Just like Dr. Logan, Waxwork Records has been keeping busy with new vinyl horror score releases this year, and now they're resurrecting two favorites as re-issues with a slightly new look: George A. Romero's Day of the Dead and Sam Raimi's Darkman:
Press Release: Waxwork Records is beyond thrilled to present George A. Romero’s Day Of The Dead Original Motion Picture Score on deluxe double vinyl. Originally released by Waxwork in 2013 and 2014, and selling out almost immediately, the score to George A. Romero’s Day Of The Dead by composer John Harrison (Creepshow, Tales From The Dark Side) is 100% synth driven, dark, and blends elements of tropical compositions and atonal, droning electronic cues.
In 2013, Waxwork and composer John Harrison unearthed the original, lost 1985 master tapes containing the complete Day Of The Dead film score from the attic of a recording studio in Pittsburgh, Pa. After painstakingly restoring,...
Press Release: Waxwork Records is beyond thrilled to present George A. Romero’s Day Of The Dead Original Motion Picture Score on deluxe double vinyl. Originally released by Waxwork in 2013 and 2014, and selling out almost immediately, the score to George A. Romero’s Day Of The Dead by composer John Harrison (Creepshow, Tales From The Dark Side) is 100% synth driven, dark, and blends elements of tropical compositions and atonal, droning electronic cues.
In 2013, Waxwork and composer John Harrison unearthed the original, lost 1985 master tapes containing the complete Day Of The Dead film score from the attic of a recording studio in Pittsburgh, Pa. After painstakingly restoring,...
- 9/26/2017
- by Derek Anderson
- DailyDead
Good neighbor policy? Wartime exigencies inspired an intra-hemisphere cultural exchange, with the movies seizing on the new popularity of Latin music. Republic’s contribution gives us the great songs of Ady Barroso and a full soundtrack of his compositions — in a featherweight musical romance, of course.
Brazil
Blu-ray
Olive Films
1944 / B&W / 1:37 flat Academy / 91 min. / Street Date December 6, 2016 / available through the Olive Films website / 29.98
Starring Tito Guízar, Virginia Bruce, Edward Everett Horton, Robert Livingston, Veloz and Yolanda, Fortunio Bonanova, Richard Lane, Frank Puglia, Aurora Miranda, Billy Daniel, Dan Seymour, Roy Rogers.
Cinematography Jack A. Marta
Film Editor Fred Allen
Songs Ary Barroso, Hoagy Carmichael
Written by Frank Gill Jr., Laura Kerr, Richard English
Produced by Robert North
Directed by Joseph Santley
Reviewed by Glenn Erickson
The wartime ‘Good Neighbor Policy’ was a P.R. blitz intended to steer South America toward the U.S. and away from the Axis.
Brazil
Blu-ray
Olive Films
1944 / B&W / 1:37 flat Academy / 91 min. / Street Date December 6, 2016 / available through the Olive Films website / 29.98
Starring Tito Guízar, Virginia Bruce, Edward Everett Horton, Robert Livingston, Veloz and Yolanda, Fortunio Bonanova, Richard Lane, Frank Puglia, Aurora Miranda, Billy Daniel, Dan Seymour, Roy Rogers.
Cinematography Jack A. Marta
Film Editor Fred Allen
Songs Ary Barroso, Hoagy Carmichael
Written by Frank Gill Jr., Laura Kerr, Richard English
Produced by Robert North
Directed by Joseph Santley
Reviewed by Glenn Erickson
The wartime ‘Good Neighbor Policy’ was a P.R. blitz intended to steer South America toward the U.S. and away from the Axis.
- 12/10/2016
- by Glenn Erickson
- Trailers from Hell
Like many film enthusiasts, I love the Criterion Collection. I scoff at some of their selections—I won’t name names—but for the most part, I anticipate new releases with excitement and glee (June’s slate is particularly amazing). Of course, due to lack of finances, I can’t buy as many as I would like – though someday, I will own the entire collection, despite the current economy offering little to no financial opportunity for an individual with my interests and skill set, but I digress.
I do, however, have a minor beef with Criterion. While admiring most of their titles, I’d love to see more emphasis on genre stuff—especially horror. And don’t get me wrong, Criterion boasts some excellent titles—Carnival of Lost Souls, Sisters, The Vanishing, Godzilla, The Devil’s Backbone, Repulsion, plus the highly anticipated release of Scanners being not far off—but they need more.
I do, however, have a minor beef with Criterion. While admiring most of their titles, I’d love to see more emphasis on genre stuff—especially horror. And don’t get me wrong, Criterion boasts some excellent titles—Carnival of Lost Souls, Sisters, The Vanishing, Godzilla, The Devil’s Backbone, Repulsion, plus the highly anticipated release of Scanners being not far off—but they need more.
- 4/14/2014
- by Griffin Bell
- SoundOnSight
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