A ranger tries to get his bears to clean up the mess the tourists have left behind.A ranger tries to get his bears to clean up the mess the tourists have left behind.A ranger tries to get his bears to clean up the mess the tourists have left behind.
- Director
- Writers
- Stars
Photos
James MacDonald
- Humphrey the Bear
- (voice)
- (uncredited)
Bill Thompson
- Ranger J. Audubon Woodlore
- (voice)
- (uncredited)
Jackson Weaver
- Smokey the Bear
- (voice)
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn later broadcasts of this short film on television, the part involving Smokey the Bear was removed.
- GoofsIn one scene of the full-screen version (but not the CinemaScope version), when a rabbit pushes all of the trash out of its bush that Humphrey had swept it into, the whole line of trash moves together, even the part which is past and should have been left behind.
- Quotes
Ranger J. Audubon Woodlore: [singing] First you stick a rag / Put it in the bag / Bump bump! / Then you bend your back / Put it in the sack / Bump bump! / That's the way it's done / It's a lot of fun / Bump bump! / Cuttin' capers / Puttin' papers in the bag!
- ConnectionsEdited into The Magical World of Disney: Duck Flies Coop (1959)
- SoundtracksPut It in the Bag (The Humphrey Hop)
Music by George Bruns
Lyrics by Daws Butler
Performed by Bill Thompson
Featured review
Their Final Bow
A Walt Disney HUMPHREY THE BEAR Cartoon.
The Little Ranger comes up with a sneaky plan to trick Humphrey & the Brownstone Bears into putting all the tourist litter IN THE BAG.
This funny little film was the final theatrical appearance by both Humphrey the Bear & Ranger J. Audubon Woodlore; although their cartoons had provided lots of laughs during the 1950's Disney now retired them permanently to Brownstone Park. The cartoon's title tune is a fine piece of swing music and is a good example of the care Disney took with providing just the right music for his projects. Watch for a cameo appearance by a Very Important Bear with a Very Important Message. Bill Thompson provides the Little Ranger with his puffy voice.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a storm of naysayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.
The Little Ranger comes up with a sneaky plan to trick Humphrey & the Brownstone Bears into putting all the tourist litter IN THE BAG.
This funny little film was the final theatrical appearance by both Humphrey the Bear & Ranger J. Audubon Woodlore; although their cartoons had provided lots of laughs during the 1950's Disney now retired them permanently to Brownstone Park. The cartoon's title tune is a fine piece of swing music and is a good example of the care Disney took with providing just the right music for his projects. Watch for a cameo appearance by a Very Important Bear with a Very Important Message. Bill Thompson provides the Little Ranger with his puffy voice.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a storm of naysayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.
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- Ron Oliver
- Oct 4, 2003
Details
- Release date
- Country of origin
- Language
- Also known as
- Björnarnas rock'n roll
- Production company
- See more company credits at IMDbPro
- Runtime7 minutes
- Aspect ratio
- 2.35 : 1
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