(See previous post: Fourth of July Movies: Escapism During a Weird Year.) On the evening of the Fourth of July, besides fireworks, fire hazards, and Yankee Doodle Dandy, if you're watching TCM in the U.S. and Canada, there's the following: Peter H. Hunt's 1776 (1972), a largely forgotten film musical based on the Broadway hit with music by Sherman Edwards. William Daniels, who was recently on TCM talking about 1776 and a couple of other movies (A Thousand Clowns, Dodsworth), has one of the key roles as John Adams. Howard Da Silva, blacklisted for over a decade after being named a communist during the House Un-American Committee hearings of the early 1950s (Robert Taylor was one who mentioned him in his testimony), plays Benjamin Franklin. Ken Howard is Thomas Jefferson, a role he would reprise in John Huston's 1976 short Independence. (In the short, Pat Hingle was cast as John Adams; Eli Wallach was Benjamin Franklin.) Warner...
- 7/5/2017
- by Andre Soares
- Alt Film Guide
How would you program this year's newest, most interesting films into double features with movies of the past you saw in 2015?Looking back over the year at what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2015—in theatres or at a festival—and creatively pair it with an old film they also saw in 2015 to create a unique double feature.All the contributors were given the option to write some text explaining their 2015 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch...
- 1/4/2016
- by Notebook
- MUBI
Below you will find our total coverage of the 2015 Berlin International Film Festival. New interviews will be added to the index as they are published.
Correspondences
Between Adam Cook and Daniel Kasman
#1
Introduction by Daniel Kasman
#2
Adam Cook continues the festival introduction
#3
Daniel Kasman on Guy Maddin and Evan Johnson's The Forbidden Room, Jafar Panahi's Taxi
#4
Adam Cook on Jem Cohen's Counting, Guy Maddin and Evan Johnson's The Forbidden Room, Jafar Panahi's Taxi
#5
Daniel Kasman on Berlin Critics' Week, Nathalie Nambot and Maki Berchache's Brûle la mer, Kevin B. Lee's Transformers: The Premake, Alex Ross Perry's Queen of Earth
#6
Adam Cook on Pablo Larraín's The Club, Kidlat Tahimik's Balikbayan #1 Memories of Overdevelopment Redux III, Andrew Haigh's 45 Years, Wim Wenders' Everything Will Be Fine
#7
Daniel Kasman on Werner Herzog's Queen of the Desert, Patricio Guzmán's The Pearl...
Correspondences
Between Adam Cook and Daniel Kasman
#1
Introduction by Daniel Kasman
#2
Adam Cook continues the festival introduction
#3
Daniel Kasman on Guy Maddin and Evan Johnson's The Forbidden Room, Jafar Panahi's Taxi
#4
Adam Cook on Jem Cohen's Counting, Guy Maddin and Evan Johnson's The Forbidden Room, Jafar Panahi's Taxi
#5
Daniel Kasman on Berlin Critics' Week, Nathalie Nambot and Maki Berchache's Brûle la mer, Kevin B. Lee's Transformers: The Premake, Alex Ross Perry's Queen of Earth
#6
Adam Cook on Pablo Larraín's The Club, Kidlat Tahimik's Balikbayan #1 Memories of Overdevelopment Redux III, Andrew Haigh's 45 Years, Wim Wenders' Everything Will Be Fine
#7
Daniel Kasman on Werner Herzog's Queen of the Desert, Patricio Guzmán's The Pearl...
- 2/24/2015
- by Notebook
- MUBI
Dear Danny,
Ah, yes, the plague of "not getting it" is one that afflicts all of us festival-goers on occasion, but I admire your willingness to write on Peter Kern's peculiar film as well as Jiang Wen's totally gonzo farce (which you were nevertheless able to appreciate more than myself). As you and I both know, "getting it" isn't completely necessary and doesn't always get in the way of enjoyment and appreciation. Being a relaxed and open-minded viewer doesn't always make one an expert, but hopefully it prepares them for being responsive, a quality we should all aspire to whether we find ourselves in or outside of our wheelhouses.
In my previous letter, I teased at an incredible viewing experience I had, and indeed it may be one my all-time favourite screenings. Let me start off by describing what is my new favourite place to sit and watch a...
Ah, yes, the plague of "not getting it" is one that afflicts all of us festival-goers on occasion, but I admire your willingness to write on Peter Kern's peculiar film as well as Jiang Wen's totally gonzo farce (which you were nevertheless able to appreciate more than myself). As you and I both know, "getting it" isn't completely necessary and doesn't always get in the way of enjoyment and appreciation. Being a relaxed and open-minded viewer doesn't always make one an expert, but hopefully it prepares them for being responsive, a quality we should all aspire to whether we find ourselves in or outside of our wheelhouses.
In my previous letter, I teased at an incredible viewing experience I had, and indeed it may be one my all-time favourite screenings. Let me start off by describing what is my new favourite place to sit and watch a...
- 2/16/2015
- by Adam Cook
- MUBI
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