Homer Simpson’S Not An Abetting Man
I probably shouldn’t do this. But you know me. Even if you don’t, I know me. Know me well enough to know that, it doesn’t matter whether I should do it. Like the Mean Widdle Kid, I dood it.
(Boy, there’s a joke that you either won’t get or won’t want to admit you’re old enough to get.)
The Simpsons is a comedy show, satirical and not to be taken as an accurate portrayal of anything. The same applies to the comic books based on The Simpsons. Even if The Simpsons were supposed to be as realistic as a Rembrandt, their stories take place in Springfield, whose chief of police is Clancy Wiggum. Let’s face it, if Clancy’s the chief law-enforcement officer, then the laws he’s enforcing have probably been simplified so he can understand them.
I probably shouldn’t do this. But you know me. Even if you don’t, I know me. Know me well enough to know that, it doesn’t matter whether I should do it. Like the Mean Widdle Kid, I dood it.
(Boy, there’s a joke that you either won’t get or won’t want to admit you’re old enough to get.)
The Simpsons is a comedy show, satirical and not to be taken as an accurate portrayal of anything. The same applies to the comic books based on The Simpsons. Even if The Simpsons were supposed to be as realistic as a Rembrandt, their stories take place in Springfield, whose chief of police is Clancy Wiggum. Let’s face it, if Clancy’s the chief law-enforcement officer, then the laws he’s enforcing have probably been simplified so he can understand them.
- 12/9/2016
- by Bob Ingersoll
- Comicmix.com
Jazz musician Hazel Scott unexpectedly appears in Vincente Minnelli's second film, I Dood It (1943)—which showed up for an extremely rare screening on celluloid at BAMcinématek's retrospective on the filmmaker, which ends tonight—and in one astounding camera dolly and crane, beginning a three-shot performance, plays an astounding cover of Takin' a Chance and injects the film with much of the warmth, character, play and sexiness missing from the movie's central romcom between Red Skelton and Eleanor Powell. A friend compared this scene's cinema to that of Straub-Huillet's The Chronicle of Anna Magdalena Bach.
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Special thanks to Jake Perlin for making this screening possible.
***
Special thanks to Jake Perlin for making this screening possible.
- 11/3/2011
- MUBI
"At least you can see they're really trying to make a good festival," commented, with typical dry wit, one of the (very) few international colleagues the Brigade considers at least something of a crypto-Ferronian. Hard to argue with that, as Locarno's program still shows the signs of having to battle back and forth with the two heaviest lifters on the festival calendar, Cannes and Venice—yet mostly, the Ferroni Brigade had a grand time this year.
Of course, more often then not, when dispirited acquaintances met a merry Brigadier in between screenings, the answer to their inevitable question would be: "Coming from (and returning to) a retrospective, of course!"—but also among new films, we ended up with more truly interesting stuff than in the previous year. Not all of it true donkey material, for different reasons. Nevertheless, there were quite a few Ferronian pleasures out there, some of them more touching than others,...
Of course, more often then not, when dispirited acquaintances met a merry Brigadier in between screenings, the answer to their inevitable question would be: "Coming from (and returning to) a retrospective, of course!"—but also among new films, we ended up with more truly interesting stuff than in the previous year. Not all of it true donkey material, for different reasons. Nevertheless, there were quite a few Ferronian pleasures out there, some of them more touching than others,...
- 9/21/2011
- MUBI
To honor the passing of the great songwriter Hugh Martin Friday at 96 years of age, a repost of a review of one of my 100 favorite movies, a member of my personal canon. (If you joined us after 2008 you can pretend it's a new essay!) Imagine giving the world such perfectly crafted enduring gifts as "Have Yourself a Merry Little Christmas" and "The Trolley Song". R.I.P. Mr. Martin.
Meet Me in St. Louis "The Blossoming of Judy Garland"
Meet Me in St. Louis (1944)
Directed by Vincente Minnelli; Written by Irving Brecher and Fred F Finklehoffe from the novel "5135 Kensington" by Sally Benson; Starring Judy Garland, Mary Astor, Leon Ames, Margaret O'Brien, Lucille Bremer, Harry Davenport, June Lockhart, Tom Drake and Marjorie Main; Production & Distributor Metro-Goldwyn-Mayer (MGM); Released 11/28/1944
It's Summer 1903 in Missouri and the Smith family are buzzing about the World's Fair coming to their town the following spring. Teenage...
Meet Me in St. Louis "The Blossoming of Judy Garland"
Meet Me in St. Louis (1944)
Directed by Vincente Minnelli; Written by Irving Brecher and Fred F Finklehoffe from the novel "5135 Kensington" by Sally Benson; Starring Judy Garland, Mary Astor, Leon Ames, Margaret O'Brien, Lucille Bremer, Harry Davenport, June Lockhart, Tom Drake and Marjorie Main; Production & Distributor Metro-Goldwyn-Mayer (MGM); Released 11/28/1944
It's Summer 1903 in Missouri and the Smith family are buzzing about the World's Fair coming to their town the following spring. Teenage...
- 3/14/2011
- by NATHANIEL R
- FilmExperience
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