It has been remarked upon in previous reviews that 'Dough for the Do-Do' is a remake of the classic 'Porky in Wackyland', or at least shares many similarities. This comparison is very much warranted, and somewhat inevitable too.
'Porky in Wackyland' is the superior cartoon, incredibly imaginative and a true original in every sense. Being a remake, but with differences, 'Dough for the Do-Do' does lack this originality. And it is understandable for anybody to think that Bob Clampett is more suited to the wacky, insane material and style than Fritz Freleng, something that Clampett is a master in and Freleng is comparatively more subdued visually, though with plenty of great use of expression and colour in his cartoons, but also rapid-fire, razor-sharp and hilariously witty at his best.
On the other hand, 'Dough for the Do-Do' is still so wonderfully weird and wacky that it doesn't feel pointless at all and at no point shows disrespect to the cartoon it takes inspiration from. It is also constantly hilarious, especially the brilliantly characterised dodo bird and the kooky and richly imaginative supporting characters, especially the three-headed monster. Porky is also very fun and likable, and it is true that he has more meat to him than usual. While the other characters are slightly more memorable and funnier, Porky is no less inferior.
The animation is superb, especially in the Dali-inspired stylised backgrounds that are rich in detail and never once look cheap. The rich colours and fluid movement also impress hugely. The music score matches the wild tone of the cartoon with boundless energy and character, while also being lushly and cleverly orchestrated. The impact of the gags are even elevated by the music.
Ever the enormously talented voice actor, with an unparalleled and envious ability to bring individual personalities and completely varied but distinctive voices to multiple characters, Mel Blanc constantly delights.
In conclusion, wonderfully wacky and a fine cartoon even if the cartoon it takes inspiration from is better. 9/10 Bethany Cox