An ex-prize fighter turned New Jersey longshoreman struggles to stand up to his corrupt union bosses, including his older brother, as he starts to connect with the grieving sister of one of ... Read allAn ex-prize fighter turned New Jersey longshoreman struggles to stand up to his corrupt union bosses, including his older brother, as he starts to connect with the grieving sister of one of the syndicate's victims.An ex-prize fighter turned New Jersey longshoreman struggles to stand up to his corrupt union bosses, including his older brother, as he starts to connect with the grieving sister of one of the syndicate's victims.
- Won 8 Oscars
- 30 wins & 10 nominations total
- 'Pop' Doyle
- (as John Hamilton)
- Gillette
- (uncredited)
- Sidney
- (uncredited)
Best Picture Winners by Year
Best Picture Winners by Year
Storyline
Did you know
- TriviaAs part of his contract, Marlon Brando only worked until 4:00 every day and then would leave to go see his analyst. Brando's mother had recently died and the conflicted young actor was in therapy to resolve his issues with his parents. Interestingly, for the film's classic scene between Rod Steiger and Brando in the back of the cab, all of Steiger's close-ups were filmed after Brando had left for the day, so Brando's lines were read by one of the crew members. For many years Steiger, who had actually stayed during Brando's close-ups to help him put in a better performance, remained very bitter that Brando didn't return the favor, and often mentioned it in interviews.
- GoofsWhen Father Barry (Karl Malden) gets hit in the head with a beer can, he gets a cut on his forehead, which bleeds visibly in the scene. In subsequent scenes, there is no sign of the cut or of a bandage to show that he had been hurt.
- Quotes
Charley Malloy: Look, kid, I... how much you weigh, son? When you weighed one hundred and sixty-eight pounds you were beautiful. You coulda been another Billy Conn, and that skunk we got you for a manager, he brought you along too fast.
Terry Malloy: It wasn't him, Charley, it was you. Remember that night in the Garden you came down to my dressing room and you said, "Kid, this ain't your night. We're going for the price on Wilson." You remember that? "This ain't your night"! My night! I coulda taken Wilson apart! So what happens? He gets the title shot outdoors on the ballpark and what do I get? A one-way ticket to Palookaville! You was my brother, Charley, you shoulda looked out for me a little bit. You shoulda taken care of me just a little bit so I wouldn't have to take them dives for the short-end money.
Charley Malloy: Oh I had some bets down for you. You saw some money.
Terry Malloy: You don't understand. I coulda had class. I coulda been a contender. I coulda been somebody, instead of a bum, which is what I am, let's face it. It was you, Charley.
- Crazy creditsOpening credits are shown over a bamboo-type mat background.
- Alternate versionsCriterion Collection Blu-ray Disc release exhibits the film in 1.66:1, which is widely regarded to be the "correct" aspect ratio for the film. However, a second disc includes the film in 1.33:1 AND 1.85:1, so that viewers can watch the film in the different ratios.
- ConnectionsEdited into Un Américain nommé Kazan (2018)
Marlon Brando is Terry, a failed prize fighter with deep regrets and loneliness, who is a low-level thug in this corrupt system dominated by the bombastic, cruel union boss, Johnny Friendly (Lee J. Cobb in an electrifying performance). He rules the waterfront with brutality and terror. To make Terry feel even more trapped is the fact that his only living relative, his brother, Charlie (Rod Steiger), is Friendly's right-hand man. Terry has no great ambitions in life, and seems resigned to this bleak path until fate, and two shining lights, appear in his life: Edie (Eva Marie Saint), a decent, loving, determined and angelic blonde woman, and Father Barry (Karl Malden), the local priest who can throw a punch, drink a beer and stand up to the mob with the strength of his faith behind him.
Terry and Edie embark on a seemingly doomed romance that both actors play so beautifully. You can feel their yearning, their awkwardness, their passion for each other and their deep connection -- all without the explicit nudity and fake grunting used in contemporary movies. When they embrace, you feel their desperation and desire for each other in a profound way.
"On the Waterfront" is certainly director Elia Kazan's great masterpiece. The performances are all outstanding, and Brando is just a marvel of tortured pain and passion and agony and courage. One particular thing I love about "On the Waterfront" is the scenery. Every set or outdoor shot conveys the grim, cold nature of the characters' lives. There is no movie glamour and little comfort here. Only a hot cup of coffee made on a plug-in heating plate in a "cold-water flat," or a beer and a shot hastily consumed in a waterfront saloon are pleasures to these characters. Their clothes are patched. Edie's hair isn't "styled," and she wears no makeup. Terry's face is a bit scarred. Malden's nose is...as we all know. The gritty setting feels real. If you've never seen this movie for any reason, do not delay!
- PeachesIR
- Feb 28, 2018
Details
- Release date
- Country of origin
- Languages
- Also known as
- Bottom of the River
- Filming locations
- St Peter and St Paul Church - 400 Hudson Street, Hoboken, New Jersey, USA(interiors: church)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $910,000 (estimated)
- Gross worldwide
- $3,350
- Runtime1 hour 48 minutes
- Color
- Aspect ratio
- 1.33 : 1
- 1.66 : 1
- 1.85 : 1
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