap dances, chorus girls and (often flimsy) plots, the music had to stand up for itself. Wilson, who has brought a passion for authentic performance to movie soundtracks, shone a glittering spotlight on arrangers such as Ray Heindorf, Conrad Salinger and Lloyd "Skip" Martin. They were Hollywood's invisible men, who toiled behind the tinsel to stretch three-minute ditties into extended suites (This Heart of Mine) or craft subtle tone poems that became huge hits (Secret Love, sung beautifully by Clare Teal).
A tag team of vocalists interpreted familiar songs from movies made between...
For those of us who know our musicals from DVDs and Christmas TV, John Wilson's Hollywood Prom delivered a pleasurable shock. His orchestra, with its nine-piece percussion section and full-blown jazz big band, blasted out a surround-sound version of music that is usually squeezed through the tiny speakers of a telly.
Without the tap dances, chorus girls and (often flimsy) plots, the music had to stand up for itself. Wilson, who has brought a passion for authentic performance to movie soundtracks, shone a glittering spotlight on arrangers such as Ray Heindorf, Conrad Salinger and Lloyd "Skip" Martin. They were Hollywood's invisible men, who toiled behind the tinsel to stretch three-minute ditties into extended suites (This Heart of Mine) or craft subtle tone poems that became huge hits (Secret Love, sung beautifully by Clare Teal).
A tag team of vocalists interpreted familiar songs from movies made between...
- 8/30/2011
- by John L Walters
- The Guardian - Film News
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