A young woman must be married to claim her inheritance; her misandrist aunt uses the newly-passed 1955 divorce bill to find her a temporary husband.A young woman must be married to claim her inheritance; her misandrist aunt uses the newly-passed 1955 divorce bill to find her a temporary husband.A young woman must be married to claim her inheritance; her misandrist aunt uses the newly-passed 1955 divorce bill to find her a temporary husband.
- Director
- Writer
- Stars
Johnny Walker
- Johny
- (as Johny Walker)
Vinita Butt
- Julie
- (as Yasmin)
Tun Tun
- Lily D'Silva
- (as Uma Devi)
Rooplaxmi
- Sita Devi's Follower
- (as Roo Plaxmi)
Moni Chatterjee
- The Judge
- (as Moni Chatterji)
Bir Sakuja
- Mr. Sharma
- (as Bir Sakhuja)
C.S. Dubey
- Doctor
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe only comedy film Guru Dutt made.
- ConnectionsReferences The Third Man (1949)
- SoundtracksThandi Hawa Kaali Ghata
Sung by Geeta Dutt & chorus
Music Composed by O.P. Nayyar
Lyrics by Majrooh Sultanpuri
Featured review
Timeless comedy-drama from cinematic genius Guru Dutt
Without giving away any of the surprises of this landmark Hindi film, this movie was clearly ahead of its time in its social commentary and its subtle satirical approach of the transitioning East Indian society post independence from the British Raj. It has a delightful blend of the effects of British influence upon Indian society and traditional Indian cultural & social values. This was very well balanced by Guru Dutt. Guruji proved his versatility in handling comedy as articulately as he did melodrama. With the assistance of the ensemble of Hindi cinema greats like Abrar Alvi, O. P. Nayyar, Majrooh Sultanpuri, etc., this movie is a another gem of the golden age of Hindi cinema.
Madhubala (real name Mumtaz Jehan Dehlavi), whose screen presence begs description, delivers a performance which captures all the emotions that could ever be desired in a film heroine. After Veena (1926-2004), Madhubala was the most beautiful actress ever to grace the silver screen of Hindi cinema. She was one of 2 of the all time greatest heroines in the history of Hindi cinema: The other was Meena Kumari (real name Mahjabeen Bano).
Almost as beautiful as Madhubala, is the Guru Dutt protégé Yasmin (born Vinita Bhatt in Lahore). Breathtakingly beautiful, it is incredible that Yasmin's screen career never took off. She reportedly married film technician, Englishman Jimmy Vinning. Yasmin appeared in a famous song sequence in RUSTOM SOHRAB (1963) starring Prithviraj Kapoor, Suraiya, Premnath, and Mumtaz.
As terrific a natural actor Guru Dutt was, he was better off behind the camera rather than in front of it. Guru Dutt was incomparable as a character actor which he proved in his own film SAHIB, BIBI, AUR GHULAM. With all due respect to his cinematic genius, Guruji should have cast either Dilip Kumar or Dev Anand in the role of Preetam. As for the comic sidekick, instead of Johny Walker, Shammi Kapoor should have been cast to match the beauty of Yasmin. It almost chokes the viewer to see breathtakingly gorgeous ladies like Madhubala and Yasmin paired off with fellows like Guru Dutt and Johny Walker. JW is inimitable as a comic sidekick, but in this particular film, Guruji should have gone with a 5 star casting: Madhubala, Dilip Kumar, Shammi Kapoor, Yasmin. Dilip Kumar and Shammi Kapoor were a long overdue screen pairing which proved spectacular in VIDHAATA (1982).
The incomparable Lalita Pawar has to be mentioned. A truly stunning beauty in her youth, this veteran actress of Hindi cinema had a screen presence which elevated any film in which she appeared. And of course there is the inimitable comedienne Tun Tun. Last but not least, there is the special guest appearance by the dashing Hindi film hero Al Nasir parodying a tennis superstar.
Having already been cited in other reviews of this film, the title of this movie could have been different. Overall, this is a timeless classic from the cinematic genius of Guru Dutt.
Madhubala (real name Mumtaz Jehan Dehlavi), whose screen presence begs description, delivers a performance which captures all the emotions that could ever be desired in a film heroine. After Veena (1926-2004), Madhubala was the most beautiful actress ever to grace the silver screen of Hindi cinema. She was one of 2 of the all time greatest heroines in the history of Hindi cinema: The other was Meena Kumari (real name Mahjabeen Bano).
Almost as beautiful as Madhubala, is the Guru Dutt protégé Yasmin (born Vinita Bhatt in Lahore). Breathtakingly beautiful, it is incredible that Yasmin's screen career never took off. She reportedly married film technician, Englishman Jimmy Vinning. Yasmin appeared in a famous song sequence in RUSTOM SOHRAB (1963) starring Prithviraj Kapoor, Suraiya, Premnath, and Mumtaz.
As terrific a natural actor Guru Dutt was, he was better off behind the camera rather than in front of it. Guru Dutt was incomparable as a character actor which he proved in his own film SAHIB, BIBI, AUR GHULAM. With all due respect to his cinematic genius, Guruji should have cast either Dilip Kumar or Dev Anand in the role of Preetam. As for the comic sidekick, instead of Johny Walker, Shammi Kapoor should have been cast to match the beauty of Yasmin. It almost chokes the viewer to see breathtakingly gorgeous ladies like Madhubala and Yasmin paired off with fellows like Guru Dutt and Johny Walker. JW is inimitable as a comic sidekick, but in this particular film, Guruji should have gone with a 5 star casting: Madhubala, Dilip Kumar, Shammi Kapoor, Yasmin. Dilip Kumar and Shammi Kapoor were a long overdue screen pairing which proved spectacular in VIDHAATA (1982).
The incomparable Lalita Pawar has to be mentioned. A truly stunning beauty in her youth, this veteran actress of Hindi cinema had a screen presence which elevated any film in which she appeared. And of course there is the inimitable comedienne Tun Tun. Last but not least, there is the special guest appearance by the dashing Hindi film hero Al Nasir parodying a tennis superstar.
Having already been cited in other reviews of this film, the title of this movie could have been different. Overall, this is a timeless classic from the cinematic genius of Guru Dutt.
- slazenger_7
- Aug 28, 2016
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Details
- Release date
- Country of origin
- Language
- Also known as
- Мистер и миссис 55
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime2 hours 37 minutes
- Color
- Aspect ratio
- 1.37 : 1
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