A dark desert highway isn’t just something in an Eagles song — it’s what some Angelenos will be taking to Palm Springs this weekend to experience the particular shade of nightfall that is film noir. The Arthur Lyons Film Noir Festival is resuming at the Palm Springs Cultural Center after a pandemic-mandated time-out last year, offering a slate of a dozen familiar or obscure picks over the course of one concentrated weekend, some of them unspooling in rare 35mm prints.
Alan K. Rode, a familiar presence to L.A. repertory filmgoers, not to mention noir fans around the country, is returning as producer and host, joined as a presenter by cohort Eddie Muller, the host of TCM’s “Noir Alley.” TCM is signing onto the Palm Springs event as a presenting sponsor for the first time.
Films range from one of the quintessential noirs, “The Big Sleep,” on the...
Alan K. Rode, a familiar presence to L.A. repertory filmgoers, not to mention noir fans around the country, is returning as producer and host, joined as a presenter by cohort Eddie Muller, the host of TCM’s “Noir Alley.” TCM is signing onto the Palm Springs event as a presenting sponsor for the first time.
Films range from one of the quintessential noirs, “The Big Sleep,” on the...
- 10/19/2021
- by Chris Willman
- Variety Film + TV
The legendary punk god joins us to talk about movies he finds unforgettable. Special appearance by his cat, Moon Unit.
Show Notes: Movies Referenced In This Episode
Tapeheads (1988)
Rock ‘n’ Roll High School (1979) – Eli Roth’s trailer commentary
A Face In The Crowd (1957) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Meet John Doe (1941)
Bob Roberts (1992)
Bachelor Party (1984)
Dangerously Close (1986)
Videodrome (1983) – Mick Garris’s trailer commentary
F/X (1986)
Hot Rods To Hell (1967)
Riot On Sunset Strip (1967)
While The City Sleeps (1956) – Glenn Erickson’s trailer commentary
Leaving Las Vegas (1995)
It’s A Mad, Mad, Mad, Mad World (1963) – John Landis’s trailer commentary
Spider-Man (2002)
The Killing (1956) – Michael Lehmann’s trailer commentary
Serpent’s Egg (1977)
The Thin Man (1934)
Meet Nero Wolfe (1936)
The Hidden Eye (1945)
Eyes In The Night (1942)
Sudden Impact (1983) – Alan Spencer’s trailer commentary
Red Dawn (1984)
Warlock (1989)
The Dead Zone (1983) – Mick Garris’s trailer commentary
Secret Honor (1984)
The Player (1992) – Allan Arkush’s trailer commentary,...
Show Notes: Movies Referenced In This Episode
Tapeheads (1988)
Rock ‘n’ Roll High School (1979) – Eli Roth’s trailer commentary
A Face In The Crowd (1957) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Meet John Doe (1941)
Bob Roberts (1992)
Bachelor Party (1984)
Dangerously Close (1986)
Videodrome (1983) – Mick Garris’s trailer commentary
F/X (1986)
Hot Rods To Hell (1967)
Riot On Sunset Strip (1967)
While The City Sleeps (1956) – Glenn Erickson’s trailer commentary
Leaving Las Vegas (1995)
It’s A Mad, Mad, Mad, Mad World (1963) – John Landis’s trailer commentary
Spider-Man (2002)
The Killing (1956) – Michael Lehmann’s trailer commentary
Serpent’s Egg (1977)
The Thin Man (1934)
Meet Nero Wolfe (1936)
The Hidden Eye (1945)
Eyes In The Night (1942)
Sudden Impact (1983) – Alan Spencer’s trailer commentary
Red Dawn (1984)
Warlock (1989)
The Dead Zone (1983) – Mick Garris’s trailer commentary
Secret Honor (1984)
The Player (1992) – Allan Arkush’s trailer commentary,...
- 6/22/2021
- by Kris Millsap
- Trailers from Hell
Rip actress Virginia Leith, the star of Stanley Kubricks' first feature "Fear and Desire"( 1953) and the low-budget shocker "The Brain That Wouldn't Die", released in 1962:
Following the Kubrick film, Leith signed a contract with 20th Century-Fox and had leading roles in "Violent Saturday" (1955), "On the Threshold of Space" (1956), "Toward the Unknown" (1956) and "A Kiss Before Dying" (1956).
Leith completed the feature "The Black Door" (1955), but it wouldn't be released until 1962, under the title "The Brain That Wouldn't Die".
"...'Dr. Bill Cortner' (Jason Evers) saves a patient who had been pronounced dead, but the senior surgeon, Cortner's father (Bruce Brighton), condemns his son's unorthodox methods and transplant theories.
"While driving to his family's country house, Cortner and his beautiful fiancée 'Jan Compton' (Leith) get into a car accident that decapitates Jan. Cortner recovers her severed head and rushes to his country house basement laboratory. He and his crippled assistant 'Kurt' (Anthony La Penna...
Following the Kubrick film, Leith signed a contract with 20th Century-Fox and had leading roles in "Violent Saturday" (1955), "On the Threshold of Space" (1956), "Toward the Unknown" (1956) and "A Kiss Before Dying" (1956).
Leith completed the feature "The Black Door" (1955), but it wouldn't be released until 1962, under the title "The Brain That Wouldn't Die".
"...'Dr. Bill Cortner' (Jason Evers) saves a patient who had been pronounced dead, but the senior surgeon, Cortner's father (Bruce Brighton), condemns his son's unorthodox methods and transplant theories.
"While driving to his family's country house, Cortner and his beautiful fiancée 'Jan Compton' (Leith) get into a car accident that decapitates Jan. Cortner recovers her severed head and rushes to his country house basement laboratory. He and his crippled assistant 'Kurt' (Anthony La Penna...
- 11/14/2019
- by Unknown
- SneakPeek
Virginia Leith, the star of Stanley Kubrick’s first movie “Fear and Desire,” has died at the age of 94.
According to the Hollywood Reporter, Leith died at her home in Palm Springs, California on Nov. 4 after a brief illness.
Kubrick’s 1953 film served as Leith’s acting debut, though the director famously disavowed the work, at one point referring to it as a “bumbling amateur film exercise.” Leith, whose character in the war film is unnamed, appeared as a young girl killed by a soldier.
Also Read: Hollywood's Notable Deaths of 2019 (Photos)
After her role in “Fear and Desire,” Leith signed as a contract player with 20th Century Fox, going on to appear in “On the Threshold of Space,” “Violent Saturday,” “A Kiss Before Dying” and “Toward the Unknown.”
She played the lead role in Joseph Green’s “The Brain That Wouldn’t Die” as the wife of a mad...
According to the Hollywood Reporter, Leith died at her home in Palm Springs, California on Nov. 4 after a brief illness.
Kubrick’s 1953 film served as Leith’s acting debut, though the director famously disavowed the work, at one point referring to it as a “bumbling amateur film exercise.” Leith, whose character in the war film is unnamed, appeared as a young girl killed by a soldier.
Also Read: Hollywood's Notable Deaths of 2019 (Photos)
After her role in “Fear and Desire,” Leith signed as a contract player with 20th Century Fox, going on to appear in “On the Threshold of Space,” “Violent Saturday,” “A Kiss Before Dying” and “Toward the Unknown.”
She played the lead role in Joseph Green’s “The Brain That Wouldn’t Die” as the wife of a mad...
- 11/13/2019
- by Reid Nakamura
- The Wrap
Virginia Leith, a model and actress who starred in Stanley Kubrick’s debut feature Fear and Desire, has died. She was 94.
She passed away in Palm Springs on November 4 after a brief illness, according to family spokesperson Jane Chalmers.
Leith met Kubrick when he was a photographer and shot her for the cover of Look magazine. Once Kubrick made the transition to film, he cast her in Fear and Desire as a “half-animal” peasant girl captured and eventually killed by a soldier played by Paul Mazursky. The 1953 war film generated lukewarm interest at the box office, and after distributor Joseph Burstyn died, it was taken out of circulation.
Kubrick was no fan of the finished product and was said to have destroyed the original negative. He released a statement through Warner Bros., calling the movie “a bumbling amateur film exercise.”
In 1954 Leith became a contract player for 20th Century Fox...
She passed away in Palm Springs on November 4 after a brief illness, according to family spokesperson Jane Chalmers.
Leith met Kubrick when he was a photographer and shot her for the cover of Look magazine. Once Kubrick made the transition to film, he cast her in Fear and Desire as a “half-animal” peasant girl captured and eventually killed by a soldier played by Paul Mazursky. The 1953 war film generated lukewarm interest at the box office, and after distributor Joseph Burstyn died, it was taken out of circulation.
Kubrick was no fan of the finished product and was said to have destroyed the original negative. He released a statement through Warner Bros., calling the movie “a bumbling amateur film exercise.”
In 1954 Leith became a contract player for 20th Century Fox...
- 11/13/2019
- by Anita Bennett
- Deadline Film + TV
Actress and model Virginia Leith, who starred in Stanley Kubrick’s first film “Fear and Desire,” which he later disavowed, has died. She was 94.
According to family spokesperson Jane Chalmers, Leith died after a brief illness at her home in Palm Springs, Calif. on Nov. 4.
Born on Oct. 15, 1925, Leith met Kubrick in the 1950s when he shot her for the cover of Look magazine.
“Fear and Desire,” which received moderately positive critical reviews upon its release, was not a box office success. After distributor Joseph Burstyn died, the film fell out of circulation and Kubrick is said to have destroyed the original negative and any other prints he could find. Some original prints still exist, however, and Film Forum organized a screening in 1994. Kubrick released a statement through Warner Bros. at the time, calling it “a bumbling amateur film exercise” and urging press not to attend.
Following her appearance in “Fear and Desire,...
According to family spokesperson Jane Chalmers, Leith died after a brief illness at her home in Palm Springs, Calif. on Nov. 4.
Born on Oct. 15, 1925, Leith met Kubrick in the 1950s when he shot her for the cover of Look magazine.
“Fear and Desire,” which received moderately positive critical reviews upon its release, was not a box office success. After distributor Joseph Burstyn died, the film fell out of circulation and Kubrick is said to have destroyed the original negative and any other prints he could find. Some original prints still exist, however, and Film Forum organized a screening in 1994. Kubrick released a statement through Warner Bros. at the time, calling it “a bumbling amateur film exercise” and urging press not to attend.
Following her appearance in “Fear and Desire,...
- 11/13/2019
- by Erin Nyren
- Variety Film + TV
Virginia Leith, who starred in Fear and Desire, the first feature directed by Stanley Kubrick, before turning in her most famous role — that of a disembodied head in a pan in the schlock classic The Brain That Wouldn't Die — has died. She was 94.
Leith died Nov. 4 at her home in Palm Springs, family spokesperson Jane Chalmers announced.
Leith also was a contract player at 20th Century Fox, where she appeared in Richard Fleischer's Violent Saturday (1955) opposite Victor Mature and Richard Egan and portrayed the sister of Joanne Woodward who falls for Robert Wagner's ...
Leith died Nov. 4 at her home in Palm Springs, family spokesperson Jane Chalmers announced.
Leith also was a contract player at 20th Century Fox, where she appeared in Richard Fleischer's Violent Saturday (1955) opposite Victor Mature and Richard Egan and portrayed the sister of Joanne Woodward who falls for Robert Wagner's ...
- 11/12/2019
- The Hollywood Reporter - Film + TV
Virginia Leith, who starred in Fear and Desire, the first feature directed by Stanley Kubrick, before turning in her most famous role — that of a disembodied head in a pan in the schlock classic The Brain That Wouldn't Die — has died. She was 94.
Leith died Nov. 4 at her home in Palm Springs, family spokesperson Jane Chalmers announced.
Leith also was a contract player at 20th Century Fox, where she appeared in Richard Fleischer's Violent Saturday (1955) opposite Victor Mature and Richard Egan and portrayed the sister of Joanne Woodward who falls for Robert Wagner's ...
Leith died Nov. 4 at her home in Palm Springs, family spokesperson Jane Chalmers announced.
Leith also was a contract player at 20th Century Fox, where she appeared in Richard Fleischer's Violent Saturday (1955) opposite Victor Mature and Richard Egan and portrayed the sister of Joanne Woodward who falls for Robert Wagner's ...
- 11/12/2019
- The Hollywood Reporter - Movie News
We’re knocking on the door of summer, and that means lots of big properties are ready to be unleashed. But it’s not too late to read books exploring some recent films, as well as some new works about Sherry Lansing, film noir, and Steve McQueen. Let’s start with a unique look at David Lynch’s Twin Peaks.
The Essential Wrapped In Plastic: Pathways to Twin Peaks by John Thorne
When Twin Peaks debuted on ABC in 1990, there were no message boards in which fans could argue and dissect the latest episodes. Starting in 1992, however, there was Wrapped In Plastic, the immortal Peaks’ fanzine. Just in time for the series return on Showtime is The Essential Wrapped In Plastic: Pathways to Twin Peaks. Here, Wip co-editor John Thorne brings together some of the publication’s most vital, important essays. Every episode is included, but what makes the book...
The Essential Wrapped In Plastic: Pathways to Twin Peaks by John Thorne
When Twin Peaks debuted on ABC in 1990, there were no message boards in which fans could argue and dissect the latest episodes. Starting in 1992, however, there was Wrapped In Plastic, the immortal Peaks’ fanzine. Just in time for the series return on Showtime is The Essential Wrapped In Plastic: Pathways to Twin Peaks. Here, Wip co-editor John Thorne brings together some of the publication’s most vital, important essays. Every episode is included, but what makes the book...
- 5/6/2017
- by Christopher Schobert
- The Film Stage
I’m noticing more and more a theme in postwar (especially American) cinema concerning pacifists turning towards violence. A character will introduce him- or herself as someone unable and morally opposed to weapons in general or harming another human being specifically, only to be put in a situation in which violence is presented as the only way out. We’ve covered (at least) two such films on this very website – Shane and Violent Saturday – and, having just seen it, I can add the considerably odd Frank Sinatra vehicle Suddenly to this list.
It’s not hard to see why American filmmakers and moviegoers would be interested in this subject at this time. Many of them had recently returned from war, where they did awful things for a greater good; those who didn’t go to war themselves certainly knew somebody who had. On a much larger scale, the use of...
It’s not hard to see why American filmmakers and moviegoers would be interested in this subject at this time. Many of them had recently returned from war, where they did awful things for a greater good; those who didn’t go to war themselves certainly knew somebody who had. On a much larger scale, the use of...
- 5/12/2016
- by Scott Nye
- CriterionCast
Forget your 'Jan in the Pan' jokes and all those 'thing in the closet' remarks about gay subtext. This loopy, kooky and kinky horror offering from New York's Tarrytown is a keeper despite its primitive direction and campy screenplay. Mad scientist Herb Evers answered the call to Bring Me the Head of Virginia Leith, and goes on a sleazy shopping spree to find a voluptuous body to make her complete, in the literal sense. It's all in the worst of taste: in other words, delightful. The Brain that Wouldn't Die Blu-ray Scream Factory 1962 / B&W / 1:66 widescreen / 81 min. / Street Date December 22, 2015 / 26.99 Starring Herb (Jason) Evers, Virginia Leith, Leslie Daniels, Adele Lamont, Bonnie Sharie, Paula Maurice, Marilyn Hanold, Bruce Brighton Cinematography Stephen Hajnal Special Effects Byron Baer Art Direction Paul Fanning Film Editors Leonard Anderson, Marc Anderson Original Music Abe Baker, Tony Restaino Written by Rex Carlton and Joseph Green Produced by Rex Carlton,...
- 11/28/2015
- by Glenn Erickson
- Trailers from Hell
Twilight Time is celebrating its 4th anniversary with a major promotion that sees some of their limited edition titles reduced in price through April 3. These are the titles on sale.
Group 1
Retail price point: $24.95
Picnic
Pal Joey
Bite The Bullet
Bell, Book, And Candle
Bye Bye Birdie
In Like Flint
Major Dundee
The Blue Max
Crimes And Misdemeanors
Used Cars
Thunderbirds Are Go / Thunderbird 6
Group 2
Retail price point: $19.95
Rapture
Roots Of Heaven
Swamp Water
Demetrius And The Gladiators
Desiree
The Wayward Bus
Cover Girl
High Time
The Sound And The Fury
The Rains Of Ranchipur
Bonjour Tristesse
Beloved Infidel
Lost Horizon
The Blue Lagoon
Experiment In Terror
Nicholas And Alexandra
Pony Soldier
The Song Of Bernadette
Philadelphia
The Only Game In Town
Love Is A Many Splendored Thing
Sleepless In Seattle
The Disappearance
Sexy Beast
Drums Along The Mohawk
Alamo Bay
The Other
Mindwarp
Jane Eyre
Oliver
The Way We Were...
Group 1
Retail price point: $24.95
Picnic
Pal Joey
Bite The Bullet
Bell, Book, And Candle
Bye Bye Birdie
In Like Flint
Major Dundee
The Blue Max
Crimes And Misdemeanors
Used Cars
Thunderbirds Are Go / Thunderbird 6
Group 2
Retail price point: $19.95
Rapture
Roots Of Heaven
Swamp Water
Demetrius And The Gladiators
Desiree
The Wayward Bus
Cover Girl
High Time
The Sound And The Fury
The Rains Of Ranchipur
Bonjour Tristesse
Beloved Infidel
Lost Horizon
The Blue Lagoon
Experiment In Terror
Nicholas And Alexandra
Pony Soldier
The Song Of Bernadette
Philadelphia
The Only Game In Town
Love Is A Many Splendored Thing
Sleepless In Seattle
The Disappearance
Sexy Beast
Drums Along The Mohawk
Alamo Bay
The Other
Mindwarp
Jane Eyre
Oliver
The Way We Were...
- 3/31/2015
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Blu-ray & DVD Release Date: Oct. 14, 2014
Price: DVD $29.95, Blu-ray $39.95
Studio: Criterion
Henry Ford and Cathy Downs in My Darling Clementine
John Ford (Stagecoach) takes on the legend of the O.K. Corral shoot-out in 1946’s My Darling Clementine, a multi-layered, exceptionally well-constructed western and one of the director’s very best films.
Henry Fonda (Once Upon a Time in the West) cuts an iconic figure as Wyatt Earp, the sturdy lawman who sets about the task of shaping up the disorderly Arizona town of Tombstone, and Victor Mature (Violent Saturday) gives the performance of his career as the boozy, tubercular gambler and gunman Doc Holliday. Though initially at cross-purposes, the pair ultimately team up to confront the violent Clanton gang.
Affecting and stunningly photographed, My Darling Clementine is a story of the triumph of civilization over the Wild West from American cinema’s consummate mythmaker.
Criterion’s Blu-ray and DVD editions...
Price: DVD $29.95, Blu-ray $39.95
Studio: Criterion
Henry Ford and Cathy Downs in My Darling Clementine
John Ford (Stagecoach) takes on the legend of the O.K. Corral shoot-out in 1946’s My Darling Clementine, a multi-layered, exceptionally well-constructed western and one of the director’s very best films.
Henry Fonda (Once Upon a Time in the West) cuts an iconic figure as Wyatt Earp, the sturdy lawman who sets about the task of shaping up the disorderly Arizona town of Tombstone, and Victor Mature (Violent Saturday) gives the performance of his career as the boozy, tubercular gambler and gunman Doc Holliday. Though initially at cross-purposes, the pair ultimately team up to confront the violent Clanton gang.
Affecting and stunningly photographed, My Darling Clementine is a story of the triumph of civilization over the Wild West from American cinema’s consummate mythmaker.
Criterion’s Blu-ray and DVD editions...
- 7/29/2014
- by Laurence
- Disc Dish
(Richard Fleischer, 1955; Eureka!, 12)
Scripted by Sydney Boehm, a specialist in westerns and crime movies whose best film is perhaps Fritz Lang's The Big Heat, and directed by genre specialist Richard Fleischer, Violent Saturday is a noir thriller in Technicolor that brings together in 90 minutes a key location of the 1940s and 50s with one of those decades' favourite plots.
The setting is a corrupt, middle-American township (key examples being King's Row, Peyton Place and Some Came Running). The opposite of the cosy hometown of Andy Hardy movies and nostalgic Tin Pan Alley songs, it's seething with hypocrisy and inhabited by snobs, alcoholics, thieves, voyeurs, blackmailers, adulterers and womanising playboys. The plot is the heist movie, the story of a carefully prepared robbery, which has been around since The Great Train Robbery (1903) but became an established species of the crime genre in the postwar years in The Asphalt Jungle, Criss Cross and The Killing.
Scripted by Sydney Boehm, a specialist in westerns and crime movies whose best film is perhaps Fritz Lang's The Big Heat, and directed by genre specialist Richard Fleischer, Violent Saturday is a noir thriller in Technicolor that brings together in 90 minutes a key location of the 1940s and 50s with one of those decades' favourite plots.
The setting is a corrupt, middle-American township (key examples being King's Row, Peyton Place and Some Came Running). The opposite of the cosy hometown of Andy Hardy movies and nostalgic Tin Pan Alley songs, it's seething with hypocrisy and inhabited by snobs, alcoholics, thieves, voyeurs, blackmailers, adulterers and womanising playboys. The plot is the heist movie, the story of a carefully prepared robbery, which has been around since The Great Train Robbery (1903) but became an established species of the crime genre in the postwar years in The Asphalt Jungle, Criss Cross and The Killing.
- 5/3/2014
- by Philip French
- The Guardian - Film News
★★★★★With Violent Saturday (1955), the recent Richard Fleischer reappraisal comes full-circle. A brazenly eclectic studio man who directed films as disparate as the Tony Curtis-starring The Boston Strangler (1968) and fantasy epic Conan the Destroyer (1984), Fleischer is near-impossible to pin down. But a few notable European reissues as well as a high- profile retrospective at the 2013 Edinburgh International Film Festival have brought him back into the spotlight for dedicated cinéastes. Violent Saturday is not only his finest work, it's one of the best American films of the fifties; a picture that repurposes the forms of the past to create the genre sensibilities of the future.
- 4/29/2014
- by CineVue UK
- CineVue
Another raft of quality classics have just been announced as joining Eureka Entertainment's Masters of Cinema series. Lindsay Anderson's brilliant If...., Robert Altman's Nashville, Billy Wilder's Ace In The Hole and Hal Ashby's Harold & Maude will be released between April and June 2014, alongside Elia Kazan's Boomerang, John Cassavetes' Too Late Blues, Richard Fleischer's Violent Saturday and Charlton Heston medieval epic War Lord.Here's the press release for all the details:The latest slate of films from Eureka!'s The Masters of Cinema Series brings together some of the most heralded masterpieces of the 20th century. Releases include Billy Wilder's Ace in the Hole (the follow-up to the great director's Sunset Boulevard, and a follow-up to Masters of Cinema's extremely successful releases of Wilder's Double Indemnity and...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 1/31/2014
- Screen Anarchy
It’S Sold Out!!! That means if you are holding or have ordered your copy of the the 199o Tom Savini remake of Night of the Living Dead as released by Twilight Time you are holding a thing of value, clearly collectible and highly in demand. Your dilemma now, before you open it, is if you wanna pawn it on Ebay to make a quick $200 or do you wanna rip open the packaging, smell the beautiful 8 page booklet inside and be a part of an elite club of 3000 folks who “got in” while the getting was good. There’s no guarantee that you won’t see another pressing of this release; Twilight Time is more than clear about that always being a potential. What should be fair to say is that if you are fan of this movie and you love Blu-ray, this is a disc that you should have in your collection.
- 10/5/2012
- by Jimmy Terror
- The Liberal Dead
We were surprised that Sony Pictures didn’t release a Blu-ray edition of the original Fright Night, especially with all of the promotion that was done for the remake. The remake may not have fared as well as expected, but plenty of horror fans want to get their hands on a restored version of the original.
Scheduled for release on December 13th, specialty label Twilight Time has announced that they have made a deal with Sony and will be offering a limited edition Blu-ray of the original Fright Night.
“Twilight Time joins forces with Sony Pictures Home Entertainment to release Blu-ray editions of classic Columbia titles
Los Angeles, California (September 1, 2011) — Specialty label Twilight Time has struck a deal with Sony Pictures Home Entertainment to license and release classic films from the Sony-owned Columbia Pictures library in high-definition Blu-ray editions. In line with Twilight Time’s innovative limited series concept, just...
Scheduled for release on December 13th, specialty label Twilight Time has announced that they have made a deal with Sony and will be offering a limited edition Blu-ray of the original Fright Night.
“Twilight Time joins forces with Sony Pictures Home Entertainment to release Blu-ray editions of classic Columbia titles
Los Angeles, California (September 1, 2011) — Specialty label Twilight Time has struck a deal with Sony Pictures Home Entertainment to license and release classic films from the Sony-owned Columbia Pictures library in high-definition Blu-ray editions. In line with Twilight Time’s innovative limited series concept, just...
- 9/1/2011
- by Jonathan James
- DailyDead
Oh, that old DVD from MGM is a barebones crapfest. Okay, so it was decent 10 years ago, but it was a flipper (no longer made), only extra was a trailer, and technology has changed. Well, thanks to whatever hype the remake caused, on the Blu-ray forums, the webmaster posted this great little piece of news:
“…Scheduled follow-up on December 13th is the original Fright Night (1985), the horror/comedy cult favorite written and directed by Tom Holland and starring Chris Sarandon and Roddy McDowall.”
A December date for the remake seems likely, since it flopped and a three month window is the norm. If anything, this is killer news. Let’s hope there’s some good extras. Thoughts?
Update: Here’s the official press release via Screen Archives:
Specialty label Twilight Time has struck a deal with Sony Pictures Home Entertainment to license and release classic films from the Sony-owned Columbia Pictures...
“…Scheduled follow-up on December 13th is the original Fright Night (1985), the horror/comedy cult favorite written and directed by Tom Holland and starring Chris Sarandon and Roddy McDowall.”
A December date for the remake seems likely, since it flopped and a three month window is the norm. If anything, this is killer news. Let’s hope there’s some good extras. Thoughts?
Update: Here’s the official press release via Screen Archives:
Specialty label Twilight Time has struck a deal with Sony Pictures Home Entertainment to license and release classic films from the Sony-owned Columbia Pictures...
- 9/1/2011
- by Jon Peters
- Killer Films
Here at Dread Central we don't screw around. When word broke of a possible Fright Night Blu-ray coming later this year, we went straight to work and now bring you the exclusive first word!
From the Press Release
Specialty label Twilight Time has struck a deal with Sony Pictures Home Entertainment to license and release classic films from the Sony-owned Columbia Pictures library in high-definition Blu-ray editions. In line with Twilight Time’s innovative limited series concept, just 3,000 units of each title will be produced, aimed at the collector/classic film aficionado market, and available exclusively online through Screen Archives, the nation’s largest independent distributor of specialty soundtracks.
The November 8th Blu-ray debut of director Cy Endfield’s and special effects master Ray Harryhausen’s 1961 science fiction/fantasy classic, Mysterious Island, will be followed by a new release on the first Tuesday of each month. Scheduled follow-up on December...
From the Press Release
Specialty label Twilight Time has struck a deal with Sony Pictures Home Entertainment to license and release classic films from the Sony-owned Columbia Pictures library in high-definition Blu-ray editions. In line with Twilight Time’s innovative limited series concept, just 3,000 units of each title will be produced, aimed at the collector/classic film aficionado market, and available exclusively online through Screen Archives, the nation’s largest independent distributor of specialty soundtracks.
The November 8th Blu-ray debut of director Cy Endfield’s and special effects master Ray Harryhausen’s 1961 science fiction/fantasy classic, Mysterious Island, will be followed by a new release on the first Tuesday of each month. Scheduled follow-up on December...
- 9/1/2011
- by Uncle Creepy
- DreadCentral.com
"It's not uncommon for movies to drop out of circulation and simply disappear, as fans of Deep End will attest," begins Ryan Gilbey in the Guardian. "Barely seen since its release in 1971, the film concerns Mike (played by John Moulder-Brown), a floppy-fringed 15-year-old who becomes dangerously infatuated with Susan (Jane Asher), his co-worker at the public baths. What's unusual about this prolonged absence is that it should have befallen a film so passionately admired. The influential critic Andrew Sarris thought it measured up to the best of Godard, Truffaut and Polanski. The New Yorker's Penelope Gilliatt called it 'a work of peculiar, cock-a-hoop gifts.' If something as venerated as Deep End can sink, what hope for the rest of cinema?"
Some, at least. After all, Jerzy Skolimowski's film, kept off screens for decades due to rights issues, has been restored and will screen tomorrow night at London's BFI Southbank,...
Some, at least. After all, Jerzy Skolimowski's film, kept off screens for decades due to rights issues, has been restored and will screen tomorrow night at London's BFI Southbank,...
- 5/3/2011
- MUBI
Don’t worry folks. This isn’t a Twilight related news article. We don’t do that here on The Criterion Cast. Instead it’s the exciting news that specialty DVD label Twilight Time has partnered with 20th Century Fox to release limited edition versions of many of their films. Similar to what the Warner Archive does, Twilight Time will be taking films from Fox’s archives and pressing a run of 3000 DVDs from a restored transfer. All releases are to include an 8 page booklet with an essay, stills and poster art. Some releases will even have an isolated score, all for $19.99.
Right now you can order the wonderfully under-seen John Huston spy thriller The Kremlin Letter (1970) at Screen Archives. Right now for pre-order is the Richard Fliescher film Violent Saturday (1955) and soon enough will have Fate Is the Hunter (1964), Woman Obsessed (1959), and The Egyptian (1954). Films that most people haven...
Right now you can order the wonderfully under-seen John Huston spy thriller The Kremlin Letter (1970) at Screen Archives. Right now for pre-order is the Richard Fliescher film Violent Saturday (1955) and soon enough will have Fate Is the Hunter (1964), Woman Obsessed (1959), and The Egyptian (1954). Films that most people haven...
- 4/11/2011
- by James McCormick
- CriterionCast
Considering that Richard Fleischer's 1955 film Violent Saturday made small-town America look like a roiling cesspit, it's unsurprising that his 1975 feature Mandingo, set on a slave plantation in the Deep South, is a sordid wallow in antebellum depravity. Like the crumbling mansion at its center, Mandingo is a rotting remnant of the old South's glory days: It's Gone With The Wind gone rancid. Plantation owner James Mason puts on the airs of a courtly gentleman, but he's a brutal, superstitious creature at heart. Early on, he's convinced that the best cure for his persistent "rheumatis" is to sleep with his feet pressed against a naked slave child, allowing the foul humors to drain into the boy's stomach. Intent on securing the future of his name, Mason is eager to marry off his son, Perry King, who shows more interest in deflowering female slaves than wooing white women. King...
- 6/25/2008
- by Sam Adams
- avclub.com
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.