Greta Gerwig and Noah Baumbach have launched movie fans into excitement with the latest trailer for their new movie, “Barbie.” Gerwig directs the project and she also co-wrote the script with her partner Baumbach. Previously, both scored Oscar nominations in the same year for their work on “Little Women” (Adapted Screenplay for Gerwig) and “Marriage Story” (Original Screenplay for Baumbach). With “Barbie,” the pair of filmmakers could become the first couple to win an Oscar for the same feature film since 2018.
Gerwig and Baumbach would be up for Best Original Screenplay together, while Gerwig could also be up for Best Director, and both could be up for Best Picture (as producers). If they were to win together, they’d become the 19th couple to take home a pair of Oscars for the same movie.
They’d join these 18 joint champs:
Muriel Box and Sydney Box for Best Original Screenplay (1947) — “The Seventh Veil...
Gerwig and Baumbach would be up for Best Original Screenplay together, while Gerwig could also be up for Best Director, and both could be up for Best Picture (as producers). If they were to win together, they’d become the 19th couple to take home a pair of Oscars for the same movie.
They’d join these 18 joint champs:
Muriel Box and Sydney Box for Best Original Screenplay (1947) — “The Seventh Veil...
- 4/27/2023
- by Jacob Sarkisian
- Gold Derby
Exclusive: Summer’s going to be a scorcher in London. Tarantino Live: Fox Force Five & the Tyranny of Evil Men is coming to town in June.
The cabaret-style stage show, a huge hit in Los Angeles where it’s still running after 13 years, heads to the Riverside Studios in Hammersmith from June 6 for a 10-week season through August 13.
Definitely fair to point out that there are as many Tarantino aficionados here in Blighty as there are in Tarantino’s manor in LA. Spend any time in the less trendy parts of Hackney in East London or across the river in Peckham and you’ll hear teens discuss their attire or their fast-food snacks while referencing a line from a Tarantino movie. Some of these kids weren’t born when some of these movies first came out yet they know them. They know them scene-by-scene, line-by-line. They’ll be queueing, in an orderly fashion,...
The cabaret-style stage show, a huge hit in Los Angeles where it’s still running after 13 years, heads to the Riverside Studios in Hammersmith from June 6 for a 10-week season through August 13.
Definitely fair to point out that there are as many Tarantino aficionados here in Blighty as there are in Tarantino’s manor in LA. Spend any time in the less trendy parts of Hackney in East London or across the river in Peckham and you’ll hear teens discuss their attire or their fast-food snacks while referencing a line from a Tarantino movie. Some of these kids weren’t born when some of these movies first came out yet they know them. They know them scene-by-scene, line-by-line. They’ll be queueing, in an orderly fashion,...
- 4/18/2023
- by Baz Bamigboye
- Deadline Film + TV
The Academy Awards have every reason to boast about their diversity and inclusion of women this year. Greta Gerwig (“Lady Bird”), Emily V. Gordon (“The Big Sick”) and Vanessa Taylor (“The Shape of Water”) are among the nominees for Best Original Screenplay. However, women have been drastically underrepresented among winners, and no woman has won either writing category in 10 years.
To date only 16 women have ever won an Oscar for writing, starting with Frances Marion, who won Best Original Story for “The Big House” (1930) and “The Champ” (1931). Then Muriel Box became the first woman to win Best Original Screenplay when she prevailed with her co-writer and husband Sydney Box for “The Seventh Veil” (1945).
But you have to fast-forward another 46 years before any woman won this category solo: Callie Khouri for her classic screenplay for “Thelma & Louise” (1991). Two years later, Jane Campion would also take home Original Screenplay for “The Piano...
To date only 16 women have ever won an Oscar for writing, starting with Frances Marion, who won Best Original Story for “The Big House” (1930) and “The Champ” (1931). Then Muriel Box became the first woman to win Best Original Screenplay when she prevailed with her co-writer and husband Sydney Box for “The Seventh Veil” (1945).
But you have to fast-forward another 46 years before any woman won this category solo: Callie Khouri for her classic screenplay for “Thelma & Louise” (1991). Two years later, Jane Campion would also take home Original Screenplay for “The Piano...
- 1/31/2018
- by Amanda Spears
- Gold Derby
Kumail Nanjiani was best known as a stand-up comedian and one of the stars of HBO’s “Silicon Valley.” But he took that classic advice to “write what you know” literally and penned “The Big Sick” with his wife Emily V. Gordon about how they met and fell in love, and how in the midst of that she fell gravely ill. Now the couple is nominated for an Oscar for Best Original Screenplay, and if “The Big Sick” wins not only would it be a fairy-tale ending for the pair, but Nanjiani would make history as the first person of Asian descent to win for writing.
Hanif Kureishi, who like Nanjiani is of Pakistani descent, made history as the first Asian writer nominated for Best Original Screenplay for “My Beautiful Laundrette” (1986). Then Indian-born M. Night Shyamalan revolutionized storytelling with his original screenplay for “The Sixth Sense” (1999) and reaped a nomination 13 years later.
Hanif Kureishi, who like Nanjiani is of Pakistani descent, made history as the first Asian writer nominated for Best Original Screenplay for “My Beautiful Laundrette” (1986). Then Indian-born M. Night Shyamalan revolutionized storytelling with his original screenplay for “The Sixth Sense” (1999) and reaped a nomination 13 years later.
- 1/30/2018
- by Amanda Spears
- Gold Derby
Movies dealing with witchcraft are usually lumped in with the supernatural, so they’re sometimes unfairly shoved to the back of the horror line. However, I truly believe they should have their own category. With supernatural horror, forces are typically thrust upon a protagonist, revenge for misbegotten deeds perpetrated upon the deceased, or righting of wrongs from beyond the pale. Where witchcraft sets itself apart is in the approach – yes, it does deal with the unseen, unkempt and unwanted from beyond – but these forces are usually conjured by a human, for good or nefarious purposes. It’s definitely a case of “don’t call us, we’ll call you”, and you won’t find a finer example of filmic witchery than 1962’s Burn, Witch, Burn.
A British production (Independent Artists), Burn, Witch, Burn was picked up and distributed in North America by American International Pictures. In the U.K., it...
A British production (Independent Artists), Burn, Witch, Burn was picked up and distributed in North America by American International Pictures. In the U.K., it...
- 2/13/2016
- by Scott Drebit
- DailyDead
In her new book Rachel Cooke re-examines the 1950s through 10 women who pioneered in their careers. In this extract she tells the stories of sisters-in-law Muriel and Betty Box, two prominent women in the British film industry
Until recently, anyone who wanted to see the film To Dorothy a Son had to lock themselves deep in the bowels of the British Film Institute off Tottenham Court Road, London, and watch it on an old Steenbeck editing machine. A little-known comedy from 1954, To Dorothy is no one's idea of a classic. It has an infuriating star in Shelley Winters, a creaky screenplay by Peter Rogers (later the producer of the Carry On series) and a set that looks as if it is on loan from a local amateur dramatics society.
We are in the home of Tony (John Gregson) and his baby-faced wife, Dorothy (Peggy Cummins). Dorothy is heavily pregnant, and confined to bed.
Until recently, anyone who wanted to see the film To Dorothy a Son had to lock themselves deep in the bowels of the British Film Institute off Tottenham Court Road, London, and watch it on an old Steenbeck editing machine. A little-known comedy from 1954, To Dorothy is no one's idea of a classic. It has an infuriating star in Shelley Winters, a creaky screenplay by Peter Rogers (later the producer of the Carry On series) and a set that looks as if it is on loan from a local amateur dramatics society.
We are in the home of Tony (John Gregson) and his baby-faced wife, Dorothy (Peggy Cummins). Dorothy is heavily pregnant, and confined to bed.
- 10/5/2013
- by Rachel Cooke
- The Guardian - Film News
Czech-born actor best known as Inspector Clouseau's crazed boss in the Pink Panther films
Herbert Lom, who has died aged 95, spent more than 50 years in dramatic roles, playing mostly smooth villains, but he was best known for his portrayal of Charles Dreyfus, the hysterically twitching boss of the bumbling Inspector Clouseau (Peter Sellers) in the series of slapstick Pink Panther comedies. "Give me 10 men like Clouseau and I could destroy the world," blurts out the bewildered Dreyfus in A Shot in the Dark (1964).
Herbert Charles Angelo Kuchacevich ze Schluderpacheru was born into an impoverished aristocratic family in Prague. He studied philosophy at Prague University, where he organised student theatre. In 1939, on the eve of the German invasion of Czechoslovakia, he arrived in Britain with his Jewish girlfriend, Didi, but she was sent back at Dover because she did not have the correct papers. Her subsequent death in a concentration...
Herbert Lom, who has died aged 95, spent more than 50 years in dramatic roles, playing mostly smooth villains, but he was best known for his portrayal of Charles Dreyfus, the hysterically twitching boss of the bumbling Inspector Clouseau (Peter Sellers) in the series of slapstick Pink Panther comedies. "Give me 10 men like Clouseau and I could destroy the world," blurts out the bewildered Dreyfus in A Shot in the Dark (1964).
Herbert Charles Angelo Kuchacevich ze Schluderpacheru was born into an impoverished aristocratic family in Prague. He studied philosophy at Prague University, where he organised student theatre. In 1939, on the eve of the German invasion of Czechoslovakia, he arrived in Britain with his Jewish girlfriend, Didi, but she was sent back at Dover because she did not have the correct papers. Her subsequent death in a concentration...
- 9/27/2012
- by Ronald Bergan
- The Guardian - Film News
Czech-born actor Herbert Lom has passed away in London at the age of 95 reports The New York Times.
Over five decades he appeared in more than 100 movies and television shows playing suave leading men, interesting character parts and villains alike.
He'll most be remembered for his role as Chief Inspector Dreyfus, Inspector Clouseau's twitchy and long-suffering superior, in the "Pink Panther" film series. First appearing in "A Shot in the Dark", the character is driven insane on more than one occasion by Clouseau's bungling.
The varied roles in his career included a gangster in the original "The Ladykillers", a pirate in "Spartacus", a psychiatrist in "The Seventh Veil", a harbor master in "Fire Down Below", a neurologist in Cronenberg's "The Dead Zone", a doctor in 1979's "The Lady Vanishes", a German colonel in the 1985 take on "King Solomon’s Mines", a Muslim leader in "El Cid", and a witch...
Over five decades he appeared in more than 100 movies and television shows playing suave leading men, interesting character parts and villains alike.
He'll most be remembered for his role as Chief Inspector Dreyfus, Inspector Clouseau's twitchy and long-suffering superior, in the "Pink Panther" film series. First appearing in "A Shot in the Dark", the character is driven insane on more than one occasion by Clouseau's bungling.
The varied roles in his career included a gangster in the original "The Ladykillers", a pirate in "Spartacus", a psychiatrist in "The Seventh Veil", a harbor master in "Fire Down Below", a neurologist in Cronenberg's "The Dead Zone", a doctor in 1979's "The Lady Vanishes", a German colonel in the 1985 take on "King Solomon’s Mines", a Muslim leader in "El Cid", and a witch...
- 9/27/2012
- by Garth Franklin
- Dark Horizons
We look back at the work of Herbert Lom, the much-loved Czech-born actor who has died aged 95. His career took in everything from low-budget noir to the Pink Panther movies
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A refugee from the Nazis at the age of 22, Lom arrived in London in 1939 and immediately set about continuing the acting career he'd started in his home city of Prague. His first role was a small but eyecatching one: Napoleon, in the Fox-produced biopic The Young Mr Pitt, with Robert Donat as the wily but principled British prime minister – starts at 6:30. (He would play Boney again in 1956, in the Audrey Hepburn War and Peace.)
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Lom's unmistakeable charisma quickly won him admirers: though lead roles would be few and far between later on, he quickly scored one as the mysterious hypnotist in Brit thriller The Dark Tower, where he exerts his fateful,...
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A refugee from the Nazis at the age of 22, Lom arrived in London in 1939 and immediately set about continuing the acting career he'd started in his home city of Prague. His first role was a small but eyecatching one: Napoleon, in the Fox-produced biopic The Young Mr Pitt, with Robert Donat as the wily but principled British prime minister – starts at 6:30. (He would play Boney again in 1956, in the Audrey Hepburn War and Peace.)
Reading on mobile? Watch here
Lom's unmistakeable charisma quickly won him admirers: though lead roles would be few and far between later on, he quickly scored one as the mysterious hypnotist in Brit thriller The Dark Tower, where he exerts his fateful,...
- 9/27/2012
- by Andrew Pulver
- The Guardian - Film News
Sad news in Tinseltown. Actor Herbert Lom, best known for playing Clarles Dreyfus, the exasperated police commissioner and boss of Peter Sellers' Inspector Clouseau in the Pink Panther films, died Thursday at age 95, per the BBC. His family said he passed away peacefully in his sleep. Throughout his career, the Czech-born thespian appeared in more than 100 films, portraying Napoleon in 1942's A Young Mr. Pitt and again in 1956's War and Peace. He also notably starred in The Seventh Veil with James Mason in 1945, and alongside Alec Guinness and a pre-Clouseau Sellers in the 1955 comedy The Ladykillers. His most recent role was that of a professor in the 2004 TV movie Marple: The Murder at...
- 9/27/2012
- E! Online
James Mason movies Turner Classic Movies, Saturday, August 11 (Edt) 6:00 Am Lord Jim (1965). After turning coward, a naval officer tries to redeem himself by helping Asian natives stage a revolution. Director: Richard Brooks. Cast: Peter O’Toole, James Mason, Curt Jurgens. Color, 154 minutes. Letterbox. 8:45 Am Thunder Rock (1942). A disillusioned writer moves into a lighthouse where some ghostly visitors restore his faith. Director: Roy Boulting. Cast: Michael Redgrave, Barbara Mullen, James Mason. Black and white, 107 minutes. 11:00 Am The Seventh Veil (1945). A concert pianist with amnesia fights to regain her memory. Director: Compton Bennett. Cast: James Mason, Ann Todd, [...]...
- 8/11/2012
- by Andre Soares
- Alt Film Guide
Compton Bennett burst upon the British filmmaking scene in 1945 with The Seventh Veil, a weird, sado-masochistically-inflected semi-gothic love story which did much to boost the careers of Ann Todd (neurotic piano prodigy), James Mason (sadistic music teacher) and Herbert Lom (sympathetic psychotherapist). By 1960 he was working mainly in television, having sunk into a kind of middlebrow lethargy along with most British cinema. But in 1948, at the peak of UK cinematic creativity, he directed Daybreak, one of the few British noirs, and a bleaker story than many of the social realist dramas that followed Bennett's career in the sixties. In fact, as with many of the best downbeat stories, the movie somehow leaves the audience exhilarated, glad to be alive.
This is a movie which, as Sam Goldwyn might put it, begins at a hanging and descends deeper into misery from there. Eric Portman (best known perhaps as the sinister squire...
This is a movie which, as Sam Goldwyn might put it, begins at a hanging and descends deeper into misery from there. Eric Portman (best known perhaps as the sinister squire...
- 6/17/2010
- MUBI
To celebrate its 20th Anniversary, it appears as though the Tiff Cinematheque is set to pull out all the stops.
According to Criterion, the Tiff, formerly known as the Cinematheque Ontario, will be bringing out a rather superb and cartoonishly awesome summer schedule, that will include films ranging from Kurosawa pieces, to films from Pier Paolo Pasolini. Other films include a month long series dedicated to James Mason, Eric Rohmer’s Six Moral Tales, a tribute to Robin Wood, and most interesting, a retrospective on the works of one Catherine Breillat.
Personally, while the Kurosawa, Pasolini, and Rohmer collections sound amazing, the Breillat series is ultimately the collective that I am most interested in. Ranging from films like the brilliant Fat Girl, to the superb and underrated Anatomy of Hell, these are some of the most interesting and under seen pieces of cinema of recent memory, and are more than...
According to Criterion, the Tiff, formerly known as the Cinematheque Ontario, will be bringing out a rather superb and cartoonishly awesome summer schedule, that will include films ranging from Kurosawa pieces, to films from Pier Paolo Pasolini. Other films include a month long series dedicated to James Mason, Eric Rohmer’s Six Moral Tales, a tribute to Robin Wood, and most interesting, a retrospective on the works of one Catherine Breillat.
Personally, while the Kurosawa, Pasolini, and Rohmer collections sound amazing, the Breillat series is ultimately the collective that I am most interested in. Ranging from films like the brilliant Fat Girl, to the superb and underrated Anatomy of Hell, these are some of the most interesting and under seen pieces of cinema of recent memory, and are more than...
- 5/26/2010
- by Joshua Brunsting
- CriterionCast
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