Romeo and Juliet in the Snow (1920) Poster

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7/10
A bright comedy
psteier4 July 2003
A broad parody of the Romeo and Juliet story. Set in a 19'th century Alpine village, Romeo and Juliet love each other but they can't marry because their families are feuding. Unlike Shakespeare, there's a happy ending.

Plenty of low humor. Nice sets and costumes. The best costumes were for scenes at a costume ball.
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7/10
Shakespeare Lubitsch-style
TheLittleSongbird22 April 2020
Do like very much to love a good deal of Ernst Lubitsch's later films and his distinctive directing style. His older films are also worth seeing, even though he had not fully evolved as a director yet at this point on the most part. Also was very interested as to how a comical version, or more like variation, of one of Shakespeare's most famous works and one of the most famous tragedies in literature, would fare and Lubitsch on paper sounded an intriguing choice of director to take it on.

He does so laudably. 'Romeo and Juliet in the Snow' is nowhere near one of his best and is far from perfect. It is though towards being one of his better early pictures, or more like high middle, rather than being towards the bottom. The premise works very well on the most part and is not near as distasteful as one might fear reading the premise, fearing that 'Romeo and Juliet' and comedy (which is of the broad kind here) would not gel. It actually in my opinion just about does.

'Romeo and Juliet in the Snow' has beautiful scenery first and foremost, as well as wonderfully extravagant costumes. Beautifully enhanced by the far from primitive photography. Especially at the costume ball. It is very entertaining throughout, the comedy is broad but is also a lot of fun and not repetitive or too silly.

The story is immensely charming and never felt dull or stagy, treating the subject tastefully. Despite being a comical variation of a tragedy, the source material isn't hugely disrespected and the treatment of it is always easy to follow and fun. Gustav von Wagenheim and Lotte Neumann are appealing as the lovers and have an affectionate and always believable chemistry.

Did think though that 'Romeo and Juliet in the Snow' is a little too short, with fifteen minutes more the ending may have been a little better rounded off. Did also find the ending a bit rushed and pat, though at least it was in keeping with the tone of the film.

Leads aside, some of the rest of the acting is on the histrionic side which did make some of the conflict a touch over the top.

On the whole, quite good. 7/10
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7/10
The Capulethofer And The Montekugerl
FerdinandVonGalitzien25 June 2010
The Capulethofer and the Montekugerl are two Teutonic families who are enemies because of an old dispute that even the courts couldn't resolve. This feud affects the younger members of the families as well, natürlich! Complications arise when young Romeo ( Herr Gustav von Wangenheim ), Herr Montekugerl's son , comes back home after some years of absence. He falls madly in love with Julia ( Frau Lotte Neumann ) ,Herr Capulethofer's daughter. This makes the enmity between the families even worse and Frau Julia is forced into an engagement with an innocent and clumsy boy. Desperate and seeing no hope that their families will ever understand them, the lovers decide upon a terrible solution: they will end their lives with poison.

Probably those learned longhaired youngsters who have read this Herr Graf's synopsis of this film named "Romeo Und Julia Im Schnee" ( Romeo And Julia In The Snow ), directed by Herr Ernst Lubitsch in the silent year of 1920, will know that it is not an original story by the German director but a free adaptation of the classic Shakespearian play "Romeo And Juliet". Of course, Herr Shakespeare himself was not adverse to borrowing stories from others for his own purposes and Herr Lubitsch was no different, having done adaptations of "Carmen" from Herr Prosper Mérimée's novel , the opera "Don César de Bazán" and Herr Oscar Wilde play "Lady Windermere's Fan" and handling all of them in his own original style, achieving marvellous films full of wit, irony, irreverence and laced with the particular Germanic sense of humor and sarcastic gags.

For example, Her Lubistch introduces to the audience the origins of the enmity among Montekugerls and Capulethofers with a clever prologue wherein the Verona families in Herr Shakespeare original manuscript become genuine Teutonic families who live in a typical snowy German village; A sibylline and wonderful gag in this part of the film finds both families trying to bribe the judge with two similar big sausages. The sarcastic judge resolves the complicated issue by weighing both sausages in the scales of the symbol of justice and deciding in favour of the Capulethofers because their sausage is heavier.

The film continues along the same lines with both families caricatured in an hilarious way. Funny too is the masked ball sequence where Romeo fools both Julia's father as well as her naive fiancée so he can be with his beloved. Then there is the climax where the distraught lovers decide to take their lives and repair to an apothecary to buy the poison (he actually just gives them a mixture of sugar and water). They find they don't have any money but the sardonic apothecary just tells them, "Pay me some other time." "Romeo Und Julia Im Schnee" is another delicious Herr Lubitsch early silent film, remarkable and original ( with Herr Shakespeare's permission ) and a good example of a drama being effectively turned into a comedy thanks to the artistry and genius of the director.

And now, if you'll allow me, I must temporarily take my leave because this German Count must court his own Teutonic Juliet.
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6/10
The star-crossed lovers in an alpine farce
netwallah8 February 2006
Warning: Spoilers
A short farcical version of the Shakespeare play, set in a wintry Tyrolean village, with feuding families the Capulethofers and the Montekugerls. All the characters are played for comic effect, especially the ridiculous feuding fathers, and many snowballs are hurled and many people fall down on an icy patch. The costume ball is particularly fun to watch, with cousin Tübalder in armor and an absurd winged helmet, and the authorized suitor in a yellow curly wig and angel wings. Better still are the five or six costumes involving enormous papier-maché heads. The apothecary gives the couple sugar-water instead of poison, and they don't die, of course, but the families, convinced they have died, admit their faults and the happy couple leap up and say "Surprise!" And everybody else falls down. Happy ending.
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4/10
Another forgettable German silent film, does not tell the great story justice
Horst_In_Translation30 October 2016
Warning: Spoilers
"Romeo und Julia im Schnee" or "Romeo and Juliet in the Snow" is a 45-minute movie from Germany and as it is from 1920, it will soon have its 100th anniversary. It is one of the earlier career works of German filmmaker Ernst Lubitsch and he was not even 30 when he made this one. But he was already collaborating with Hanns Kräly, a writer with whom Lubitsch worked together for a long time and this collaboration also resulted in an Oscar for Kräly later in his career, something Lubitsch himself never achieved. The title here gives away already that this is Lubitsch's take on the famous Shakespeare play about Romeo and Juliet and as Lubistch was mostly doing comedy in his early years, this one here is no exception. The names Capulethofer and Montekugerl already give away that the film does not take itself seriously at all. Oh yeah, I forgot, looking at this film's age, it is of course a silent black-and-white film, also like most other early works by Lubitsch. If you are a huge silent film buff, then a few of the names may seem familiar to you, but to general audiences (like myself) I am afraid most (or all) of the names in here have long been forgotten. And unfortunately I must say this film here does not really justify them to be remembered. I found it a fairly uninteresting watch and eventually I was glad it only runs for half of the usual feature film runtime. The attempts at comedy stayed attempts most of the time and were successful very rarely only. I don't think Shakespeare would have likes Lubitsch's approach. Thumbs down from me.
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