BELOW ZERO
Aspect ratio: 1.37:1
Sound format: Mono
(Black and white - Short film)
A pair of bumbling street musicians (Laurel and Hardy) find a wallet in the snow, leading to a series of comic complications.
James Parrott's wonderful comedy short opens with L&H playing 'In the Good Old Summertime' to unappreciative passers-by during a heavy snow storm, only to discover they've been performing on the most unprofitable street in the city (I won't spoil the gag by revealing it here)! H.M. Walker's inspired screenplay piles disaster upon disaster for our hapless heroes, culminating in a restaurant encounter with outraged cop Frank Holliday and no-nonsense restaurateur Tiny Sandford. Like so many of these early shorts, the movie amounts to a loose assortment of comic incidents rather than a cohesive narrative, but it works like a charm. Highlights include L&H's encounter with hatchet-faced Blanche Payson, who responds with violent abandon to an errant snowball, and a surreal ending which closes proceedings on a slightly cryptic note (modern viewers will have their own idea what Stan whispers into Ollie's ear during the closing moments!). Photographed with vivid intensity by future filmmaker George Stevens, BELOW ZERO is one of the highlights of L&H's illustrious career.
Aspect ratio: 1.37:1
Sound format: Mono
(Black and white - Short film)
A pair of bumbling street musicians (Laurel and Hardy) find a wallet in the snow, leading to a series of comic complications.
James Parrott's wonderful comedy short opens with L&H playing 'In the Good Old Summertime' to unappreciative passers-by during a heavy snow storm, only to discover they've been performing on the most unprofitable street in the city (I won't spoil the gag by revealing it here)! H.M. Walker's inspired screenplay piles disaster upon disaster for our hapless heroes, culminating in a restaurant encounter with outraged cop Frank Holliday and no-nonsense restaurateur Tiny Sandford. Like so many of these early shorts, the movie amounts to a loose assortment of comic incidents rather than a cohesive narrative, but it works like a charm. Highlights include L&H's encounter with hatchet-faced Blanche Payson, who responds with violent abandon to an errant snowball, and a surreal ending which closes proceedings on a slightly cryptic note (modern viewers will have their own idea what Stan whispers into Ollie's ear during the closing moments!). Photographed with vivid intensity by future filmmaker George Stevens, BELOW ZERO is one of the highlights of L&H's illustrious career.