Robert Wiene repeats the techniques he used in "The Cabinet of Dr. Caligari" with far less success in "Genuine". His looming architectures and broad swaths of darkness are glaringly at odds with the utterly ridiculous story of the seductress-priestess-wild girl brought to unsuspecting Europe. There are some striking visual effects, such as the jungle of branches where Genuine climbs up and up to escape from her prison, but they don't add up to anything. (I should note that only fragments, adding up to about a half hour, survive of this movie; but I suspect that the parts I didn't see wouldn't have added any deeper meaning.)